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DEPARTMENT of MUSIC & DANCE KURUKSHETRA UNIVERSITY KURUKSHETRA (E-Lesson Plan) From: 2-3-2015 to 7-3-2015 Dated:28-2-201

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DEPARTMENT of MUSIC & DANCE KURUKSHETRA UNIVERSITY KURUKSHETRA (E-Lesson Plan) From: 2-3-2015 to 7-3-2015 Dated:28-2-201 DEPARTMENT OF MUSIC & DANCE KURUKSHETRA UNIVERSITY KURUKSHETRA (E-lesson Plan) From: 2-3-2015 to 7-3-2015 Dated:28-2-2015 Days Classes Paper Unit Topic of Theory/Practical Monday MPA (IV) Practical I Raag Bhairav MA (P) Practical I Raag Puriya MPA (V) Theory IV Tunning-Guitar, Nagara, Khol and Naal MA (F) Practical I Raag Aabogi Kanra MPA (II) Theory Sec-B Methods of Tunning of your Instrument Tuesday MPA (IV) Theory I Raag Bhairav Introduction MA (P) Practical I Raag Puriya MPA (V) Practical IV Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra MPA (II) Practical I Raag Khamaj M.PHIL. Practical Opt. 1 Raag Bhatiar Wednesday MPA (IV) Practical I Raag Bhairav Revision MA (P) Practical I Bharav Revision MPA (V) Practical I Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra MPA (II) Practical I Raag Khamaj Thursday MPA (IV) Practical I Raag Bhairav Revision MA (P) Practical I Raag Puriya MPA (V) Theory IV Tunning-Shehnai, Shankh and Calarnet MA (F) Practical I Raag Aabogi Kanra M.PHIL. Practical I Raag Bhatiyar Friday MPA (IV) Practical I Raag Bhairav Revision MA (P) Practical I Raag Puriya MPA (V) Practical I Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra M.PHIL. Practical Opt. 1 Raag Bhatiar Saturday MA (P) Practical I Raag Puriya MPA (IV Theory I Raag Bhairav Introduction Dr.Sanjeev Sharma Days Classes Paper Unit Topic of Theory/Practical Monday M.A.(P) III Practical - Raag Nat-Bhairav (Revision) II II Theory- Music in Puranas M.A.(F) V Practical- Raag Bhimplasi-vilambit Tuesday M.A.(P) III Practical - Raag Bhairav (Taan & Basics of Bhairav M.A.(F) V Ragang) MPA-IV V Practical- Raag Bhimplasi- with alap Wednesday M.A.(P) Practical - Raag Bhairav (Vilambit) MPA-IV M.A.(F) Thursday M.A.(P) III Practical - Raag Bhairav- Introduction & Practice M.Phil. Practical- Raag Gujri Todi – Revision Practical- Raag Bhimplasi-Drut Khayal M.A.(F) V Friday M.A.(P) M.Phil. II Theory – Different sources of Resarch M.A.(F) V Practical- Raag Bhimplasi- Vilambit Khayal Saturday M.A.(P) II I Theory- Revision of Sanhityon Mein Sangeet Practical- Raag Gujri Todi – Continue M.A.(F) II Theory- Secondary sources of Research M.Phil. Prof. Shuchismita Days Classes Paper Unit Topic of Theory/Practical Monday MPA (V) V i. Project work (File Work) MA (F) III ii. Rag Darbari, Taan and Alap MPA (IV) V iii. Project work (File Work) Tuesday MPA (V) V i. Project work (File Work) MPA (IV) V ii. Project work (File Work) Wednesday MPA (V) V i. Project work (File Work) MPA (IV) V ii. Project work (File Work) Thursday MA (P) Theo-II III i. Music in Patanjali Treatise MPA (V) Theo-II IV ii. Contribution of Dattil and Matang MA (F) Prac. iii. Rag Darbari, Revision MA (P) Prac. II iv. Practical Practice Friday MPA (IV) Theo-II II i. Contribution of Dattil and Matang MA (F) Prac. III ii. Rag Darbari, Taan and Alap MA (P) Theo-II iii. Music in Patanjali Treatise MA (P) Prac. iv. Practical Practice Saturday MPA (IV) Theo-II II i. Contribution of Dattil and Matang MPA (V) Prac. ii. Practical Practice MPA (V) Theo-II II iii. Meaning, Definition and Intrpduction of Recording Dr. Ashok Kumar ‘Yaman’ Sr. Class Paper Unit Topic No. 1. M.Phil Practical Taan, Toda of Rag Gujri Todi (Revison) Theory Interrelationship between Ras and Rasa 2. M.A. (F) Practical Taan, Toda of Rag Maru Bihag (Revison) MPA (V) Theory Folk Tunes explain in detail of difference States (Cont.) 3. MA (P) Practical Taan, Toda of Rag Bageshwari (Revison) MPA (IV) Theory Detail Study og different Instruments (Cont.) Prof. Shakuntla Naagar Days Classes Paper Unit Topic of Theory/Practical Monday MA (P) IIIrd 1 Practice of Raga Begeshwari Practice of Raga Miyan ki Malhar MA (F) IIInd 1 Practice of Raga Sur Malhar M.Phil Opt. 1 Revision Of Unit III Tuesday MA(P) IInd 3 Practice of Raga Begeshwari MA(P) IIIrd 1 Practical Practice of Raga Miyan ki Malhar MA(F) IIIrd 1 Practice of Raga Rageswari Wednesday MA(P) IIIrd 1 Revision of Unit III MA(P) IInd 2 Theory Practice of Raga Puria Dhanashri MA(F) Vth 1 Practice of Raga Rageswari Thursday MA(P) IIIrd 1 Revision of Topic Unit-5 MA(F) IInd 1 Theory Practice of Raga Sur Malhar M.Phil Opt. 1 Friday MA(P) Holyday MA(F) M.Phil Practice of Raga Megh Malhar Saturday MA(F) IIIrd 1 Revision of Topic Unit-5 MA(F) IInd 1 Theory Dr. Aarti Sheokand Days Classes Paper Unit Topic of Theory/Practical Monday MPA(1st) IIIrd Sec. C(a) The role of Music in National integration Tuesday MPA(1 st ) IIIrd Sec. A(b) Detailed description of Raga Alhaiya Bilawal MPA(4 th ) IInd 5th Teaching of Music in Gharanas MPA(5 th ) Ist 5th Practice of Sooltal MPA(2 nd ) IIIrd Sec.A(b) Practice of Raga Bhairav Wednesday MPA(1st) IIIrd Sec. A(b) Practice of Raga Alhaiya Bilawal Druth Khayal MPA(5 th ) Ist 5th Practice of Tal Dhamar Thursday MPA(2 nd ) IIIrd Sec.A(b) Practice of Raga Khamaj MPA(5th) Theory Defination of Tala Chautal Friday MPA(2 nd ) Practical HOLYDAY MPA(4 th ) Theory MPA(5 th ) Saturday MPA(2 nd ) IIIrd Sec.A(b) Practice of Raga Khamaj MPA(4 th ) IInd 5th Comparative study of Raga Shudh Sarang & Vrindavani Sarang Knowledge of Melody MPA(5th) IInd 5th Dr. Shalu Rani Days Classes Paper Unit Topics of Theory / Practical Monday M.A (F) (V) Raag Malkauns- Bol Banav and Bol Baant Raag Malkauns- Sarang MPA (V) Practical Importance of stage Performance in MPA (IV) Practical Classical Music Tuesday M.A(P) Practical Raag Bihaag- Sargam and Bol Baant MPA (IV) M.Phil. Practical Raag Bairagi Bhairavi- Antra and Aalap M.A(F) Practical Raag Malkauns- Taan of Vilambit Khyal Wednesday MPA (IV) (I) Raag Bihag-Taan of Vilambit Khyal M.Phil. Practical Raag Bairagi Bhairav- Sargam Thursday MPA (IV) Practical (IV) Raag Bihag – Drut Khayal Bandish M.A (F) (II) Detail Study of Orchestration Friday M.A (P) Practical Raag Bihag- Bandish- Vilambit and Drut Khyal With Tabla MPA (V) Practical Raag Malkauns- Drut Khyal Bandish M.A(F) (II) (IV) Detail Study of Ravindra Sangeet Saturday M.Phil. Practical Raag Bairagi – Drut Khyal Bandish M.A (P) Practical Taan of Drut Khyal MPA (IV) Practical Swar Vistar of Drut Bandish Dr. Ashok Kumar Sharma DAY CLASS PAPER UNIT TOPIC MON M.P.A III III SEC A Raga Miyan ki malhar Drut basndish . M.P.A. II SEC B THEORY Lecture on comparative study of ragas M.P.A. V IV I Raga Nayaki kanhara ,alap and taan M.A. (P) III practical Raga Marwa introduction and general study TUE M.P.A. II IV Practical Raga jaijaiwanti drut bandish alap and taan WED M.P.A III III SEC A Raga Miyan ki malhar drut bandish M.P.A V IV I Raga Nayaki kanhara comparative study M.A. (P) III Practical Raga marwa drut bandish M.P.A II IV SEC A Raga jaijaiwanti drut bandish revision THU M.P.AIV & III I Raga marwa alap and taan M.A.(P) M.P.A. V IV I Raga nayki kanhara revision FRI M.A.(P)& III Practical Raga marwa comparative study M.P.A IV M.P.A V & IV I Raga nayki kanhara revision M.A. (F) SAT M.A.(F) & V I Raga nayki kanhara revision M.P.A V M.A.(F) V Raga Abhogi kanhara M.P.A IV II III Lecture on Role of media and internet in popularising Indian music Dr. Deepak Sharma Day Class Paper Topic Monday MPA 1 st Practical Raag Bhupali drut gat with toras, Practice MPA 4 th Practical Sound Forge Software Practice MPA 5 th Practical Window Movie Maker Practice Tuesday MPA 1 st Practical Raag Bhupali drut gat with toras, Practice MPA 4 th Practical Sound Forge Software Practice MPA 5 th Practical Window Movie Maker Practice Wednesday MPA 1 st Theory Sushir Vadyon ka vishleshan….. Revision MPA 4 th Practical Sound Forge Software Practice MPA 5 th Practical Window Movie Maker Practice MA (Pre.) Practical Raag Sham Kalyan drut gat with aalap Practice Thursday MPA 4 th Practical Sound Forge Software Practice Theory Basic Fundamentals of microphones MPA 5 th Practical Window Movie Maker Practice Friday MPA 4 th Practical Sound Forge Software Practice MPA 5 th Practical Window Movie Maker Practice MA (Pre.) Practical Raag Sham Kalyan drut gat with aalap Practice Saturday MPA 4 th Practical Sound Forge Software Practice MPA 5 th Practical Window Movie Maker Practice Theory Detailed study of constructing recording studio… Revision Dr. Purushotam Kumar MON MPA v 4 SEC- A KAYADA WITH TWO PALTA AND TIHAI IN 13 MPA II 1 SEC - A BEATS . M.A.(F) KAYADA IN JHAPTAAL AND ITS THREE PALTA . THEKA IN TEEN TAAL WITH ‘’BHARAV’’. TUE MPA V 4 SEC- A MPA II 1 SEC- A PRACTICE OF KAYDA AND PALTA 13 BEATS. PRACTICE OF KAYDA IN JHAP TAAL AND ITS ‘’VISTAR’’ WED MPA V 4 SEC- A MPA II 1 MPA II 1 SEC- A INTRODUCTION ABOUT PESHKAR AND VISTAR IN 13 BEATS. THU MPA III 1 PRACT. LIFE SKTCH OF PANDIT KISHAN MAHARAJ MPA V IV PRACT. PRACTICE OF PLAYING THEKA. MPA II 1 ONE TIPALLI PLAYING IN TEEN TAAL. ONE DARJEDAAR GAT IN TEEN TAAL . FRI MPA III THE PLAYING TECNIQUE OF SOOL TAAL AND ITS .
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