DEPARTMENT OF MUSIC & DANCE

KURUKSHETRA UNIVERSITY KURUKSHETRA

(E-lesson Plan)

From: 2-3-2015 to 7-3-2015 Dated:28-2-2015

Days Classes Paper Unit Topic of Theory/Practical

Monday MPA (IV) Practical I Raag MA (P) Practical I Raag MPA (V) Theory IV Tunning-Guitar, Nagara, Khol and Naal MA (F) Practical I Raag Aabogi Kanra MPA (II) Theory Sec-B Methods of Tunning of your Instrument

Tuesday MPA (IV) Theory I Raag Bhairav Introduction MA (P) Practical I Raag Puriya MPA (V) Practical IV Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra MPA (II) Practical I Raag M.PHIL. Practical Opt. 1 Raag Bhatiar

Wednesday MPA (IV) Practical I Raag Bhairav Revision MA (P) Practical I Bharav Revision MPA (V) Practical I Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra MPA (II) Practical I Raag Khamaj

Thursday MPA (IV) Practical I Raag Bhairav Revision MA (P) Practical I Raag Puriya MPA (V) Theory IV Tunning-Shehnai, Shankh and Calarnet MA (F) Practical I Raag Aabogi Kanra M.PHIL. Practical I Raag

Friday MPA (IV) Practical I Raag Bhairav Revision MA (P) Practical I Raag Puriya MPA (V) Practical I Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra M.PHIL. Practical Opt. 1 Raag Bhatiar

Saturday MA (P) Practical I Raag Puriya MPA (IV Theory I Raag Bhairav Introduction

Dr.Sanjeev Sharma Days Classes Paper Unit Topic of Theory/Practical

Monday M.A.(P) III Practical - Raag Nat-Bhairav (Revision) II II Theory- Music in Puranas M.A.(F) V Practical- Raag Bhimplasi-vilambit

Tuesday M.A.(P) III Practical - Raag Bhairav (Taan & Basics of Bhairav M.A.(F) V Ragang) MPA-IV V Practical- Raag Bhimplasi- with alap

Wednesday M.A.(P) Practical - Raag Bhairav (Vilambit) MPA-IV M.A.(F)

Thursday M.A.(P) III Practical - Raag Bhairav- Introduction & Practice

M.Phil. Practical- Raag Gujri – Revision

Practical- Raag Bhimplasi-Drut Khayal M.A.(F) V

Friday M.A.(P) M.Phil. II Theory – Different sources of Resarch M.A.(F) V Practical- Raag Bhimplasi- Vilambit Khayal

Saturday M.A.(P) II I Theory- Revision of Sanhityon Mein Sangeet Practical- Raag Gujri Todi – Continue M.A.(F) II Theory- Secondary sources of Research M.Phil.

Prof. Shuchismita

Days Classes Paper Unit Topic of Theory/Practical

Monday MPA (V) V i. Project work (File Work) MA (F) III ii. Rag Darbari, Taan and Alap MPA (IV) V iii. Project work (File Work)

Tuesday MPA (V) V i. Project work (File Work) MPA (IV) V ii. Project work (File Work)

Wednesday MPA (V) V i. Project work (File Work) MPA (IV) V ii. Project work (File Work)

Thursday MA (P) Theo-II III i. Music in Patanjali Treatise

MPA (V) Theo-II IV ii. Contribution of Dattil and Matang

MA (F) Prac. iii. Rag Darbari, Revision MA (P) Prac. II iv. Practical Practice

Friday MPA (IV) Theo-II II i. Contribution of Dattil and Matang

MA (F) Prac. III ii. Rag Darbari, Taan and Alap MA (P) Theo-II iii. Music in Patanjali Treatise MA (P) Prac. iv. Practical Practice

Saturday MPA (IV) Theo-II II i. Contribution of Dattil and Matang

MPA (V) Prac. ii. Practical Practice MPA (V) Theo-II II iii. Meaning, Definition and Intrpduction of Recording

Dr. Ashok Kumar ‘’ Sr. Class Paper Unit Topic No.

1. M.Phil Practical Taan, Toda of Rag Gujri Todi (Revison)

Theory Interrelationship between Ras and Rasa

2. M.A. (F) Practical Taan, Toda of Rag Maru (Revison) MPA (V) Theory Folk Tunes explain in detail of difference States (Cont.)

3. MA (P) Practical Taan, Toda of Rag Bageshwari (Revison) MPA (IV) Theory Detail Study og different Instruments (Cont.)

Prof. Shakuntla Naagar

Days Classes Paper Unit Topic of Theory/Practical

Monday MA (P) IIIrd 1 Practice of Begeshwari

Practice of Raga Miyan ki MA (F) IIInd 1

Practice of Raga Sur Malhar M.Phil Opt. 1 Revision Of Unit III Tuesday MA(P) IInd 3 Practice of Raga Begeshwari MA(P) IIIrd 1 Practical Practice of Raga Miyan ki Malhar MA(F) IIIrd 1 Practice of Raga Rageswari

Wednesday MA(P) IIIrd 1 Revision of Unit III

MA(P) IInd 2 Theory Practice of Raga Puria Dhanashri

MA(F) Vth 1

Practice of Raga Rageswari

Thursday MA(P) IIIrd 1 Revision of Topic Unit-5

MA(F) IInd 1 Theory Practice of Raga Sur Malhar

M.Phil Opt. 1

Friday MA(P) Holyday MA(F)

M.Phil Practice of Raga Megh Malhar

Saturday MA(F) IIIrd 1 Revision of Topic Unit-5

MA(F) IInd 1 Theory

Dr. Aarti Sheokand

Days Classes Paper Unit Topic of Theory/Practical

Monday MPA(1st) IIIrd Sec. C(a) The role of Music in National integration

Tuesday MPA(1 st ) IIIrd Sec. A(b) Detailed description of Raga Alhaiya Bilawal MPA(4 th ) IInd 5th Teaching of Music in MPA(5 th ) Ist 5th Practice of Sooltal MPA(2 nd ) IIIrd Sec.A(b) Practice of Raga Bhairav

Wednesday MPA(1st) IIIrd Sec. A(b) Practice of Raga Alhaiya Bilawal Druth Khayal

MPA(5 th ) Ist 5th Practice of Tal Dhamar

Thursday MPA(2 nd ) IIIrd Sec.A(b) Practice of Raga Khamaj

MPA(5th) Theory Defination of Tala Chautal

Friday MPA(2 nd ) Practical HOLYDAY

MPA(4 th ) Theory

MPA(5 th )

Saturday MPA(2 nd ) IIIrd Sec.A(b) Practice of Raga Khamaj

MPA(4 th ) IInd 5th Comparative study of Raga Shudh Sarang & Vrindavani Sarang

Knowledge of Melody MPA(5th) IInd 5th

Dr. Shalu Rani

Days Classes Paper Unit Topics of Theory / Practical

Monday M.A (F) (V) Raag - Bol Banav and Bol Baant Raag Malkauns- Sarang MPA (V) Practical Importance of stage Performance in MPA (IV) Practical Classical Music

Tuesday M.A(P) Practical Raag Bihaag- Sargam and Bol Baant MPA (IV)

M.Phil. Practical Raag Bairagi - Antra and Aalap M.A(F) Practical Raag Malkauns- Taan of Vilambit

Wednesday MPA (IV) (I) Raag Bihag-Taan of Vilambit Khyal M.Phil. Practical Raag Bairagi Bhairav- Sargam Thursday MPA (IV) Practical (IV) Raag Bihag – Drut Khayal Bandish M.A (F) (II) Detail Study of Orchestration

Friday M.A (P) Practical Raag Bihag- Bandish- Vilambit and Drut Khyal With Tabla MPA (V) Practical Raag Malkauns- Drut Khyal Bandish M.A(F) (II) (IV) Detail Study of Ravindra Sangeet

Saturday M.Phil. Practical Raag Bairagi – Drut Khyal Bandish M.A (P) Practical Taan of Drut Khyal MPA (IV) Practical Swar Vistar of Drut Bandish

Dr. Ashok Kumar Sharma

DAY CLASS PAPER UNIT TOPIC MON M.P.A III III SEC A Raga Miyan ki malhar Drut basndish . M.P.A. II SEC B THEORY Lecture on comparative study of M.P.A. V IV I Raga Nayaki kanhara ,alap and taan M.A. (P) III practical Raga Marwa introduction and general study

TUE M.P.A. II IV Practical Raga jaijaiwanti drut bandish alap and taan

WED M.P.A III III SEC A Raga Miyan ki malhar drut bandish M.P.A V IV I Raga Nayaki kanhara comparative study M.A. (P) III Practical Raga marwa drut bandish M.P.A II IV SEC A Raga jaijaiwanti drut bandish revision THU M.P.AIV & III I Raga marwa alap and taan M.A.(P) M.P.A. V IV I Raga nayki kanhara revision FRI M.A.(P)& III Practical Raga marwa comparative study M.P.A IV M.P.A V & IV I Raga nayki kanhara revision M.A. (F) SAT M.A.(F) & V I Raga nayki kanhara revision M.P.A V M.A.(F) V Raga Abhogi kanhara M.P.A IV II III Lecture on Role of media and internet in popularising Indian music

Dr. Deepak Sharma

Day Class Paper Topic Monday MPA 1 st Practical Raag Bhupali drut gat with toras, Practice

MPA 4 th Practical Sound Forge Software Practice

MPA 5 th Practical Window Movie Maker Practice Tuesday MPA 1 st Practical Raag Bhupali drut gat with toras, Practice

MPA 4 th Practical Sound Forge Software Practice

MPA 5 th Practical Window Movie Maker Practice Wednesday MPA 1 st Theory Sushir Vadyon ka vishleshan….. Revision

MPA 4 th Practical Sound Forge Software Practice

MPA 5 th Practical Window Movie Maker Practice

MA (Pre.) Practical Raag Sham drut gat with aalap Practice Thursday MPA 4 th Practical Sound Forge Software Practice

Theory Basic Fundamentals of microphones

MPA 5 th Practical Window Movie Maker Practice Friday MPA 4 th Practical Sound Forge Software Practice

MPA 5 th Practical Window Movie Maker Practice

MA (Pre.) Practical Raag Sham Kalyan drut gat with aalap Practice Saturday MPA 4 th Practical Sound Forge Software Practice

MPA 5 th Practical Window Movie Maker Practice

Theory Detailed study of constructing recording studio… Revision

Dr. Purushotam Kumar

MON MPA v 4 SEC- A KAYADA WITH TWO PALTA AND TIHAI IN 13 MPA II 1 SEC - A BEATS . M.A.(F) KAYADA IN JHAPTAAL AND ITS THREE PALTA . THEKA IN TEEN TAAL WITH ‘’BHARAV’’.

TUE MPA V 4 SEC- A MPA II 1 SEC- A PRACTICE OF KAYDA AND PALTA 13 BEATS. PRACTICE OF KAYDA IN JHAP TAAL AND ITS ‘’VISTAR’’ WED MPA V 4 SEC- A MPA II 1 MPA II 1 SEC- A INTRODUCTION ABOUT PESHKAR AND VISTAR IN 13 BEATS. THU MPA III 1 PRACT. LIFE SKTCH OF PANDIT KISHAN MAHARAJ MPA V IV PRACT. PRACTICE OF PLAYING THEKA. MPA II 1 ONE TIPALLI PLAYING IN TEEN TAAL. ONE DARJEDAAR GAT IN TEEN TAAL . FRI MPA III THE PLAYING TECNIQUE OF SOOL TAAL AND ITS . NIKAS. MPA V THE MPA V THE. MPA V PRAC INTRODUCTION OF LACKNOW AND ITS M.A.(F) T PLAING STYLE. A LECTURE ON TAAL SYSTEM IN SOUTH INDIAN SAT MPA III MUSIC. MPA V PRAC A LECTURE ON’’ YATI’’ IN MARGI TAAL SYSTEM. MPA V T A TUKRA IN TEEN TAAL AND ITS NIKAS. MPA V THE. PLAYING OF THEKA AND BHARAV IN VILAMBIT THE. JHAP TAAL. PRAC T A TIHAI IN EKTAAL AND ITS RIYAZ. A LECTURE ON ELEMENTS OF MARGI TAAL SYSTEM AND LAY LECTURE ON SHASHABD KRIYA IN MARGI TAAL SYSTEM. A CHAZKKARDAR IN 13 BEATS .

Dr. Gyan Sagar Singh

DAYS CLASSES PAPER UNIT TOPICS

MON MA(P) & PRACTICAL 1 Raga Shuddha Sarang Vilambit khayal MPA IV Sathai,Alaps,Antra,Sargam&Taans.

MA(F) & PRACTICAL 1 Raga Chandrakouns Vlambit Khayal Sathai&Alaps. MPA V TUE MPA III PRACTICAL SEC.A Raga Aaroh Avroh Pakad & Sathai of Drut Khayal.

MA(P) & 1 Raga Shuddha Sarang Vilambit & Drut Khayal with MPA IV Alaps & Taans. WED MPA IV PRACTICAL 1 Raga Vrindavani Sarang sathai,Alaps & Antra.

MA(P) & PRACTICAL 1 Raga Chandrakouns Vilambit Khayal Sathai Alaps MPA V & Antra THUR MPA I THEORY SEC.A Taals Ektaal & Choutaal MPA III PRACTICAL SEC.A Raga Basant Drut Khayal Sathai & Antra. MPA V THEOREY 2 General Study of Raga Maru Bihag. FRI MPA I PRACTICAL SEC.A Raga Asawari Vilambit Khayal Sathai,Alaps. MPA III PRACTICAl SEC.A Revision of Raga Basant Sathai & Antra. MPA IV PRACTICA 1 Raga Vrindavani Sarang Vilambit & Drut Khayal with Alaps & Taans. MPA V THEORY 2 General Study of Raga Nat Bihag. MA(P) PRACTICAL 1 Raga Suddha Sarang Vilambit & Drut Khayal with Alaps& Taans. SAT MPA III THEORY SEC.B kalaon me Sangeet ka Yogdan. MPA I PRACTICAL SEC.A Raga Asawari Vilambit Khayal Sathai,Alaps & Antra.

DR. SUSHIL KUMAR

Day Class Paper Unit Topic Monday MA (p) Practical 1st Raag Yaman Aalap and slow gat MPA 4 th MPA 3 rd Theory Sec. C Rag Ragini Vargikaran …………… assignment

MPA 5 th Theory 4th A study of following, giti, kaku, kutup etc. P-1 MPA 2 nd Practical Sec A Raag Bhairvi Aalap and Drut gat

Tuesday MPA 5 th Theory 4th A study of following, giti, kaku, kutup etc. P-1 MPA 3 rd Practical Sec A Raag Kamod Aalap and Drut gat

MA (F) Practical 1st Raag Miyan ki Malhar Aalap and slow gat

Wednesday MA (p) Practical 1st Raag Yaman Aalap and slow gat MPA 4 th MPA 4 th Theory 5th A historical knowledge of the following P-1 instruments like Tabla & Taanpura etc. MPA 3 rd Practical Sec A Raag Kamod Aalap and Drut gat

Thursday MPA 1 st Practical Sec A Raag Alahaiya Bilawal Aalap and Drut gat

MA (F) Practical Dhun Pahadi with aalap MPA 5 th MPA 4 th Theory 5th A historical knowledge of the following P-1 instruments like Tabla & Taanpura etc.

MPA 2 nd Practical Sec A Raag Bhairavi Aalap and Drut gat

Friday MPA 1 st Practical Sec A Raag Alahaiya Bilawal Aalap and Drut gat

MA (F) Practical Dhun Pahadi with aalap MPA 5 th MPA 2 nd Practical Sec A Raag Bhairavi Aalap and Drut gat

Saturday MPA 1 st Theory Sec B Vadkon ke gun dosh…………..class test

MA (F) Practical 1st Raag Miyan ki Malhar Aalap and slow gat

MPA 2 nd Theory Sec B Swambhu Nad ………….. Class test

Dr. Ashu Gautam

Day Classes Paper Unit Topic Monday M.P.A-III Practical H Tukara in Ektaal. M.P.A-V III B Palata of Kayada in 9 Beats. M.P.A-I Theory B Reason of popularity of Bhatkhande taal system. M.P.A.-V V - Introduction of recording software. Tuesday M.P.A-III Theory Sec Accompanying capability of ustd. Habibudden khan. B(c) M.P.A-V III B New palta of kayada in 9 beats. M.P.A-I Practical B Description of sool taal. M.P.A-V I B(b) Development of karnatak taal continious.... M.P.A-V V - Knowledge of nuro software. Wednesday M.P.A-V III B Palta of Kayada in 9 beats M.P.A-III Practical H Tukara in Adachartaal. M.P.A-V I B(b) Development of 35 taal by using 5 jati laghu. M.P.A-V V - Use of c.d. writer. Thursday M.P.A-V III B Tukara in 9 beats. M.P.A-III Practical (i) Vilambit theka of Ektaal with bharaav. Friday M.P.A-V IV B Palta of Kayada in Teen taal. M.P.A-I Practical B Palta of Kayada in Teentaal. Saturday M.P.A-V IV b Palta of kayada in teental.

M.A.Prev. Hobby - Demonstration of vilambit Ektaal continues.... class

Dr.Vivek kumar Jain

Days Classes Paper Unit Topic of Theory/Practical

(Revison of All)

Monday M.PHIL II I Practical - Raag Jogkauns with Todas

MA (F) III V Practical- Raag with Todas

MPA (V) III I Practical- Raag Chandrakauns with Todas

Sitar

Tuesday MA(F) II IV Theory -Western Musical Scales

MA(F) III V Practical- Raag Chandrakauns with Todas

MA(P) III I-ii b Practical- Raag Yamni Bilawal with Todas

MPA(V) III I Practical- Raag Chandrakauns with Todas

Sitar

Wednesday M.PHIL II I Practical - Raag Jogkauns with Todas

MA (F) III V Practical- Raag Chandrakauns with Jhala MA (F) II IV Theory -Western Musical Scales

MPA (V) I IV-ii Theory-Principle of Orchestration

Sitar

MPA (IV) -- -- Accompaniment with dance

Thursday MA(F) III V Practical - Raag Chandrakauns with Jhala

MA(P) III I-ii b Practical- Raag Yamni Bilawal with Jhala

MPA(V) III I Practical- Raag Chandrakauns with Jhala

Sitar

Friday M.PHIL II I Practical - Raag Jogkauns with Jhala

MA (P) III I-ii b Practical- Raag Yamni Bilawal with Jhala

MPA (IV) I IV Theory-Contribution to Indian Music of Bharat and Dattil Sitar Practical- Raag Yamni Bilawal with Jhala MPA (IV) III I Accompaniment with dance MPA (V) -- --

Saturday MPA (V) I IV -ii Theory -Principle of Orchestration

Sitar

MPA (IV) I IV Theory-Contribution to Indian Music of Bharat and Dattil Sitar Practical- Raag Yamni Bilawal with Jhala MPA (IV) III I

Sitar

Dr. Lalit Kumar Kaushal

Days Classes Paper Unit Topic of Theory/Practical

(Revison of All)

Monday MA (F) III III -a Practical - Raag

MA(P) III I-v B Practical- Raag Madhumadsarang

MPA(V) III I Practical- Raag Bilaskhani Todi

MPA(IV) III I Practical- Raag Vrindavanisarang

Tuesday MA(F) III III -a Practical - Raag Bilaskhani Todi

MA(P) III I-v b Practical- Raag Madhumadsarang

MPA(V) III I Practical- Raag Bilaskhani Todi

MPA(IV) III I Practical- Raag Vrindavanisarang

MPA(IV) -- -- Accompaniment with dance

Wednesday MA(F) III III -a Practical - Raag Bilaskhani Todi

MA(P) III I-v b Practical- Raag Madhumadsarang

MPA(V) III I Practical- Raag Bilaskhani Todi

MPA(IV) III I Practical- Raag Vrindavanisarang

Thursday MA(P) III I-v b Practical - Raag with Todas

MPA(IV) III I Practical- Raag Vrindavanisarang

MPA(III) III Prac. Sec-a Practical- Raag

MPA(V) -- Accompaniment with dance

Friday MPA (III) Practical Sec.A Practical - Raag Bahar with Todas

MA (P) III Prac. I-v b Practical- Raag Kafi with Todas

Saturday MA(F) III Pract. III -a Practical - Raag Bilaskhani Todi

MPA(V) III Pract. I Practical- Raag Bilaskhani Todi

MPA(III) Pract. Sec.A Practical- Raag Bahar with Todas

Dr. Saloni Kaushal