DEPARTMENT OF MUSIC & DANCE
KURUKSHETRA UNIVERSITY KURUKSHETRA
(E-lesson Plan)
From: 2-3-2015 to 7-3-2015 Dated:28-2-2015
Days Classes Paper Unit Topic of Theory/Practical
Monday MPA (IV) Practical I Raag Bhairav MA (P) Practical I Raag Puriya MPA (V) Theory IV Tunning-Guitar, Nagara, Khol and Naal MA (F) Practical I Raag Aabogi Kanra MPA (II) Theory Sec-B Methods of Tunning of your Instrument
Tuesday MPA (IV) Theory I Raag Bhairav Introduction MA (P) Practical I Raag Puriya MPA (V) Practical IV Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra MPA (II) Practical I Raag Khamaj M.PHIL. Practical Opt. 1 Raag Bhatiar
Wednesday MPA (IV) Practical I Raag Bhairav Revision MA (P) Practical I Bharav Revision MPA (V) Practical I Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra MPA (II) Practical I Raag Khamaj
Thursday MPA (IV) Practical I Raag Bhairav Revision MA (P) Practical I Raag Puriya MPA (V) Theory IV Tunning-Shehnai, Shankh and Calarnet MA (F) Practical I Raag Aabogi Kanra M.PHIL. Practical I Raag Bhatiyar
Friday MPA (IV) Practical I Raag Bhairav Revision MA (P) Practical I Raag Puriya MPA (V) Practical I Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra M.PHIL. Practical Opt. 1 Raag Bhatiar
Saturday MA (P) Practical I Raag Puriya MPA (IV Theory I Raag Bhairav Introduction
Dr.Sanjeev Sharma Days Classes Paper Unit Topic of Theory/Practical
Monday M.A.(P) III Practical - Raag Nat-Bhairav (Revision) II II Theory- Music in Puranas M.A.(F) V Practical- Raag Bhimplasi-vilambit
Tuesday M.A.(P) III Practical - Raag Bhairav (Taan & Basics of Bhairav M.A.(F) V Ragang) MPA-IV V Practical- Raag Bhimplasi- with alap
Wednesday M.A.(P) Practical - Raag Bhairav (Vilambit) MPA-IV M.A.(F)
Thursday M.A.(P) III Practical - Raag Bhairav- Introduction & Practice
M.Phil. Practical- Raag Gujri Todi – Revision
Practical- Raag Bhimplasi-Drut Khayal M.A.(F) V
Friday M.A.(P) M.Phil. II Theory – Different sources of Resarch M.A.(F) V Practical- Raag Bhimplasi- Vilambit Khayal
Saturday M.A.(P) II I Theory- Revision of Sanhityon Mein Sangeet Practical- Raag Gujri Todi – Continue M.A.(F) II Theory- Secondary sources of Research M.Phil.
Prof. Shuchismita
Days Classes Paper Unit Topic of Theory/Practical
Monday MPA (V) V i. Project work (File Work) MA (F) III ii. Rag Darbari, Taan and Alap MPA (IV) V iii. Project work (File Work)
Tuesday MPA (V) V i. Project work (File Work) MPA (IV) V ii. Project work (File Work)
Wednesday MPA (V) V i. Project work (File Work) MPA (IV) V ii. Project work (File Work)
Thursday MA (P) Theo-II III i. Music in Patanjali Treatise
MPA (V) Theo-II IV ii. Contribution of Dattil and Matang
MA (F) Prac. iii. Rag Darbari, Revision MA (P) Prac. II iv. Practical Practice
Friday MPA (IV) Theo-II II i. Contribution of Dattil and Matang
MA (F) Prac. III ii. Rag Darbari, Taan and Alap MA (P) Theo-II iii. Music in Patanjali Treatise MA (P) Prac. iv. Practical Practice
Saturday MPA (IV) Theo-II II i. Contribution of Dattil and Matang
MPA (V) Prac. ii. Practical Practice MPA (V) Theo-II II iii. Meaning, Definition and Intrpduction of Recording
Dr. Ashok Kumar ‘Yaman’ Sr. Class Paper Unit Topic No.
1. M.Phil Practical Taan, Toda of Rag Gujri Todi (Revison)
Theory Interrelationship between Ras and Rasa
2. M.A. (F) Practical Taan, Toda of Rag Maru Bihag (Revison) MPA (V) Theory Folk Tunes explain in detail of difference States (Cont.)
3. MA (P) Practical Taan, Toda of Rag Bageshwari (Revison) MPA (IV) Theory Detail Study og different Instruments (Cont.)
Prof. Shakuntla Naagar
Days Classes Paper Unit Topic of Theory/Practical
Monday MA (P) IIIrd 1 Practice of Raga Begeshwari
Practice of Raga Miyan ki Malhar MA (F) IIInd 1
Practice of Raga Sur Malhar M.Phil Opt. 1 Revision Of Unit III Tuesday MA(P) IInd 3 Practice of Raga Begeshwari MA(P) IIIrd 1 Practical Practice of Raga Miyan ki Malhar MA(F) IIIrd 1 Practice of Raga Rageswari
Wednesday MA(P) IIIrd 1 Revision of Unit III
MA(P) IInd 2 Theory Practice of Raga Puria Dhanashri
MA(F) Vth 1
Practice of Raga Rageswari
Thursday MA(P) IIIrd 1 Revision of Topic Unit-5
MA(F) IInd 1 Theory Practice of Raga Sur Malhar
M.Phil Opt. 1
Friday MA(P) Holyday MA(F)
M.Phil Practice of Raga Megh Malhar
Saturday MA(F) IIIrd 1 Revision of Topic Unit-5
MA(F) IInd 1 Theory
Dr. Aarti Sheokand
Days Classes Paper Unit Topic of Theory/Practical
Monday MPA(1st) IIIrd Sec. C(a) The role of Music in National integration
Tuesday MPA(1 st ) IIIrd Sec. A(b) Detailed description of Raga Alhaiya Bilawal MPA(4 th ) IInd 5th Teaching of Music in Gharanas MPA(5 th ) Ist 5th Practice of Sooltal MPA(2 nd ) IIIrd Sec.A(b) Practice of Raga Bhairav
Wednesday MPA(1st) IIIrd Sec. A(b) Practice of Raga Alhaiya Bilawal Druth Khayal
MPA(5 th ) Ist 5th Practice of Tal Dhamar
Thursday MPA(2 nd ) IIIrd Sec.A(b) Practice of Raga Khamaj
MPA(5th) Theory Defination of Tala Chautal
Friday MPA(2 nd ) Practical HOLYDAY
MPA(4 th ) Theory
MPA(5 th )
Saturday MPA(2 nd ) IIIrd Sec.A(b) Practice of Raga Khamaj
MPA(4 th ) IInd 5th Comparative study of Raga Shudh Sarang & Vrindavani Sarang
Knowledge of Melody MPA(5th) IInd 5th
Dr. Shalu Rani
Days Classes Paper Unit Topics of Theory / Practical
Monday M.A (F) (V) Raag Malkauns- Bol Banav and Bol Baant Raag Malkauns- Sarang MPA (V) Practical Importance of stage Performance in MPA (IV) Practical Classical Music
Tuesday M.A(P) Practical Raag Bihaag- Sargam and Bol Baant MPA (IV)
M.Phil. Practical Raag Bairagi Bhairavi- Antra and Aalap M.A(F) Practical Raag Malkauns- Taan of Vilambit Khyal
Wednesday MPA (IV) (I) Raag Bihag-Taan of Vilambit Khyal M.Phil. Practical Raag Bairagi Bhairav- Sargam Thursday MPA (IV) Practical (IV) Raag Bihag – Drut Khayal Bandish M.A (F) (II) Detail Study of Orchestration
Friday M.A (P) Practical Raag Bihag- Bandish- Vilambit and Drut Khyal With Tabla MPA (V) Practical Raag Malkauns- Drut Khyal Bandish M.A(F) (II) (IV) Detail Study of Ravindra Sangeet
Saturday M.Phil. Practical Raag Bairagi – Drut Khyal Bandish M.A (P) Practical Taan of Drut Khyal MPA (IV) Practical Swar Vistar of Drut Bandish
Dr. Ashok Kumar Sharma
DAY CLASS PAPER UNIT TOPIC MON M.P.A III III SEC A Raga Miyan ki malhar Drut basndish . M.P.A. II SEC B THEORY Lecture on comparative study of ragas M.P.A. V IV I Raga Nayaki kanhara ,alap and taan M.A. (P) III practical Raga Marwa introduction and general study
TUE M.P.A. II IV Practical Raga jaijaiwanti drut bandish alap and taan
WED M.P.A III III SEC A Raga Miyan ki malhar drut bandish M.P.A V IV I Raga Nayaki kanhara comparative study M.A. (P) III Practical Raga marwa drut bandish M.P.A II IV SEC A Raga jaijaiwanti drut bandish revision THU M.P.AIV & III I Raga marwa alap and taan M.A.(P) M.P.A. V IV I Raga nayki kanhara revision FRI M.A.(P)& III Practical Raga marwa comparative study M.P.A IV M.P.A V & IV I Raga nayki kanhara revision M.A. (F) SAT M.A.(F) & V I Raga nayki kanhara revision M.P.A V M.A.(F) V Raga Abhogi kanhara M.P.A IV II III Lecture on Role of media and internet in popularising Indian music
Dr. Deepak Sharma
Day Class Paper Topic Monday MPA 1 st Practical Raag Bhupali drut gat with toras, Practice
MPA 4 th Practical Sound Forge Software Practice
MPA 5 th Practical Window Movie Maker Practice Tuesday MPA 1 st Practical Raag Bhupali drut gat with toras, Practice
MPA 4 th Practical Sound Forge Software Practice
MPA 5 th Practical Window Movie Maker Practice Wednesday MPA 1 st Theory Sushir Vadyon ka vishleshan….. Revision
MPA 4 th Practical Sound Forge Software Practice
MPA 5 th Practical Window Movie Maker Practice
MA (Pre.) Practical Raag Sham Kalyan drut gat with aalap Practice Thursday MPA 4 th Practical Sound Forge Software Practice
Theory Basic Fundamentals of microphones
MPA 5 th Practical Window Movie Maker Practice Friday MPA 4 th Practical Sound Forge Software Practice
MPA 5 th Practical Window Movie Maker Practice
MA (Pre.) Practical Raag Sham Kalyan drut gat with aalap Practice Saturday MPA 4 th Practical Sound Forge Software Practice
MPA 5 th Practical Window Movie Maker Practice
Theory Detailed study of constructing recording studio… Revision
Dr. Purushotam Kumar
MON MPA v 4 SEC- A KAYADA WITH TWO PALTA AND TIHAI IN 13 MPA II 1 SEC - A BEATS . M.A.(F) KAYADA IN JHAPTAAL AND ITS THREE PALTA . THEKA IN TEEN TAAL WITH ‘’BHARAV’’.
TUE MPA V 4 SEC- A MPA II 1 SEC- A PRACTICE OF KAYDA AND PALTA 13 BEATS. PRACTICE OF KAYDA IN JHAP TAAL AND ITS ‘’VISTAR’’ WED MPA V 4 SEC- A MPA II 1 MPA II 1 SEC- A INTRODUCTION ABOUT PESHKAR AND VISTAR IN 13 BEATS. THU MPA III 1 PRACT. LIFE SKTCH OF PANDIT KISHAN MAHARAJ MPA V IV PRACT. PRACTICE OF PLAYING THEKA. MPA II 1 ONE TIPALLI PLAYING IN TEEN TAAL. ONE DARJEDAAR GAT IN TEEN TAAL . FRI MPA III THE PLAYING TECNIQUE OF SOOL TAAL AND ITS . NIKAS. MPA V THE MPA V THE. MPA V PRAC INTRODUCTION OF LACKNOW GHARANA AND ITS M.A.(F) T PLAING STYLE. A LECTURE ON TAAL SYSTEM IN SOUTH INDIAN SAT MPA III MUSIC. MPA V PRAC A LECTURE ON’’ YATI’’ IN MARGI TAAL SYSTEM. MPA V T A TUKRA IN TEEN TAAL AND ITS NIKAS. MPA V THE. PLAYING OF THEKA AND BHARAV IN VILAMBIT THE. JHAP TAAL. PRAC T A TIHAI IN EKTAAL AND ITS RIYAZ. A LECTURE ON ELEMENTS OF MARGI TAAL SYSTEM AND LAY LECTURE ON SHASHABD KRIYA IN MARGI TAAL SYSTEM. A CHAZKKARDAR IN 13 BEATS .
Dr. Gyan Sagar Singh
DAYS CLASSES PAPER UNIT TOPICS
MON MA(P) & PRACTICAL 1 Raga Shuddha Sarang Vilambit khayal MPA IV Sathai,Alaps,Antra,Sargam&Taans.
MA(F) & PRACTICAL 1 Raga Chandrakouns Vlambit Khayal Sathai&Alaps. MPA V TUE MPA III PRACTICAL SEC.A Raga Basant Aaroh Avroh Pakad & Sathai of Drut Khayal.
MA(P) & 1 Raga Shuddha Sarang Vilambit & Drut Khayal with MPA IV Alaps & Taans. WED MPA IV PRACTICAL 1 Raga Vrindavani Sarang sathai,Alaps & Antra.
MA(P) & PRACTICAL 1 Raga Chandrakouns Vilambit Khayal Sathai Alaps MPA V & Antra THUR MPA I THEORY SEC.A Taals Ektaal & Choutaal MPA III PRACTICAL SEC.A Raga Basant Drut Khayal Sathai & Antra. MPA V THEOREY 2 General Study of Raga Maru Bihag. FRI MPA I PRACTICAL SEC.A Raga Asawari Vilambit Khayal Sathai,Alaps. MPA III PRACTICAl SEC.A Revision of Raga Basant Sathai & Antra. MPA IV PRACTICA 1 Raga Vrindavani Sarang Vilambit & Drut Khayal with Alaps & Taans. MPA V THEORY 2 General Study of Raga Nat Bihag. MA(P) PRACTICAL 1 Raga Suddha Sarang Vilambit & Drut Khayal with Alaps& Taans. SAT MPA III THEORY SEC.B Lalit kalaon me Sangeet ka Yogdan. MPA I PRACTICAL SEC.A Raga Asawari Vilambit Khayal Sathai,Alaps & Antra.
DR. SUSHIL KUMAR
Day Class Paper Unit Topic Monday MA (p) Practical 1st Raag Yaman Aalap and slow gat MPA 4 th MPA 3 rd Theory Sec. C Rag Ragini Vargikaran …………… assignment
MPA 5 th Theory 4th A study of following, giti, kaku, kutup etc. P-1 MPA 2 nd Practical Sec A Raag Bhairvi Aalap and Drut gat
Tuesday MPA 5 th Theory 4th A study of following, giti, kaku, kutup etc. P-1 MPA 3 rd Practical Sec A Raag Kamod Aalap and Drut gat
MA (F) Practical 1st Raag Miyan ki Malhar Aalap and slow gat
Wednesday MA (p) Practical 1st Raag Yaman Aalap and slow gat MPA 4 th MPA 4 th Theory 5th A historical knowledge of the following P-1 instruments like Tabla & Taanpura etc. MPA 3 rd Practical Sec A Raag Kamod Aalap and Drut gat
Thursday MPA 1 st Practical Sec A Raag Alahaiya Bilawal Aalap and Drut gat
MA (F) Practical Dhun Pahadi with aalap MPA 5 th MPA 4 th Theory 5th A historical knowledge of the following P-1 instruments like Tabla & Taanpura etc.
MPA 2 nd Practical Sec A Raag Bhairavi Aalap and Drut gat
Friday MPA 1 st Practical Sec A Raag Alahaiya Bilawal Aalap and Drut gat
MA (F) Practical Dhun Pahadi with aalap MPA 5 th MPA 2 nd Practical Sec A Raag Bhairavi Aalap and Drut gat
Saturday MPA 1 st Theory Sec B Vadkon ke gun dosh…………..class test
MA (F) Practical 1st Raag Miyan ki Malhar Aalap and slow gat
MPA 2 nd Theory Sec B Swambhu Nad ………….. Class test
Dr. Ashu Gautam
Day Classes Paper Unit Topic Monday M.P.A-III Practical H Tukara in Ektaal. M.P.A-V III B Palata of Kayada in 9 Beats. M.P.A-I Theory B Reason of popularity of Bhatkhande taal system. M.P.A.-V V - Introduction of recording software. Tuesday M.P.A-III Theory Sec Accompanying capability of ustd. Habibudden khan. B(c) M.P.A-V III B New palta of kayada in 9 beats. M.P.A-I Practical B Description of sool taal. M.P.A-V I B(b) Development of karnatak taal continious.... M.P.A-V V - Knowledge of nuro software. Wednesday M.P.A-V III B Palta of Kayada in 9 beats M.P.A-III Practical H Tukara in Adachartaal. M.P.A-V I B(b) Development of 35 taal by using 5 jati laghu. M.P.A-V V - Use of c.d. writer. Thursday M.P.A-V III B Tukara in 9 beats. M.P.A-III Practical (i) Vilambit theka of Ektaal with bharaav. Friday M.P.A-V IV B Palta of Kayada in Teen taal. M.P.A-I Practical B Palta of Kayada in Teentaal. Saturday M.P.A-V IV b Palta of kayada in teental.
M.A.Prev. Hobby - Demonstration of vilambit Ektaal continues.... class
Dr.Vivek kumar Jain
Days Classes Paper Unit Topic of Theory/Practical
(Revison of All)
Monday M.PHIL II I Practical - Raag Jogkauns with Todas
MA (F) III V Practical- Raag Chandrakauns with Todas
MPA (V) III I Practical- Raag Chandrakauns with Todas
Sitar
Tuesday MA(F) II IV Theory -Western Musical Scales
MA(F) III V Practical- Raag Chandrakauns with Todas
MA(P) III I-ii b Practical- Raag Yamni Bilawal with Todas
MPA(V) III I Practical- Raag Chandrakauns with Todas
Sitar
Wednesday M.PHIL II I Practical - Raag Jogkauns with Todas
MA (F) III V Practical- Raag Chandrakauns with Jhala MA (F) II IV Theory -Western Musical Scales
MPA (V) I IV-ii Theory-Principle of Orchestration
Sitar
MPA (IV) -- -- Accompaniment with dance
Thursday MA(F) III V Practical - Raag Chandrakauns with Jhala
MA(P) III I-ii b Practical- Raag Yamni Bilawal with Jhala
MPA(V) III I Practical- Raag Chandrakauns with Jhala
Sitar
Friday M.PHIL II I Practical - Raag Jogkauns with Jhala
MA (P) III I-ii b Practical- Raag Yamni Bilawal with Jhala
MPA (IV) I IV Theory-Contribution to Indian Music of Bharat and Dattil Sitar Practical- Raag Yamni Bilawal with Jhala MPA (IV) III I Accompaniment with dance MPA (V) -- --
Saturday MPA (V) I IV -ii Theory -Principle of Orchestration
Sitar
MPA (IV) I IV Theory-Contribution to Indian Music of Bharat and Dattil Sitar Practical- Raag Yamni Bilawal with Jhala MPA (IV) III I
Sitar
Dr. Lalit Kumar Kaushal
Days Classes Paper Unit Topic of Theory/Practical
(Revison of All)
Monday MA (F) III III -a Practical - Raag Bilaskhani Todi
MA(P) III I-v B Practical- Raag Madhumadsarang
MPA(V) III I Practical- Raag Bilaskhani Todi
MPA(IV) III I Practical- Raag Vrindavanisarang
Tuesday MA(F) III III -a Practical - Raag Bilaskhani Todi
MA(P) III I-v b Practical- Raag Madhumadsarang
MPA(V) III I Practical- Raag Bilaskhani Todi
MPA(IV) III I Practical- Raag Vrindavanisarang
MPA(IV) -- -- Accompaniment with dance
Wednesday MA(F) III III -a Practical - Raag Bilaskhani Todi
MA(P) III I-v b Practical- Raag Madhumadsarang
MPA(V) III I Practical- Raag Bilaskhani Todi
MPA(IV) III I Practical- Raag Vrindavanisarang
Thursday MA(P) III I-v b Practical - Raag Kafi with Todas
MPA(IV) III I Practical- Raag Vrindavanisarang
MPA(III) III Prac. Sec-a Practical- Raag Bahar
MPA(V) -- Accompaniment with dance
Friday MPA (III) Practical Sec.A Practical - Raag Bahar with Todas
MA (P) III Prac. I-v b Practical- Raag Kafi with Todas
Saturday MA(F) III Pract. III -a Practical - Raag Bilaskhani Todi
MPA(V) III Pract. I Practical- Raag Bilaskhani Todi
MPA(III) Pract. Sec.A Practical- Raag Bahar with Todas
Dr. Saloni Kaushal