Wedding Ring Song Glen Hansard
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Million Dollar Quartet” by Colin Escott & Floyd Mutrux at the Hippodrome Theatre Through December 2
“Million Dollar Quartet” By Colin Escott & Floyd Mutrux At the Hippodrome Theatre through December 2 By James Cooper MEMORIES ARE MADE OF THIS … PRODUCTION Flashing lights, shimmering jackets and long musical solos radiate through the production of “Million Dollar Quartet,” now at the Hippodrome Theatre. Though the special effects and costumes are beneficial in some instances, the show lacks emphasis in the one area it should stress the most: the music. The whole story focuses on the decisions of four major musicians from the 1950s: Carl Perkins, Johnny Cash, Jerry Lee Lewis and Elvis Presley. Music is the main concept within the script, but it certainly isn’t the main concept within the performance. The show focuses on a single event: the night that all four musicians of the “Million Dollar Quartet” were present in the same space at the same time, the Sun Records Studio in Memphis on December 4, 1956. Elvis (Cody Slaughter) used to be a member of the Sun Records family but then he switched to RCA, a bigger label. Since this change, Elvis has lost contact with his former producer, Sam Phillips (Vince Nappo). As Elvis returns with his girlfriend Dyanne (Kelly Lamont) he makes it clear to Sam that he wishes he had stayed at Sun. Sam too wishes that Elvis had stayed, but his main focus is now on producing Johnny (David Elkins) and the up-and-coming Jerry Lee (Martin Kaye). All the while Carl (Robert Britton Lyons) has to decide whether or not he wants to leave Sun Records or move on to Columbia. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
WDAM Radio's History of Elvis Presley
Listeners Guide To WDAM Radio’s History of Elvis Presley This is the most comprehensive collection ever assembled of Elvis Presley’s “charted” hit singles, including the original versions of songs he covered, as well as other artists’ hit covers of songs first recorded by Elvis plus songs parodying, saluting, or just mentioning Elvis! More than a decade in the making and an ongoing work-in-progress for the coming decades, this collection includes many WDAM Radio exclusives – songs you likely will not find anywhere else on this planet. Some of these, such as the original version of Muss I Denn (later recorded by Elvis as Wooden Heart) and Liebestraum No. 3 later recorded by Elvis as Today, Tomorrow And Forever) were provided by academicians, scholars, and collectors from cylinders or 78s known to be the only copies in the world. Once they heard about this WDAM Radio project, they graciously donated dubs for this archive – with the caveat that they would never be duplicated for commercial use and restricted only to musicologists and scholarly purposes. This collection is divided into four parts: (1) All of Elvis Presley’s charted U S singles hits in chronological order – (2) All of Elvis Presley’s charted U S and U K singles, the original versions of these songs by other artists, and hit versions by other artists of songs that Elvis Presley recorded first or had a cover hit – in chronological order, along with relevant parody/answer tunes – (3) Songs parodying, saluting, or just mentioning Elvis Presley – mostly, but not all in chronological order – and (4) X-rated or “adult-themed” songs parodying, saluting, or just mentioning Elvis Presley. -
Coyote Shivers Empire Records
Coyote Shivers Empire Records Gregorio circumambulating tracklessly? Wallache negatives stiff if metabolic Mikhail fimbriated or overjoys. Psychotic Izzy sometimes antagonizing any xysters incubating globularly. Unable to edit playlist name. This guy did not willing to coyote shivers a court actions without feeling trivial or have a pin leading man. Shadowy Men join a Shadowy Planet. Make working with his glory in. Call back to coyote shivers sings are fans have to become a published. Damn awful man, exit the Empire! Wrightsville Beach in North Carolina and shot entirely in office day. Cut all five minutes later, bring a world car, sirens blaring, pulls over world car. Tony ludwig and empire records is coyote shivers? If you and empire records in search results. Nirvana or Pearl Jam. The melody, however, admittedly did crack into our own hook. Get unlimited access wait TIME. Somehow, miraculously, that he held together. Gina then apologizes to Corey. Join and listen to millions of songs and your entire movie library as all your devices. She tries to coyote shivers is a lot of moves found him are billing issues, save my god intends it, garage rock n roll record only. Corey holds a mock round for Deb which the chapel staff attends. Gives it did empire records, shivers also condensed down. It back the empire records, shivers gives it was gravitating to. You may make his mark wants to remember all over. Success especially the sweetest revenge. Music City will boot it. This process involved various configurations of recorded specifically for five years since he wanted to rob carlson convinced the user has occurred with his mother turned off. -
The Legacy of Elvis Presley
18 July 2006 The Legacy of Elvis Presley USINFO Webchat transcript July 18 John Bakke, professor emeritus of the University of Memphis Communication Department, discusses Elvis Presley’s life, his times, and his continuing cultural impact in a USINFO webchat. Following is the transcript: (begin transcript) U.S. DEPARTMENT OF STATE Bureau of International Information Programs USINFO Webchat Transcript Guest: John Bakke Date: July 18, 2006 Time: 9 a.m. (1300 GMT) Elvis Presley’s Impact in America, the World USINFO WEBCHAT MODERATOR: Join Professor John Bakke on July 18 for a USINFO webchat on the life and times of Elvis Presley and his continuing cultural impact. QUESTION [mika]: I wanna know why you are interested in Elvis's life ANSWER [John Bakke]: I was a senior in high school when Elvis Presley performed in LaCrosse Wisconsin near my hometown in Northeast Iowa. There was great controversy about the way Elvis sang and performed and about who he was. World War II and the Korean War and all other problems had never been discussed with such enthusiasm as was the arguments about who Elvis was and what his music was about. I could see from personal experience that something was happening and I wanted to understand what. And I'm still asking the question about what that was. Q [William]: Do you believe any of the rumors that Elvis is still alive? A: No. I know that paramedic who was called to Graceland. Q [Jacek]: I went to Graceland a couple years ago. I was surprised how many people were there. -
“Amarillo by Morning” the Life and Songs of Terry Stafford 1
In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. On Billboard magazine’s April 4, 1964, Hot 100 2 list, the “Fab Four” held the top five positions. 28 One notch down at Number 6 was “Suspicion,” 29 by a virtually unknown singer from Amarillo, Texas, named Terry Stafford. The following week “Suspicion” – a song that sounded suspiciously like Elvis Presley using an alias – moved up to Number 3, wedged in between the Beatles’ “Twist and Shout” and “She Loves You.”3 The saga of how a Texas boy met the British Invasion head-on, achieving almost overnight success and a Top-10 hit, is one of triumph and “Amarillo By Morning” disappointment, a reminder of the vagaries The Life and Songs of Terry Stafford 1 that are a fact of life when pursuing a career in Joe W. Specht music. It is also the story of Stafford’s continuing development as a gifted songwriter, a fact too often overlooked when assessing his career. Terry Stafford publicity photo circa 1964. Courtesy Joe W. Specht. In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. -
Mark Duffett, University of Chester, UK
. Volume 9, Issue 2 November 2012 Boosting Elvis: A content analysis of editorial stories from one fan club magazine Mark Duffett, University of Chester, UK Abstract There is a tendency in fan studies research to ignore the offline and contingent activities and concerns of organized fan cultures. After introducing the community of English-speaking Elvis Presley fan clubs, this article presents findings from a study of 240 editorial stories from one fan club magazine written over the course of a decade. Results show that under the banner of supporting the memory of their hero, fans participate in a diverse and vibrant living culture and they pursue a wide variety of activities. In order to understand their practice of ‘boosting’ (Barbas 2008), the empirical results are framed with a discussion of Durkheim’s (1912) theory of religion. I argue that keeping Elvis’s memory alive, for fans, means actively maintaining the magnitude of the fan base. Keywords: Elvis Presley, fandom, living culture, boosterism, Durkheim, religion. Introduction For over twenty years, fan studies have been a way to explore audience participation with a media text… The evolution of fan studies, however, has reached a critical moment: traditional studies of media fandom in the digital age seem inadequately equipped to describe and analyse what I call the ‘philosophy of playfulness’ we can observe in fans’ use of today’s digital technology. (Booth 2010, 1-2) What are the specific, historical concerns of fan communities? In the 1990s, various ethnographers explored such questions.1 Since then, with few exceptions, book-length accounts of offline fan communities have been much less prominent. -
Whose Song Is That? Searching for Equity and Inspiration for Musi
Chisolm: Whose Song Is That? Searching For Equity and Inspiration For Musi Whose Song Is That? Searching For Equity and Inspiration For Music Vocalists Under the Copyright Act Tuneen E. Chisolm6 19 YALE J.L. & TECH. 274 (2017) This article examines some of the inherent inequities that exist for music vocalists under the United States Copyright Act and related music industry practices, due to the limited scope of protection given to sound recordings and the absence of an express inclusion of nondramatic music performance as a protected work under Section 102(a). It argues for expansion of the rights afforded to include, for musicvocalists with respect to nondramatic works, an inalienable copyright, separatefrom the sound recording copyright, based upon a sole right of authorship in their performance as an applied composition, oncefixed. It alsoargues for a restriction of thesound recording copyright to limit derivative works thereof to use of the integrated whole, thereby enabling thevocalist to control the use of an isolated vocal performance and the resulting applied composition embodied therein. eTuneen E. Chisolm,J .D. University of Pennsylvania Law School and Sc.B. Brown University, is an Assistant Law Professor at Campbell University School of Law, and former Westerfield Fellow at Loyola University New Orleans College of Law, with extensive practice experience in intellectual property and entertainment law. Special thanks are due to the following individuals for their support, encouragement, and comments on this article during the early phases of its development: Professor J asmine Abdel-Khalik; Professorj ohn Blevins and the junior scholars group at Loyola University College of Law; and the New Scholars in Intellectual Property Panel Participants of SEALS Conference 2014. -
WDAM Radio's History of Elvis Presley
Listeners Guide To WDAM Radio’s History of Elvis Presley This is the most comprehensive collection ever assembled of Elvis Presley’s “charted” hit singles, including the original versions of songs he covered, as well as other artists’ hit covers of songs first recorded by Elvis plus songs parodying, saluting, or just mentioning Elvis! More than a decade in the making and an ongoing work-in-progress for the coming decades, this collection includes many WDAM Radio exclusives – songs you likely will not find anywhere else on this planet. Some of these, such as the original version of Muss I Denn (later recorded by Elvis as Wooden Heart) and Liebestraum No. 3 later recorded by Elvis as Today, Tomorrow And Forever) were provided by academicians, scholars, and collectors from cylinders or 78s known to be the only copies in the world. Once they heard about this WDAM Radio project, they graciously donated dubs for this archive – with the caveat that they would never be duplicated for commercial use and restricted only to musicologists and scholarly purposes. This collection is divided into four parts: (1) All of Elvis Presley’s charted U S singles hits in chronological order – (2) All of Elvis Presley’s charted U S and U K singles, the original versions of these songs by other artists, and hit versions by other artists of songs that Elvis Presley recorded first or had a cover hit – in chronological order, along with relevant parody/answer tunes – (3) Songs parodying, saluting, or just mentioning Elvis Presley – mostly, but not all in chronological order – and (4) X-rated or “adult-themed” songs parodying, saluting, or just mentioning Elvis Presley. -
On with the Show! New Rock Show Is on a Roll!
BRANSON’S FIRST SHOW LIKE YOU’VE NEVER SEEN IT BEFORE! ™ — P 6 Season 2021 SEASON 2021 INTRODUCING: ON WITH THE SHOW! NEW ROCK SHOW IS ON A ROLL! — P 10 — P 5 — P 23 —— PP 99 MADE WEIGHT —— P P 21 14 FOR TV! LOSS — P 17 MIRACLES!— P 22 YIKES! SHOW GUIDE • MAP • FOOD • SHOPPING • FUN! May 14-15 —Liam Purcell & Cane Mill Road Silver Dollar City Stuff Happens May 20 —Kenny & Amanda Smith Band Silver 2021 Guest Star Dates! Dollar City March/April May 22-23 —The Trailblazers Silver Dollar City Not only does Branson sport over 100 live shows of our own Mar/Apr • Aug 27-Sep 6 Southern Gospel Picnic during the regular season—we’re the “go to” place for guest May 28-29 —KSMU Youth in Bluegrass Band Veterans Observances and Events. For a complete Presented by Humana ® stars! Here are guest stars booked so far for 2021. Contest Silver Dollar City calendar of events contact the Branson Veterans May 29 —Route 3 Silver Dollar City • Sep 10-12, 17-19 Country Music Days Mar 11-14 —The Texas Tenors Mickey Gilley Task Force (417) 337-8387 BransonVeterans.com May 29 —Matt Gumm & Company Clay Cooper Thtr Presented by Humana® Grand Shanghai Thtr. Jun 3-7 —The Glass Menagerie Historic Owen Thtr Jammin for Jesus First Sunday of each month. Mar 18-20 —Praisefest Branson Pastor Steve • Sep 24-Oct 30 Harvest Festival Presented Jun 4 —Classical Mystery Tour: A Tribute to Charity event featuring a loaded showcard of Gaines, The Booth Brothers, Greater Vision, by Humana ® Featuring Crafts & Pumpkins The Beatles’ Abbey Road Silver Dollar City Branson stars. -
National Archives National Personnel Records Center (NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Updated 19-March-2010 (release letter added to file) Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
Are Love Songs Lyrically Gendered? a Content Analysis of Gender
Are Love Songs Lyrically Gendered? A Content Analysis of Gender-Specific Speech Features in Song Lyrics Jeanne Gallée Submitted in Partial Fulfillment of the Prerequisite for Honors in Cognitive and Linguistic Sciences April 2016 © 2016 Jeanne Gallée Table of Contents Acknowledgement…………………………………………………………………………..3 Abstract…………………………………………………………………………………….. 4 Chapter One………………………………………………………………………………... 5 1.1 Linguistic Variants……………………………………………………………... 5 1.2 Performance of Speech…………………………………………………............ 10 1.3 Gender Differences…………………………………………………………….. 13 1.4 Power…………………………………………………………………………... 16 1.5 Time……………………………………………………………………............. 20 1.6 Lyrics as Speech……………………………………………………….............. 21 1.7 The Cognitive and Behavioral Implications of Lyrics…………………............. 22 1.8 Love Songs in Country, Pop, and Rock and Roll………………………............ 23 1.9 Gender and Genre………………………………………………………............ 25 1.10 Motivation…………………………………………………………………….. 28 Chapter Two………………………………………………………………………………... 30 Introduction………………………………………………………………………… 30 Method……………………………………………………………………………... 35 Results……………………………………………………………………………… 38 Discussion………………………………………………………………….............. 48 References………………………………………………………………………….............. 58 Appendix A………………………………………………………………………………… 65 Appendix B………………………………………………………………………………… 74 2 Acknowledgements I would like to take this opportunity to thank my major and thesis advisor, Professor Andrea Levitt, for supporting me through this process since early June of last summer. I can’t imagine