The Occult Laboratory: Magic, Science and Second Sight in Late Seventeenth-Century Scotland--A New Edition of Robert Kirk's "The Secret Commonwealth and Other Texts"'
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Edinburgh Research Archive This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Ghosts in Enlightenment Scotland Martha McGill Ph.D. History The University of Edinburgh 2015 Declaration This thesis was composed by myself, and the work herein is my own except where explicitly stated otherwise. The thesis has not been submitted for any other degree or professional qualification. Martha McGill i Abstract This thesis analyses perceptions of ghosts in Scotland, with particular focus on the period from 1685 to c. 1830. According to traditional wisdom, this was a time when society was becoming progressively more rational, with magical beliefs melting away under the glare of Enlightenment scholarship. However, this thesis argues that ghosts actually rose to a new cultural prominence in this period, to the extent that Scotland came to be characterised as a haunted nation. -
Roger Emerson on the Occult Laboratory: Magic, Science
Michael Hunter, ed.. The Occult Laboratory: Magic, Science and Second Sight in Late Seventeenth-Century Scotland--A New Edition of Robert Kirk's "The Secret Commonwealth and other texts". Bury St Edmunds: Boydell Press, 2001. 256 pp. $90.00, cloth, ISBN 978-0-85115-801-3. Reviewed by Roger L. Emerson Published on H-Albion (August, 2001) Thirty years ago, Keith Thomas ended Reli‐ rian of science, Michael Hunter, in this latest in‐ gion and the Decline of Magic by claiming that the stallment of his on-going work on Robert Boyle, works of Isaac Casaubon, Robert Boyle, Isaac gives us more qualifications to that view. Newton, John Ray, and other like-minded men in Hunter has abstracted from the papers and the Royal Society, along with a host of continental writings of Boyle and his friends and correspon‐ philosophers, had made it possible for magical dents, texts dealing with second-sight and its sig‐ thinking to be overthrown among the elite intel‐ nificance. For Hunter, the latter lies primarily in lectuals and for religious claims to be chastened the presumed ability of second sight and its atten‐ by "rationalism." Beliefs in things like second sight dant phenomena to establish empirically a realm and communion with witches and fairies were be‐ of spirit and thus aid in the defense of the Chris‐ ing relegated to the lower orders. He noted the tian religion against Hobbists, other atheists, role in this process of social developments, such deists and sceptics. Boyle's interests in this materi‐ as the wider and quicker dissemination -
The Persistence of Fairy Culture in Scotland, 1572-1703 and 1811-1927
“What are ye, little mannie?”: The Persistence of Fairy Culture in Scotland, 1572-1703 and 1811-1927 Alison Marie Hight Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in History Danna Agmon (Co-Chair) David Cline (Co-Chair) Matthew Gabriele May 5, 2014 Blacksburg, VA Keywords: Scotland, fairy, national identity, cultural heritage, witchcraft, escapism, class culture “What are ye, little mannie?”: The Persistence of Fairy Culture in Scotland, 1572-1703 and 1811-1927 Alison Marie Hight ABSTRACT This thesis is a chronologically comparative study of fairy culture and belief in early modern and Victorian Scotland. Using fairy culture as a case study, I examine the adaptability of folk culture by exploring whether beliefs and legends surrounding fairies in the early modern era continued into the nineteenth and early twentieth as a single culture system, or whether the Victorian fairy revival was a distinct cultural phenomenon. Based on contextual, physical, and behavioral comparisons, this thesis argues the former; while select aspects of fairy culture developed and adapted to serve the needs and values of Victorian society, its resurgence and popularization was largely predicated on the notion that it was a remnant of the past, therefore directly linking the nineteenth century interpretation to the early modern. In each era, fairy culture serves as a window into the major tensions complicating Scottish identity formation. In the early modern era, these largely centered around witchcraft, theology, and the Reformation, while notions of cultural heritage, national mythology, and escapist fantasy dominated Victorian fairy discourse. -
Religious Controversy and Scottish Society, C.1679-1714 Alasdair J. N
Religious Controversy and Scottish Society, c.1679-1714 Alasdair J. N. Raffe Ph.D. The University of Edinburgh 2007 ii Abstract This thesis analyses religious controversy in late seventeenth- and early eighteenth- century Scotland, examining both the arguments of the educated elites and those of ordinary people. Defining religious controversy as arguments between members of rival religious parties , the thesis concentrates on disputes between presbyterians and episcopalians, and within presbyterianism. In the main, these arguments did not focus on Church government, but embraced a broad range of issues, including allegations of ‘persecution’ (discussed in chapter two), ‘fanaticism’ and ‘enthusiasm’ (chapter three) and the reputations of rival clergy (chapter four). Incidents of crowd violence, the subject of chapter five, provoked controversy, and also promoted the objectives of the religious parties. Chapter six illustrates the significance of debates over the National Covenant and the Solemn League and Covenant, before and after the revolution of 1688-90. Chapter seven then discusses the arguments that gave rise to presbyterian separatism in the years after 1690. As chapter eight explains, the union of 1707 proved highly contentious for presbyterians, and led to a series of political blows to the presbyterian Church. Chapter nine surveys the role in religious controversy of concerns over English theology, new philosophy and atheism. Finally, chapter ten concludes by examining the consequences of controversy for Scottish society. As well as printed pamphlets, satirical verses, sermons and memoirs by elite authors, the thesis draws on the petitions, diaries and correspondence of ordinary people, their testimony to church courts, and evidence of their involvement in crowd violence and separatist worship. -
Performing Kirk: a Search for Authenticity in the Dramatisation of the Life of the ‘Fairy Minister’, Reverend Robert Kirk
Performing Kirk: A search for authenticity in the dramatisation of the life of the ‘Fairy Minister’, Reverend Robert Kirk Kevan Manwaring Abbreviations TSC: The Secret Commonwealth of Elves, Fauns and Fairies RRK: Rev. Robert Kirk MSS: Manuscripts Introduction Is it possible to achieve authenticity in the fictionalisation of a historic figure? If the intentional fallacy warns us not assume knowledge of the authorial intention when it comes to their fictional worlds, the dangers of assuming more than superficial knowledge of an historical figure and their ‘life-world’ are manifold. Consider how much the interpretation of an event can change so rapidly – even as it is happening (as witnessed frequently since the advent of mobile phones) – so from the split-second moment it slips from the present into history the process of fictionalisation begins. Beyond these challenges, one could claim that all knowledge is unstable and therefore an argument could be made for an epistemological fallacy. What is knowledge; how do we know what we know; why is some knowledge validated more than other kinds … these questions drove my doctoral project, which by definition needed to be a ‘significant original contribution to knowledge’. The slipperiness of an ontological framework made me adopt instead a phenomenological one (after Husserli, et al). I would come to know my subject through the noematic act. This, I argued in my research proposal, would bestow upon my performance of them an ‘authenticity’, which 67 otherwise may be lacking. The notion of authenticity has been problematised in recent years – Baker (2014); DeGroot (2015) – and I shall return to this.