Eric Lederhandler – Biography
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Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No. -
NOT JUST to WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS for PEDAGOGY and ENRICHMENT by Richard David Puzzo, Jr a Docum
Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment Item Type text; Electronic Dissertation Authors Puzzo, Richard D., Jr. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 18:57:28 Link to Item http://hdl.handle.net/10150/623254 NOT JUST TO WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS FOR PEDAGOGY AND ENRICHMENT By Richard David Puzzo, Jr Copyright © Richard Puzzo, Jr. 2017 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Richard David Puzzo, Jr., titled “Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment” and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. _____________________________________________ Date: December 7, 2016 Norman Weinberg _____________________________________________ Date: December 7, 2016 Edward Reid _____________________________________________ Date: December 7, 2016 Moisés Paiewonsky Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
A Collection of Stan Ruttenberg's Reviews of Mahler Recordings From
A collection of Stan Ruttenberg’s Reviews of Mahler Recordings from the Archives Of the Colorado MahlerFest (Symphonies 3 through 7 and Kindertotenlieder) Colorado MahlerFest XIII Recordings of the Mahler Third Symphony Of the fifty recordings listed in Peter Fülöp’s monumental discography (up to 1955, and many more have been added since then), I review here fifteen at my disposal, leaving out two by Boulez and one by Scherchen as not as worthy as the others. All of these fifteen are recommendable, all with fine points, all with some or more weaknesses. I cannot rank them in any numerical order, but I can say that there are four which I would rather hear more than the others — my desert island choices. I am glad to have the others for their own particular merits. Getting ready for MFest XIII we discovered that the matter of score versions and parts is complex. I use the Dover score, no date but attributed to Universal Edition; my guess this is an early version. The Kalmus edition is copied from who knows which published version. Then there is the “Critical Edition,” prepared by the Mahler Gesellschaft, Vienna. I can find two major discrepancies between the Dover/Universal and the Critical (I) the lack of horns at RN25-5, doubling the string riff and (ii) only two harp glissandi at the middle of RN28, whereas the Critical has three. Our first horn found another. Both the Dover and Critical have the horn doublings, written ff at RN 67, but only a few conductors observe them. -
Recording Master List.Xls
UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre -
Eine Alpensinfonie RICHARD STRAUSS SÃO PAULO SYMPHONY ORCHESTRA FRANK SHIPWAY
FRANK SHIPWAY m Desirée Furoni Eine Alpensinfonie RICHARD STRAUSS SÃO PAULO SYMPHONY ORCHESTRA FRANK SHIPWAY BIS-1950 BIS-1950_f-b.indd 1 2012-07-17 10.24 STRAUSS, Richard (1864–1949) Eine Alpensinfonie, Op. 64 (1915) (FEC Leuckart, München) 52'39 1 Nacht (Night) 3'01 2 Sonnenaufgang (Sunrise) 1'31 3 Der Anstieg (The Ascent) 2'15 4 Eintritt in den Wald (Entry into the Forest) 5'32 5 Wanderung neben dem Bache (Wandering by the Brook) 0'43 6 Am Wasserfall (At the Waterfall) 0'15 7 Erscheinung (Apparition) 0'49 8 Auf blumigen Wiesen (On Flowering Meadows) 0'56 9 Auf der Alm (On the Alpine Pasture) 2'20 10 Durch Dickicht und Gestrüpp auf Irrwegen 1'32 (Through Thickets and Undergrowth on the Wrong Path) 11 Auf dem Gletscher (On the Glacier) 1'16 12 Gefahrvolle Augenblicke (Dangerous Moments) 1'36 13 Auf dem Gipfel (On the Summit) 4'54 14 Vision (Vision) 3'34 15 Nebel steigen auf (Mists Rise) 0'23 16 Die Sonne verdüstert sich allmählich 1'02 (The Sun Gradually Becomes Obscured) 17 Elegie (Elegy) 2'26 2 18 Stille vor dem Sturm (Calm Before the Storm) 3'03 19 Gewitter und Sturm, Abstieg (Thunder and Tempest, Descent) 3'44 20 Sonnenuntergang (Sunset) 3'01 21 Ausklang (Quiet Settles) 6'29 22 Nacht (Night) 2'08 23 Symphonische Fantasie aus ‘Die Frau ohne Schatten’ (1947) (Boosey & Hawkes) 23'29 TT: 77'04 São Paulo Symphony Orchestra (OSESP) Emmanuele Baldini leader Frank Shipway conductor 3 ichard Strauss’s Alpensinfonie isn’t really a symphony, rather the very last of his succession of symphonic poems that had begun with Aus Ita - Rlien in 1886 and had included such masterpieces as Don Juan, Till Eulen - spiegel, Also sprach Zarathustra and Ein Heldenleben. -
Walton|Hindemith Christian Poltéra São Paulo Symphony Orchestra Frank Shipway
FRANK SHIPWAY WALTON|HINDEMITH CHRISTIAN POLTÉRA SÃO PAULO SYMPHONY ORCHESTRA FRANK SHIPWAY BIS-2077 BIS-2077_f-b.indd 1 2014-04-16 12.01 WALTON, Sir William (1902–83) Concerto for Cello and Orchestra (1955–56) 27'52 (Oxford University Press) 1 I. Moderato 8'00 2 II. Allegro appassionato 6'10 3 III. Tema ed improvvisazioni 13'35 4 Passacaglia for Cello Solo (1979–80) (Oxford University Press) 6'12 Lento espressivo – Subito vivace HINDEMITH, Paul (1895–1963) Cello Concerto (1940) 23'51 (Schott Music) 5 I. Mäßig schnell (Allegro moderato) – Breit (Largo) – Im Hauptzeitmaß 8'01 6 II. Ruhig bewegt (Andante con moto) – Sehr lebhaft (Allegro assai) – Im früheren langsamen Zeitmaß (Tempo primo) 7'50 7 III. Marsch. Lebhaft (Allegro marciale) – Trio (nach einem alten Marsch) – Lebhafter (Più mosso) 7'54 2 Sonata for Solo Cello, Op.25 No. 3 (1922–23) 10'40 (Schott Music) 8 I. Lebhaft, sehr markiert (mit festen Bogenstrichen) 1'44 9 II. Mäßig schnell, gemächlich (durchweg sehr leise) 1'33 10 III. Langsam 4'46 11 IV. Lebhafte Viertel (ohne jeden Ausdruck und stets pianissimo) 0'36 12 V. Mäßig schnell (sehr scharf markierte Viertel) 1'51 TT: 69'44 Christian Poltéra cello São Paulo Symphony Orchestra (OSESP) [tracks 1–3, 5–7] Emmanuele Baldini leader Frank Shipway conductor 3 aul Hindemith and William Walton enjoyed a long friendship, starting in October 1929 when Hindemith – who was then a renowned violist as well Pas an already-established composer – was the soloist in the world premiere of Walton’s Viola Concerto in London, with Walton conducting. -
Eine Alpensinfonie RICHARD STRAUSS SÃO PAULO SYMPHONY ORCHESTRA FRANK SHIPWAY
FRANK SHIPWAY m Desirée Furoni Eine Alpensinfonie RICHARD STRAUSS SÃO PAULO SYMPHONY ORCHESTRA FRANK SHIPWAY BIS-1950 BIS-1950_f-b.indd 1 2012-07-17 10.24 STRAUSS, Richard (1864–1949) Eine Alpensinfonie, Op. 64 (1915) (FEC Leuckart, München) 52'39 1 Nacht (Night) 3'01 2 Sonnenaufgang (Sunrise) 1'31 3 Der Anstieg (The Ascent) 2'15 4 Eintritt in den Wald (Entry into the Forest) 5'32 5 Wanderung neben dem Bache (Wandering by the Brook) 0'43 6 Am Wasserfall (At the Waterfall) 0'15 7 Erscheinung (Apparition) 0'49 8 Auf blumigen Wiesen (On Flowering Meadows) 0'56 9 Auf der Alm (On the Alpine Pasture) 2'20 10 Durch Dickicht und Gestrüpp auf Irrwegen 1'32 (Through Thickets and Undergrowth on the Wrong Path) 11 Auf dem Gletscher (On the Glacier) 1'16 12 Gefahrvolle Augenblicke (Dangerous Moments) 1'36 13 Auf dem Gipfel (On the Summit) 4'54 14 Vision (Vision) 3'34 15 Nebel steigen auf (Mists Rise) 0'23 16 Die Sonne verdüstert sich allmählich 1'02 (The Sun Gradually Becomes Obscured) 17 Elegie (Elegy) 2'26 2 18 Stille vor dem Sturm (Calm Before the Storm) 3'03 19 Gewitter und Sturm, Abstieg (Thunder and Tempest, Descent) 3'44 20 Sonnenuntergang (Sunset) 3'01 21 Ausklang (Quiet Settles) 6'29 22 Nacht (Night) 2'08 23 Symphonische Fantasie aus ‘Die Frau ohne Schatten’ (1947) (Boosey & Hawkes) 23'29 TT: 77'04 São Paulo Symphony Orchestra (OSESP) Emmanuele Baldini leader Frank Shipway conductor 3 ichard Strauss’s Alpensinfonie isn’t really a symphony, rather the very last of his succession of symphonic poems that had begun with Aus Ita - Rlien in 1886 and had included such masterpieces as Don Juan, Till Eulen - spiegel, Also sprach Zarathustra and Ein Heldenleben. -
GERMAN & AUSTRIAN SYMPHONIES from the 19Th
GERMAN & AUSTRIAN SYMPHONIES From The 19th Century To The Present A Discography of CDs and LPs Prepared by Michael Herman Richard Strauss (1864-1949) Born in Munich, the son of Franz Strauss, the principal horn player at the Court Opera in Munich. He wrote his first compositions at age six and studied the piano. He then received private instruction in music theory and orchestration from a conductor at the Court Opera, Friedrich Wilhem Meyer as well as violin lesson from its concertmaster, Benno Walter. He studied music briefly in Berlin before being appointed assistant conductor to Hans von Bülow. The rest is history as he went on to become one of Germany's greatest composers as well as a world famous conductor. In his long life, he produced an enormous catalogue of operas, orchestral, chamber, piano, organ, choral and vocal works that have never lacked for performances. Symphony (No. 1) in D minor (1880) Karl Anton Rickenbacher/Bavarian Radio Symphony Orchestra ( + Symphony in F minor) KOCH 3-6532-2 (1999) (original CD release: SCHWANN 311118 H1) (1989) Kenneth Schermerhorn/Hong Kong Philharmonic Orchestra ( + Kampf und Sieg and Interlude for Mozart's "Idomeneo") MARCO POLO 8.220323 (1993) (original LP release: MARCO POLO 6.220323/RECORDS INTERNATIONAL 7003-1) (1985) Klauspeter Seibel/Nuremberg Symphony Orchestra ( + Festive March and Munich Waltz) COLESSEUM 34.9006 (1986) Symphony (No. 2) in F minor (1884) Herbert Häfner/Vienna Orchestra SPA 17 (LP) (c. 1950) Michael Halász/Slovak State Philharmonic Orchestra MARCO POLO 8.220358 (1996) -
October 2014
DEALER INFORMATION SERVICE: NO. 273 OCTOBER 2014 • CUT-OFF DATE FOR RECEIPT OF ORDER: MONDAY 15TH SEPTEMBER • SHIP-OUT DATE: THURSDAY 25TH SEPTEMBER REPRESENTING TODAY’S • NATIONAL ‘ON SALE’ DATE: MONDAY 29TH SEPTEMBER GREAT LABELS THIS MONTH'S HIGHLIGHTS Download this month's information here: http://www.selectmusic.co.uk/ USERNAME: dealer / PASSWORD: select Select Music and Video Distribution Limited 3 Wells Place, Redhill, Surrey RH1 3SL Tel: 01737 645600 Fax: 01737 644065 Johann Sebastian BACH Highlight of the month The Art of Fugue Angela Hewitt Angela Hewitt’s much-awaited recording of Bach’s ultimate masterpiece, The Art of Fugue, is destined to be the crowning achievement of her Bach cycle for Hyperion; a revelatory recording and performing project which has taken her all over the world and won her international acclaim and millions of dedicated fans. CDA67980 £9.00 (2 CDs for 1) Arvo PÄRT Choral Music Peace upon you; Jerusalem; Morning star; The woman with the alabaster box; The deer’s cry; Virgencita; Solfeggio; Zwei Beter; Tribute to Caesar; Summa; Memento Ode VII from 'Kanon Pokajanen'; Alleluia-Tropus; Da pacem, Domine CDA68056 Polyphony, Stephen Layton £9.00 Stephen Layton and Polyphony have a long and fruitful relationship with the music of Arvo Pärt. Their recording of Triodion and other choral works (CDA67375) won a Gramophone Award and became a cult classic. The extraordinary purity of Polyphony’s singing is the perfect vehicle for music of such clean, elemental simplicity. George Frideric HANDEL 20 Sonatas, Op. 1 Rachel Beckett, Lisa Beznosiuk, Paul Goodwin, Elizabeth Wallfisch, Richard Tunnicliffe, Paul Nicholson CDS44411/3 The twenty sonatas on this recording show Handel writing for the professional musicians of his London opera orchestra. -
Network Notebook
Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.