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Track Information About Calefax Acknowledgments TRACK INFORMATION LINER NOTES ABOUT CALEFAX ACKNOWLEDGMENTS TRACK INFORMATION LINER NOTES ABOUT CALEFAX ACKNOWLEDGMENTS HIDDEN GEMS ABING (1893 – 1950) arr. Oliver Boekhoorn PIETRO ANTONIO LOCATELLI (1695 – 1764) 8 Er Quan Ying Yue 4. 58 arr. Jelte Althuis Introduzione teatrale Op. 4, no. 1 CÉSAR FRANCK (1822 – 1890) 1 Allegro 1. 40 arr. Jelte Althuis 2 Allegro 1. 57 Prélude, fugue et variation 3 Presto 1. 56 9 Prélude 3. 06 10 Interlude 0. 31 ARCANGELO CORELLI (1653 – 1713) 11 Fugue & Variation 5. 54 arr. Raaf Hekkema 4 Variations on La Folia Op. 5, no. 12 10. 48 JOHANN WILHELM WILMS (1772 – 1847) ← ← arr. Jelte Althuis NINA SIMONE (1933 – 2003) 12 Rondo from Sinfonia a grand orchestre no. 4 5. 51 arr. Jelte Althuis 5 For All We Know 4. 04 ERIK SATIE (1866 – 1925) arr. Raaf Hekkema CARLO GESUALDO (1566 – 1613) Danses de travers arr. Raaf Hekkema 13 I 1. 41 6 Tu m’uccidi, o crudele 2. 24 14 II 1. 28 15 III 2. 29 NICO MUHLY (1981) 7 Look For Me 6. 00 HIDDEN GEMS ABING (1893 – 1950) RON FORD (1959) HIDDEN GEMS INTRODUZIONE TEATRALE and conducted an orchestra, whose VARIATIONS ON LA FOLIA FOR ALL WE KNOW TU M’UCCIDI, O CRUDELE our repertoire. The new piece, entitled the first time Calefax toured China. Er concert programs, but Jelte Althuis took RONDO DANSES DE TRAVERS MOTET right at home. The Motet has been ZDENKA VARIATIONS arr. Oliver Boekhoorn arr. Raaf Hekkema You’re holding Calefax’s newest CD In 2012/13, Calefax devoted a concert repertoire included his own works. He One of Locatelli’s teachers was In recent years, For all we know in The fact that Calefax has performed Look for Me, is a stylized reworking of Quan Ying Yue (‘Moon Reflected in the the first step in 2014 in arranging the In the Netherlands, Johann Wilhelm Of all the music on this CD, the Danses The Motet by the American composer played dozens of times as a Calefax Calafax’s repertoire includes three PIETRO ANTONIO LOCATELLI (1695 – 1764) 8 Er Quan Ying Yue 4. 58 16 Motet 1. 51 — eighteen and counting, since the program to foreign composers who died at his home, Prinsengracht 506, Arcangelo Corelli (1653-1713). When he the version by Nina Simone (1933- the madrigals of Carlo Gesualdo da Mother in the Graveyard, a folksong Second Spring’) is a poetic expression organ version of the Prélude, fugue et Wilms (1772-1847) is best known as the de travers by Erik Satie (1866-1925) Ron Ford (1959) is one of the oldest concert encore. works by the Czech composer Leoš arr. Jelte Althuis beginning of the musical voyage of settled in the Netherlands throughout in 1764. published his collection of violin sonatas, 2003) has found its way onto many Venosa (1566-1613) since its inception from his home state of Vermont. of Chinese nostalgia; ‘second spring’ variation by César Franck (1822-1890) composer of Wien Neêrlandsch bloed, is Calefax’s most recent discovery. works in Calefax’s repertoire and a Janáček (1854-1928), all arranged by Introduzione teatrale Op. 4, no. 1 CÉSAR FRANCK (1822 – 1890) LEOŠ JANÁČEK (1854 – 1928) the world’s first reed quintet. While the centuries. The idea for this theme Op. 5, in 1700, Corelli’s fame extended Calefax concerts as a mellow but is hardly surprising: these evocative Muhly says: ‘The tension between the refers to the Hui Spring in the city of for reed quintet. The work opens with a which from 1817 until 1932 served as the Saxophonist Raaf Hekkema arranged steadfast companion through the bassoonist Alban Wesly. ‘The stirring 1 Allegro 1. 40 arr. Jelte Althuis arr. Alban Wesly many CDs are chronicles by design, for came from bass clarinettist Jelte Althuis. throughout Western Europe. The twelfth moving encore. Arranger Jelte Althuis: five-voice gems planted the seed in the sweetness of folk tunes and the content Wuxi, which is said to be the source of melody that Althuis describes as ‘one of country’s first national anthem. Wilms this work for the group’s 2017 national years. Ford, who now lives in The Hague, keyboard cycle On an Overgrown Path 2 Allegro 1. 57 Prélude, fugue et variation 17 Zdenka Variations 8. 44 instance focusing on a single composer, ‘The Dutch are proud of their influence and final sonata of this collection is an ‘Whenever I hear Nina Simone, I am then-youthful, inquisitive students for of their lyrics has always fascinated the finest tea-making water in China, the most beautiful in the music literature’. left Germany for Amsterdam at the tour of the programme More Moving composed a three-movement work was a logical first choice: they were 3 Presto 1. 56 9 Prélude 3. 06 this recording offers a vivid collection on the rest of the world, but my focus extensive set of variations on La Folia, struck by the combination of her the polyphonic thinking that typifies me. I first encountered this tune in an and the birthplace of composer Abing Following a brief fugue, an ostensibly new age of nineteen, and would play a key Music, which featured brilliant visuals by called ‘Variations & Motet’ for string written with the harmonium—a wind 10 Interlude 0. 31 JOSQUIN DES PREZ (ca. 1450 – 1521) of gems from Calefax’s repertoire and was just the opposite: the influence one of Europe’s oldest known dance unique vocal qualities and her piano Calefax’s fundamental approach. This extraordinary, fragile recording, made (1893-1950). In the 1940s, Abing (also piece starts, but this turns out to be the role in Dutch musical life for the rest the Dutch video artist Jaap Drupsteen. orchestra in 1983, during his final year of instrument, after all—in mind. Later ARCANGELO CORELLI (1653 – 1713) 11 Fugue & Variation 5. 54 arr. Lucas van Helsdingen underscores the ensemble’s affinity with of foreign composers on musical life themes. It was Corelli’s effervescent, playing. Especially the recordings from recording is likewise a tribute to the in 1962 by the folk singer Margaret known as Hua Yanjun) was a well-known, softly-sparkling accompaniment to the of his life. Far more brilliant than the Hekkema: ‘Drupsteen is a wizard when studies in the U.S. The piece eventually came In the Mist and Zdenka Variations. arr. Raaf Hekkema 18 Nymphes des bois 4. 36 music from all ages. in the Netherlands. While researching virtuosic language that appealed to her early years... she’s not a paragon early-music teachers (in particular Jan MacArthur. In my version the melody politically engaged street musician in return of the melody from the Prélude. A anthem is his Symphony No. 4, from it comes to visualizing musical patterns. made its way to the legendary Ricciotti These variations are named after 4 Variations on La Folia Op. 5, no. 12 10. 48 JOHANN WILHELM WILMS (1772 – 1847) repertoire for this programme, I the music’s arranger Raaf Hekkema. of perfection, but she’s inimitable Nuchelmans and Paul Van Nevel) who appears throughout the piece, but the Wuxi. A master of the erhu, a two- memory of Althuis illustrates the gripping which Jelte Althuis arranged the Rondo He prefers to work with pulsating music, Ensemble, whose members at the time Janáček’s future wife Zdenka Schulzová, arr. Jelte Althuis Total playing time: 70. 08 These notes give the listener a behind- stumbled across this piece by Pietro ‘Corelli’s version is, of course, quite well nonetheless. Additionally, Simone inspired the young Calefax musicians in variations become increasingly dark.’ string, small-bodied instrument, he beauty of this opening melody. ‘I heard for reed quintet in 2012. ‘Like Locatelli, and to achieve the maximum variation included Raaf Hekkema and Alban for whom he wrote the work in 1880 NINA SIMONE (1933 – 2003) 12 Rondo from Sinfonia a grand orchestre no. 4 5. 51 the-scenes peek into the evolution Locatelli, the Italian composer who known—so it’s not really a “hidden” had an affinity with Bach, which the early 1990s. performed Er Quan Ying Yue, the work this piece performed by four clarinets at I discovered Wilms during my search in this programme I went in search of Wesly. The Ricciotti ‘street orchestra’ at the age of 26 as a student of piano arr. Jelte Althuis of the arrangements and Calefax’s made Amsterdam his adopted home. gem—but since we are unlikely to devote comes through in the counterpoint For this recording, Calefax decided to that would bring him perpetual fame. In the first chamber music concert I ever for “new Dutch” composers. While pre-‘minimalist’ music with a pulse. I was founded in 1970 by Jur Naessens, and composition in Leipzig. We chose 5 For All We Know 4. 04 ERIK SATIE (1866 – 1925) modus operandi. And this CD likewise What a discovery! It was an obvious an entire CD to Corelli in the near accompaniment of For all we know. LOOK FOR ME reposition the microphones somewhat, Ivar Berix this arrangement, by Oliver Boekhorn, attended. I thought it was beautiful, and arranging the work I was struck by his put a notice on my Facebook page, and who in the late 1980s also managed to include it on the present CD because arr. Raaf Hekkema documents the quintet’s own rich choice as the opening number for that future, this marvellous piece deserves Here, the tune is ‘sung’ by Raaf Clarinetist Ivar Berix curated a to accentuate the work’s layers. Berix: the melody is taken by the Cor Anglais, never forgot the music—without knowing craftsmanship.
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