The Third Global Symposium on Gender in Media

Total Page:16

File Type:pdf, Size:1020Kb

The Third Global Symposium on Gender in Media THE THIRD GLOBAL SYMPOSIUM ON GENDER IN MEDIA A transcript of the Third Global Symposium on Gender in Media held on Tuesday, November 13, 2012 at SLS Hotel, Beverly Hills www.seejane.org GEENA DAVIS INSTITUTE ON GENDER IN MEDIA THIRD SYMPOSIUM ON GENDER IN MEDIA 2012 PROGRAM OVERVIEW WELCOME AND OPENING ADDRESS Madeline Di Nonno Executive Director, Geena Davis Institute on Gender in Media KEYNOTE SPEAKERS Geena Davis Founder, Geena Davis Institute on Gender in Media Stacy L. Smith, Ph.D. Associate Professor, USC Annenberg School for Communication & Journalism PANEL Modeling Success for Girls in TV and Film How kid-centric film and TV shows are helping to shape how girls see themselves as adults tomorrow MODERATOR Maria Hall Brown, Executive Producer for Arts and Culture Programming on PBS SoCal Panelists Bonnie Arnold, Producer, Toy Story, How to Train Your Dragon, DreamWorks Animation Kim Berglund, Director, Children’s Programming, PBS Kids Michelle Murdocca, Producer, Hotel Transylvania, Sony Animation Chris Nee, Writer/Producer, Creator of Disney Junior’s Doc McStuffins Halle Stanford, Executive Vice President of Children’s Entertainment, The Jim Henson Company PANEL Women, Media and Culture: How media can play a leading role in advocating and positively shaping cultural views on women’s value in a global society. MODERATOR Mary McNamara, Los Angeles Times Television Critic Panelists Meredith Averill, Executive Story Editor, The Good Wife, CBS Ingrid Haas, Writer/Producer/Actor Nicole Newnham Producer, Revolutionary Optimist Amy Ziering, Producer, The Invisible War CLOSING COMMENTS Geena Davis www.seejane.org 2 GEENA DAVIS INSTITUTE ON GENDER IN MEDIA THIRD SYMPOSIUM ON GENDER IN MEDIA 2012 In a few minutes you are going to hear from our distinguished keynote speakers Geena Davis and Dr. Stacy Smith. Dr. Smith is going to present groundbreaking research on the career occupations and aspirations of female characters in popular TV and film. We also are THE THIRD GLOBAL SYMPOSIUM super thrilled that we have two panels of exceptional entertainment executives that are leading by ON GENDER IN MEDIA 2012 example by dramatically changing the cultural landscape of media images for women and girls. Although their experiences may vary from your Madeline Di Nonno Welcome. own, I think one thing we all have in common I’m Madeline Di Nonno and is our passion and tireless commitment to achieve I’m the Executive Director gender equality and the e powerment of women for the Institute. Thank you so and girls in popular media. So without further ado, much for taking the time to I would like to introduce our fearless leader and join us. Institute founder, Academy Award winning actor, The one thing Geena Davis. Thank you so much for your help. that unites We want to thank our Board of Advisors and our Platinum “all of us is our Sponsors: ITVS, the Corpora- passion and tion for Public Broadcasting, Zion’s Bank and Variety. tireless commitment to gender equality We are so pleased to be partners with ITVS and their Women and Girls Lead Campaign. This video, which and the you just saw, is part of our Guess Who Children’s empowerment Education Program which is designed to teach children to challenge gender stereotypes. Today, of women you’re going to see a few other videos that were and girls. produced by students from USC. This one was actu- ally Boston University. We have Columbia College in — Madeline Di Nonno” Chicago and Lipscomb Universities. So our friends at PBS are going to air these spots nationally in March. So, of course, in L.A. it will be on PBS SoCal. Somewhere in this crowd is Mel Rogers. There you are! Thank you so much for your help. www.seejane.org 3 GEENA DAVIS INSTITUTE ON GENDER IN MEDIA THIRD SYMPOSIUM ON GENDER IN MEDIA 2012 Geena Davis Thank you very Eventually when I was asked if I thought things were much. I’m thrilled to see all now better for actresses I would say, “I don’t know. of you here. What a fantastic Google it.” turnout! So many friends and colleagues and supporters. So about eight years ago my daughter Alizeh Some of you are new to us was two years old and I started watching some and some of you have been G-rated videos and kids shows with her. I was with us for the long haul. absolutely floored to see, with notable exceptions in preschool shows for kids, what seemed to be I first want to thank very much a huge imbalance in the ratio of male to female our host committee who have characters in this entertainment that was aimed at had unflagging generosity and support. Vincent kids. There was a startling dearth of female presence Bruzzese, the Honorable Patricia Harrison, Kevin in the worlds – the fantasy worlds that were being Huvane, Gerry Laybourne, Amy Pascal and Nina created. Tassler. We are deeply honored and very lucky to have their support. I thought if this is what our littlest kids are seeing from the very beginning, what message is it send- As most of you know, we have now sponsored ing to boys and girls about the importance of girls? the largest amount of research ever done on As a parent I thought surely, in the 21st century, we gender depictions in media. It covers a 20 year span. should be showing kids, boys and girls sharing the We couldn’t have done it without the encourage- sandbox equally. ment and the support of the entertainment industry. Surely, in the 21st century, Starting a research institute was really never part of “we should be my master plan, I don’t think. Not that I can recall. But certain things have inexorably led me to this place. seeing boys When I started out in the business I knew quite well, obviously, as everyone did that there were fewer and girls parts for women. But it seemed like interviewers were sharing the were constantly asking me, “Things are better now for women, aren’t they?” I’d answer, “I guess, yeah. sandbox I don’t know.” equally. But as time went on and hit movie after hit movie So I decided I wanted the data. I wanted to really — Geena Davis came out starring women and it didn’t lead to more know that if what I believed I was seeing was true. ” women starring women as all the press predicted – That was how all of this started. Since then we have after A League of Their Own which was 20 years ago sponsored almost 20 discrete studies conducted at this year. I like to bring up my credits. I think since then USC’s Annenberg School for Communication and there have been no women sport’s movies. Journalism by Dr. Stacy Smith who you will meet very briefly. www.seejane.org 4 GEENA DAVIS INSTITUTE ON GENDER IN MEDIA THIRD SYMPOSIUM ON GENDER IN MEDIA 2012 We looked both at the quality and the quantity of in your program guide. the female characters and the results have been stunning. By reflecting to children a very, very So, the majority of those studied had indeed utilized imbalanced culture from the very beginning, we what they learned through the Institute with close are in fact unconsciously training kids to see girls to half having done so in three or more projects. and women as less important than men and boys. 68% of The message is sinking in. There is a study that shows When asked in how many projects they had the more hours of television a girl watches, the fewer incorporated these learnings, one-third had done entertainment options she thinks she has in life. This is a very stark and so in one project, 27% in two projects, 16% in three “industry powerful result. projects and 25% had included them in four or more projects. The older the respondents were, the more executives You’re going to hear shortly about why that might likely they were to have incorporated our data into exposed to our happen – that by watching female characters their projects with 36% of those 50 and older incorpo- girl’s ambitions become more limited. We are rating learning into four or more projects. research have going to share with you for the first time some utilized what research today and Stacy will be explaining that. When asked what they had changed about their That’s our story. Fortunately for us, a lot of you have projects, over a quarter changed the aspirations they learned shared your stories with us. and occupations of the female characters or in three they changed their dialogue. 18% had changed Following our last Symposium we sent out a story development and 16% had increased female or more survey and asked if our findings would impact your characters as secondary characters. One in 10 had projects. upcoming projects and your work and if you would increased female characters as lead characters. share what you learned with your colleagues. Over They had changed the look of the characters or they — Geena Davis 90% said yes to both. To find out our specific impact had switched male to female characters – 11% had ” on what’s being made, we recently conducted done that. a very comprehensive survey asking all of the These are some other direct impacts from their executives and con- responses. Some said they hired more female talent. tent creators that we They tried to employ more women on the crew as presented to in what writers or musicians. They also worked with creators to ways have we made create content that show females driving story and an impact on your which shows males in non-traditional roles.
Recommended publications
  • 30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
    30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network.
    [Show full text]
  • 92Nd ACADEMY AWARDS® BALLOT
    92nd ACADEMY AWARDS® BALLOT IMDb LIVE is covering the Academy Awards all evening long -- join us at IMDb.com on Feb. 9 at 7:30 p.m. ET/4:30 p.m. PT Name ¨ A B BEST ACHIEVEMENT ¨ A Marriage Story 8.1 14 Once Upon a Time... in Hollywood 7.7 Noah Baumbach IN COSTUME DESIGN Wylie Stateman A ¨ Once Upon a Time... in Hollywood 7.7 ¨ Jojo Rabbit A8.0 ¨ Star Wars: The Rise Of Skywalker A6.9 Total Correct Quentin Tarantino Mayes C. Rubeo Matthew Wood and David Acord A ¨ Parasite 8.6 ¨ Joker A8.6 /24 Bong Joon Ho and Jin Won Han Mark Bridges BEST ACHIEVEMENT 20 ¨ Little Women A8.1 IN VISUAL EFFECTS Jacqueline Durran BEST MOTION PICTURE BEST ADAPTED ¨ 1917 A8.5 01 08 A OF THE YEAR SCREENPLAY ¨ Once Upon a Time... in Hollywood 7.7 Guillaume Rocheron, Greg Butler, and A Arianne Phillips Dominic Tuohy ¨ 1917 A8.5 ¨ Jojo Rabbit 8.0 ¨ The Irishman A8.0 A Sam Mendes, Pippa Harris, Jayne-Ann Taika Waititi ¨ Avengers: Endgame 8.5 Christopher Peterson and Sandy Powell Tenggren, and Callum McDougall ¨ Joker A8.6 Dan DeLeeuw, Russell Earl, Matt Aitken, Todd Phillips and Scott Silver and Daniel Sudick ¨ Ford v Ferrari A8.2 A BEST ACHIEVEMENT IN ¨ A Peter Chernin, Jenno Topping, James Mangold ¨ Little Women 8.1 15 Star Wars: The Rise Of Skywalker 6.9 Greta Gerwig MAKEUP AND HAIRSTYLING Neal Scanlan, Patrick Tubach, Dominic Tuohy, ¨ Jojo Rabbit A8.0 and Roger Guyett Carthew Neal, Taika Waititi ¨ The Irishman A8.0 ¨ 1917 A8.5 Steven Zaillian ¨ The Irishman A8.0 ¨ Joker A8.6 Naomi Donne, Tristan Versluis, and Rebecca Cole Pablo Helman, Leandro Estebecorena, Todd Phillips, Bradley Cooper, Emma Tillinger ¨ The Two Popes A7.6 ¨ Bombshell A6.8 Nelson Sepulveda, and Stephane Grabli Koskoff Anthony McCarten Kazu Hiro, Anne Morgan, and Vivian Baker ¨ The Lion King A6.9 ¨ Little Women A8.1 ¨ Joker A8.6 Robert Legato, Adam Valdez, Andrew R.
    [Show full text]
  • Oscars 2020 Ballot
    OSCARS BALLOT OSCAR NOMINATIONS 2020 BY CATEGORY - 92ND AWARDS О JOKER - LAWRENCE SHER О PARASITE - YANG JINMO ROBERT DE NIRO, JANE ROSENTHAL AND О JOKER - ALAN ROBERT MURRAY EMMA TILLINGER KOSKOFF, PRODUCERS О THE LIGHTHOUSE - JARIN BLASCHKE BEST INTERNATIONAL FEATURE FILM OF THE О 1917 - OLIVER TARNEY AND RACHAEL TATE YEAR: О JOJO RABBIT - CARTHEW NEAL AND О 1917 - ROGER DEAKINS TAIKA WAITITI, PRODUCERS О ONCE UPON A TIME...IN HOLLYWOOD - О CORPUS CHRISTI - POLAND, DIRECTED WYLIE STATEMAN PERFORMANCE BY AN ACTOR IN A LEADING О ONCE UPON A TIME...IN HOLLYWOOD - BY JAN KOMASA О JOKER - TODD PHILLIPS, BRADLEY ROLE: ROBERT RICHARDSON COOPER AND EMMA TILLINGER KOSKOFF, О STAR WARS: THE RISE OF SKYWALKER - О HONEYLAND - NORTH MACEDONIA, PRODUCERS MATTHEW WOOD AND DAVID ACORD О ANTONIO BANDERA IN PAIN AND GLORY ACHIEVEMENT IN COSTUME DESIGN: DIRECTED BY LJUBO STEFANOV AND TAMARA KOTEVKSA О LITTLE WOMEN - AMY PASCAL, ACHIEVEMENT IN SOUND MIXING: О LEONARDO DICAPRIO IN ONCE UPON A О THE IRISHMAN - SANDY POWELL AND PRODUCER TIME...IN HOLLYWOOD CHRISTOPHER PETERSON О LES MISÉRABLES - FRANCE, DIRECTED BY О AD ASTRA - GARY RYDSTROM, TOM LADJ LY О MARRIAGE STORY - NOAH BAUMBACH JOHNSON AND MARK ULANO О ADAM DRIVER IN MARRIAGE STORY О JOJO RABBIT - MAYES C. RUBEO AND DAVID HEYMAN, PRODUCERS О PAIN AND GLORY - SPAIN, DIRECTED BY О FORD V FERRARI - PAUL MASSEY, DAVID О JOAQUIN PHOENIX IN JOKER О JOKER - MARK BRIDGES PEDRO ALMODÓVAR О 1917 - SAM MENDES, PIPPA HARRIS, GIAMMARCO AND STEVEN A. MORROW JAYNE-ANN TENGGREN AND CALLUM О JONATHAN PRYCE IN THE
    [Show full text]
  • Awards & Nominations
    VICKI HIATT MUSIC SUPERVISOR / EDITOR AWARDS & NOMINATIONS GOLDEN REEL AWARD ALI NOMINATION (2001) Best Sound Editing -Music, Feature Film, Domestic and Foreign GOLDEN REEL AWARD THE ROAD TO EL DORADO NOMINATION (2000) Best Sound Editing-Music, Animation FEATURE FILM THE ARK & THE AARDVARK Keith Kjarvak, Kurt Rauer, prod. Unified Pictures John Stevenson, dir. Music Editor HOTEL TRANSYLVANIA 3 Michelle Murdocca, prod. Sony Pictures Animation Gendy Tartakovsy, dir. Music Editor SURF’S UP 2: WAVEMANIA Toby Chu, Composer Sony Pictures Animation Michelle Wong, prod. Music Editor Henry Wu, dir. HALF MAGIC Alex Wurman, Composer Magic Bubble Productions Bill Sheinberg, prod. Music Consultant Heather Graham, dir. HOW TO TRAIN YOUR DRAGON 3 John Powell, Composer DreamWorks Animation Bonnie Arnold, prod. Music Editor Dean DeBlois, dir. LIFE BRIEFLY Tom Howe, Composer Thousand Dream Prods. Erika Armin, James Brubaker, prods. Music Editor Dan Ireland, dir. EMOJI Michelle Raimo, prod. Sony Pictures Animation Anthony Leondis, dir. Music Editor BOSS BABY Denise Nolan Cascino, Ramsey Ann Naito, prods. DreamWorks Animation Tom McGrath, dir. Music Editor The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 VICKI HIATT MUSIC SUPERVISOR / EDITOR INDISCRETION Toby Chu, Composer Granfallon Productions Alexandra Baranska, Thomas Beach, Laura Boersma, prods. Music Supervisor John Stewart Muller, dir. SO B. IT Nick Urata, Composer Branded Pictures J. Todd Harris, Orien Richman, prods. Music Supervisor Stephen Gyllenhaal, dir. CAPTAIN UNDERPANTS Teddy Shapiro, Composer DreamWorks Animation Mark Swift, prod. Music Editor David Soren, dir. TROLLS Christophe Beck, Composer DreamWorks Animation Gina Shay, prod. Music Editor Mike Mitchell, dir. FLAWED DOGS Berkeley Breathed, exec. prod. DreamWorks Animation Noah Baumbauch, dir.
    [Show full text]
  • Pbc La 2018 Sessions Information Saturday, June 9Th 9
    PBC LA 2018 SESSIONS INFORMATION SATURDAY, JUNE 9TH 9:30AM – 10:45AM CONVERSATION WITH: JIM GIANOPULOS & NEAL H. MORITZ Location: Paramount Theatre Speakers: • Jim Gianopulos, Chairman and CEO, Paramount Pictures Corporation • Neal H. Moritz, Principal, Original Film; “Fast and the Furious” Franchise, “Jump Street” Franchise THE ART OF PRODUCING ANIMATION The industry’s (and the global audience’s) appetite for animated content has continued to expand. This panel will give attendees insight into the unique challenges of producing animation for both film and television. Our session’s panelists span all forms of animation, ranging from major studio to independent productions, and from CG to 2D to stop-motion. Panelists will discuss the comparative complexity of working in a variety of formats and share realistic expectations for creating successful and memorable animated features and shows. Location: Sherry Lansing Speakers: • Allison Abbate, EVP, Warner Animation Group; “Fantastic Mr. Fox,” “Corpse Bride” • Andrew Goldberg; "Big Mouth," "Family Guy" • Jinko Gotoh; "The Little Prince," "9" • Jorge R. Gutiérrez; “The Book of Life,” “El Tigre, The Adventures of Manny Rivera” • Rosa Tran; "Final Space," "Anomalisa" Moderator: Bonnie Arnold, Producer, DreamWorks Animation; "How to Train Your Dragon," "Toy Story" WHAT DO YOU MEAN THAT'S NOT COVERED? LESSONS LEARNED IN MANAGING RISKS AND COSTS IN YOUR PRODUCTION sponsored by HUB Entertainment Insurance Insurance may be one of the last arrangements you make in your production, but it is for certain one of the most important. Done properly, it can mean all the difference in executing a safe, smart, and profitable production. In this panel, we bring perspectives from production executives and risk management & insurance professionals to explore real-life production disasters – ranging from weather delays to death of cast family members to #MeToo related turnover and reputation damages – and how you can learn from these incidents and prevent them (or at least contain their consequences).
    [Show full text]
  • PDF (1.66 Mib)
    arcade OCTOBER 10 2008 • 12 the セ オ ・ ウ エ fo-r the top 10 comedic pe-rsonalities Derrick Tou s senior staffwriter This year's pursuit for the funniest comedic personalities was long, hard and filled with surprises. After searching and scouring You Tube and IMDb for days, a large list of funny people was created. After cutting said list from a group of hopefuls that included Bon-Qui- Qui, the creatarrrs of Pirate Facebook, and whoever has been setting off the Wall, Phelps and Irby fire-alarms, the following 10 comedians and comediennes were selected for keeping us rolling on the floor and slapping our knees. 1. Tina Fey No surprise here. Tina Fey is a maverick filled with that maverick energy, but she's got more to her name than the best Sarah Palin impression this side of Alaska. Governor Palin herself described the Weekend Update host and star of "Baby Mama" as "a ィ ッ ッ エ セ As the first female head writer of"Satur- day Night Live" and the creator of the hit NBC show "30 Rock," Fey has garnered five Emmys in the past two years as well as several hottest woman nomi· nations. Although male fans across the nation were disappointed when Fey traded her naughty secretary black-rimmed glasses for Palin lenses, she remains on the top of the current comedic scene. 2. Conan O'Brien Probably today's most prominent comedic writer and funniest male personality, Conan O'Brien earns the number two spot. A former writ- er for "Saturday Night Live" and "The Simpsons," Conan has hosted his "Late Night" show for over 12 years; however, the magna cum laude graduate of Harvard will replace Jay Leno next year as the face of late night tele\;sion and will most likely celebrate with his famous string dance.
    [Show full text]
  • Studio Movie Grill Further Expands Its Movies + Meals Program with Dreamworks Animation’S How to Train Your Dragon: the Hidden World
    FOR IMMEDIATE RELEASE Studio Movie Grill Further Expands its Movies + Meals Program with DreamWorks Animation’s How To Train Your Dragon: The Hidden World SMG AccessTM the first and only loyalty program of its kind in movie exhibition launched in June 2018 committed to impacting one million lives through the power of film and sharing a meal. Dallas, TX – February 14, 2019: Studio Movie Grill announced that Universal Pictures has generously offered multiple screenings of DreamWorks Animation’s highly anticipated How To Train Your Dragon: The Hidden World (in theatres 2/22/19) to SMG’s non-profit partners serving children with special needs, including: • Bakersfied, CA - Exceptional Family Center/Centro de Familias Excepcionales • Duluth, GA - Spectrum • Seminole, FL - PARCs Discovery Learning Center • NW Hwy, TX - Bryan's House • Spring Valley, TX - H.E.R.O.E.S. DFW • Tyler, TX - Tyler Run for Autism • Marietta, GA – Variety, the Children’s Charity of Georgia • Chatham, IL – Variety, the Children’s Charity of Illinois • College Park, IN - Riley Children's Foundation • Pearland, TX - BACH Rehabilitation Center These screenings are offered in support of SMG AccessTM and the Movies + Meals outreach program. In keeping with its mission to open hearts and minds, one story at a time, SMG AccessTM launched nationwide in July 2018 and is the only theater-loyalty program focused on positively impacting underserved local community members. Through their purchases, alongside rewards, loyal SMG guests are able to assist SMG outreach in offering movies and meals to local non-profits and underresourced community members with the hope of harnessing the power of movies to inspire and change lives.
    [Show full text]
  • Netflix and the Development of the Internet Television Network
    Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.
    [Show full text]
  • The Last Station
    Mongrel Media Presents The Last Station A Film by Michael Hoffman (112 min, Germany, Russia, UK, 2009) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html THE LAST STATION STARRING HELEN MIRREN CHRISTOPHER PLUMMER PAUL GIAMATTI ANNE-MARIE DUFF KERRY CONDON and JAMES MCAVOY WRITTEN & DIRECTED BY MICHAEL HOFFMAN PRODUCED BY CHRIS CURLING JENS MEURER BONNIE ARNOLD *Official Selection: 2009 Telluride Film Festival SYNOPSIS After almost fifty years of marriage, the Countess Sofya (Helen Mirren), Leo Tolstoy’s (Christopher Plummer) devoted wife, passionate lover, muse and secretary—she’s copied out War and Peace six times…by hand!—suddenly finds her entire world turned upside down. In the name of his newly created religion, the great Russian novelist has renounced his noble title, his property and even his family in favor of poverty, vegetarianism and even celibacy. After she’s born him thirteen children! When Sofya then discovers that Tolstoy’s trusted disciple, Chertkov (Paul Giamatti)—whom she despises—may have secretly convinced her husband to sign a new will, leaving the rights to his iconic novels to the Russian people rather than his very own family, she is consumed by righteous outrage. This is the last straw. Using every bit of cunning, every trick of seduction in her considerable arsenal, she fights fiercely for what she believes is rightfully hers.
    [Show full text]
  • Women in Comedy
    WOMEN IN COMEDY BACKGROUND: MAKERS: Women In Comedy tracks the rise of women in the world of comedy, from the “dangerous” comedy of 70s sitcoms like Norman Lear’s Maude to the groundbreaking women of the 1980s American comedy club boom and building to today’s multifaceted landscape. Today, movies like Bridesmaids break box office records and the women of Saturday Night Live are often more famous than their male counterparts, but it didn’t start out that way. Early breakout female comics had to keep their jokes within the safe context of marriage, motherhood, and a man’s world. But they still found a way to be subversive. As Joan Rivers puts it, “I was furious about having to get married… It all comes out on stage. So that’s what I do onstage. I really tell them the truth.” Soon comedy became a vehicle for women to take on some of the most sensitive and controversial issues of the day. On television in the 1960s, entertainers like Carol Burnett and Mary Tyler Moore illuminated the core issues of feminism with humor that was both sly and truthful. But it took a powerful male producer to bring the most provocative feminist characters onto the screen. Maude, who Lear introduced to audiences in 1971, was a feminist firebrand on her fourth husband, strong and independent with a razor sharp wit. “When Maude was on the air,” Lear tells us, “I used to get letters from the First Lady, Betty Ford…. And she always signed every letter ‘Maude’s #1 fan’.” When Maude chose to have an abortion at 47, religious groups protested, but the episode was watched by 65 million Americans.
    [Show full text]
  • 30 ROCK 106: "Tracy Does Conan" SHOOTING DRAFT 9/29/06
    106 “Tracy Does Conan” by Tina Fey Directed by Adam Bernstein Executive Producers: Lorne Michaels Tina Fey JoAnn Alfano Marci Klein David Miner Broadway Video Television SHOOTING DRAFT – 9/29/06 254 West 54th St, 11th Floor New York, NY 10019 ! 2006 BY!NBC STUDIOS, INC. ! ALL RIGHTS RESERVED.! NOT TO BE DUPLICATED WITHOUT PERMISSION. ! This material is property of!NBC Studios, Inc.!and is intended solely for use by its personnel.! The sale, copying, reproduction or exploitation of this material in any form is prohibited.! Distribution or disclosure of this material to unauthorized persons is prohibited. 30 ROCK 106: "Tracy Does Conan" SHOOTING DRAFT 9/29/06 CAST LIST LIZ .............…………………………….....……………………………...…….............TINA FEY JACK………………………………………………………………...…………ALEC BALDWIN TRACY......…………….………..……..……………………………….....…..TRACY MORGAN JENNA………………………………………………………………........... JANE KRAKOWSKI KENNETH………………………………………………………….......…....JACK MCBRAYER PETE……………………………………………………………….........................SCOTT ADSIT FRANK………………………………………………………………....JUDAH FRIEDLANDER LITTLE BLUE MAN………………...………………………………………RACHEL DRATCH TOOFER………………………………………………………………...............KEITH POWELL CONAN O’BRIEN.…….…………………………………………............…...CONAN O’BRIEN DENNIS...…………………………………………………………………..…. DEAN WINTERS DR. SPACEMAN…………………………………………………………..….CHRIS PARNELL GRIZZ......…………………………………………………………………..…..............…..…TBD NURSE......……………………………..…………………………………..…..............…..…TBD FRUIT SALESMAN..…………………...………………………………………..….......RN RAO CONAN STAGE MANAGER.…….…………………………………………..............…..…TBD
    [Show full text]
  • DELCO Isfar from CAMERA-SHY
    DELCO is FAR FROM CAMERA-SHY Before “Mare of Easttown,” Delaware County had other moments in the spotlight. Directors, writers and actors hailing from Delco have all found inspiration in their home- town and have shared a glimpse into their personal histories with their fans. View Delco through the camera lens in these films and TV shows shot on location. See if you can spot places you know. FILMS TV SHOWS Last Call (2021) Servant (Apple TV+) Start streaming the latest addition to Delco’s filmography—”Last Give yourself a scare with Apple TV’s psychological horror, “Servant.” Call.” The movie centers on a neighborhood bar, Callahan’s Tavern, The show, set in Bethel Township, is produced by M. Night Shyamalan PINEMAR.NET in Upper Darby and stars Jeremy Piven, two-time Oscar nominee and stars Rupert Grint, a.k.a Ron from Harry Potter. Bruce Dern, along with two actors with local roots—Jamie Kennedy and Cheri Oteri. The Goldbergs (ABC) Revel in the nostalgia of “The Goldbergs,” especially the episode Creed II (2018) featuring Barry’s bachelor party, complete with a recreation of Delco’s Fans of “Rocky” will enjoy the sibling franchise Creed, which packs just Pulsations Nightclub. as much of a punch. The sequel, “Creed II,” filmed all the boxing matches and indoor training montages locally in Aston’s Sun Center Studios. FAMOUS FACES Tina Fey Silver Linings Playbook (2012) Almost everyone is familiar with actress/comedian and Delco A crowd favorite, “Silver Linings Playbook” is a must-see in the area. darling Tina Fey but if you need a refresher try binging “30 Rock,” Watch for the famous diner scene with Bradley Cooper (Philly native) streaming “Mean Girls” or doing some light reading with her book and Jennifer Lawrence, set in the beloved Llanerch Diner.
    [Show full text]