Summer Holiday Fun Shakespeare on Screen
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Are We There Yet?
ARE WE THERE YET? Study Room Guide on Live Art and Feminism Live Art Development Agency INDEX 1. Introduction 2. Lois interviews Lois 3. Why Bodies? 4. How We Did It 5. Mapping Feminism 6. Resources 7. Acknowledgements INTRODUCTION Welcome to this Study Guide on Live Art and Feminism curated by Lois Weaver in collaboration with PhD candidate Eleanor Roberts and the Live Art Development Agency. Existing both in printed form and as an online resource, this multi-layered, multi-voiced Guide is a key component of LADA’s Restock Rethink Reflect project on Live Art and Feminism. Restock, Rethink, Reflect is an ongoing series of initiatives for, and about, artists who working with issues of identity politics and cultural difference in radical ways, and which aims to map and mark the impact of art to these issues, whilst supporting future generations of artists through specialized professional development, resources, events and publications. Following the first two Restock, Rethink, Reflect projects on Race (2006-08) and Disability (2009- 12), Restock, Rethink, Reflect Three (2013-15) is on Feminism – on the role of performance in feminist histories and the contribution of artists to discourses around contemporary gender politics. Restock, Rethink, Reflect Three has involved collaborations with UK and European partners on programming, publishing and archival projects, including a LADA curated programme, Just Like a Woman, for City of Women Festival, Slovenia in 2013, the co-publication of re.act.feminism – a performing archive in 2014, and the Fem Fresh platform for emerging feminist practices with Queen Mary University of London. Central to Restock, Rethink, Reflect Three has been a research, dialogue and mapping project led by Lois Weaver and supported by a CreativeWorks grant. -
Cinema Bizarre on TOUR & Strify Im Interview
Ausgabe : MAI 2008 Cinema Bizarre ON Mini Poster: TOUR & Strify im Backstreet B o y s I n t e r v i e w und Monrose Themen Rückblick_____________________________________________________________________________________ Internationales Kinderfest 23 Nisan______________________________________________________________ No Angels_____________________________________________________________________________________ Cinema Bizarre Konzert_________________________________________________________________________ Strify (Cinema Bizarre) Interview_________________________________________________________________ Deutschland sucht den Superstar Staffel 5________________________________________________________ 8 MINI POSTER__________________________________________________________________________________ RyanDan_______________________________________________________________________________________ Britney Spears__________________________________________________________________________________ Terminkalender_________________________________________________________________________________ CD des Monats_________________________________________________________________________________ Alben Veröffentlichungen_______________________________________________________________________ Single Veröffentlichungen_______________________________________________________________________ Just Celebrities MAG - Impressum - Redaktion: Just Celebrities MAG Postanschrift: Just Celebrities MAG; Postfach 30 93 43; 10761 Berlin E-Mail: [email protected] Inhaber/Ansprechpartner: -
Cinema Bizarre Final Attraction Mp3, Flac, Wma
Cinema Bizarre Final Attraction mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Final Attraction Country: Germany, Austria, & Switzerland Released: 2007 Style: Pop Rock, Glam MP3 version RAR size: 1136 mb FLAC version RAR size: 1273 mb WMA version RAR size: 1829 mb Rating: 4.6 Votes: 955 Other Formats: XM AUD APE AHX AC3 ADX AAC Tracklist Hide Credits Lovesongs (They Kill Me) Producer [Additional] – Brio TaliaferroProducer, Recorded By, Arranged By – Bernd 1 Wendlandt, Brix , Ingo PolitzRecorded By [Vocals] – Mitch KellyWritten-By – Christian Neander, Kiko Masbaum, Michelle Leonard How Does It Feel 2 Producer, Recorded By, Arranged By – Bernd Wendlandt, Brix , Ingo PolitzWritten-By – Remee, Thomas Troelsen Silent Scream 3 Piano – Erik MachollProducer, Written-By – JMC Written-By – Strify Get Off Producer [Additional] – Kiko MasbaumProducer, Recorded By, Arranged By, Mixed By – 4 Anders Wollbeck, Mattias LindblomWritten-By – Anders Wollbeck, Kiko Masbaum, Mattias Lindblom, Michelle Leonard Forever Or Never 5 Mixed By – Andreas HviidWritten-By, Mixed By – Remee, Thomas Troelsen Escape To The Stars 6 Mixed By – Klaus KnappProducer, Written-By – JMC Written-By – Martin L. Gore After The Rain 7 Mixed By – Klaus KnappPiano – Erik MachollProducer, Written-By – JMC Strings [Arranged By], Piano – Andreas JohnWritten-By – Strify She Waits For Me 8 Producer, Mixed By – Derek Von KroghRecorded By – Hahn & HahnWritten-By – Charlie Russell, Dave Clayton, Graham Kearns, Mike Peden*, Protocol I Don't Believe 9 Recorded By [Vocals] – Mitch -
Stars Auf Bewährung Die No Angels Waren Lange Deutschlands Erfolgreichste Casting-Band
FILIPE RIBEIRO/ RTL II No-Angels-Auftritt bei „The Dome“ in Köln: Sie haben jetzt drei Kinder und 19 Tattoos POP Stars auf Bewährung Die No Angels waren lange Deutschlands erfolgreichste Casting-Band. Sie bereiteten ihr Comeback vor, als eine von ihnen verhaftet wurde, als angebliche Sex-Verbrecherin. Das könnte die Band vernichten – oder den Durchbruch bedeuten. Von Ralf Hoppe und Sven Röbel öln, ein seidener Spätsommernach- Garderoben, rechts Bühnentechnik, Scha- In Weiß und Silber sind sie gekleidet, mittag, die Lanxess Arena; nach un- ren von Aufnahmeassistenten hasten vor- ungeheuer sexy, die Augen sind prieste- Kten gelangt man über Treppen mit bei, mit Handy und Pferdeschwanz und rinnenhaft verlängert, und wo die Haar- gegitterten Stufen und lange Flure, Neon- Klemmbrett, und in einem dieser Flure teile eingesetzt sind, bleibt Andreas’ Ge- licht, Quietschen, Klirren, Rufen, Body- stehen vier schöne Frauen, die sich ver- heimnis – Andreas, der sanfte, feminine guards in schwarzer Lederjacke, quäkende wandeln. Andreas aus Berlin, hat ganze Arbeit ge- Stimmen aus Funkgeräten, an den Wän- Sie werden zu den Königinnen, die sie leistet, mit den Frisuren und Massen von den stehen Spiegel, links geht es zu den mal waren. Eye Shadow, Lashes, Kajal, Mascara, 64 der spiegel 39/2009 Gesellschaft Gloss, Blush, Fluid, Metallic, Finish. Und hatten, warum. In Wahrheit verband sie Khalid Schröder ist ein freundlicher Typ, Nico, von der Plattenfirma, Head of TV nichts. So war eines Tages alles aus. Mitte vierzig, mit einem ägyptischen Vater, Promotion, hat schon mal das Klebeband Nein, doch nicht. Sie kamen nochmals den er nie kennenlernte. Khalids dunkler in vier Zentimeter kleine Schnipsel vorge- zusammen und probierten es. -
Signs Point to Yes • Disney Junior – Sheriff Callie's Wild West • Tyrese
Dave Monks – All Signs Point To Yes Disney Junior – Sheriff Callie’s Wild West Tyrese – Black Rose New Releases From Classics And Jazz Inside!!! And more… UNI15-28 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final Universal Music Canada - The following titles are DECREASING in price effective Thursday, June 18th 2015 Artist Title Catalogue #UPC Code Config OLD CODE OLD NEDP NEW CODE NEW NEDP 2PAC PAC'S LIFE B000802502 602517133969 CD JSP $10.98 I $5.98 50 CENT GET RICH OR DIE TRYIN' 0694935442 606949354428 CD N $7.66 I $5.98 ADKINS, TRACE CHROME 306182 724353061821 CD N $7.66 I $5.98 BLIGE,MARY JMY LIFE UPTD11156 008811115623 CD N $7.66 I $5.98 EMINEM SLIM SHADY INTSD90287 606949028725 CD N $7.66 I $5.98 JAY Z UNPLUGGED 3145866142 731458661429 CD N $7.66 I $5.98 JONES,NORAH FALL,THE 992862 5099969928628 CD JSP $10.98 I $5.98 MEGADETH COUNTDOWN TO EXTINCTION 798752 724357987523 CD JSP $10.98 I $5.98 NELSON WILLIE & FRIENDS OUTLAWS & ANGELS B000279402 602498627327 CD N $7.66 I $5.98 NE‐YO IN MY OWN WORDS B000493402 602498826126 CD N $7.66 I $5.98 NINE INCH NAILS PRETTY HATE MACHINE (ORIGINAL MIX) B001576702 602527746999 CD N $7.66 I $5.98 QUEENSRYCHE EMPIRE 810702A 724358107029 CD N $7.66 I $5.98 SALIVA CINCO DIABLO B001239802 602517919228 CD JSP $10.98 I $5.98 SOUNDTRACK GODFATHER 2 MCAMD10232 008811023225 CD N $7.66 I $5.98 SOUNDTRACK HORSE WHISPERER THE MCSSD70025 008817002521 CD N $7.66 I $5.98 SOUNDTRACK INTERVIEW WITH THE VAMPIRE GEFMD24719 720642471920 -
TRANSCULTURAL SPACES in SUBCULTURE: an Examination of Multicultural Dynamics in the Japanese Visual Kei Movement
TRANSCULTURAL SPACES IN SUBCULTURE: An examination of multicultural dynamics in the Japanese visual kei movement Hayley Maxime Bhola 5615A031-9 January 10, 2017 A master’s thesis submitted to the Graduate School of International Culture and Communication Studies Waseda University in partial fulfillment of the requirements for the degree of Master of Arts TRANSCULTURAL SPACES IN SUBCULTURE 2 Abstract of the Dissertation The purpose of this dissertation was to examine Japanese visual kei subculture through the theoretical lens of transculturation. Visual kei (ヴィジュアル系) is a music based subculture that formed in the late 1980’s in Japan with bands like X Japan, COLOR and Glay. Bands are recognized by their flamboyant (often androgynous appearances) as well as their theatrical per- formances. Transculturation is a term originally coined by ethnographer Fernando Ortiz in re- sponse to the cultural exchange that took place during the era of colonization in Cuba. It de- scribes the process of cultural exchange in a way that implies mutual action and a more even dis- tribution of power and control over the process itself. This thesis looked at transculturation as it relates to visual kei in two main parts. The first was expositional: looking at visual kei and the musicians that fall under the genre as a product of transculturation between Japanese and non- Japanese culture. The second part was an effort to label visual kei as a transcultural space that is able to continue the process of transculturation by fostering cultural exchange and development among members within the subculture in Japan. Chapter 1 gave a brief overview of the thesis and explains the motivation behind conduct- ing the research. -
Dōjinshi" Online
Transformative Works and Cultures, special issue: Transnational boys' love fan studies, No. 12 (March 15, 2013) Editorial Kazumi Nagaike & Katsuhiko Suganuma, Transnational boys' love fan studies Theory Toshio Miyake, Doing Occidentalism in contemporary Japan: Nation anthropomorphism and sexualized parody in "Axis Powers Hetalia" Björn-Ole Kamm, Rotten use patterns: What entertainment theories can do for the study of boys' love Praxis Paul M. Malone, Transplanted boys' love conventions and anti-"shota" polemics in a German manga: Fahr Sindram's "Losing Neverland" Lucy Hannah Glasspool, Simulation and database society in Japanese role-playing game fandoms: Reading boys' love "dōjinshi" online Symposium Erika Junhui Yi, Reflection on Chinese boys' love fans: An insider's view Keiko Nishimura, Where program and fantasy meet: Female fans conversing with character bots in Japan Midori Suzuki, The possibilities of research on "fujoshi" in Japan Akiko Hori, On the response (or lack thereof) of Japanese fans to criticism that "yaoi" is antigay discrimination Review Samantha Anne Close, "Mechademia Vol. 6: User Enhanced," edited by Frenchy Lunning Emerald King, "Writing the love of boys: Origins of 'bishōnen' culture in modernist Japanese literature," by Jeffrey Angles Transformative Works and Cultures (TWC), ISSN 1941-2258, is an online-only Gold Open Access publication of the nonprofit Organization for Transformative Works. TWC is licensed under the Creative Commons Attribution-Noncommercial 3.0 Unported License. Download date: March 15, 2017. For citation, please refer to the most recent version of articles at TWC. Transformative Works and Cultures, Vol 12 (2013) Editorial Transnational boys' love fan studies Kazumi Nagaike and Katsuhiko Suganuma Oita University, Oita, Japan [0.1] Keywords—BL; Dōjinshi; Gender; Homosexuality; Transnationality Nagaike, Kazumi, and Katsuhiko Suganuma. -
University of Groningen Showcasing European Music Festival Networks
University of Groningen Showcasing European Music Festival Networks Ahlers, Rob DOI: 10.33612/diss.159223878 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2021 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Ahlers, R. (2021). Showcasing European Music Festival Networks: the case of Eurosonic Noorderslag. University of Groningen. https://doi.org/10.33612/diss.159223878 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 04-10-2021 Showcasing European Music Festival Networks The Case of Eurosonic Noorderslag Robertus Bernardus Ahlers Showcasing European Music Festival Networks The Case of Eurosonic Noorderslag Doctoral thesis, University of Groningen, the Netherlands © Robertus Bernardus Ahlers, 2021 ISBN 978-94-6332-742-8 Cover by Elzo Smid Layout by Loes Kema Printed by GVO Drukkers & Vormgevers, Ede All rights reserved. -
Creating Chilean Identities to the Rhythm of Japanese Rock: a Study
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en Creating Chilean Identities to the Rhythm of Japanese Rock: A Study of Santiago de Chile’s Visual Kei Fandom as Subculture Javiera Natalia Reyes Navarro A thesis submitted towards the degree of Doctor of Philosophy Doctorat de Traducció i Estudis Interculturals Departament de Traducció i d'Interpretació i d'Estudis de l'Àsia Oriental Universitat Autònoma de Barcelona Directed by Dr. Jordi Mas López and Dr. Artur Lozano Méndez Abstract During the first decade of the new millennium, Chilean television, magazines, and newspapers turned their attention to groups of young people and their fashion styles, music tastes, and tendency to use public spaces as gathering spots. The ones of the capital, Santiago de Chile, were of the most interest due to their size and were categorized as urban tribes. Among them, one stood out due to its members' outrageous hairstyles, dark makeup and clothing, androgyny, and the language of the music to which they listened: visuals, the name given to Chilean fans of the Japanese music genre visual kei. -
Adapting Miss Highsmith Free Workshops for Kids
BOX OFFICE 0116 242 2800 phoenix.org.uk AUG 2016 CINEMA / ART / CAFÉ BAR SWEET BEAN Fri 19 – Mon 22 Aug THIS MONTH — NEW FILMS — ADAPTING MISS HIGHSMITH SUMMERTIME The cinematic legacy of a DAVID BRENT: celebrated novelist LIFE ON THE ROAD FREE WORKSHOPS BORN TO BE BLUE FOR KIDS THE COMMUNE Get creative with technology AUGUST HIGHLIGHTS Box Office242 2800 0116 — FAMILY / FREE CREATIVE WORKSHOPS ART / OUTSIDE Book Online — www.phoenix.org.uk FILM / DAVID BRENT LIFE OF THE ROAD STAGE ON SCREEN / BEATRICE AND BENEDICT SEASON / ADAPTING MISS HIGHSMITH LEARN / BACK TO THE EIGHTIES COMING IN SEPTEMBER Available as Silver Screenings – see p13 CAFÉ SOCIETY CAPTAIN FANTASTIC HUNT FOR THE WILDERPEOPLE 2 – 3 WELCOME “It really doesn’t matter if it’s raining or it’s fine, just as long as you’ve got time…” GET MORE OUT The summer holidays are here for a wee while longer, so make the most of them and get stuck in to a OF PHOENIX WITH veritable feast of films and family fun! MEMBERSHIP & With 34 different movies screening this month you’ll be spoilt for choice. Highlights include Sweet LOYALTY Bean, from Japanese director Naomi Kawase (p7); the chilling thriller The Childhood of a Leader (p7); and the wonderful Brian Cox (not the one with MY PHOENIX MEMBERS & the telescope!) in Brit-comedy The Carer. Fans of FRIENDS GET: will love David Brent: Life on the Road, and we mark 40 years of punk with a gloriously restored and re-released Sid and Nancy. • 2 free tickets We celebrate the art of short film with The Short • £1 off cinema and Stage on Cinema festival from 24-27 Aug (p14). -
Cinema Bizarre ● Textverständnis ● A
US SCHUSS_4_na 20/2/09 11:36 Page 1 Teacher’s Notes March 2009 ISSN 0048-9492 ® SCHUSS MARCH 2009 Page Article Topics Teaching ideas 3 Focus: Wien The Austrian Ask students to list any German-speaking BACKGROUND capital / Facts countries they know and write them on the Wien (Vienna) about a German board (Deutschland, die Schweiz, With a population of roughly 1,680,000 speaking country Österreich). Also ask students to name the people Austria's capital is also the capitals of these countries, then underline country's largest city. Two million Wien (Vienna) and move on to the text. people (a quarter of all Austrians) live What do your students know about the in the conurbation of Vienna. For Austrian capital? centuries Vienna was the center of the 4 Visual Kei: der A new popular Please go to page 7. Hapsburg Empire and grew to become japanische Look trend / Adverbs one of the most important European of time cities. Vienna was the fourth metropolis to reach a population of two million 6 Die Kartoffel: Food items / Please go to page 2. Rund und gut Passive (after London, New York and Paris). But Vienna lost a quarter of its 9 Wenn Mädchen Comic Students work on their own or with a population by the end of World War I, und Jungen sagen... partner through the speech bubbles. Test and much of its political and economic text comprehension by asking: Wer ist in power with it. Both Vienna's historic Bild 1 ehrlich und wer nicht? Wie viele town center and Schönbrunn Palace deutsche Städte werden in Bild 2 genannt? have been declared a World Cultural Was für Tiere sieht man auf Bild 4? etc. -
Cinema / Art / Café
0116 242 2800 BO X OFFICE PH BOOK ONLINE OENI X. O RG.U K Available as Silver Screenings – see p11 WHAT’s ON BOX OFFICE PHOENIX.ORG.UK NOV 2017 0116 242 2800 BAR É CINEMA / ART / CAF CINEMA / ART BOX OFFICE 0116 242 2800 FILMS SHort PHOENIX.ORG.UK P. 8 COURSES Made possible with the support of P. 5 STAGE ON SCREEN CALL ME BY YOUR NAME Fri 10 – Thu 23 Nov P. 6 Phoenix is a registered charity, No 701078 DISCOVER PHOENIX As we turn to the penultimate For the grown-ups, national treasure ART & page of our 2017 calendars Judi Dench graces our screens for the FRENCH FILM DIGITAL we find ourselves faced with third month running, this time with FESTIVAL UK November’s dreary dampness Ken Branagh (aka ‘Special K’) in Agatha CULTURE Christie’s classic, Murder on the Orient P. 12 – 13 and dark nights. Think of Phoenix P. 4 Express (p9); Annette Bening and Jamie as your antidote and bring a little Bell team up for the wonderfully-titled sunshine into your life with the Film Stars Don’t Die in Liverpool (p10); 3 Fs – film, food and fun. and if you’re a fan of Chris Morris’ COMING NEXT MONTH legendary Brass Eye, don’t miss Oxide We’re introducing our new MyPhoenix Ghosts: The Brass Eye Tapes (p9). Passport movies − 3 films each month specially selected from across our We’re taking part in the national tour programme to give you a taste of of the French Film Festival, a real treat something different.