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THE ORGAN WORKS of HEALEY WILLAN THESIS Presented to The
{ to,26?5 THE ORGAN WORKS OF HEALEY WILLAN THESIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of Master of Music By Robert L. Massingham, B. S., M. S. Denton, Texas August, 1957 PREFACE LHealey Willan occupies an unique position in Canadian Music and can be considered as that nation's "elder musical statesman." At the time of writing he is a septuagenarian and still very much active in his profession. Born and trained in England, he was well-established there when he was persuaded to come to Toronto, Canada, in 1913 at the age of thirty-three. Since that time he has contributed enor- iously to the growth of music in his adopted country, carry- ing on the traditions of his fine English background in music while encouraging the development of native individuality in Canadian music. Iillan has been first and foremost a musician of the church--an organist and choirmaster--a proud field which can boast many an eminent name in music including that of J. S. Bach. Willan's creativity in music has flowered in many other directions--as a distinguished teacher, as a lecturer and recitalist, and as a composer. He has written in all forms and for all instruments, but his greatest renown, at any rate in the TUnited States, is for his organ and choral works. The latter constitute his largest single body of compositions by numerical count of titles, and his organ works are in a close second place. iii Willants Introduction, Passaqaglia, and Fuue has been well-known for decades as one of the finest compositions in organ literature, enjoying a position alongside the organ works of Liszt, Yranck, and Reubke. -
The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
The Atlanta Music Scene • WABE FM 90.1 Broadcast Schedule - July 2021 Host: Robert Hubert Producer: Tommy Joe Anderson
The Atlanta Music Scene • WABE FM 90.1 Broadcast Schedule - July 2021 Host: Robert Hubert Producer: Tommy Joe Anderson Sundays at 10 P.M. at FM 90.1 Over-the-air & LIVE STREAM at wabe.org Tuesdays at 3 p.m. & Saturdays at 10 a.m. at 90.1-2 on WABE’s Classics Stream on your HD Radio, Internet Radio or online at WABE.org and with the WABE Mobile App available for free download at WABE.org Underwriting of the Atlanta Music Scene is provided by ACA Digital Recording with additional support from Robert Hubert. July 4, 2021 – 8:00pm - 10:00pm On Air Broadcast Preempted by “A Capitol Fourth” A Capitol Fourth is an annual July 4th tradition with a live concert direct from the steps of the U.S. Capitol. NPR is pleased to offer this special for broadcast again this year. Emanuel Ax, piano [HD-2 and Online Broadcasts as scheduled Tuesday, July 6 @ 3:00pm & Saturday July 10 @ 10:00am Johannes Brahms: Two Rhapsodies, Op. 79 George Benjamin: Piano Figures Frédéric Chopin: Three Mazurkas, Op. 50 Chopin: Nocturnes, Op. 62 No. 1 in B Major and Op. 15, No. 2 in F-Sharp Major Chopin: Andante spianato et Grande Polonaise brillante in E-Flat Major, Op. 22 [Recorded at Clayton State University’s Spivey Hall 03/24/2019] Program Time 01:06:42 July 11, 2021 – 10:00pm Paul Halley, organ J.S. Bach: Chorale Prelude on “In Dulci Jubilo” Maurice Dupre: Choral “In Dulci Jubilo” Paul Halley: Improvisation on “Good Christian Folk Rejoice” J. -
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557615bk Bach US 3/5/06 6:10 pm Page 5 Marianne Beate Kielland Cologne Chamber Orchestra Conductor: Helmut Müller-Brühl The Norwegian mezzo-soprano Marianne Beate Kielland studied at the Norwegian State Academy of Music in Oslo, graduating in the spring of 2000. She has quickly The Cologne Chamber Orchestra was founded in 1923 by Hermann Abendroth and gave established herself as one of Scandinavia’s foremost singers and regularly appears its first concerts in the Rhine Chamber Music Festival under the direction of Hermann with orchestras and in festivals throughout Europe, working with conductors of Abendroth and Otto Klemperer in the concert-hall of Brühl Castle. Three years later the international distinction. For the season 2001/02 she was a member of the ensemble ensemble was taken over by Erich Kraack, a pupil of Abendroth, and moved to at the Staatsoper in Hanover. Marianne Beate Kielland is especially sought after as a Leverkusen. In 1964 he handed over the direction of the Cologne Chamber Orchestra to J. S. BACH concert singer, with a wide repertoire ranging from the baroque to Berlioz, Bruckner, Helmut Müller-Brühl, who, through the study of philosophy and Catholic theology, as and Mahler. Her career has brought not only performances in Europe, but further well as art and musicology, had acquired a comprehensive theoretical foundation for the engagements as far afield as Japan. Her recordings include Bach’s St Mark and St interpretation of Baroque and Classical music, complemented through the early study of Matthew Passions, Mass in B minor, and the complete solo cantatas for alto, as well conducting and of the violin under his mentor Wolfgang Schneiderhahn. -
Masaaki Suzuki Programme EDITED
19 JANUARY | THURSDAY Bach Cantatas with Masaaki Suzuki MASAAKI SUZUKI conductor / organ RYO TERAKADO concertmaster ZHANG YUCHEN (B.Mus1) violin MASAMITSU SAN’NOMIYA oboe YST VOICE STUDENTS CONSERVATORY CHAMBER ENSEMBLE J.S. BACH (1685 – 1750) Violin Concerto in A minor, BWV1041 I. Allegro moderato II. Andante III. Allegro Assai J.S. BACH Cantata “Ach Gott, wie manches Herzeleid”, BWV3 I. Chorus (“Ach Gott, wie manches Herzeleid”) II. Recitative and Chorale (“Wie schwerlich läßt sich Fleisch und Blut”) III. Aria (“Empfind ich Höllenangst und Pein”) IV. Recitative (“Es mag mir Leib und Geist verschmachten”) V. Aria Duetto (“Wenn Sorgen auf mich dringen”) VI. Chorale (“Erhalt mein Herz im Glauben rein”) INTERMISSION 15 mins J.S. BACH Organ Concerto in D minor (from Cantata BWV35) arr. Masaaki Suzuki I. Sinfonia IV. Aria V. Sinfonia J.S. BACH Cantata “Alles nur nach Gottes Willen”, BWV72 I. Chorus (“Alles nur nach Gottes Willen”) II. Recitative and Arioso (“O selger Christ, der allzeit seinen Willen”) III. Recitative (“So glaube nun”) IV. Aria (“Mein Jesus will es tun, er will dein Kreuz versüßen”) V. Chorale (“Was mein Gott will, das g'scheh allzeit”) MASAAKI SUZUKI conductor / organ Since founding Bach Collegium Japan in 1990, Masaaki Suzuki has established himself as a leading authority on the works of Bach. He has remained their Music Director ever since, taking them regularly to major venues and festivals in Europe and the USA and building up an outstanding reputation for the expressive refinement and truth of his performances. In addition to working with renowned period ensembles, such as Collegium Vocale Gent and Philharmonia Baroque, he is invited to conduct repertoire as diverse as Britten, Beethoven, Fauré, Mahler, Mendelssohn, Mozart and Stravinsky, with orchestras such as the Baltimore Symphony, Danish National Radio Symphony, Deutsches Symphonie Orchester Berlin, Leipzig Gewandhausorchester, New York Philharmonic and the San Francisco Symphony Orchestra, amongst others. -
Bach's Numbers Ruth Tatlow Index More Information Www
Cambridge University Press 978-1-107-08860-3 — Bach's Numbers Ruth Tatlow Index More Information Index References to tables are given in bold type. acrostic, 6, 12, 39, 42–4, 211, 230 in number alphabets, 65–8, 198, Agricola, Johann Friedrich (1770–74), 18, 73, 266–74 128, 204–17, 238, 354–6, 363, 366 permutation, 12, 69–70, 211, 243, 247, 289, Ahle, Johann Georg (1651–1706), 42 347, 353 Alain, Olivier (1918–94), 200 Bach, Anna Magdalena (1701–60), 69, 155–8, alchemy, 57 306, 356 aliquot numbers, 103 numerical value of name, 69 alphabets, number, 5–6, 44, 57, 67, 323–4, transcriptions 347–8, 366–9 Clavierbüchlein, 1722, 356 milesian, 12, 44, 47, 57, 67 Clavierbüchlein, 1725, 175, 197 natural order, 12, 68, 232, 234–5, 237–8, 293, French Overture in C minor, 177 324, 344 Six Cello Suites, 149 parallel, 266 Six Solos for violin (BWV 1001–1006), trigonal, 44, 67 134, 136–41, 151–5 Altnickol, Elisabeth Juliana Frederica Trio Sonatas (BWV 525–30), (1726–81), 279 287–8 Altnickol, Johann Christoph (1720–59), 240, Bach, Carl Philipp Emanuel (1714–86), 73, 279, 303–4, 367 94–6, 204, 221–2, 291, 293, 327, copies 354–6, 359 The Art of Fugue, 240, 251–2 on Bach as teacher, 47, 96 French Suites, 356–9, 357 Bach’s obituary, 238, 381 Lutheran Masses, 328 on Bach’sunfinished fugue, 240 Six Sonatas (BWV 1014–1019), 158, 215, numerical value of name, 68 140, 146–9 publications, 104, 240 Leipzig Organ Chorales additions, 276, 279, Bach, Johann August (1745–89), 208 282–4, 293 Bach, Johann Bernhard (1676–1749), 257, 259, Ammon, Johann Christoph, 83 260–1, -
Instrumental, Cantatas and Other Music Author Index 1
Music Manuscripts: Series 4: Part 8: British Library, London: Section C: Instrumental, Cantatas and Other Music Author Index Alberto, Giovanni (Ristori of Venice) - Italian. Anonymous. Versi colli. Belt costante; Se a chiamare il caro bene; Rivo, che tumido 1st half of 18th century s' ingrossa d'onda; Daphne the beautyfull: soprano cantata. Manuscript Number: Add. Ms 14212; Hughes-Hughes vol.ii, c.1712 558. With a bass for harpsichord; Type: Ms. Copy: Score. Manuscript Number: Add. Ms 31993; Hughes-Hughes vol.ii, 510. With figured bass for harpsichord; Type: Ms. Score. Genre: Secular Vocal Music: Solo Cantatas: Soprano Genre: Secular Vocal Music: Songs Reel: 58 Reel: 62 Albinoni, Tomaso Giovanni - Italian; Corelli, Arcangelo - Italian. Anonymous. 18th century Bruggio frà mille fiamme. Manuscript Number: RM 19 a 8; Catalogue of the King's 1st half of 18th century Music Library, vol.i, 131; Type: Ms.. Manuscript Number: Add. Ms 14212; Hughes-Hughes vol.ii, 558. With a bass for harpsichord; Type: Ms. Copy: Score. Genre: Instrumental Music Genre: Secular Vocal Music: Solo Cantatas Reel: 50 Reel: 58 Aldrich, Henry - English. Hark, the bonny Christ Church Bells; Good, good indeed; Anonymous. the Herbs good weed ( 4). Crudeli, affrettate; Con Megera, Tesifone ed Aletto; Posso c.1762 morir; Su l'orme del desio. Manuscript Number: Add. Ms 29386; Hughes-Hughes vol.ii, c.1761 28. In the hand of Edmund T. Warren; Type: Ms. Copy: Score. Manuscript Number: Add. Ms 14229; Hughes-Hughes vol.ii, 295; Type: Ms. Score. Genre: Secular Vocal Music: 3-part Catches/Rounds Genre: Secular Vocal Music: Operas: Arias Reel: 59 Reel: 59 Alexander's Feast, extracts; Esther. -
Conceiving Musical Transdialection
Conceiving Musical Transdialection By Richard Beaudoin, Harvard University and Joseph Moore, Amherst College Abstract: We illuminate the wandering notion of a musical transcription by reflecting on the various ways “transcription” and its cognates have been used in musical discourse, and by examining some notable 20th century transcriptions of J. S. Bach, which became increasingly loose through the decades. At root, musical transcription aims at preservation, but, as we bring out, exactly which musical ingredients are preserved across which transformations varies from transcriptional project to transcriptional project. We defend as intelligible one very interesting such project—we call it “transdialection”—by exploring an analogy with poetic translation, and by directly taking on some natural objections to it. We conclude that certain controversial transcriptions are justifiably and usefully so-called. 1 0. Transcription Traduced While it may not surprise you to learn that the first bit of music above is the opening of a chorale prelude by Baroque master, J. S. Bach, who would guess that the second bit is a so-called transcription of it? But it is—it’s a transcription by the contemporary British composer, Michael Finnissy. The two passages look very different from one another, even to those of us who don’t read music. And hearing the pieces will do little to dispel the shock, for here we have bits of music that seem worlds apart in their melodic makeup, harmonic content and rhythmic complexity. It’s a far cry from Bach’s steady tonality to Finnissy’s floating, tangled lines—a sonic texture in which, as one critic put it, real music is “mostly thrown into a seething undigested, unimagined heap of dyslexic clusters of multiple key- and time-proportions, as intricately enmeshed in the fetishism of the written notation as those 2 with notes derived from number-magic.”1 We’re more sympathetic to Finnissy’s music. -
Rethinking J.S. Bach's Musical Offering
Rethinking J.S. Bach’s Musical Offering Rethinking J.S. Bach’s Musical Offering By Anatoly Milka Translated from Russian by Marina Ritzarev Rethinking J.S. Bach’s Musical Offering By Anatoly Milka Translated from Russian by Marina Ritzarev This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Anatoly Milka All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-3706-4 ISBN (13): 978-1-5275-3706-4 TABLE OF CONTENTS List of Figures........................................................................................... vii List of Schemes ....................................................................................... viii List of Music Examples .............................................................................. x List of Tables ............................................................................................ xii List of Abbreviations ............................................................................... xiii Preface ...................................................................................................... xv Introduction ............................................................................................... -
Inside the Guide the Guide
wttw11 wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt wfmt.com The Member Magazine for WTTW and WFMT A coming-of-age saga of three skateboarding friends Director Bing Liu in their Rust Belt hometown of Rockford. MON FEB 18 | 9:00 pm February 2019 ALSO INSIDE On WTTW and WFMT, we observe Black History Month throughout the month with profiles and documentaries, music, stories, videos, interviews, and more. From the President & CEO The Guide The Member Magazine for WTTW and WFMT Dear Member, Renée Crown Public Media Center 5400 North Saint Louis Avenue Greetings from WTTW and WFMT. This month, we are excited to bring you Chicago, Illinois 60625 the acclaimed documentary about the life of a public media treasure and icon – Mister Fred Rogers. Won’t You Be My Neighbor? premieres on WTTW11 on Main Switchboard (773) 583-5000 February 9. Join us for an in-depth and entertaining look at the life of a visionary Member and Viewer Services who fostered compassion and curiosity in generations of children and families. (773) 509-1111 x 6 February is also Black History Month, and we will celebrate it on WTTW11, Websites WTTW Prime, and wttw.com. You’ll find highlights of this special programming wttw.com on page 7 and at wttw.com/blackhistorymonth. Don’t miss new Finding Your wfmt.com Roots specials, in which Dr. Henry Louis Gates, Jr. explores race, family, and Publisher identity in today’s America by uncovering the genealogy of Michael Strahan, Anne Gleason S. Epatha Merkerson, and many more. -
NCMEA Orchestra North Carolina Orchestra Directors Resource
NCMEA Orchestra North Carolina Orchestra Directors' Resource 17th September 2012 Type Grade Composer Arranger Title Publisher String I Southerland Rolfe 12 Simple String Pieces (play 3) Mar String I Scott, R. Alpine Holday Kendor String I Caponegro, J. Caponegro Amazing Grace Kendor String I Isaac, M. American Folk Song Suite No 1 (play Kendor String I Mcleod, J. Andante Grazioso Kendor String I Mcleod, J. Andantino Cantabile Kendor String I Del Borgo, E. Anthem MSB String I Mozart, W. A. Rogers, D. Aria from Don Giovanni Car String I Svendsen, R. A. As Evening Falls Lantham String I Meyer, R. At The Grasshopper Ball Kjos String I Daniels, M.l. Beauty and the Beastinato SMC String I Ward, N. Blades and Ice HHP String I Niehaus, L. Bow Ties Kendor String I Caponegro, J. Bow-Regard's Parade Kendor String I Siennick, E. Bowin' and Scrapin' (Jolly Coppersmith High- String I Niehaus, L. Bows and Arrows Kendor String I Phillips, B. Cabbage Countdown Alfred String I Caponegro, J. Canyon Sunset Kendor String I Mcleod, J. Carousel for Strings TRN String I Williams, M. Celtic Dance High/Etl Page 1/187 Powered by DB-Toolkit NCMEA Orchestra North Carolina Orchestra Directors' Resource 17th September 2012 Type Grade Composer Arranger Title Publisher String I Arnold, A. Chopsticks Kjos String I Folk Song Vargas, J Cielito Lindo Grand Mesa String I Del Borgo, E. Clog Dance Kendor String I Frost, R. Cloverleaf Kjos String I Elledge, C. Copy-Cat Waltz, Potpourri Polka (either Kjos String I Chase, B. Cross Country LS String I Stephan, R. -
Georg Friedrich Händel (1685-1759)
Georg Friedrich Händel (1685-1759) Sämtliche Werke / Complete works in MP3-Format Details Georg Friedrich Händel (George Frederic Handel) (1685-1759) - Complete works / Sämtliche Werke - Total time / Gesamtspielzeit 249:50:54 ( 10 d 10 h ) Titel/Title Zeit/Time 1. Opera HWV 1 - 45, A11, A13, A14 116:30:55 HWV 01 Almira 3:44:50 1994: Fiori musicali - Andrew Lawrence-King, Organ/Harpsichord/Harp - Beate Röllecke Ann Monoyios (Soprano) - Almira, Patricia Rozario (Soprano) - Edilia, Linda Gerrard (Soprano) - Bellante, David Thomas (Bass) - Consalvo, Jamie MacDougall (Tenor) - Fernando, Olaf Haye (Bass) - Raymondo, Christian Elsner (Tenor) - Tabarco HWV 06 Agrippina 3:24:33 2010: Akademie f. Alte Musik Berlin - René Jacobs Alexandrina Pendatchanska (Soprano) - Agrippina, Jennifer Rivera (Mezzo-Soprano) - Nerone, Sunhae Im (Soprano) - Poppea, Bejun Mehta (Counter-Tenor) - Ottone, Marcos Fink (Bass-Bariton) - Claudio, Neal Davis (Bass-Bariton) - Pallante, Dominique Visse (Counter-Tenor) - Narciso, Daniel Schmutzhard (Bass) - Lesbo HWV 07 Rinaldo 2:54:46 1999: The Academy of Ancient Music - Christopher Hogwood Bernarda Fink (Mezzo-Sopran) - Goffredo, Cecilia Bartoli (Mezzo-Sopran) - Almirena, David Daniels (Counter-Tenor) - Rinaldo, Daniel Taylor (Counter-Tenor) - Eustazio, Gerald Finley (Bariton) - Argante, Luba Orgonasova (Soprano) - Armida, Bejun Mehta (Counter-Tenor) - Mago cristiano, Ana-Maria Rincón (Soprano) - Donna, Sirena II, Catherine Bott (Soprano) - Sirena I, Mark Padmore (Tenor) - Un Araldo HWV 08c Il Pastor fido 2:27:42 1994: Capella