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Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Marketing Update
Tim Hecker with the Konoyo Ensemble + Kara-Lis Coverdale Start time: 8pm Running time: approx..1 hour 50 mins This show will be one continuous performance with the opening performance from Kara-Lis Coverdale leading into Tim Hecker’s set – as a result there will be no interval Timings are approximate and subject to change Please note that this performance contains strobe lighting and large amounts of haze and smoke effects. Karl Smith looks at Hecker's career to date, the influence he's had on ambient music and the catalysts behind his most current release, Konoyo. While the coveted position of godfather to ambient music as we know it in 2018 has long been — and continues to be — occupied by Brian Eno, it’s more than fair to say that, along with collaborators and fellow luminaries such as Ben Frost and Oneohtrix Point Never, Tim Hecker has thoroughly assumed the role of surrogate, consistently pushing the boundaries of drone and electronica, and the potential of ambient sound further. Nearing two decades worth of releases -- from early work as Jetone, to the success of 2011’s glitched- out Ravedeath, 1972, 2013’s epic Virgins, and 2016’s sprawling Love Streams – Hecker has built up a portfolio of work that sets him apart even amongst the most esteemed of his peers. What makes Hecker such a unique prospect, however, is not just the breadth of his discography or his undoubtable technical prowess as both musician and composer, but the way in which his music has refused to accept a tension between precision and emotion. -
Tim Hecker + the Konoyo Ensemble Konoyo
Brevemente The Culturgest season opens with due pomp Música and circumstance, paying tribute to the new work by Tim Hecker, after the celebration of Música his Love Streams, in 2016. There is a new and TIM JAMES HOLDEN marvellous music in the offing and we will have the great privilege of being able to listen to it at & THE ANIMAL its European premiere in our Main Auditorium. This concert will also bring with it an important HECKER SPIRITS novelty in the live performances of the Canadian musician: on stage, an ensemble composed THE ANIMAL of Kara-Lis Coverdale (who opens tonight and introduces Konoyo), and musicians from the + SPIRITS gagaku ensemble Tokyo Gakuso, revealing where Tim Hecker obtained the raw material 7 NOV and inspiration for Konoyo and creating a unique QUA 21:00 Kara-Lis Coverdale Darren Johnston emotional bridge between two so distinct cultures Elogiada pelo jornal The Guardian Coreógrafo, artista sonoro e visual, THE Grande Auditório and times. Tim Hecker’s ambient supermachine como sendo uma das mais com múltiplos prémios na sua interessantes compositoras carreira, Darren Johnston tem M/6 has shortened distances and created a majestic do norte da América, Kara-Lis exposto o seu trabalho em galerias hybrid that not only acknowledges the delicate Coverdale tem ganhado um merecido de arte, grandes salas de teatro, reconhecimento feito à custa de espaços exteriores e site-specific. and complex side of the Gagaku instrumentation uma pequena mas impressionante Com Tim Hecker colaborou KONOYO from the japanese court but also creates the discografia: Aftertouches de 2015 previamente em 2017 para a Música ou Graftsde 2017, os seus dois álbuns produção de Zero Point, no Barbican, MIDORI TAKADA total abstraction that customarily lives inside mais recentes, são duas obras de em Londres, cruzando imagens the tumult of his own high-pressure electronics. -
Ambient-Troldmanden Tim Hecker Skaber Magiske, Elektroniske Tryllerier I Lille VEGA
2019-02-12 10:00 CET Ambient-troldmanden Tim Hecker skaber magiske, elektroniske tryllerier i Lille VEGA VEGA præsenterer Ambient-troldmanden Tim Hecker skaber magiske, elektroniske tryllerier i Lille VEGA Den 2. juni kan du opleve en af de helt store koryfæer inden for ambient-genren, når Tim Hecker holder hof i Lille VEGA. I 2006 udgav den canadiske producer Tim Hecker albummet Harmony in Ultraviolet, der skubbede den talentfulde musiker frem på de helt store scener inden for genren. Lyduniverset er fyldt med støjbølger, en tung tåge af knitren og legende synthflader. Musikalsk er Hecker inspireret af kormusik fra 1400-tallet, og han arbejder ofte med virkemidler fra kirkeorgel, der er blevet distortet og mikset. På albummet Ravedeath, 1972 rejste Hecker med kollegaen Ben Frost til Island, hvor de indspillede store dele af albummet i en kirke. Hecker har i sin imponerende og særdeles produktive karriere turneret verden tyndt med bands som Godspeed You! Black Emperor og Sigur Rós. Sidste år udgav han det anmelderroste album Konoyo. Albummet er udarbejdet sammen med det japanske ensemble Tokyo Gakuso, hvor Hecker har tilføjet sine modificerede, æteriske elementer af bølgende ambient. Pitchfork har rost albummet til skyerne og skrev bl.a.: ”At its best, Hecker’s radiant drone has been a nest of hidden feelings, with moods and emotions meant to be teased out after the music’s initial sense of unapologetic bluster has passed. But Konoyo is immediately vulnerable, its vacillation between the dense and diaphanous framing a sense of deep longing and worry.” Selv har han beskrevet sin musik ”hedensk musik, der danser på asken fra en nedbrændt kirke” og ”Minimalistisk yoga-opsamlings-musik blandet med den slags musik black metal-bands varmer publikum op med før en koncert”. -
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