Newsletter Volume 14, Number 4 Winter 1989

CAA Makes Statement on Corcoran Decision

At the October 14, 1989, meeting of the lectual self-expression. It would be a bition. but we must refrain from approach­ Board of Directors of the College Art breach of faith to our constituency if we did ing the Corcoran Gallery with proposals Association, Judith Brodsky, on behalf of not now speak out in support of the artists for events in conjunction with the 1991 the Artists Committee, of which she is who have over the past few months with­ national conference until such time as you chair, proposed a motion that CAA make a drawn their work from Corcoran-sponsored make progress in rethinking your goals statement on behalf of its membership exhibitions in protest over the cancel­ and policies to develop guidelines based on directed to the Board of Trustees of the lation of the Robert Mapplcthorpe show. the right to self-expression which has Corcoran Gallery of Art in Washington, We also want to go on record in our nourished the art of our country. We want D.C. The committee urged the Corcoran's own right as expressing our deep disap­ to express our encouragement for your board to respond to the Corcoran' s pointment over the revocation of your doing so. We also offer any expertise that cancellation of the Robert Mapplethorpe commitment to mounting that exhibition. might be helpful to you. exhibition. The following letter was sent We hope that in the wake of subsequent We realize the difficult nature of this to the Corcoran's Board of Trustees on events, you are in the process of develop­ situation, but we are confident that you will November 12, 1989: ing a policy of noncensorship. once again find your way back to the prin­ The College Art Association is ciples of freedom of expression that have As chair of the Artists Committee, I am currently planning an annual national enabled you to be of such great service to writing on behalf of the Board of the conference to take place in Washington in contemporary artists over the years. College Art Association. 1991. In the past, we have worked cooper­ We represent over 10,000 members­ atively with the Corcoran Gallery to mount artists, art historians, and curators­ events in conjunction with the conference. teaching in colleges and universities in These joint projects have benefited us North America or employed in museums. both. We will be talking with the Corcoran Our mandate as a professional organization School of Art, which played no part in the includes promoting ethical practices in the decision to cancel the Mapplethorpe exhi- arts, as well as upholding artistic and intel- 78th CAA Annual Conference New York February 14-17,1990

CONTENTS Letters to Washington, DC 2 Annual Conference Update 4 CAANews 7 Placement Review 1988-89 8 One-Person Shows by Artist Members 9 Grants/Awards/Honors 10 Opportunities 12 Conferences/Symposia 15 People and Programs 18 On June 30,1989, the evening that the Robert Mapplcthorpe exhibition had been scheduled to open at the Corcoran Infonnation/Ads 19 Gallery of Art, the Coalition of Washington Artists projected images of Mapplethorpe's work on the Corcoran's Miscellanea 20 facade. (photo © Frank P. Herrera) Letters to Washington, DC Letters to Washington, DC

literary, artistic, political, or scientific leading edge of creativity would now be From Nicholas Fox Weber, Executive From Edward J. Sullivan, Chair and From Willem Volkersz, Director, School oJ value." In addition, the final bill calls for elsewhere. CAA Director, The Josef Albers Foundation Associate Professor of Fine Arts, New York Art, Montana State University appointment of a temporary independent Consequently, I am shocked and University, to Christina Orr-Cahall, commission to review the grant-making fearful about the furor over NEA funding. I would like to give you an example of what The NEA has been an extremely important Members Director, Corcoran Gallery of Art processes of the two Endowments. Does the United States want to be cast in happens when the government begins force in the visual arts in this country We are printing here a small sampling the same repressive role that Russia and making qualitative judgments about arts I am writing to express my shock at what during the several decades of its existence. Respond to of the supportive letters sent by CAA Eastern bloc countries have been in for the funding. can only be considered irresponsible Without it, the School of Art at Montana members. Because of space limitations, last fifty years? I think not. Yet this is It was the city of Dessau, in Germany, behavior on the part of the Corcoran State University would not have been able Call for letters have been edited. exactly what is happening. It is very that paid faculty salaries at the great Gallery of Art at canceling the Robert to sponsor its Visiting Artists series, important that people recognize and stop experimental school, the Bauhaus. This Mapplethorpe exhibition. As an academic, which has brought to the campus and the From Danielle Rice, Curator of Education, this wasted fearfulness and rather celebrate remained their obligation even after the I find that in doing this you are betraying community five or six important artists Action Philadelphia Museum of Art the open courage to look at and explore art Bauhaus moved from Dessau to Berlin. One the trust placed in you as the director of one and designers armually. The NEA also supports many fine exhibitions and I fear that Congress may enact measures that looks directly at all realities, so that of the faculty members receiving a salary of our capital's most prestigious art In August 1989 an urgent call for action we know the truths therein and can operate paid in this way was the great painter and institutions. This exhibition is certainly lectures in Montana-most of which could was sent to all CAA members by CAA that would severely restrict freedom of expression in this nation and severely in awareness rather than denial. color theorist Josef Albers, who at the time the most important retrospective of the not have been mounted without its President Phyllis Pray Bober. Vice­ assistance. I do not need to remind you that weaken the Endowments which have so Frankly, I think the Helms amendment taught the Bauhaus's renowned preliminary career of one of America's most gifted President Ruth Weisberg, and Executive course and was also working extensively in photo graphers. As someone long con­ there are very few foundations and helped to foster it. I urge you to use your is just silly. How could you possibly Director Susan B all urging members to corporations which have a viable interest authority to prevent such measures from enforce it without a Nazi-like oppressive the field of stained glass. On June 15, cemed with museums and museum policy, I write to their senators and representatives in our state to which we can appeal for being drafted and adopted and to do police system? Most, if not almost all, the 1933, Albers received the following letter feel that in catering to your own unsubstan­ concerning the amendment proposed by art made in this country would be offensive from the Oberstadinspektor of the Dessau tiated fears of possible friction with the funding to support such projects. It is thus Senator Jesse Helms that would prohibit everything in your power to prevent funding cuts to the House appropriations to someone in some aspects of the work. I City Council: Congress you are setting a most dangerous crucial that maximum funding be allocated the use of federal funds for works deemed in bill which covers the budgets for the NEA think it is just plain healthy to allow as Since you were a teacher at the Bauhaus precedent times of increasing conser­ to support the NEA. "obscene or indecent ... including but not active an art dialogue as possible. in the Dessau, you have to be regarded vative feeling by willingly diluting your However uncomfortable the ideas limited to depictions of sadomasochism, and thcNEH. I have served on peer-review panels as an outspoken exponent of the institution's programs to suit (as Lillian expressed by some artists, I like to think homo-eroticism, the exploitation of that our society condones the free and open for both the NEA and the NEH. I have been From Diane Burko, Giverny, France Bauhaus approach. Your espousing of Hellman once said in a different context) children, or individuals engaged in sex the causes and your active support of today's fashions. exchange of ideas. Under some of the extremely impressed with how thought­ I am writing to you as an American citizen. acts" or denigrating to "the objects or the Bauhaus, which was a genn-cell of Even more importantly, however, as a censorship guidelines which are being fully the Endowment staff has selected and artist, who has been on a residency in beliefs of the adherents of a particular bolshevism, has been defined as gay man I am outraged by your having discussed, it would be easy for anyone to panelists representing a broad range of France [Reader's Digest Artists at Giverny religion or nomeligion ... [or] denigrates, "political activity." ... made, in effect, institutional policy of your condemn almost any creative act which interests and points of view. While the program, administered by CAA] since debases, or defiles a person, group, or class The Oberstadinspektor informed Albers own prejudices. Indeed, much of the work displeases them, for whatever reason. review process is never easy, at the end of April. of citizens on the basis of race, creed, sex, that for these reasons he would no longer in the show is "strong" but, as everyone long, often embattled sessions, I have Such distance can serve to clarify handicap, age, or national origin." This receive a salary. About a month later as a knows, many aspects of the most impor­ From Katharine Lee, Deputy Director, The law would have restricted freedom of emerged with a deep sense of satisfaction one's sense of place and country. This has and confidence in the knowledge that all result of this sort of move and of increas­ tant works of art produced at any given Art Institute of Chicago expression and severely weakened the been especially true in this year of France's ing harassment from the National Social­ time in history have been objectionable to proposals got careful and democratic Bicentennaire. I have felt proud to be an The NEA, more than any other single National Endowment for the Arts (NEA) and ists, the Bauhaus faculty, at a meeting in many people. The fact that many of consideration. I would hate to see this American here, representing our tradition source of funding, has created incentives, the National Endowment for the whieh Albers was one of seven partici­ Mapplethorpe's photographs have a excellent process endangered in any way. of a peaceful constitutional evolution set professional standards, and stimulated Humanities (NEH), especially the peer pants, voted to dissolve the school. Mies homoerotic content is certainly not As a musemn educator I am very con­ guaranteeing us our "Rights of Man" as exploration and creativity in ways that review process by which grant van der Rohe, Director of the Bauhaus, grounds to cancel the exhibition. This scious of the fact that we live in a nation well as woman. other sources of funding rarely do. The applications are reviewed. notified the Gestapo accordingly. should be perfectly obvious to anyone with composed of many different people from a This is why I must write to you of my system of peer review developed over Over 150 individuals and groups of The claim of bolshevism was, of a modicum of political (to say nothing of great range of cultural and ethnic back­ shock, dismay, and deep shame to learn of several decades is, by and large, extra­ individuals, including artists, educators, course, ridiculous. There were some human) sensitivity. grounds. The collections of our museums the havoc that Jesse Helms has brought to ordinarily effective in stimulating a sense curators, museum directors, and publishers, communist sympathizers at the school, but and the production of our artists reflect this America's cultural climate. I am outraged to of responsibility in the profession, as well sent the CAA copies of their letters to that wasn't the real problem. The real From Cynthia Carlson, New York great diversity. Given this pluralistic cul­ read that politicians are taking on the role as arriving at fair and credible decisions. Congress, which we forwarded to lobbying problem was that the artists of the Bauhaus ture of ours, it is essential to remember that of cultural czars and challenging our rights I am an artist who has been individually The small number of problematic grants groups in Washington. In addition, count­ had points of view that made people like there are very few universal truths in art. of freedom of speech and expression. awarded NEA grants, as well as having sat awarded versus the almost 80,000 grants less members called their Congressmen and the members of the Dessau City Council One of the most important ones, however, on a number of different panels over the awarded during the history of the women, and others wrote letters to their lo­ I hope I can look forward to returning uncomfortable. Their challenge of is the freedom of individual expression that last ten yers. I am enormously proud of my Endowment is testimony enough to the cal newspapers. to the America and Philadelphia I left, tradition, even their faith in abstraction, we all hold so dear. I write to you in the past affiliations with the Endowment as a effectiveness of the peer-review system. Despite these efforts, the final bill where the Institute of Contemporary Art seemed threatening. And so, because this hope that you will do everything in your government agency which has absolute passed by Congress still contains a [which organized the Mapplethorpe art did not suit their tastes, they stopped power to see that this freedom is not integrity and concern for the democracy of From Thomas W. Lyman, Professor of Art narrowed version of the Helms exhibition], especially, provided me_with a funding it. threatened or curtailed in any way. its policy execution. I always felt a History, Emory University amendment's clause on obscenity. Most rich environment celebrating our cultural For the National Endowment for the particular patriotic pride in representing a observers believe, however, that it was diversity, controversy, and freedom in the Arts to cease funding art that does not I wish to express in the strongest terms From Barbara T. Smith, Venice, California best American tradition. government agency of a country which is precisely efforts such as those that CAA conform to the tastes of all our senators is possible my objection not just to the confident, free, and assured enough of its members carried out that headed off the As a three-time recipient of a National equally disastrous. By imposing official wording but to the thrust of the amend­ constitutional assumptions to award grants more severe legislation that could well Endowment grant in the individual artist taste, they will deprive our culture of its ment. It discriminates in favor of institu­ to individuals who make, and organi­ have removed the federal government from category, I am enormously indebted to the Editor Susan Ball ability to nurture artistic achievement and tions and individual artists with the zations that exhibit, works which are the support of most arts and humanities National Endowment for the support it has Managing Editor Virginia Wageman inspire new and lasting fonns of beauty in financial means to exercise First Amend­ polemical, controversial, difficult to activities. The final legislation prohibits given me. This support has been critical to Assistant Editor Elizabeth Nesbitt much the same way that the totalitarian ment rights and against those who depend understand or like, and sometimes even support for work "which in the judgment of my ability to pursue art as a life path. I am government of Nazi Germany halted the on government help to do so. It also critical of the very government which [NEA or NEH] may be considered obscene, one of those whose work has been on the © 1989 College Art Association, Inc. pioneering achievements of the Bauhaus. indirectly denies public access to any art funded them. To me, that is the most including but not limited to depictions of leading edge of exploratory endeavor. The When artists like Albers were forced considered objectionable to particular fantastic evidence of a government truly sadomasochism, homo-eroticism, the ordinary viewer would probably not under­ Material for the newsletter should be into exile, they came to America for the minorities or individuals. By taking dedicated to the idea of free speech. sexual exploitation of children, or stand it, but it has been part of a critical addressed to the managing editor, CAA freedom to pursue new and daring art in an decisions about the worthiness of an art individuals engaged in sex acts and which, area in the past two decades of art explor­ Newsletter, 275 Seventh Ave., New atmosphere of sympathy and generosity. project out of the hands of qualified peers when taken as a whole, do not have serious ation worldwide. Were the United States to York, NY 10001 At its best, our country has indeed provided and leaving them to federal agencies and suppress or not support such work, the extraordinary cultural hospitality. It is a ultimately to the courts, a double standard legacy that we carmot afford to drop. is created that amounts to censorship. 2 CAA Newsletter Winter 1989 3 Annual Conference Update Annual Conference Update

Association, an affiliated society of the Evaluations." The second half of the Authority, will take place on Wednesday, Visual Resources Association interdisciplinary speakers at the CAA PRELIMINARY PROGRAM CAA, chaired by Christine Sundt, former session will be open to questions from the February 14, from 1:00-4:00 p.m. The tour (VRA) annual conference will be held conference. The generous three-year grant president of the VRA, University of Ore­ audience. Refreshments will be seIVed. will begin at the 50th Street/8th Avenue February 14--17 at the New York Hilton. of $55,000, awarded to the CAA jointly by gon, and Eleanor Fink, Assistant Director IND station beneath the Worldwide Plaza For information: Lise Hawkos, The Art the Samuel H. Kress Foundation and the The Preliminary Program for the 1990 CAA of Resources Division, National Museum Saturday, February 17, building with a viewing of a piece by Matt Slide Collection, School of Art, Arizona Getty Grant Program, has greatly" emiched Annual Conference was mailed to members of American Art. The focus will be on legal 12:15-1:45 Mullican. From here, the tour will proceed State University, Tempe, AZ 85287; the art history program at the conferences. December I, 1989. It contains pre­ issues surrounding the transfer of images Funding Opportunities for Artists and to various locations in Manhattan by 602/965-6163. Over the three years, 94 grants have been (book illustrations, slides, photographs) registration materials, hotel and travel Scholars. The CAA Board of Directors is subway, bus, and foot to view eight awarded to foreign and interdisciplinary to the media of videodiscs or digitized information, placement bureau grateful to the representatives from the additional installations. Artists whose scholars. The Kress Foundation awarded an image banks. The current state of copy­ infonnation. day-by-day schedules for all National Endowment for the Arts and the work will be viewed include Valerie Jaudon, additional $4,000 to the 1989 studio right law and the legal implications posed CAA sessions, and nearly complete lists of National Endowment for the Humanities Steve Wood, and Houston Conwill. NEW YORK AREA MFA program for foreign speakers. by these new media will be discussed. This speakers and paper titles. In addition, there who have once again generously agreed to The tour is limited to 50 people; fee: EXHIBITION AT HUNTER Each year the CAA has joined the session complements the CAA studio are announcements of affiliated society and address CAA Annual Conference attendees, $2.00. To register send a check for $2.00 Getty and Kress in urging colleges, session special interest group sessions and The Berne Convention and Arts discussing current funding opportunities at per ticket to: Subway Tour, College Art universities, and museums to take Legislation, cosponsored by the Coalition meetings, and of reunions and receptions. the NEA and NEH. Association, 275 Seventh Avenue, New CAA annual conference attendees are advantage of the presence of the foreign of Women's Art Organizations (Thursday, York, NY 10001. Please give your address invited to the opening of the New York scholars in the United States and to invite 1. Susan Lubowsky, Director, Visual Arts 9:30-12:00 p.m.). and telephone number. An itinerary wi11 be Area MFA Exhibition at the Hunter College them to visit, to lecture, to meet with Program, National Endowment for the Arts, mailed to you in mid-January. Art Ganeries, 450 West 41st Street, at 5:00 faculty, students, curators, etc. This has CAA BOARD-SPONSORED Friday, February 16, 12:15-1:45 will speak about opportunities at the NEA. been a very successful aspect of the SESSIONS p.m. on Thursday, February 15. The 1. What Are Artists Doing with Their 2. The National Endowment for the exhibition, which Was planned to coincide program, with many Getty/Kress travel Lives? cosponsored by the CAA Artists Humanities will be represented by Marsha with CAA's conference, is coordinated by grant recipients combining the CAA Committee, chaired by CAA Board member Semel, Museums and Historical Organi­ THE SPIRITUAL EYE Susan Edwards, Curator of the Hunter annual conference with lectures at The CAA Board of Directors is sponsoring Audrey Flack. As we enter the last decade of zations; Elizabeth Welles, Education College Art Galleries. American universities and museums and eight sessions at the arumal conference the millennium and approach a new one, Programs; and David Wise, Research The following institutions have been with visits to libraries and research over and above the ninety-six regular and artists have begun to question their values. Programs, who will be joined by past "The Spritual Eye," a symposium at the invited to participate in this presentation centers. current-research sessions in the art history Increasing numbers are concerned with grantees. They will speak: about the role of Pierpont Morgan Library on Sunday, of work by MFA candidates: Brooklyn Please contact Getty/Kress recipients and studio programs. These eight making art and living lives that will reach some of the Endowment's projects in February 18, 1990, will be a continuation College/CUNY, City College/CUNY, directly to arrange for additional speaking sessions, scheduled outside the regular outward to affect the quality of all life. The synthesizing and disseminating art of the CAA session Seeing the Invisible Columbia University, Hunter engagements. Make all requests as soon as program hours, address topics of immediate artists on the panel will present different historical scholarship to the public and to (Saturday, 2:00-4:30 p.m.). Papers will College/CUNY, New York University, possible so that they can make appropriate and/or general concern to the membership: modes of this new way of thinking. These colleagues in the profession. be presented by Susan E. von Duam Tholl, Parsons School of Design, Pratt Institute, travel arrangements. The grantees' travel artists are attempting to move beyond Elizabeth Lipsmeyer. Magdalena Queens College/CUNY, Rutgers will be fully or partially paid to and from Thursday, February 15, 4:45-6:15 protest in order to change the paradigm and Elizabeth Carrasco, Mary Pardo, Jeryldene University/Mason Gross School of the New York. 1. The NEA Controversy: Washington create a living model of a better way of life. M. Wood, Steven Bule, Jon D. Boshart, Arts, School of Visual Arts, SUNY College The following scholars have been Perspectives, chaired by John Hammer, STUDIO SESSIONS UPDATE and Jack Freiberg. at Purchase, SUNY College at Stony awarded 1990 Getty/Kress travel grants: 2. Save Brittle Books, Journals, etc: An Director, National Humanities Alliance, There is no fee for the all-day Brook, and Yale University. Update on the Preservation of and Access Rowland Abiodun, Obafemi Awolowo who will speak on events surrounding the program, which is under the patronage of University at Ile-Ife (44 Meadowbrook Rd., to Scholarly lJesources in the History of The session Crossing Over into the controversy last summer, as well as the Consul General of Italy, New York Apt. 1, North York, Ont., Canada M60 Art, cosponsored by the Commission on Mainstream: Artists' Loss of Integrity? prospects for reauthorization. Hammer will City. The symposium begins at 10:00 2S6), paper titled "Themes of Sacrifice in Preservation and Access, Scholarly chaired by Michael Smith, a performance be joined by two other veteran lobbyists, a.m. at the Morgan Library, 29 East 36 CAA STUDIO PROGRAM Some 16th-Century Terra-Cotta Sculptures Advisory Committee on Art History, and artist from New York, has been added to lhe Geoffrey Platt, Director of Government Street, New York. For information: SUPPORTED BY NEA VISUAL from Owo in Western Nigeria," in Sarah the CAA Committee on the Preservation of conference program. Smith writes: "Not Affairs, American Association of Timothy Verdon, Durant Professor, Saint ARTISTS FORUMS GRANT Brett-Smith's session. Barbara Brejon Research Resources. Larry Silver, CAA too long ago when the tcrm 'sell out' came Museums, and Rosalie Kessler, Assistant Peter's College, Jersey City, NJ 07306. de Lavergnee (Musee des Beaux-Arts. Vice-President elect and member of the up in artistic circles, it usually implied Director, American Arts Alliance. This We wish to express our appreciation Cabinet des Dessins, Li11e, France 59000), Scholarly Advisory Committee on Art somthing perjorative. Things have session complements the two-part studio to the sponsors of the CAA session: Saint CAA is pleased to announce that it has paper titled "Jacques Sarrazin as History, will report on the latest efforts in changed in the '80s, and today selling out session The Thought Police Are out There: Peter's College, Chase Manhattan Bank, been awarded an $18,000 grant from the Draftsman," in Hilliard Goldfarb's session. the attempt to save scholarly resources. All signifies success. For many performance Art, Censorship, and the First Amendment, and Nabisco Brands Incorporated. National Endowment for the Art's Visual Patrick R. M. Conner (30 Sussex scholars are urged to attend, to learn about and video artists, the focus has shifted from chaired by CAA Honorary Counsel Barbara Arts Program in the Visual Artists Forums Square, Brighton, E. Sussex, England), efforts being made in their fields, and to the art world to Show Biz. With this Hoffman (Thursday, 2:00-4:30 p.m. and category. These funds will be used to sup­ paper titled" 'Extreme Orientalism': offer suggestions. change of context, new issues surface and 8:30-11:00 p.m.). port the studio program,The Millennium Portraits of China by Western Artists," in 3. Great Beginnings for College Freshmen: some of the same old ones linger. Is it 2. Curriculum as a Deterrent to Cultural AFFILIATED SOCIETY MEETINGS Approaches: Decadence or Divergence, of Frederick Bohrer's session. Rita Eder, The Advanced Placement Program in Studio posible to straddle these two worlds and Growth in America, cosponsored by the the 1990 annual conference. CAA will, for Instituto de Investigaciones Est6ticas, Art, cosponsored by the CAA Committee remain true to your art?" Speakers to be CAA Committee on Education, chaired by the first time, be able to pay honoraria to Universidad Nacional Aut6noma de Mexico on Education, chaired by Walter Askin, announced. CAA Board member James Melchert, Pro­ The Art Libraries Society of North studio program speakers. Funds also will (Sierra Gorda #550, Mexico 1100 D.P.), California State University, Los Angeles, The studio sessions Performance as fessor of Art, University of California, America (ARUS/NA) annual conference be used to increase the number of CAA discussant in Jacqueline Barnitz's session and member of the AP Studio Art Develop­ Visual Art and Can We Understand Berkeley. What hinders some art depart­ will be held February 8-15 at the New York travel grants available to studio program Vanguard of Latin America, 1914-1930. ment Committee. This session is a sequel Pluralism as Separate from Difference? ments from opening their doors to artists Penta Hotel. For information: Pamela speakers and to help pay for publicity. Jean Fisher (31, Chapter Road, to the very successful Board-sponsored have been canceled. whose cultural orientation is non-Western Parry, Executive Director, ARUS/NA, Kensington, London SE17 3ES, England), session in San Francisco, Advanced 3900 E. Timrod St., Tucson, AZ 85711; paper titled" 'We the People': An is a curriculum that suffers from too narrow Placement Art History: An Untapped a definition of art making. The panelists 602/881-8479_ Experiment in Context," in W. Jack Resource. The session will begin with will discuss what is at stake and will pro­ PUBLIC ART TOUR GETTY/KRESS Rushing's session. Paul Fussell (Dept. presentations about the Advanced Place­ pose ways in which instructors can better Women's Caucus for Art (WCA) TRAVEL GRANT RECIPIENTS of English, University of Pennsylvania, ment Program in Studio Art from members understand and enrich the curriculum in national conference will be held February Philadelphia, PA 19104), discussant in of the AP Studio Art Development Commit­ their departments. Speakers to be A tour of art installations in Manhattan 13-15 at the New York Hilton. For Stephen Po1cari's session The World Wars tee and the Chief Reader for AP Studio Art. subways, organized especially for arulUal registration information: WCA National The 1990 CAA annual conference marks and 20th-Century Art. Dario Gamboni announced. Their topics include "An OveIView of AP conference attendees by the Arts for Transit Office, Moore College of Art, 20th and the the third and final year of the Getty/Kress (Moserstrasse 23, CH-3014 Berne, Studio Art," "The Relevance of AP Art for 3. Copyright Issues and the New Media, office of the Metropolitan Transportation Parkway, Philadelphia, PA 19103. travel grants for foreign and Switzerland), paper titled "The Relative cosponsored with the Visual Resources Colleges," and "The AP Portfolio 4 CAA N cwsleUcr Winter 1989 5 Annual Conference Update CAA News

Autonomy of Art Criticism and Its Criteria the Construction of the Biographical Lisa Tickner (Middlesex Polytechnic, of Competence," in Michael Orwicz' s Subject," in Michael Orwicz's session. Cat Hill, Barnet, Herts. EN4 8HT, Sawin Appointed Art Wageman Named session. Tamar Garb, University of Gerard Mermoz, Liverpool Polytechnic England), discussant in Ann Bermingham's London (130 Ferme Park Road, London N8 (II, Cathedral Close, Liverpool LI 7BR, session The Invention of Culture, 1760- Journal Reviews Ed Publications Manager 9SD, England), paper titled "The Forbidden England), paper titled "Cubism and 1900. Nobuo Tsuji, Tokyo University Gaze: Women Artists and the Nude in Late Reference." in Leonard Foigarait's session. (c/o Melinda Takeuchi, Dept. of Art, Virginia Wageman has been appointed 19th-Century France," in B. Farwell's and Nicoletta Misler, Istituto Stanford University, Stanford, CA 94305- manager of publications at the College Art Association. Most recently she was senior A. Solomon-Godeau's session. Patricia Universitario Orientale. Naples (Via 2018), paper titled "Artist as Entrepreneur: Gilmour (12 Gidabal St., Aranda, ACT Foscolo 24, 00185 Rome, Italy), paper Kano Motonobu (1476-1559) and the editor at Hudson Hills Press, where she 2614, Australia), paper titled "Prints by titled "The Russian Academy for Artistic Business of Painting in Late Medieval edited such books as Joan Mitchell by Judith Bemstock (about the artist who the Thousand: Mass-Produced Fine Art of Sciences (RAKhN) and Soviet Art Criticism Japan." in Melinda Takeuchi's session. received CAA's 1988 Distinguished Artist the 1970s," in Jeff Rosen's session. of the 1920s-'30s." in John Bowlt·s Nicholas Turner (Dept. of Prints & Anthony Green, British Archaeological session. John Onians (43 Unthank Rd., Drawings, British Museum, London WCIB Award for Lifetime Achievement) and by Marilyn Kushner. Expedition to Iraq (34/3/609 Mansur, Norwich NR2 2PB, England), discussant in 3DG, England), paper titled "Testing Morgan Russell Baghdad, Iraq), paper titled "The Language Patricia Brown's and Laurie Nussdorfer's Connections: Some Drawings by Ludovico From 1982 to 1986 Virginia was of Image in Ancient Mesopotamia: Art session Art and Civic Identity. Anthony Carracci and the Works They Helped to editor at the Hirshhorn Museum and Sculpture Garden. Smithsonian Institution, History and Assyriology," in M. I. Marcus Parton, University of Newcastle on Tyne Prepare." in Babette Bohn's session. in Washington, which awarded her a and J. Russell's session. Frances (148 Hilda Park, Chester.Le-Stree~ Co. Henrik Van Nierop, University of HardIng (37 Clare Court, Judd St., Durham DH2 2TY, England), paper titled Amsterdam (G. Van Der Veenstraat 28, Smithsonian Commendation for London WCIH 9QW, England), paper titled "Mikhail Larionov's 'Venus' Paintings: 1077 ED Amsterdam, The Netherlands), Exceptional Service. "The Annual K wagh-Hir Festival of the Tiv The Value of Neo-Primitive Criticism in paper titled "A Beggars' Banquet: The Prior to that she was for eleven years People of Central Nigeria," in Judith the Light of Artistic Practice," in John Inverted Imagery of the Confederation of director of publications at the Princeton Many publications for which she has Bettelheim's session. Andrew Bowlt's session. Griselda Pollock the Nobility," in Robert Baldwin's University Art Museum. where she was edi­ been responsible have received awards [or tor of the museum's journal. the Hemingway, University College London (Dept. of Fine Art, University of Leeds, session. Elisa Vargaslugo, Instituto de Martica Sawin has been named reviews Record of excellence of design and production. the Art Museum, Princeton University, and (Top FIat, 150 Freston Rd., London WIO West Yorks, LS2 9Ff, England), paper Investigaciones Esteticas (Cerrada de San editor of Art Journal. replacing Patricia Virginia has also done freelance work for edited and oversaw the production of many 6TR, England), paper titled "Modernity, titled "Differencing the Canon," in Linda Jer6nimo 46, Mexico D.F. 10200, Mainardi, who resigned her three-year publishers and museums, including books/catalogues that were distributed by Fashion, and Picturesque Values: The Nochlin's session. Alex Potts, Mexico), paper titled "Mexican Retablos position early to assume the chair of the art Smithsonian Institution Press, Princeton Princeton University Press, including Problems of Representing Seaside Resorts Goldsmiths' College, University of of the 17th Century: Theory, Practice. and history program for CAA's 1990 annual University Press, Rizzoli International, Murillo and His Drawings by Jonathan in Early 19th-Century Britain," in John London (40 Dresden Rd., London N19 Documents," in Clara Bargellini's session. conference. and the National Gallery of Art (for which Brown, Hallam's session. Thomas Hunter, 3BD, England), paper titled "The Violences Brigitte Werneberg (Amalienstrasse Sawin is a critic and art historian who Line as Language: Six Artists Draw she edited Yoshiaki Shimizu' s Japan: The by Rosalind Krauss. University of California, Berkeley (2216 of the Ideal Male Nude," in B. Farwell's and 71 MGB, 8000 Munich 40, West has been commenting on contemporary art Drawings by Gian­ Shaping of Daimyo Culture 1185-1868). lorenzo Bernini by Irving Lavin. Van Dyck McGee St., Berkeley, CA 94703), paper A. Solomon-Godeau's session. Konrad Germany), paper titled "Photography and in art magazines and journals for more than A graduate of Bard College with a B.A. titled "Animal Motifs in Indonesian Renger (Bayerische StaatsgemaIde­ Reactionary Modernism at the End of the thirty years. She is author of Wolf Kahn, as Religious Artist by John Rupert Martin in English, Virginia has studied art history and Gail Feigenbaum, and Architectural Reliefs: TIrree Stages of sammlungen. Barerstr. 29. D-8000 Weimar Period: Ernst Junger and 'The Landscape Painter, 1980. and is currently Christo: at Princeton. Indigenization," in Mary-Ann Lutzker's Munich. 40, Gennany), paper titled Transfonned World' (1933)," in Julia completing The Surrealist Incursion, a Oceanfront by Sally Yard. session. Norris Johnson (Dept. of "Rubens's Bavarian Altarpieces and Ballerini's session. Norman Yoffee book on surrealism in Paris. New York, and Anthropology, University of North Counter-Refonnation Propaganda." in (Dept. of Anthropology, University of Mexico between 1938 and 1947. She has Carolina, Chapel Hill, NC 27514), paper Margaret Carroll's session. Michael Arizona, Tucson, AZ 85721), paper titled lectured and published widely on this last titled "The Architectonics of Tenryu-ji Rosenthal, University of Warwick "The Formation of the Great Tradition of subject, including in La Planete affoLee, eligible for Meiss grants, but awards are Temple, Kyoto, Japan," in Bruce Coats's (Ferndale Cottage, Upper Brailes, BanbUry Ancient Sumer, c. 4000-3000 B.C .... in Paris. 1986, The Interpretive Link, Millard Meiss not given for catalogues, excavation session. Ivan Karp (Dept. of OXI5 5AY, England), paper titled Whitney Davis's session. Charles Zika Newport Harbor. 1987, and I Surrealisti, reports. articles. or multi-author volumes. Antlnopology, NHB Stop 112, "Gainsborough's 'Diana and Actaeon' and (Dept. of History. University of Milan, 1989. From 1967 to 1984 she Subsidies Although applicants for Meiss grants must Smithsonian Institution, Washington, DC the Cultural Function of History Painting," Melbourne, Parkville, Australia, 3052), chaired the History of Art and Design be CAA members, applications are 20560). discussant in Jeffrey Abt's session in Ann Bermingham's session. paper titled "Witches and Female Power: program at Parsons School of Design. She CAA is pleased to announce four recent submitted by publishers, not authors. Collecting, Museums, and the Shaping of Massimillano Rossi, Scuola Normale The Wild Ride in 16th-Century founded Parsons in Paris in 1977 and served Millard Meiss publication subsidies: Deadlines for 1990 applications are March Art History. David Kelghtley (Dept. of Superiore. Pisa (Via Quintino Sella 23, Representation." in Robert Baldwin's as gallery director for the Parsons 1 and October 1. Application forms are History, University of California, 50135 Florence, Italy), paper titled session. Exhibition Center from 1976 to 1980. She Anne de Coursey Clapp, Wellesley available from the CAA office. Berkeley, CA 94720), paper titled "The "Paradoxical Themes and the Art of continues as a full-time member of the art College, for The Painting ofT'ang Yin, Editing of Tradition in Shang China, c. Memory in Gennan and Italian Engraving history faculty at Parsons and has also The University of Chicago Press. 4000 B.C.," in Whitney Davis's session. and Didactic Texts of the 16th and 17th taught at Hunter College. Lehman College. Jerrilynn Dodds, Columbia University, Willlam LaFleur, University of Centuries," in David Smith·s session. FOREIGN STUDENT GRANTS Queens College, and the University of for Architecture and Ideology in Early New CAA Staff California, Los Angeles (10497 Colina Paula Sanders (History Dept.. Rice Southern Maine. Medieval Spain, The Pennsylvania State Elizabeth Nesbitt has been appointed Way, Los Angeles, CA 90077), discussant University, PO Box 1892, Houston, TX From 1953 for 1963 Sawin was a University Press. administrative assistant. She is coordinator Lawrence Nees, University of Delaware, in V. N. Desai's and D. P. Leidy's session 77251-1892), discussant in Patricia The CAA has been awarded a grant by-the contributing editor of Arts and its of the Reader·s.Digest Artists at Givemy Likeness and Lineage: Religious Brown's and Laurie Nussdorfer's session Institute of International Education's Short predecessor. Art Digest, and served as New for A Tainted Mantle: Hercules and the program and assistant to the deputy Portraiture in Asia. Birgit Laschke, Art and Civic Identity. Daniel Segal Term Enrichment Program (STEP) that will York correspondent for Art International Classical Tradition at the Carolingian director. Prior to joining the CAA staff, she Kunsthistorisches Institut der Freien (Dept. of Anthropology, Pitzer College, enable us to assist foreign graduate stu­ from 1957 to 1959. Her master's thesis for Court, University of Pennsylvania Press. worked for the Percent for Art Program of Universit~t (c/o Hubert, Forststr. 28, 1000 The Claremont Colleges. Claremont, CA dents to attend the 1990 annual conference. Columbia University (1967) became the John Beldon Scott, University of the New York City Department of Cultural Berlin 37. West Gennany), paper titled 91711), paper titled "The Politics of Recipients must be citizens of a foreign basis for the catalogue of the Abraham Iowa, for Images of Nepotism: The Painted Affairs. She received her B.A. in art history "Patterns of Imitation: Observations on Color: The Politics of Masking in Trinidad country who are currently enrolled as fu11- Walkowitz retrospective exhibition that Ceilings of Palazzo Barberine, Princeton from Duke University in 1988. At Duke, the Sculpture of Giovan Angelo Carnival," in Judith Bettelheim's session. time graduate students at a U.S. institution she curated in 1973 for the Utah Museum of University Press. she served as arts editor for The Chronicle, Montorsoli," in Karen-edis Barzman's Antonia Soulez, Philosophy Dept.. of higher education and who are not Fine Arts. Among the exhibitions she has Millard Meiss Publication Fund grants are the university's daily newspaper. Lakecia Davis has joined the CAA as session. Neil McWilliam (School of University de Paris VITI. Saint Denis (7 rue receiving any other U.S. government funds curated are "New York WPA Artists Then given twice armually for book-length administrative assistant in Membership Art History, University of East Anglia, Charles Fourier, 75013 Paris, France), for either academic or travel expenses. The and Now," "Homage to Thomas Wilfred," scholarly manuscripts that have been Services. She previouslY worked at Con Norwich NR4 7TI, Norfolk, England), paper titled "The International Style in maximwn award is $300. "The Hill Family. Three Generations of accepted by a publisher but that cannot be Edison and the Metropolitan Life Insurance paper titled "Life and Afterlife: Jacques­ Philosophy and Architecture in Vienna c. 19th-Century Landscape Painters," and published without a subsidy. Works about Louis David, 19th-Century Criticism and 1920." in David Van Zanten's session. "The Book as a Contemporary Art Form." all periods and all areas of art history are Company. 6 CAA Newsletter 7 Winter 1989 Placement Review 1988-89 One-Person Shows by Artist Members

percent of all vacancies advertised; 69 appointments were for one year, usually Only artists who are CM members are Anne Sharp. Books & Co., New York, Winifred Lutz. Reinberger Galleries. CAA Analyzes percent of the positions listed for art temporary replacements for regular faculty included in this listing. When submitting November 3-30. "Travel Dreams­ Cleveland Institute of Art, Cleveland, OH. historians were at an entry level. For on leave. information, include name of artist, gallery Postcard Collages." September 15-0ctober 26. "Distinguished Positions Listings artists, vacancies at the associate and full Applicants or museum name, city, dates of exhibition, Tony Vevers. Long Point Gallery, Alumna Exhibition." professor level represent only 7 percent of The CAA placement office was provided Provincetown Gallery, Provincetown, MA, Daniel E. Madder. Xavier University Last July CAA began issuing a sixth issue the total and for art historians, 10 percent. medium. Please indicate eM membership. of the to meet the with 553 reports describing the applicant July 3D-August 12. Painting and mixed Art Gallery, Cincinnati, February 2-23. Positions Listing Rank: was not specified for the remaining Photographs are welcome but will be growing need for employment recruitment pool and subsequent final appointment. media. Neon/mixed-media sculpture and approximately 16 percent of the positions used only if space allows. Photographs outside the traditional academic year. These submissions reported 28,087 cannot be returned. Hannah Wilke. Ronald Feldman Fine installation. listed. This distribution is consistent with During the period September 1998-July applicants for 535 vacancies, or an overall Arts, New York, September 9-0ctober 7. Donna Meeks. Wright Street Gallery, that of prior years. 1989, employment opportunities average applicant/open position ratio of "About Face." Milwaukee, WI, October 6-November 4. identified by eAA staff grew by 4 percent Salary 50: 1. As noted regularly in the past, the Northeast: Nancy Azara. A.I.R. Gal­ Krzysztof Wodiczko. Whitney Recent paintings and drawings. This increase can be attributed directly to The salaries advertised in CAA Positions general employment outlook is better for lery, New York, October 31-November 18. Museum of American Art, New York, Iris Sandkiihler. Farnham Galleries, the extension of the association's Listing can in no way be construed as a art historians: the applicant/opening ratio Robert CronIn. Kent School Art December 11-12. Outdoor photographic Simpson College, Indianola, 10, placement services into the summer. representative statistical sample of all for artist positions was 68:1, while the Gallery, Kent, CT, September 23-0ctober projection. November 13-December 15. Watercolor, During the 1988-89 academic year. a existing salaries in the field. However, ratio for art historian openings was 27:1. 8. Baehelier-Cardonsky Gallery, Kent, OH, Greg Wulf. Blue Mountain Gallery, New pen and ink on paper. total of 1,374 positions were listed in the while this clearly limits any analysis of While the overall applicant ratio for art September 23. Gallery Hiro, Tokyo, June. York, November ID-29. Therese Zemlin. Countryside Art six issues ,of ihe eAA Positions Listing: trends, it is apparent that the average historians has not changed from last year, Yoh Art Gallery, Osaka, July. "Recent Center, Gallery n, Arlington Heights, IL, 678 positions for 'artists; 314 vacancies compensation advertised for artist competition for studio positions has Works." December 8-January 4. "Therese Zemlin: for art historians; and another 382 open­ positions, was consistently lower than that increased significantly. The ratio for Hank de Ricco. Mercer Street Gallery, Tornadoes and Artifacts," sculpture. ings for curators, museum and gallery for art historians at the same rank. Within nonacademic positions for both artists and New York, November 7-25. New sculpture. directors, art librarians, art educators, and the respective categories, full and assistant art historians was 36: 1. Nancy Graves. Knoedler & Company, art administrators. These 1,374 vacancy professors' compensation for artists West: Lucy Arai-Abrarnson. Institute Summary New York, October 7-28. "New Work." announcements represent an increase of increased by 9.2 percent, associate level 56 A total of 2,847 candidates (or 10 percent Linda Gilbert-Schneider. YWCA of of Buddhist Studies, Berkeley, CA, Part I, listings,or 4 percent over the number for positions remained identical to last year's, Brooklyn, September 19-October 13. September 5-December 4; Part 2, of the applicants) were interviewed for the prior year. While a 4 percent increase is and lecturer/instructor compensation "Images: Mexico, Guatemala," December 5-February 1. "Sashiko these 553 positions. On the average, marginal, it is an increase over last year's decreased significantly (12.5 percent). photographs. Transfonned," Japanese running-stitch institutions interviewed an average of 6 18 percent increase in listings of employ­ While compensation for associate Susan Hall. Trabia-MacAfee Gallery, embroidery in sculpture and collage. candidates for each opening. ment opportunities for artists and art professors of art history increased by 9.2 New York, October 19-November 18. Les Barta. UOP Gallery, University of Women represented 46 percent of all historians. percent, that for assistant professors and "Waterscapes. " the Pacific, Stockton, CA, February 19- applicants (or 162,783) and fared better on It is apparent from the increase in lecturer/instructors increased by 4.9 Sona Heofman. Guild Hall Museum, March 9. Photocollages. the next round, accounting for 55 percent nonacademic positions that museums, percent. There is insufficient data to assess East Hampton, NY, October 8-November John Rose. Tortue Gallery, Los (or 1,573) of those interviewed. The libraries, and other visual arts employers full professor salary levels. The following 7. Mixed media. Angeles, October 14-November 11. New percentage of women applicants for art continue to look to the College Art Asso­ are average salaries listed: Martha Keller. Stephen Rosenberg paintings and watercolors. historian positions was 56 percent, a ciation as a source for highly qualified indi­ Gallery, New York, October 25-November .Jan Wurm. Vorpal Gallery, San Francis­ Artists Historians substantially higher percentage than the viduals to fill their vacancies. The numbers 28. New paintings. co, December 7-30. Recent paintings. 43 percent of female candidates reported support this premise: while positions list­ Valerie Hill Kremer. Bowery Gallery, Full $46,409 insufficient who applied for positions in studio art. ed for artists increased by only 5 percent New York, September 8-27. "Telling Professor data Women represented 57 percent of final and those for art historians decreased by 4 Stories." New paintings. South: Dawn Latane. Caswell County appointments in art history, which is percent, nonacademic jobs increased by an Bonnie Lebesch. 80 Washington Civic Center, Yanceyville, NC, January 7- Associate $35,775 $41,678 directly proportional to the applicant Janet Sawyer. Parking LOf, 1989. In the exhibition additional 10 percent. This is a continua­ Square East Galleries, New York, November 31. "Night Scenes," collages. Professor pool; of final appointments for studio "Paintings from the New York Waterfront," Blue tion of a trend exhibited over the previous 15-December 8. "The Forest," video work. Beauvais Lyons. Checkwood Fine Arls positions, women candidates were chosen Mountain Gallery, New York. December 1-20. year when announcements for nonacademic Ellen K. Levy. Griffin-MeGear Gallery, (photo: D. James Dee) Center, Nashville, TN, January 13- Assistant $28,867 54 percent of the time, significantly positions increased by 38 percent. $27,447 New York, February 17-March 17,1990. February 25. "Rare Discoveries from the Professor higher than female representation in the Each year the CAA staff analyzes va­ Paintings and drawings. The American Hokes Archives," imagery of cultures applicant pool. For nonacademic cancy announcements listed in the Posi­ Cultural Center, Jerusalem, June 6-July 31, Midwest: Gloria DeFiJipps Brush. invented by the artist. Lecturer/ $21,867 $25,500 positions, 70 percent of the final tions Listing in an attempt to discern 1989. The American Cultural Center, Tel MC Gallery, Minneapolis, January 20- Nancy Macko. Aschiyagawa Gallery, Instructor candidates were women. trends in salary, rank, and tenure status, as Aviv, November 1-30, 1989. February 25. Fine Arts Center, Ashiya, Japan, November. "Across the Minorities represented approximately well as degree requirements for open posi­ John Moore. Lehman College Art Fayetteville, AR, February 15-Mareh 15. Miles," prints and mixed media on paper. Degree Requirements/Career Track 3.4 percent of total applicants, with equal tions. Concomitant with the statistical Gallery, New York, October 26-December Wakely Gallery, Bloomington, IL, March The majority of the positions listed for art representation among those applying for review of positions listed, we analyze the 15. Recent work. 19-April 23. Photographic works. historians and artists require a PhD or an art history and studio art positions. There reports on interviews and hirings that are Lydia Panas. 80 Washington Square Nicholas Hill. Beaux Arts Gallery, Southwest: AI Harris. Graham Gallery, MFA respectively. The increase in is insufficient data available on the final returned by prospective employers. We ask East Galleries, New York, September 21- Columbus Museum of Art, Columbus, OH, Houston, TX, September 9-October 11. nonacademic positions listed in the appointment of minority candidates. all institutions placing listings to com­ October 13. Silverprint series of land­ August. Bronze castings. Positions Listing, however, represents It is the association's long-term goal plete a questionnaire indicating total scapes accompanied by text and video. Karen Kunc. Minnesota Center for Book Michelle Stuart. San Antonio Art both a growth in nonacademic career to develop a profile of employment number of applicants for the position, Howardena Pindell. Cyrus Gallery, Arts, September 9-November 20. Institute, San Antonio, TX, October 27- opportunities for recipients of advanced opportunities for artists and art historians number interviewed, and gender and race of New York, October 5-November 18. "Frontispiece: Karen Kunc Prints & November 17. "The Architecture of Man degrees in art and art history as well as an as well as an outlook for future trends. A applicants, as well as infonnation on the "Autobiography," paintings and collage Books." Carleton College Art Gallery, and Nature." increase in positions for which an MFA or statistical profile of the CAA membership candidates they ultimately hire. constructions. Northfield, MN, September 8-0ctober 8. PhD is not requisite. Only 19 percent of from information collected from Infonnation from the 553 reports .Jack Risley. Postmasters Gallery, New Allan Priebe Gallery, University of these nonacademic positions require a PhD, membership renewal and new applications returned by would-be employers breaks York, September 14-0ctober 14. Wisconsin, Oshkosh, October 11- Overseas: Hua Lee. Gallery of the while another 35 percent specify an MFA, is now being established and will provide a down as follows: Jo Sandman. Thomas Segal Gallery, November 8. Cabrillo College Gal1ery, American Library in Hong Kong, December MAo or MLA degree. Of all positions listed basis for future comparisons. We plan to Boston, October 21-November 29. Aptos, CA, January 29-February 23. 12-20. "A Long Evening in the North," Rank for artists, 54 percent were either tenured or provide more information in the future to Installation, new serial works. "Karen Kunc: Woodcuts & Drawings." paintings on canvas and paper. For the most part, vacancies listed with tenure track. For art historians, 61 percent assist members in their professional .Janet Sawyer. Blue Mountain Gallery, CAA are at the entry level (instructor, were identified as tenured or tenure track. development. New York, December 1-20. "Paintings lecturer, or assistant professor). Entry­ For nontenure-track jobs where a length of from the New York Waterfront." level positions for artists represent 65 time was specified, the majority of 8 CAA Newsletter Winter 1989 9 •

Grants / Awards / Honors Grants I Awards I Honors

Martha Keller received an NEA grant, a Courtenaye, Beverly Fishman, Hellenistic Sculpture I: The Styles of ca. The National Endowment for the INDIVIDUALS New York Foundation for the Arts grant, AWARDS TO MULTIPLE Kenneth Kaufman, Jane Kent, 331-200 B.C., University of Wisconsin Arts armounced the recipients of the and a MacDowell Fellowship this year. INDIVIDUALS Samuel Losavio, Steven Press. Eduard G. Seier, trans. Frank Visual Artist Forums grants given to Murakishi, Carolee Thea, Susan Comparato, Collected Works in Meso­ support projects that encourage increased Publication policy: Only grants. Don Kimes was awarded a 1989 Mellon Wblte, Mark Williams. american Linguistics and Archaeology. discussion, creation. and appreciation of grant in painting. Labyrinthos. Peter Wollen, Thomas contemporary visual arts. CAA institu­ awards. or honors received by individual Western States Arts Federation/ New Genres: Cecelia Condit, Levin, and GreH Marcus. On the tional members among the recipients are: or institutional members of the Col/ege Art National Endowment for the Arts Richard Lerman, William Association are listed. The award/grant! Ginger Levant received a 1989 painting 1989 Regional Fellowships for Maxwell. Passage of a Few People through a Rather Arizona State University; Atlanta College honor amount is not included. fellowship from the Djerassi Foundation in Visual Artists. Fifteen fellowships for Brief Moment in Time: Situationists, of Art; Ball S tate University; University of Woodside, CA. 1957-1972, Institute of Contemporary California. San Diego; University of Colo­ Please note the following format: distinguished achievement in a variety of National Endowment for the Art. Boston. rado at Boulder; East Carolina University; Individual members: cite name, craft media have been awarded. Among the Humaoltles Grant Awards. CAA Nancy Macko, assistant professor of art University of lliinois, Chicago; Mills Col­ institutional affiliation, and title of the winners is CAA member John Neely of members who received grants in the Arts­ Art Museums, Cataloguing of CoIIections: at Scripps College, was resident artist at lege; Montana State University; New Mex­ grant. award. or honor. Institutional Utah State University, who works in clay. History and Criticism category are: Niedersachsisches Landesmuseum. the Virginia Center for the Creative Arts in ico State University, Las Cruces; Univer­ members: cite name of organization. Richard F. Townsend, Art Institute of Hanover, Federal Republic of Germany: to Sweetbriar, VA, October 1-30, 1989. sity of New Mexico, Albuquerque; North title a/the grant, award. or honor, and Chicago: to support an exhibition, cata­ catalogue early German and Netherlandish John Onians's Bearers of Meaning: The Carolina Museum of Art; University of (optional) use or purpose of gran/. logue, and programs on the ancient civi­ paintings to 1500. The Phillips Col· Classical Orders in Antiquity, the Middle North Dakota; San Francisco Art Institute; Please indicate that you are a CAA member. lizations of the New World. Timothy F. lection, Washington. DC: to complete Ages, and the Renaissance (Princeton School of the Art Institute of Chicago; Rub, Dartmouth College. Hanover. NH: to the catalogue of the permanent collection. University Press. 1988) has won the Sir Southern Illinois University; Utah State Nina M. Athanassoglou-Kallmyer, plan a traveling exhibition, catalogue, and Banister Fletcher Award for the best book Conservation Training: Harvard Uni­ University. Logan; Washington State associate professor in the Department of programs on images of paradise in Islamic of the year on architecture or the fine arts versity, Center for Conservation University; and the University of Wash­ Art History, University of Delaware, art. Osmund Overby, Society of Archi­ given by the Authors' Club, London. and Technical Studies. Cambridge: for ington Henry Art Gallery. Seattle. received a grant from the Swann tectural Historians, Philadelphia: to write a support of the Advanced Level Training Foundation for Caricature and Cartoon, for series of architectural guidebooks. Charles W. Schmidt's portrait of Program. Tate Gallery. London: for two Mount Holyoke College Art Muse­ her work on Delacroix's cartoons and Angela Giral, Trustees of Columbia Christa McAuliffe has been chosen to internships in paintings conservation. um and the University Art Museum, satirical dr awings. University: to catalogue and preserve the memorialize the astronauts killed in the University of London, Courtauld Berkeley, have been awarded grants from Avery Architectural and Fine Arts Library's 1986 Challenger space shuttle explosion Institute of Art: for two internships. the Institute of Museum Services (IMS). William A. Berry, professor of art at architectural drawings collection and the as part of a memorial to be completed in Mount Holyoke will apply the grant to the the University of Missouri-Columbia, was development of a database and videodisk to Conservation of Works of Art: Putnam 1990 at the Kennedy Space Center. conservation of a portion of its permanent selected as the 1989 recipient of the Byler improve access to the collection. Foundation, Timken Art Gallery. Sdunidt is professor of painting at collection. Berkeley will use the grant to Distinguished Professor Award. San Diego, CA: for the treatment of Petrus Temple's Tyler School of Art. conduct a yearlong survey of the condition The Getty Grant Program has awarded Christus' Death of the Virgin. of objects in the museum's col1ection and Sylvia Ardyn Boone, associate pro­ the following grants since May 11, 1989: fessor of the history of art and African stu­ Julie Shapiro, assistant professor at Architectural Conservation: Save to prepare a long-range conservation plan. dies at Yale University, has been appointed Southern Methodist University's Meadows Scholarship in the History of Art and Venice, Inc., New York. Preparation a Phi Beta Kappa Visiting Scholar for School of the Arts, has received a grant Humanities, Publications: Frank E. grant for the Church of Santa Maria dei The Brooklyn Museum has announced 1989-90. She will visit nine institutions, from the Pollock-Krasner Foundation of Brown, Emeline H. Richardson, Miracoli. Trustees of the Order of the gift of 74 objects from the estate of meeting with students and faculty for ses­ New York, which provides financial and L. RIchardson: Cosa III. The Build· Friars Minor Conventual Esther D. Gottlieb. The bequest consists of sions, classroom discussions, seminars, assistance to .individual working artists. ings of the Forum: Colony, Municipium, Greyfrlars, Urmston, Manchester, African. Oceanic, pre-Columbian. and John Neely (photo: Barclay Hastings) and lectures, covering such topics as Ideas and Village, American Academy in Rome. United Kingdom. For an implementation Native Ametican art collected from 1935 to and Ideals of Beauty in African Art and the Janet Simpson has received an award for Vincent J. Bruno and Russell T. grant for the All Saints Church. 1979 by Esther and Adolph Gottlieb. her painting in the September Competition The National Endowment for the Scott, Cosa W. The Houses, American Art of the Harlem Renaissance. National and International Service at the Alexandria Museum of Art in Arts has armounced 1989 grants to 298 Academy in Rome. Edward C. Carter The Corcoran Gallery of Art has Organizations: American Association Louisiana. visual artists in the fields of painting. II, Charles E. Brownell, and received two grants from the Morris and Van Deren Coke was a 1989 Senior of Museums/International Council works on paper. and new genres. CAA Jeffrey A. Cohen, eds., The Papers of Gwendolyn Cafritz Foundation, one for Fulbright Scholar at the University of of Museums, Washington, DC: for the Michael Singletary's paintingParty members among the winners are: Benjamin Henry Latrobe, ser. 2. The Archi­ scholarship assistance to students at the Aukland; teaching the history of International Partnerships among Animals recently appeared on an episode of tecture and Engineering Drawings. The Corcoran School of Art and the other for photography. Also. he was awarded the Painting: William Conlon, Daniel Museums project. International the Cosby Show. Architectural Drawings of Benjamin Henry restoration of the gallery's 18th-century Josef Sudek Commemorative Medal for Freeman, Sam Gilliam, Lester Society for Education through Art Latrobe, Yale University Press. H. Perry French room, the Salon Don~. "outstanding contribution to the field of Goldman, Mike Henderson, (INSEA), Stanford, CA: for an Damie Stillman was awarded the Gotts­ Chapman, Rembrandt's Self-Portraits: A photography" by the Ministry of Culture Thomas Lawson, Faith Ringgold, international conference on the evaluation chalk Prize for a two-volume study titled Study in 17th-Century Identity, Princeton The North Carolina Museum of Art of the Czech Socialist Republic. Ernest Silva, Louise Stanley, of learning in the visual arts. Salzburg English Neo-Classical Architecture University Press. Lois M. Fink, Ameri­ has received the 1989 Industrial Design Anne Tabachnlck, Joyce Treiman, Seminar, Cambridge, MA: for the session (Zwemmer, 1988). The award is given can Art at the 19th-Century Paris Salons, Award for exhibit design from the Indus­ Frances S. Connelly of the University Catherine Allen, Stuart Arends, "Museums and their Communities: Art. annually to the best book of the year on an National Museum of American Art, trial Designers Society of America for of Missouri at Kansas City has been award­ Par Badt, Michael Board, Brian Ethnology. and Interpretation." ed a Rockefeller Humanities Fellowship for 18th-century topic. Conley, Peggy Cyphers, Linda Smithsonian Institution. Jeffrey Ham­ Robes of Elegance: Japanese Kimonos of 1989-90 through the 10hns Hopkins Day, Jean Feiberg, Rupert Garcia, burger, The "Rothschild Canticles": Art the 16th-20th Centuries. University. She is completing a manu­ Anne Tabachnick, painter from New Jo Going, Martha Keller, Leonard and Mysticism in Flanders and the Rhine­ script on the aesthetic foundations of York City, received one of ten 1989-90 Koscianski, Chris Martin, Sarah land ca. 1300. Yale University Press. The Moore College of Art and De­ INSTITUTIONS I primitivism. individual support grants awarded by the McCoubrey, Blaylock Peppard, Andree Hayum, The Isenheim Altar­ sign has armounced a gift from the Goldie ORGANIZATIONS Adolph and Esther Gottlieb Foundation. Pauline Sanchez, Katherine piece: God's Medicine and the Painter's Vi­ Paley Foundation and Robert P. Levy given James Hellmuth was the winner of the Sherwood, Roger Tibbetts, sion, Princeton University Press. Jean­ in honor of Mrs. Robert P. Levy. an 1989 Liquid Expressions Poster Competi­ Michael Tompkins, Paul Descoeudres, ed. Journal of alumna and lifetime trustee of Moore. The Whitney Museum of American tion. an antipollution poster design com­ Mediterranean Archaeology, University of Works on Paper: Susan Crile, Bruce Art, New York, has been awarded a grant petition sponsored by the Lower East Side Sydney. John H. Humphrey, ed., Jour­ The Baltimore Museum of Art has Cunningham, Anthony.Peter Printshop. the Center for Marine Conser­ nal of Roman Archaeology, University of from the Lila Wallace-Reader's Digest received a grant from the Luce Foundation Gorny, Gladys Nilsson, Eve Fund to support the Public Education vation. the International Graphic Arts Michigan. Ronald Ligbtbown, Medi· to support an exhibition ,and scholarly Aschheim, Leslie Bellavance, eval Jewellery, Victoria and Albert Muse­ Department's outreach program, docent catalogue on American decorative arts, Foundation, and Con Edison. New York. Randy Bolton, Catherine um. Brunilde Sismondo Ridgway, program, and gallery tours in 1990. Classical Taste in America, 1800-1840.

10 CAA Newsletter Winter 1989 I I Opportunities Opportunities

1990, for summer; April 15, 1990, for century studies. Stephen Botein Fellow­ The AAM Curators' Committee 1708 E. Main, an artist-run, nonprofit 95962; 1-800/383-0677. Deadline: GRANTS / FELLOWSHIPS / fall-winter; September 15, 1990,for ship: up to two months residence for work Travel Stipend Award provides partial gallery, invites artists to submit ten slides January 30, 1990. RESIDENCIES winter-spring. on the history of the book in American cul­ support for a curator to attend the AAM for the 1990-91 exhibition season. No ture. For brochure and application: John B. Annual Meeting in Chicago (May 1990). crafts, no students. SASE to 1708 E. Main Cedar City 49th Annual Multi· *Mid·Atlanlic/NEA Regional Hench, AAS, 185 Salisbury St., Worcester, To qualify an applicant must be beginning Gallery, 1708 E. Main St., Richmond, VA Media Art Exhibition, April 7-29, Repeat listings are indicated by an Visual Arts Fellowships provide MA 01609; 508/752-5813 or 508/755- a professional curatorial career, work in a 23223; 804/643·7829. Deadline: January 1990, Braithwaite Art Gallery, Southern asterisk. $5,000 grants to visual artists living and 5221. Deadline: January 31, 1990. muselllTl as a curator, and be a first-time 1, 1990. Utah State College. Open; nationwide; all working in DE, DC, MD, NJ, NY, PA, VA, participant at the Annual Meeting. To media. Purchase awards and sale. luried Huntington Research Awards in and WV. For application guidelines: Mid­ *The Millay Colony for the Arts, apply, applicants must submit (1) a letter "'American Drawing Biennial II, from 35mm slides, max. three entries. Art History are offered to predoctoral Atlantic Arts Foundation, 11 E. Chase S t., located on a 600-acre National Historic (longer than two pages) discussing current Muscarelle Museum of Art, April 14-June Entry fee: $1O/one or two slides; $15/three candidates or PhD's to carry on significant Suite 2A, Baltimore, MD 21202; 301/539- Landmark site in Austerlitz, NY, offers curatorial responsibilities, professional 3. 1990. Museum purchase and cash slides. For prospectus send #10 SASE: research in the history of British and 6656. Deadline: January 16, 1990. one-month residencies for artists. The 400- activities (i.e., workshops, conferences, awards. For entry form send #10 SASE: Cedar City Art Committee, c/o Braithwaite American art at the Huntington Library. sq-ft artist's studio has a 12-foot ceiling memberships, etc.), and professional Muscarelle Museum of Art, College of Art Gallery, Southern Utah State College, The usual stipend is $I,500/month and the *Smithsonian Institution Fellow­ and a porch w/view of a stream and woods. goals. as well as a statement of purpose in William and Mary, Williamsburg, V A 351 West Center, Cedar City, UT 84720. length of stay four weeks. For information ship Program provides pre- , post- , and No fee. For application and brochure: The attending the Annual Meeting; (2) a current 23185. Deadline: January 10, 1990. Deadline: January 30, 1990. and application: Martin Ridge. Chair, senior postdoctoral fellowships to support Millay Colony for the Arts, Steepletop, resume; (3) a letter of support from the Committee on Awards, The Huntington research in residence at the Smithsonian. Austerlitz, NY 12017; 518/392-3103. applicant's institution; (4) a letter of sup­ "'Berkeley Art Project Competi­ The Mary H. Dana Women Artists Library, San Marino, CA 91108. Deadline: Stipends range from $12,000 to $25,000. Next deadline: February 1, 1990,for June­ port from a curatorial sponsor, an individ­ tion is seeking proposals for a permanent Series at the Mabel Smith Douglass December 31, 1989. Office of Fellowships and Grants, SI, September residencies. ual with some seniority who knows the site-specific work to be created on the Library of Douglass College is accepting L'Enfant Plaza, Suite 7300, Washington, applicant and the applicant's work and is Berkeley campus to commemorate the 25th slides to be considered for a 1990-91 National Endowment for the Arts DC 20560; 202/287-3271. Deadline: *The North Carolina Arts Council not writing the letter from the applicant's anniversary of the Free Speech movement academic year exhibition. Artists should Pre-Program Internship in Paint­ January 15, 1990. has two programs for visual artists. institution. All parts of the application and civil rights/antiwar activities that submit no more than four to six clearly ings Conservation at the Intennuseum Artists-in-Schools places professional should be submitted at one time. Send three followed. Artists working in a wide variety marked slides, a resume, supplementary Conservation Laboratory. Beginning May *Materials Analysis Postdoctoral artists in residence in elementary and copies of the complete application to: of media are eligible. For infonnation: material, and SASE to: Beryl K. Smith, I, 1990. Under the supervision of staff Fellowship at the Smithsonian secondary schools; MA or equivalent; Patrick H. Butler Ill, Curator of History, Berkeley Art Project, c/o Dept. of Art, Coordinator, Women Artists Series, Mabel conservators, the NEA _intern will observe Institution for research on the application length of stay is one month to one semes­ Moody Mansion and Museum, PO Box Kroeber Hall, University of California, Smith Douglass Library, Douglass Col­ and assist with work on outstanding of neutron-induced autoradiography and ter; $500/wk, $2,OOO/mo, or $8,000/ 1300, Galveston, TX 77553; 409/763- Berkeley, CA 94720; or call Sylvia Egan, lege, New Brunswick, NJ 08903; 201/932- examples of American, Asian, and other scientific techniques to problems in semester. Visiting Artists places artists in 4231. Deadline: February 1, 1990. Project Coordinator, 415/848-8384. 7739. Deadline: February 1, 1990. European art. Candidates should send a art history. For information: Ingrid community and technical colleges, where Deadline: January 15, 1990. letter of interest, current resume, and three Alexander, Conservation Analytical they work as artists-in-residence; nine­ Winterthur Fellowships are offered to Feminist Imagination in Clay, an letters of reference from those familiar with Laboratory, Museum Support Center, SI, month to one-year stays; MA or academic, museum, and independent schol­ New American Talent: The Sixth exhibition of ceramic artworks by women their work to: NEA Internship, Washington, DC 20560; 301/238-3718. equivalent; $14,000-$24,000. For ars as well as candidates for advanced de­ Exhibition, Laguna Gloria Art Museum, that express feminist content, June 8-22, Intermuseum Conservation Association, Application fonns are available from application for either program: NCAC, grees for research at Winterthur, a research Austin, TX. Sponsored by the Texas Fine 1990. Send five slides of recent work, Allen Art Building, Oberlin, OH 44074; Office of Fellowships and Grants. listed Dept. of Cultural Resources, Raleigh, NC center for American Studies; American Arts Association, the competion is open to resume, a statement describing reasons for 216/775-7331. Deadline: January 1, 1990. above. Deadline: January 15, 1990. 27611; 919/733-7897. Deadline: February cultural, social, and intellectual history; art artists who work in any media and reside in participating in the exhibition, and SASE: 1, 1990. and design history; and material culture. the U.S. Selected works will be included in Baltimore Clayworks, 5706 Smith Ave., The National Museum of American The Women's Studio Workshop has For information and an application: Dr. a catalogue to be distributed nationally to Baltimore, MD 21209. Deadline: February Art invites nominations for the second a one-month residency in printmaking. For The UCLA Center for 17th· and Katherine Martinez, Director. Visiting contemporary art museum curators and 15, 1990. annual Charles C. Eldredge Prize for information: WSW, PO Box 489, 18th-Century Studies offers Research Fellowship Program, Winterthur gallery directors. Fifty works will travel outstanding scholarship in American art. A Rosendale, NY 12472; 914/658-9133. postdoctoral resident fellowships Museum and Gardens, Winterthur, DE statewide to museums and university and $2,000 award is given to the author of a re­ Deadline: January 15, 1990. sponsored by the NEH for research on the 19735; Advanced Studies Office, 302/888- community art galleries. Texas Fine Arts cent book-length publication that provides topic "The Consumption of Culture: Word, 4649. Deadline: February 28, 1990. Association, New American Talent: The CALLS FOR MANUSCRIPTS exceptional new insight into works of art, National Endowment for the Image, and Object in the 17th and 18th Sixth Exhibition, 3809-B W. 35 St., the artists who made them. or aspects of Humanities Grants for Travel to Centuries." Subjects to be investigated Fulbright Junior Research Grants Austin, TX 78703; 512/453-5312. Collections. For guidelines and history and theory that enrich our under­ include: changing patterns of taste, the for 1990--91 will be awarded to three Deadline: January 19, 1990. Art Journal, CAA. Articles are being applications: Division of Fellowships and formation of literary and aesthetic canons, standing of the American artistic heritage. scholars who hold recent PhDs (or are near sought from artists and art historians on Seminars, NEH, 1100 Pennsylvania Ave., Letters of nomination for 1987. 1988. and and the development of genres; the completion); $14,800 to $26,590 to Matrix Gallery, a workshop for women the general subject of constructed and 1989 book-length publications should NW, Washington, DC 20506; 202/786- audience for literature, the theater, and the support research in any field in Israel. For artists, is accepting slides of all media multidimensional painting. Pertinent outline the significance of the publication 0438. Deadline: January 15, 1990. visual and plastic arts; and the role of information and application: Council for except installation, video, film, articles can examine any aspect of the for both popular and specialized audiences patrons and markets in aesthetic and International Exchange of Scholars, 3400 performance. Fee: $8.00 per entry; limit objectification of painting in this century, and should be addressed to: The Charles C. *The American Antiquarian literary production. The stipend is $27,500 International Drive, NW, Suite M-500, three. Substantial cash awards. For the exploitation of its shape and surface Eldredge Prize. Office of the Director. Society offers short- and long-term for the 1990-91 academic year or $9,166 Washington, DC 20008-3097; or call prospectus send SASE: Matrix Gallery, from Cubism to shaped canvas to Neo­ National Museum of American Art. visiting research fellowships. AAS-NEH per quarter; preference given to scholars Renee Taft, 202/686-4010, or Lilee Perera, 1725 I St., Sacramento, CA 95814; expressionist relief painting. Particular Smithsonian Institution, Washington, DC Fellowship: six months-{)ne year; research who are at an early stage in their academic 202/686-4009. Deadline: not given. 916/483-4036 or 441-4818. Deadline: artists or movements are possible subjects; 20560. Deadline: January 15, 1990. on any subject of interest to the Society; careers. Applicants should send a cv; a January 29, 1990. thematic aspects, such as the dynamics of not open to foreign nationals except those description of a research project (1,000- illusion/anti -illusion, contradiction! The MacDowell Colony offers who have resided in the U.S. for three 2,000 words), including preferred dates and Directors Guild Publishers is re­ synthesis, or abstraction/figuration can be residencies to professional and emerging years. Kate B. and Hall J. Peterson Fellow­ duration of residence (one, two, or three COMPETITIONS viewing slides from living artists to be investigated. Subject can range somewhat ship: one-three months; on any subject of artists (composers. writers, visual artists, quarters), and the names of three references considered for inclusion in the 5th edition beyond painting, e.g., the pictorial as­ film/video artists, interdisciplinary). interest to the Society; dissertation writers (who should submit their letters directly) of their Encyclopedia of Living Artists, pects of wall sculpture or constructed pho­ and forcign nationals eligible. Frances to: Fellowship Secretary, UCLA Center for Colony fellows receive room, board, and Listings have not been screened, so artists distributed to over 2,000 galleries, corpo­ tography. Artists who work in this area are lhe exclusive use of a studio. The average Hiatt Fellowship: one-two months resi­ 17th- and 18th-Century Studies, 1100 should consider making inquiries before rate art consultants, art representatives, invited to contribute articles based on their dence for work on doctoral_ dissertations; Glendon Ave., Suite 1548, Los Angeles, length of a residency is six weeks. For submitting materials, particularly when a brokers, museums, art publishers, book authority as artists. Contributors have foreign nationals eligible. AAS-American information: Admissions Coordinator, The CA 90024-1404; 213/206-8552. Deadline: large fee is required. Due to limited space, publishers, and record companies inter­ considerable latitude in the form of their MacDowell Colony, 100 High St., Society for 18th-Century Studies Fellow­ February 1, 1990. the names of jurors have not been listed. ested in locating new artists. For prospec­ submissions, from scholarly articles to Petcrborough, NH 03458; 603/924-3886 ship: one-two months; degree candidates tus send SASE: Directors Guild Publishers, personal reflections, pastiches, annotated not eligible; any area of American 18th- or 212/966-4860. Deadlines: January 15, PO Box 369-5th Edition, Renaissance, CA graphics. etc. For information: Curt 12 CAA Newsletter Winter 1989 13 1 Opportunities Conferences / Symposia

Barnes, Visiting Artist, School of Art, New York in November 1988. hosted by to private generosity and public Jenkins Fine Art Center, East Carolina Chuck Close and Philip Perlstein. The sum­ benevolence in an era of "new money" and Repeat listings are indicated by an undergraduate students and faculty members *The Association of Art University, Greenville, NC 27858. mary is useful for foundations and arts or­ changing mores. For information: The asterisk. to discuss their scholarly and creative Historians in conjunction with Deadline: March 1. 1990. ganizations. For information on obtaining Foundation Center, 79 Fifth Ave., New activities in a range of disciplines. A pro­ Birkbeck College, University of London, a copy: The Marie Walsh Sharpe Art Foun­ York. NY 10003; 1-800/424-9836 gram announcement and call for papers are will hold a two-day conference in The Society for Photographic dation, 711 N. Tejon St., Suite B, Colorado available from NCUR-90, Wells House, 1 September 1990 on "The Body in Education is seeking proposals and Springs. CO 80903; 719/636-3220. Campus Strategies for Libraries and Elec­ CALLS FOR PAPERS Union Ave .• Schenectady. NY 12308; 518/ Representation." Send proposals to one of manuscripts for Exposure. its quarterly tronic Information, edited by Caroline 370-6649. Deadline: February 13. 1990. the organizers: Kathleen Adler, Centre for journal. A double issue will be devoted to Art Resources International in cooperation Arms, the third volume in the EDUCOM Extra-Mural Studies, University of London, photography and education. interdiscipli­ with the NEA published Money to Work: Strategies on Information Technology '25th Annual UCLA Art History 13th Annual Whitney Symposium 26 Russel Square. London WCl. G.B.; nary articles addressing multiculturalism, Grants for Visual Artists ($8.00) in 1988. series, takes a case study approach to the Graduate Student Symposium, April on American Art. A day-long sym­ Ludmilla Jordanova, Dept. of History, feminism, critical pedagogy, and theories This index for visual artists of sources of plans and implementation of library 14-21. 1990. All fields welcome. Com­ posium for graduate students and scholars University of Essex, Wivenhoe Park, of student resistance and subculture are direct public and private support for their information systems at colleges and plete papers will be needed from selected beginning their careers in the study of Colchester C04 3SQ. G.B.; Marcia sought. David Trend, Guest Editor, work offers general information, universities in the U.S. For information: semifinalists by February 23. Presenta­ American art will be held at the Whitney Pointon, School of English & American Exposure Education Issue, 514 Guerrero application procedures, and selection Willard M. Buddenhagen. Sales & Market­ tions not to exceed 30 minutes. Submit Museum of American Art on April 30, Studies, University of Sussex, Falmer, St.. San Francisco. CA 94110; 415/664- processes for 80 grants. Art Resources ing Manager, Digital Press, 12 Crosby Dr., one-page typed abstract: Katie Hauser, 1990. Subjects for papers may be chosen Brighton BNl 9QN. G.B. 7732. Deadline: March 1.1990. International, 5813 Nevada Ave., NW, Bedford. MA 01730; 617/276-1498. Symposium Committee Chair, UCLA. 405 from any area of the 20th century (Ameri­ Washington. DC 20015; 202/363-6806. Hllgard Ave., 3216 Dickson Art Center can drawing, painting, sculpture, film, *Women's Studies Groups 1600- Mandala, a journal devoted to the arts Directory of Museum Curators, Galleries, Los Angeles. CA 90024-1615. Abstrac;s video). Send abstracts of up to 1,000 words 1825. A cal1 for papers for the following and culture of the Himalayas, will be Arts Extension Service publishes a number and Non-Profit Exhibition Spaces will be postmark deadline: January 19, 1990. summarizing the principal arguments of dates: March 31. 1990: "Images of published quarterly beginning January of guides providing practical information published by Directors Guild Publisher, PO the paper or talk, which should not exceed Women/the Feminine/the Female," Sandra 1990. Papers should be sent to: Deepak and tools for arts management and Box 369. Renaissance. CA 95962; 1- *Reglonal Garden Design in the 20 minutes in length, to: Russell Connor, Ellesley and Ludmilla Jordanova, Dept. of Shimkhada. 257 E. Miramar Ave .• community cultural development. The 800/383-0677 . United States is the topic of the 1991 Head, Public Education Dept., Whitney History, University of Essex, Wivenhoe Claremont. CA 91711; 914/621-0783 Artist in Business: Basic Business Dumbarton Oaks annual symposium to be Museum of American Art, 945 Madison Park. Colchester. Essex C04 3SQ. G.B. (home). 714/621-8193 (office). Practices ($10.00) is a guide to help artists held mid-May 1991, with two days ;t Ave .• New York. NY 10021; 212/570- June 30, 1990: "Women and Politics," manage their careers and establish sound Dumbarton Oaks and an additional session 3652. Deadline: February 14. 1990. Penny Richards, Dept. of History, College *Flfth Centenary of Piero Della business practices. For information on PROGRAMS AND SCHOOLS at Middleton Place, Charleston, SC. It is of St. Paul and St. Mary, The Park. Francesca. In 1992, on the occasion of AES publications call: 413/545-2360. envisaged that all periods and regions of 16th Colloquium in 19th-Century Cheltenham. Glos., GLSO 4AZ. May/June the fifth centenary of Piero' s death, an the U.S. will be addressed, with some French StUdies, University of Okla­ 1990 in Amsterdam: "Masterclass on Early exhibition and catalogue are planned, An The American Council for the Arts The Department of Art History at Temple emphasis given to comparisons between homa, October 11-13, 1990. Papers Modern Women's History in the American Homage to Piero: 1945 to the publishes trade and professional books in University has announced a new doctoral regional conditions and designs. Send sought in the fields of literature, linguis­ Netherlands and Great Britain," Susan Present. The exhibition is curated by James the arts. The Modern Muse: The Support program that offers advanced specialized abstracts to: Director of Studies in tics, political science, philosophy, his­ O'Brien, Dept. of History, College of St. Rosen, Terence Dempsey, and Rosemary and Condition of Artists ($9.95. $8.95 study in all areas of Western art. For infor­ Landscape Architecture, Dumbarton Oaks, tory, art, theology. Topics include inter­ Paul and St. Mary, The Park, Cheltenham, De Paolo. Send inquiries to: James Rosen, members), edited by C. Richard Swaim, mation: Director, Graduate Program in Art 1703 32nd Street, NW. Washington. DC disciplinary cultural history; the appli­ Glos. GL50 4AZ. G.B. Augusta College. Augusta. GA 30910. tackles key issues affecting artists today. History, Dept. of Art History, Ritter Hall 20007. Deadline: end of January 1990. cation of science and scientific method in The Challenge to Reform Arts Education: Annex, 8th floor, Temple University, the 19th-century; current trends in criti­ NEH Summer Institutes. NEH will be Studies in Art History. Camden What Role Can Research Play? ($9.95. Philadelphia. PA 19122; 215/787-7837. *Renalssance Conference of cism; it;tages and represen~ations; and the offering 51 seminars for college teachers House Press, a small but well-established $8.95 members). edited by David B. Southern California: Southwest perceptIOn and representatIon by contem­ during the summer of 1990. The following scholarly press, invites proposals for this Pankrantz and Kevin V. Mulcahy, explores The School of Art and Art History of the Regional Conference. "State of the poraries of aesthetic movements, cultural is a list of those that may be of interest to Ideals, and political ideologies. A half­ new series. The focus will be on the appre­ current research in arts education. For University of Iowa has announced the Art(s): "Renaissance Studies: Past, Present... our members; for a complete list and ciation and collecting of art. Prospective information: ACA Books, American formation of a Program for Modern Studies. Futur~, May 11-12, 1990, at the Hunting- page abstract or session proposal should general information, call: 2021786-0463. authors interested in this or other topics Council for the Arts. Dept. 99. 1285 For information: Stephen C. Foster, ton LIbrary, San Marino, CA. Keynote be sent to: Keith Busby, Dept. of Modem Roman Humanism, 1471-1527: An are invited to contact the series' general Avenue of the Americas, 3rd floor, New Program Director, School of Art and Art speaker is Anthony Grafton. Abstracts and Languages, Literatures, and Linguistics Interdisciplinary Approach, June editor: Charles R. Mack, Prof. of Art York. NY 10019; 212/245-4510 History, University of Iowa, Iowa City, 10 sessions on all aspects of Renaissance University of Oklahoma, Norman, OK ' 4-July 29, 1990, at the American Academy History, Dept. of Art, University of South 52242; 319/335-1771. disciplines considered; theoretical ap­ 73019. Deadline: March 15. 1990. in Rome. The seminar will study Roman Carolina, Columbia, SC 29208. The Getty Center for Education in the Arts proaches especially encouraged. Send pro­ humanism in its heyday from the accession and the National PTA undertook a pilot The Unit for Criticism and Interpretive posals to: Ann J. Cruz, President, RCSC, 26th International Congress on of Pope Sixtus IV (1471) to the Sack of Collections is the journal of the project to raise parental awareness of the Theory of the University of Illinois Dept. of Spanish and Portuguese, Medieval Studies, The Medieval Rome (1527), focusing on the literary and Columbia Museum of Art, Columbia, SC. importance of art education for children. at Urbana-Champaign has announced University of California, Irvine, CA Institute, Western Michigan artistic (and archaeological) interests of Each issue features articles devoted or Over fifty vrA chapters and councils a postdoctoral fellowship program open to 92717. Deadline: January 31. 1990. University. Association Villard de the humanists. Participants should have a complementary to the museum's holdings hosted meetings with parents to discuss the applicants who hold a doctorate in any area Honnecourt for the Interdisciplinary Study reading knowledge of Latin or Italian and exhibitions or to more general aspects value of art education and how parents can of the humanities or social sciences and *International Interdisciplinary of Medieval Technology, Science, and Art (preferably both). Candidates selected for of appreciation, connoisseurship, encourage substantive art education in their whose research includes an important Conference on the Fine Arts of the (A VISTA) sessions at Kalamazoo, May participation in the seminar will receive a criticism, and museology. For local schools. For a free copy of the Getty 19th Century, October 17-20 1990 at 1991. Papers are sought on the topic theoretical component. For information: stipend of $3,500. For information: information: Editorial Office, Collections, Center/PTA brochure, Make Art a Part of Unit for Criticism and Interpretive Theory, Ohio University, Athens. 250-w~rd ' "Numbers, Proportion, Weights, and Phyllis Pray Bober, Dept. of the History of Columbia Museum of Art; 1112 Bull St.. Your Child's World. send a #10 SASE: University of Illinois, 608 S. Wright St., abstracts of papers or proposals are Measure" as related to the fields of Columbia. SC 29201; 803n99-28!O. Publication Orders, National PTA, 700 N. requested. Papers will be published in the metrology, numismatics, architecture, Art and Classical Archaeology, or Julia Urbana. IL 61801; 217/333-2581. Gaisser, Dept. of Latin, Bryn Mawr Rush St.. Chicago. IL 60611. Yearbook of Interdisciplinary Studies in num~rology, mathematics, geometry, College. Bryn Mawr. PA 19010. Studio Art Centers International the Fine Arts. Send abstracts to: Jessica phYSICS, and technology. Talks are limited The Foundation Center has published The offers facilities for the study of a wide Haigney, Director, School of Comparative to 20 minutes. Graduate students are The Philosophical Uses of PUBLICATIONS Charitable Impulse: Wealth and Social selection of studio arts and academic Arts. 120 Lindley Hall. Ohio University, encouraged to participate. Send one-page Historical Traditions, June 13-July Conscience in Communities and Cultures courses in Florence, Italy, and Oxford, Athens. OH 45701-2979. Deadline: abstract, indicating audio-visual needs, to: 24, 1990. Participants will examine the outside the United States by James A. England. For information: Institute of February 1. 1990. Ronald E. Zupko. Dept. of History. Charles work of a number of contemporary scholars The Marie Walsh Sharpe Art Foundation Joseph, president of the Council on International Education, U.S. Student L. Coughlin Hall, Marquette University who are utilizing historical figures and Milwaukee. WI 53213; 414/288-7217.' has published Round-table Discussion on Foundations. Based on interviews with ten Programs, 809 United Nations Plaza, New National Conference on Under­ texts as creative resources for original Deadline: September 15. 1990. the Needs of Visual Artists, a report of a philanthropists, the author asks how York. NY 10017-3580. grad~ate ResearCh. April 19-21. 1990. scholarship in their fields. Participation is meeting of 26 visual artists convened in society can perpetuate the values that lead at Uruon College, Schenectady. NY, for open to all faculty in humanities CAA Newsletter disciplines. Participants will receive a 14 Winter 1989 15 Conferences / Symposia Conferences / Symposia

$3,000 stipend. For information: George tration and information: Case for Clay IT, 1990s and what paradigms will influence representatives of the major independent Art and Coercion is the topic of the preparing and writing proposals. Regis­ R. Lucas, Director, NEH Summer Institute, MC #221, Santa Clara County Office of criticism of French medieval literature as regional organizations in the book arts, fIrst conference of the Comite Mexicano de tration is limited. For information: Fine c/o Dept. of Philosophy and Religion, Education, 100 Skyport Dr., San Jose, CA we move toward the 21st century. For active in bookbinding, papennaking, Historia del Arte, May 16-18, 1990, in Arts Continuing Education, University of Clemson University, Clemson, SC 29634- 95115; 408/453-6524. information: Peggy McCracken, Center for typography, fine printing, artists' books, Mexico City. The conference will explore Texas at Austin, FAB 2.4, Austin, TX 1508; 803/656-2299. Renaissance Studies, The Newberry and sculptural bookworks. Artists, the following themes: art as persuasive 78712; 512/471-8862. Princes and Artists in Central Library, 60 W. Walton St., Chicago, IL scholars, critics, dealers, collectors, and language; the control of artistic production Narrative and Synthesis in Europe, 1700-1800, a symposium at 60610; 312/943-9090. curators will discuss the major issues in the by external agents; and the history of art as Art Workshop International offers Medieval Book Illumination, June the Metropolitan Museum of Art, New fastest growing field of contemporary art. an exercise in power. For information: an open course curriculum, encouraging the 18-August 10, 1990. The focus will be on York, on January 12, 1990, in the Grace *Society of North American Gold­ For information: Center for Book Arts, Lericia LOpez Orozco, Instituto de Investi­ examination of varied art concepts and the illuminated manuscript as a Rainey Rogers Auditorium, 10:00 a.m. to smiths 1990 conference, March 14-17, 626 Broadway, New York, NY 10012; gaciones Esteticas, Centro Cultural Univer­ techniques and providing instruction at all functioning, aesthetic entity, one that 4:30 p.m. The six papers will focus on the San Francisco, will include lectures, work­ 212/460-9768. sitario, UNAM, Delegaci6 Cyoyoacan, levels. In addition, there is a special serves a purpose beyond just housing a princely courts of Central Europe-the shops, exhibitions, a tool auction, pin Mexico, DF Mexico; 5/548-4117. program for professional and advanced text, occasionally garnished by pleasing geographical region roughly corres­ swap, and a special evening at the Explora­ Cultural Studies Now and in the artists, offering studio space and a decorations. Participants will explore ponding to the Hapsburg Holy Roman torium. For information: SNAG 1990,418 Future, April 5-9, 1990, sponsored by The Structure of the Hagia from community of artists, culminating in an whether the nature of the book is altered Empire-and the aristocratic personalities Darwin St., Santa Cruz, CA 95062. the Unit for Criticism and Interpretive the Age of Justinian to the exhibition in the Comune of Assisi when extra-texntal material is included in who cultivated the arts in each of these Theory, University of Illinois at Urbana­ Present, Princeton University, May 18- Galleria. Both programs include housing, the narrative illustration, and whether centers. Among the speakers are Christian *North American Print Confer­ Champaign. For information: Unit for 19, 1990. The conference will bring to­ most meals, critiques, and lectures. The pictorial allusion and metaphor function in F. Otto, Cornell University; Joachim ence. The High Museum of Art along with Criticism and Interpretive Theory, 111 gether scholars and professionals from workshop will be offered in Assisi, Italy, the same way as literary allusion and Menzhausen, Director of the Griines the Atlanta Historical Society and Emory English Building, University of Illinois, different disciplines to exchange ideas and June 3D-July 29, 1990, and in San Miguel metaphor. For infonnation: Robert O. Gewolbe Staatliche Kunstammlungen, University will host the 20th anniversary 608 S. Wright St., Urbana, IL 61801; new information pertaining to historical de Allende, Mexico, December 14-27, Ca1kins, Dept. of the History of Art, 35 Dresden; and Dr. Burkard von Roda, Vice­ of the NAPC, March 15-17, 1990. Eleven 217/333-2581. background, physical environment, de­ 1990. For information: Art Workshop, Goldwin Smith Hall, Cornell University, Director of the Historisches Museum, papers will be presented on the theme sign, and the state of building structure 463 West St., #1028H, New York, NY Ithaca, NY 14853. Basel. Admission is free with Museum "Graphic Arts and the South." The confer­ Annual Symposium on the History over time. The longer range goal of the 10014; 212/691-1159. Portraiture: Biography, Portrait admission. Office of Academic Programs: ence will concentrate on prints, photo­ of Art, April 6-7, 1990, held by the colloquium is to provide a sound basis for a Painting, and the Representation 212/570-3710. graphs, illustrations, and drawings relating Frick Collection and the Institute of Fine study that will usc data from on-site The Northeast Document of Historical Character, June 25- to southern history. For information: Judy Arts of New York University. For dynamic-instrumentation and archaeology Conservation Center, a nonprofit August 17, 1990. Participants will explore *The Art of the July Monarchy: L. Larson, Curator of American Art, High information: Institute of Fine Arts, New to guide the development of a comprehen­ regional conservation center, invites the history and theory of portraiture by France 1830-1848, a symposium at Museum of Art, 1280 Peachtree St. NE, At­ York University, 1 E. 78th St., New York, sive numerical (computer) structural model. applications for its newly expanded analyzing the representation of historical the Memorial Art Gallery of the University lanta, GA 30309; 404/898-9517. NY 10021; 212n72-5800. For information on the program, registra­ training program in preservation figures in biography and portrait painting. of Rochester, January 26-27, 1990, in tion, publication, and lodging: R. Mark, microfilming. Participants will learn how Applications are encouraged from scholars conjunction with the international ex­ Regionalism: Challenging the Smithsonian Seminars: African Art, School of Architecture, Princcton to plan microfilm projects, develop and teachers of English literature and art hibition of the same name organized by the Canon, Historians Annual Conference, April 24-27, 1990; 150 Years of University, Princeton, NJ 08544. specifications, and write contracts with history, as well as related fields. For University of Missouri, Columbia, and a Trinity College, Dublin, March 23-26, American Art, April 24-27, 1990; vendors; they will obtain hands-on information: Richard H. Wendorf, Office of complementary exhibition in Rochester, 1990. The conference will consist of 17 20th-Century Furniture, April 30- Margaret of York, Simon Mar­ experience in operating a camera and the Librarian, Houghton Library, Harvard "From Taday Painting Is Dead": The Emer­ academic sessions over a three-day period, May 4, 1990; French Impressionism, mion, and the Visions of Tondal, a inspecting completed film. Five-day University, Cambridge, MA 02138. gence of Photography during the July the fmal day of the conference being given May 18-20, 1990. For information: Amy symposium sponsored by the Department intensive microfilm training workshops Monarchy. Registration: $25. Education over to guided trips within and outside Warner or MaryBeth Mullen, 202/357- of Manuscripts of the J. Paul Getty will be held in Andover, MA, in March and Architects Read and Write: Dept., Memorial Art Gallery, University of Dublin. Special interest groups will meet 4700. Museum, June 22-24, 1990. Speakers will August 1990. A three-day workshop will be Architectural Theory From Alberti Rochester, 490 University Ave., on Sunday morning, followed by the discuss aspects of the art of Marmion and held at the Historical Society of to Venturi, June 11-July 20, 1990. Rochester, NY 14607; 716/473-7720. association's annual general meeting. Annual Byzantine Symposium, of the illuminated books of Margaret of Pennsylvania, Philadelphia, January 23- School of Architecture, University of There will be an Art Book Fair on March Dumbarlon Oaks, April 27-29, 1990, will York, duchess of Burgundy, including the 25, 1990. Registration: $250 for Andover; I11inois at Urbana-Champaign. Faculty or *Upholstery Conservation 23-24. Travel arrangements to Dublin focus on the religious, political, and social Visions of Tondol. The symposium will be $150 for Philadelphia. For information: other qualified persons who teach or intend Symposium. An international must be made by the individual delegates. context of the holy image. Organized held in conjunction with the exhibition Mary Elizabeth Ruwell, Northeast to teach architectunil history to symposium in Colonial Williamsburg, VA, For information on travel to Ireland: Irish around the broad themes of society, cult, The Visions o/Tondal and Manuscripts Document Conservation Center, 24 School undergraduates are encouraged to apply. February 2-4, 1990, will highlight Tourist Board, 150 New Bond St., London practice, and theory, the symposium will from the Time of Margaret a/York at the St., Andover, MA 01810; 508/470-1010. Participants will receive a stipend of strategies and programs for preservation WI YOAQ; 01/493-3201. For conference attempt to situate the holy image in Getty Museum. For information: Dept. of $3,000. For infonnation: Richard 1. Betts, and treatment of the upholstered inquiries: Fintan Cullen, Conference Byzantine and medieval culture, to compare Manuscripts, 1. Paul Getty Museum, Box University of Illinois at Urbana­ environment in historic houses, museums, Organizer, Dept. of History of Art, Trinity the form and Structure of the iconic images 2112, Santa Monica, CA 90406. Champaign, School of Architecture, 608 and private collections from the 17th College, University of Dublin, Dublin 2, to other modes of art, to evaluate the effect The symposium will follow immedi­ East Lorado Taft Dr., Champaign, IL through the 20th century. For Ireland; tel. 000ln72941, ext. 1012/1995 on the medieval audience, to locate the ately the 5th Interdisciplinary Con­ 61820; 217/333-9069 or 217/244-2900. information: Marc Williams, Project (office); 0001/887240 (home). display of the holy image in its architec­ ference on Netherlandic Studies to Director, American Conservation tural and ceremonial contexts, and to be held at UCLA, June 19-22, 1990, under Consortium, Ltd., 87 Depot Rd., East The Semiotics of History: Boston integrate what can be understood of the auspices of the American Association $A VE MONEY!! Kingston, NH 03827; 603/642-5307. COlloquium for the Philosophy of practice with what is known about theory for Netherlandic Studies. For information: TO ATTEND Science, March 27, 1990. Boris of images. 17 papers dealing with material Margriet Lacy, Minard 221, North Dakota Register in Advance The Future of the MIddle Ages: Uspensky, Moscow State University; ranging from antiquity to the late Middle State University, Fargo, ND 58105. Medieval French Literature In the Thomas Winner, Boston University; Irene Ages and from Syria to France will attempt The Case for Clay in Art Educa~ 1990s, a conference sponsored by the the Winter, Chair. This is one of 18 sessions to answer two basic questions: What was Microcomputers in Slide and for the tion, TI: Culture and Tradition. A Newberry Library Center for Renaissance throughout the academic year. For the use of the holy image in society Photograph Collections, a workshop symposium to be held in San Jose, CA, Studies and Northwestern University to be information: Robert S. Cohen or Deborah (including the church), and did the holy sponsored by Fine Arts Continuing Educa­ Annual Conference January 10-13, 1990. Panels will include: held at the Newberry Library, March 9-10, Wilkes, Center for the Philosophy and image have a status of its own distinguish­ tion at the University of Texas, Austin, Perspectives on Teaching Art in a Chang­ 1990. The conference will take the decade History of Science, Boston University; able from religious painting in general? July 11-14, 1990, for professionals in ing Society; Clay and Cultural Identity; marking the end of the 20th century as the 617/353-2604. For information: The Byzantine visual resource management. The work­ Models of Excellence: Scenarios in the context for examining the future of the Symposium, Dumbarton Oaks, 1703 32nd shop will address such areas as potential Schools; Politics and Survival: Making the study of medieval French literature. Partic­ Book Arts in the USA, March 30- St., NW, Washington, DC 20007. automation in visual resource collections; Case for Clay. The symposium will also ipants will discuss what the Middle Ages April I, 1990, New York Penta Hotel. The introduction to hardware and software; include workshops and tours. For regis- will look like from the perspective of the first conference to bring together demonstrations of software programs; and Winter 1989 16 CAA Newsletter 17 Information / Ads .People and Programs

curator of the permanent collection at the furnished (including. phone, washer). Midwest: Carol Grape has joined the Johnson, the founding editor, who leaves University of Indianapolis; he is assistant INFORMATION Conveniently located near station and IN MEMORIAM staff of the Cincinnati Art Academy as pub­ to pursue private study and writing. professor of art and chainnan of the Art vaporetto stops. Suitable for 1-2 adults. lic relations director. Thomas Crow has Department. Amy Cook Smith has $600/month. Available September I, Canada: Glen Cumming, former direc­ been named Ida Beam visiting professor at been named director of development and Directory of Fine Arts Repr~sentatives and 1990-June 15, 1991. Anne Schutte, Louisa Dresser Campbell, former cu­ the University of Iowa. D. David Sapp tor of the Art Gallery of Hamilton, has Anne Brooks Ranallo has been named Corporate Art Collections, to be published Lawrence University, Appleton, WI 54912; rator of collections at the Worcester Art has been named instructor of art at Ashland been appointed director of the 49th Parallel director of public relations at the Cleveland April 1990, will list corporate consultants 414/832-6680. Museum in Massachusetts, died in Septem­ University in Ohio. Thomas Somma has Gallery in New York, which is now admin­ Institute of Art. David W. Steadman, and individuals who represent fine artists. ber at the age of 81. An expert in Colonial been appointed to the faculty of the School istered by the Professional Art Dealers fonner director of the Chrysler Museum of Listings are free. Directors Guild Publish­ FULL-COLOR EXIIIBmON ANNOUNCEMENTS. POSTCARDS, POSTERS. CATALOGUE SHEETS. American painting and decorative arts, she of Art and Art History at the University of Association of Canada Art Foundation. Art, has replaced Roger MandIe as director ers, PO Box 369-Art Rep, Renaissance, CA Outstanding quality. Samples: Images [or joined the staff of the Worcester museum in Iowa for the 1989-90 academic year. of the Toledo Museum of Art. 95962; 1-800/383-0677 or 916/692- Artists, 2543 Cleinview, Cincinatti, OH 1932 as associate curator of decorative 1355. 45206. arts; from 1949 until 1972 she was curator Southwest: Jon Whitmore, dean of the Mid-Atlantic: Gregory M. Coin has Faculty of Arts and Letters and a professor MUSEUMS AND GALLERIES been appointed director of development at of collections. She studied at Vassar Col­ For a catalogue raisonne of Antoine ART WORKSHOP JNTERNATIONAL: ASSISI. lege, Harvard University, the Courtauld of theater at the State University of New the Winterthur Museum and Gardens in Pevser's work, the author is seeking names York at Buffalo, has been named dean of ITALY, June 30-July 29, 1990. Live and Institute, and Clark University. Delaware. Diane De Grazla has been ap­ of American private collectors who own work with professional artists/teachers in the College of Fine Arts at the University Northeast: Richard Armstrong, asso­ pointed curator of southern baroque paint­ works by Pevsner. Write to Aube Lardera, an English-speaking convent surrounded of Texas at Austin. ciate curator since 1988, has been named Sidney Janis, whose New York gallery ing at the National Gallery of Art, 18 rue de Seine, 75006 Paris, France. by the Umbrian landscape. Instruction in curator of the Whitney Museum of Ameri­ helped popularize Abstract Expressionism, Washington, where she previously was all media for all levels. Separate program West: Elizabeth Pilliod has been ap­ can Art, New York. Annette Blau­ died on November 23 at the age of 93. curator of Italian drawings. Jane Living­ Garland Publishing is expanding its for professional and advanced artists, no pointed assistant professor of art history grund, formerly of the Pennsylvania ston has resigned as associate director and program in art history and welcomes instruction. Housing, most meals, studio Paul A. Lingren, professor emeritus of in the Department of Art, Oregon State Academy of the Fine Arts, ·has been ap­ chief curator .of the Corcoran Gallery of Art proposals for encyclopedias, monographs, space, critiques, and lectures culminating in art at San Diego State University and an in­ University, Corvallis. pointed senior curator of paintings, draw­ in Washington. Forrest McGill has bibliographies, casebooks, and other ings, and sculpture at the New-York Histor­ an exhibition sponsored by the Ci ty 0 f ternationally recognized printmaker and been named assistant director of the Arthur research tools. Address inquiries and Assisi and the Tourist Bureau. Write: Art educator, died in July at age 66. He taught Canada: Matt Kavaler, Claudette ical Society. MiChael J. Fahlund has M. Sadder Gallery, Smithsonian Insti­ proposals to: Kennie Lyman, Ed., Garland Workshop, 463 West St., H1028H, Ncw at SDSU from 1957 until May of this year. Mainzer, and Margaret Miller have been named assistant director of the Car­ tution, Washington. Carol Radcliffe Publishing, Inc., 136 Madison Ave., New York, NY 10014; 212/691-1159. His work is in numerous private and public been appointed to the Department of Fine negie Museum of Art, Pittsburgh. He was Bolon, fonnerly assistant professor of art York, NY 10016. collections. He was director of the Smith­ Art at the University of Toronto. Lee formerly the director of development at the history at the University of Chicago, has POSTCARD PRINTING. 3,000 for $350. Johnson has recently retired, and Plymouth Plantation in Plymouth, MA. sonian Printmaking Workshop sponsored been appointed assistant curator of south A lecturer at Queensland College of Art in Beautiful quality. Bern Boyle, 256 East 10 Frederick Winter will retire from the Barbara Hudson has been named curator by the U.S. fufonnation Agency and the and southeast Asian art at the Sadder Australia is seeking a one- or two- year St., HiE, New York, NY 10009. Smithsonian Institution and taught department at the end of the year. of African-American art including the Gallery and the Freer Gallery of Art, exchange with an American academic. He Simpson Collection of African-American printmaking in India, Mexico, Iran, Smithsonian Institution. Joaneath currently teaches in the School of Design; ART POSTCARDS. Sample sets of 50 art and artifacts at the Wadsworth Athe­ Lebanon, Jordan, and Turkey. Spicer, fonnedy of the University of therefore, the college would seek someone different postcards for $16, postage neum in Hartford, cr. She also will serve Toronto, has been appointed James in such areas as graphic design, typog­ included. Bern Boyle, 256 East 10 St., #1 E, Carolyn Kelley Wheelwright, asso­ ORGANIZATIONS as executive director of the Amistad Foun­ Murnaghan curator of renaissance and raphy, communication studies, marketing, New York, NY 10009. ciate professor of the history of art at Yale dation. John W. Hyland, Jr., has been baroque art at the Walters Art Gallery, computer graphics, photography, or in appointed to the board of trustees of the University, died October. She was 50. A Baltimore. Elizabeth Hutton Turner commercial illustration. Conditions HYDRA, GREECE. Furnished six-room stone Northeast: Harriet FeRland has been Sterling and Francine Clark Art Institute in faculty member since 1981, Professor has been named associate curator of the include 10 weeks paid leave and salary cottage. Terraces overlook spectacular elected president of the New York Artists Williamstown, MA. Steven Klindt, Wheelwright published numerous articles Phillips Collection in Washington. commensurate with tertiary education at a Aegean, mountain views. Walk to swim­ Equity Association. Elizabeth A. formerly director of the Tweed Museum of and books focusing on 16th-century degree level. Charles Zuber, 104 Walnut ming. April, May, June;- September Japanese painting. She graduated from the Pratt, fonnerly associate editor of publi­ the University of Minnesota, Deluth, has Kerry F. Boyd has been named South: St., Wynnum, 4178, Brisbane, $1,145; July, August $1,545 monthly. cations at the Art Institute of Chicago, has been named executive director of the University of Kentucky in 1961, received chief designer at the North Carolina Queensland; 07/393-4462. 212/861-9270 (office); 212/724-6506 an M.Ed. from the University of Cincinnati been appointed managing editor of Abaris Queens Museum in Flushing, NY. Susan Museum of Art, Raleigh. Nina Gumpert (home). in 1966, an M.A. from the University of Books, a scholarly art press in New York. Ann Maney has been named horticul­ Parris, formerly chief curator of the The Whitney Museum of American Art is turist/curator of the International Museum Iowa in 1973, and her Ph.D. in Japanese art Charles Semowich has been named Columbia Museum of Art, South Carolina, seeking information concerning the CALL FOR WORK: Pennsylvania School of president of the Print Club of Albany and of Photography at George Eastman House and archaeology from Princeton University has been appointed chief curator of the College Art Association's selected Art & Design seeks performance, appointed a tutor for the the televised in Rochester, NY. Deborah F. in in 1981. She joined the art department at Bass Museum of Art Miami Beach. exhibition of De Stijl/ Constructivist art installation, or environmental artist for Schwartz has been appointed vice­ Yale in 1981. course Art of the Western World, being that took place in New York, c. 1942--45. two-week student-involved project to take given through the Center for Distance director for education at the Brooklyn Southwest: Jeannette Dixon, Please contact Barbara Haskell, Whitney Museum. She has been with the museum's place outside the traditional gallery Learning, Empire State College. previously librarian at the Kimbell Art Museum of American Art, New York, NY setting. Please send slides of representative educati~n division since 1982. Museum, has been named librarian of the 10021; 212/570-3606. work, vita, and SASE by March I, 1990, Lo Southwest: Rita Starpattern, formerly ACADEME Museum of Fine Arts, Houston. . be considered for academic year 1990-91 program administrator for the Texas Com­ Midwest: William J. Hennessey, for­ to: Pennsylvania School of Art & Design, mer director of the University of Kentucky mission on the Arts, has been appointed West: The Ansel Adams Center, a new 204 N. Prince St.. PO Box 59, Lancaster, Art in Public Places coordinator for the Art Museum, has been appointed director of Northeast: Kathleen Collins has been museum and permanent home of the Friends CLASSIFIED ADS PA 17603-0059; Attn: Chris Welch. appointed dean of the School of Arts at the Cultural Affairs Division of the Austin the University of Michigan Museum of Art, of Photography, opened in September. New York State College of Ceramics at Al­ Parks and Recreation Department. Ann Arbor. Delli Mcintosh McHenry Located at 250 Fourth Street in San fred University. Allan Hacklin, former has been named assistant curator of 20th· Francisco, the museum has five exhibition The CAA Newsletter accepts classified ads director of the GlasseU School of Art of the South: Migs Grove has been named edi­ century art at the Nelson-Atkins Museum of galleries, a bookstore, and office and of a professional or semiprofessional Museum of Fine Arts in Houston, has been tor of the Journal of Decorative and Propa­ Art in Kansas City, MO. Maurice D. housekeeping areas. In addition to nature (sales of libraries, summer rental or appointed professor and chair of the ganda Arts, a Miami -based art history quar­ Parrish has been appointed deputy permitting an active exhibition program, exchange of homes, etc.): 75¢/word Painting and Sculpture Division of the terly of the period from 1875-1945. She director of the Detroit Institute of Arts. the 14,000-square-foot facility will enable ($1.25Iword for nonmembers); $15.00 School of the Arts at Columbia University. was editor of Smithsonian Studies in Niloo Imami-Paydar has been pro­ the Friends of Photography to expand its minimum. Gail Scott White has been appointed American Art, the journal of the National moted to assistant curator of textiles and education and publishing programs. costumes at the Indianapolis Museum of assistant professor of art and art history at Museum of American Art, Smithsonian VENICE APARTMENT. One-bedroom Colgate University in Hamilton, NY. Institution. She replaces Pamela Art. Ronald Rarick has been named apartment in Cannaregio iuminoso, fully

t 9 18 CAA Newsletter Winter 1989

I Miscellanea

CAA POSITION AVAILABLE CORRECTIONS DATEBOOK

There is an opening for an editorial In the fall 1989 issue of the CAA Beginning in 1990, the CAA Newslettcr assistant in the CAA office. Entry-level Newsletter, in the article "Current CAA will be published six times a year, rather position; excellent editing, proofreading, Board of Directors," Marcia Hall was listed than/our. Therefore, the deadline/or the typing, and writing skills; B.A. in English as being affiliated with Williams College. January IFebruary issue is earlier than preferred; must be detail oriented, well She is on the the faculty of the Tyler usual. We regret any inconvenience this organized, and responsible. Experience School of Art, Temple University, may cause our readers. with Macintosh and computer page make­ Philadelphia. up a plus. Responsibilities include In the People and Programs column, December 29, 1989: deadline for assisting with newsletter. clerical duties, Anthony Janson was mistakenly named as submitting material for the January! inputting mss, some production. Minimum the new director of the· North Carolina February Newsletter. 2 years related experience. Salary in low Museum of Art. Mr. Janson is chief curator. January 4, 1990: mailing date for twenties. Respond to: Publications Richard Schneiderman has been director Positions Listing. Manager, CAA, 275 Seventh Avenue, New since 1986. York. NY 10001. We regret these errors. January 9: deadline for receipt of STEP applications. January 19: deadline for advance registration for CAA Annual Conferencc. February 14-17: CAA Annual Conference. March 1: deadline for submitting material for the March/April Newsletter. March 1: deadline for Millard Meiss Publication Fund applications. March 14: deadline for Positions Listings submissions.

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