Multi-Resolution Surfel Maps for Efficient Dense 3D Modeling And
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Rendering of Complex Heterogenous Scenes Using Progressive Blue Surfels
Rendering of Complex Heterogenous Scenes using Progressive Blue Surfels SASCHA BRANDT, Paderborn University CLAUDIUS JÄHN, DeepL.com MATTHIAS FISCHER, Paderborn University FRIEDHELM MEYER AUF DER HEIDE, Paderborn University Fig. 1. 20 donut production lines with ∼50M Polygons each (∼1G total) rendered at interactive frame rates of ∼120 fps at a resolution of 2560×1440. We present a technique for rendering highly complex 3D scenes in real-time the interest dropped as one might consider the problem solved con- by generating uniformly distributed points on the scene’s visible surfaces. sidering the vast computational power of modern graphics hardware The technique is applicable to a wide range of scene types, like scenes and the rich set on different rendering techniques like culling and directly based on complex and detailed CAD data consisting of billions of approximation techniques. polygons (in contrast to scenes handcrafted solely for visualization). This A new challenge arises from the newest generation of head allows to visualize such scenes smoothly even in VR on a HMD with good mounted displays (HMD) like the Oculus Rift or its competitors image quality, while maintaining the necessary frame-rates. In contrast to other point based rendering methods, we place points in an approximated – high framerates are no longer a nice-to-have feature but become blue noise distribution only on visible surfaces and store them in a highly a hard constraint on what content can actually be shown to the GPU efficient data structure, allowing to progressively refine the number of user. To avoid nausea it is necessary to keep a high frame-rate of rendered points to maximize the image quality for a given target frame rate. -
Luna Moth: Supporting Creativity in the Cloud
Pedro Alfaiate Instituto Superior Técnico / Luna Moth INESC-ID Inês Caetano Instituto Superior Técnico / INESC-ID Supporting Creativity in the Cloud António Leitão Instituto Superior Técnico / INESC-ID 1 ABSTRACT Algorithmic design allows architects to design using a programming-based approach. Current algo- 1 Migration from desktop application rithmic design environments are based on existing computer-aided design applications or building to the cloud. information modeling applications, such as AutoCAD, Rhinoceros 3D, or Revit, which, due to their complexity, fail to give architects the immediate feedback they need to explore algorithmic design. In addition, they do not address the current trend of moving applications to the cloud to improve their availability. To address these problems, we propose a software architecture for an algorithmic design inte- grated development environment (IDE), based on web technologies, that is more interactive than competing algorithmic design IDEs. Besides providing an intuitive editing interface which facilitates programming tasks for architects, its performance can be an order of magnitude faster than current aalgorithmic design IDEs, thus supporting real-time feedback with more complex algorithmic design programs. Moreover, our solution also allows architects to export the generated model to their preferred computer-aided design applications. This results in an algorithmic design environment that is accessible from any computer, while offering an interactive editing environment that inte- grates into the architect’s workflow. 72 INTRODUCTION programming languages that also support traceability between Throughout the years, computers have been gaining more ground the program and the model: when the user selects a component in the field of architecture. In the beginning, they were only used in the program, the corresponding 3D model components are for creating technical drawings using computer-aided design highlighted. -
3D Modeling: Surfaces
CS 430/536 Computer Graphics I Overview • 3D model representations 3D Modeling: • Mesh formats Surfaces • Bicubic surfaces • Bezier surfaces Week 8, Lecture 16 • Normals to surfaces David Breen, William Regli and Maxim Peysakhov • Direct surface rendering Geometric and Intelligent Computing Laboratory Department of Computer Science Drexel University 1 2 http://gicl.cs.drexel.edu 1994 Foley/VanDam/Finer/Huges/Phillips ICG 3D Modeling Representing 3D Objects • 3D Representations • Exact • Approximate – Wireframe models – Surface Models – Wireframe – Facet / Mesh – Solid Models – Parametric • Just surfaces – Meshes and Polygon soups – Voxel/Volume models Surface – Voxel – Decomposition-based – Solid Model • Volume info • Octrees, voxels • CSG • Modeling in 3D – Constructive Solid Geometry (CSG), • BRep Breps and feature-based • Implicit Solid Modeling 3 4 Negatives when Representing 3D Objects Representing 3D Objects • Exact • Approximate • Exact • Approximate – Complex data structures – Lossy – Precise model of – A discretization of – Expensive algorithms – Data structure sizes can object topology the 3D object – Wide variety of formats, get HUGE, if you want each with subtle nuances good fidelity – Mathematically – Use simple – Hard to acquire data – Easy to break (i.e. cracks represent all primitives to – Translation required for can appear) rendering – Not good for certain geometry model topology applications • Lots of interpolation and and geometry guess work 5 6 1 Positives when Exact Representations Representing 3D Objects • Exact -
Full Body 3D Scanning
3D Photography: Final Project Report Full Body 3D Scanning Sam Calabrese Abhishek Gandhi Changyin Zhou fsmc2171, asg2160, [email protected] Figure 1: Our model is a dancer. We capture his full-body 3D model by combining image-based methods and range scanner, and then do an animation of dancing. Abstract Compared with most laser scanners, image-based methods using triangulation principles are much faster and able to provide real- In this project, we are going to build a high-resolution full-body time 3D sensing. These methods include depth from motion [Aloi- 3D model of a live person by combining image-based methods and monos and Spetsakis 1989], shape from shading [Zhang et al. laser scanner methods. A Leica 3D range scanner is used to obtain 1999], depth from defocus/focus [Nayar et al. 1996][Watanabe and four accurate range data of the body from four different perspec- Nayar 1998][Schechner and Kiryati 2000][Zhou and Lin 2007], and tives. We hire a professional model and adopt many measures to structure from stereo [Dhond and Aggarwal 1989]. They often re- minimize the movement during the long laser-scanning. The scan quire the object surface to be textured, non-textured, or lambertian. data is then sequently processed by Cyclone, MeshLab, Scanalyze, These requirements often make them impractical in many cases. VRIP, PlyCrunch and 3Ds Max to obtain our final mesh. We take In addition, image-based methods usually cannot give a precision three images of the face from frontal and left/right side views, and depth estimation since they do patch-based analysis. -
Bonus Ch. 2 More Modeling Techniques
Bonus Ch. 2 More Modeling Techniques When it comes to modeling in modo, the sky is the limit. This book is designed to show you all of the techniques available to you, through written word and visual examples on the DVD. This chapter will take you into another project, in which you’ll model a landscape. From there, you’ll texture it, and later you’ll add the environment. You’ll see how modo’s micro polygon displacement works and how powerful it is. From there, you’ll create a cool toy gun. The techniques used in this project will show you how to create small details that make the model come to life. Then, you’ll learn to texture the toy gun to look like real plastic. Building a Landscape Landscapes traditionally have been a chore for 3D artists. This is because to prop- erly create them, you need a lot of geometry. A lot of geometry means a lot of polygons, and a lot of polygons means a lot of render time. But the team at Luxology has introduced micro polygon displacement in modo 201/202, allow- ing you to create and work with simple objects, but render with millions of poly- gons. How is this possible? The micro polygon displacement feature generates additional polygons at render time. The goal is that finer details can be achieved without physically modeling them into the base object. You can then add to the details achieved through micro poly displacements with modo’s bump map capabilities and generate some terrific-looking models. -
Digital Sculpting with Zbrush
DIGITAL SCULPTING WITH ZBRUSH Vincent Wang ENGL 2089 Discourse Analysis 2 ZBrush Analysis Table of Contents Context ........................................................................................................................... 3 Process ........................................................................................................................... 5 Analysis ........................................................................................................................ 13 Application .................................................................................................................. 27 Activity .......................................................................................................................... 32 Works Cited .................................................................................................................. 35 3 Context ZBrush was created by the Pixologic Inc., which was founded by Ofer Alon and Jack Rimokh (Graphics). It was first presented in 1999 at SIGGRAPH (Graphics). Version 1.5 was unveiled at the MacWorld Expo 2002 in New York and SIGGRAPH 2002 in San Antonio (Graphics). Pixologic, the company describes the 3D modeling software as a “digital sculpting and painting program that has revolutionized the 3D industry…” (Pixologic). It utilizes familiar real-world tools in a digital environment, getting rid of steep learning curves and allowing the user to be freely creative instead of figuring out all the technical details. 3D models that are created in -
3D Modeling and the Role of 3D Modeling in Our Life
ISSN 2413-1032 COMPUTER SCIENCE 3D MODELING AND THE ROLE OF 3D MODELING IN OUR LIFE 1Beknazarova Saida Safibullaevna 2Maxammadjonov Maxammadjon Alisher o’g’li 2Ibodullayev Sardor Nasriddin o’g’li 1Uzbekistan, Tashkent, Tashkent University of Informational Technologies, Senior Teacher 2Uzbekistan, Tashkent, Tashkent University of Informational Technologies, student Abstract. In 3D computer graphics, 3D modeling is the process of developing a mathematical representation of any three-dimensional surface of an object (either inanimate or living) via specialized software. The product is called a 3D model. It can be displayed as a two-dimensional image through a process called 3D rendering or used in a computer simulation of physical phenomena. The model can also be physically created using 3D printing devices. Models may be created automatically or manually. The manual modeling process of preparing geometric data for 3D computer graphics is similar to plastic arts such as sculpting. 3D modeling software is a class of 3D computer graphics software used to produce 3D models. Individual programs of this class are called modeling applications or modelers. Key words: 3D, modeling, programming, unity, 3D programs. Nowadays 3D modeling impacts in every sphere of: computer programming, architecture and so on. Firstly, we will present basic information about 3D modeling. 3D models represent a physical body using a collection of points in 3D space, connected by various geometric entities such as triangles, lines, curved surfaces, etc. Being a collection of data (points and other information), 3D models can be created by hand, algorithmically (procedural modeling), or scanned. 3D models are widely used anywhere in 3D graphics. -
Multi-View Scene Capture by Surfel Sampling: from Video Streams to Non-Rigid 3D Motion, Shape & Reflectance
Multi-View Scene Capture by Surfel Sampling: From Video Streams to Non-Rigid 3D Motion, Shape & Reflectance Rodrigo L. Carceroni Kiriakos N. Kutulakos Departamento de Ciˆencia da Computac¸˜ao Department of Computer Science Universidade Federal de Minas Gerais University of Toronto Belo Horizonte, MG, CEP 31270-010, Brazil Toronto, ON M5S3H5, Canada [email protected] [email protected] Abstract In this paper we study the problem of recovering the 3D shape, reflectance, and non-rigid motion properties of a dynamic 3D scene. Because these properties are completely unknown and because the scene’s shape and motion may be non-smooth, our approach uses multiple views to build a piecewise-continuous geometric and radiometric representation of the scene’s trace in space-time. A basic primitive of this representation is the dynamic surfel, which (1) encodes the instantaneous local shape, reflectance, and motion of a small and bounded region in the scene, and (2) enables accurate prediction of the region’s dynamic appearance under known illumination conditions. We show that complete surfel-based reconstructions can be created by repeatedly applying an algorithm called Surfel Sampling that combines sampling and parameter estimation to fit a single surfel to a small, bounded region of space-time. Experimental results with the Phong reflectance model and complex real scenes (clothing, shiny objects, skin) illustrate our method’s ability to explain pixels and pixel variations in terms of their underlying causes — shape, reflectance, motion, illumination, and visibility. Keywords: Stereoscopic vision (3D reconstruction, multiple-view geometry, multi-view stereo, space carving); Motion analysis (multi-view motion estimation, direct estimation methods, image warping, deformation analysis); 3D motion capture; Reflectance modeling (illumination modeling, Phong reflectance model) This research was conducted while the authors were with the Departments of Computer Science and Dermatology at the University of Rochester, Rochester, NY, USA. -
Using Depth Cameras for Dense 3D Modeling of Indoor Environments
RGB-D Mapping: Using Depth Cameras for Dense 3D Modeling of Indoor Environments Peter Henry1, Michael Krainin1, Evan Herbst1, Xiaofeng Ren2, Dieter Fox1;2 Abstract RGB-D cameras are novel sensing systems that capture RGB images along with per-pixel depth information. In this paper we investigate how such cam- eras can be used in the context of robotics, specifically for building dense 3D maps of indoor environments. Such maps have applications in robot navigation, manip- ulation, semantic mapping, and telepresence. We present RGB-D Mapping, a full 3D mapping system that utilizes a novel joint optimization algorithm combining visual features and shape-based alignment. Visual and depth information are also combined for view-based loop closure detection, followed by pose optimization to achieve globally consistent maps. We evaluate RGB-D Mapping on two large indoor environments, and show that it effectively combines the visual and shape informa- tion available from RGB-D cameras. 1 Introduction Building rich 3D maps of environments is an important task for mobile robotics, with applications in navigation, manipulation, semantic mapping, and telepresence. Most 3D mapping systems contain three main components: first, the spatial align- ment of consecutive data frames; second, the detection of loop closures; third, the globally consistent alignment of the complete data sequence. While 3D point clouds are extremely well suited for frame-to-frame alignment and for dense 3D reconstruc- tion, they ignore valuable information contained in images. Color cameras, on the other hand, capture rich visual information and are becoming more and more the sensor of choice for loop closure detection [21, 16, 30]. -
3D Computer Graphics Compiled By: H
animation Charge-coupled device Charts on SO(3) chemistry chirality chromatic aberration chrominance Cinema 4D cinematography CinePaint Circle circumference ClanLib Class of the Titans clean room design Clifford algebra Clip Mapping Clipping (computer graphics) Clipping_(computer_graphics) Cocoa (API) CODE V collinear collision detection color color buffer comic book Comm. ACM Command & Conquer: Tiberian series Commutative operation Compact disc Comparison of Direct3D and OpenGL compiler Compiz complement (set theory) complex analysis complex number complex polygon Component Object Model composite pattern compositing Compression artifacts computationReverse computational Catmull-Clark fluid dynamics computational geometry subdivision Computational_geometry computed surface axial tomography Cel-shaded Computed tomography computer animation Computer Aided Design computerCg andprogramming video games Computer animation computer cluster computer display computer file computer game computer games computer generated image computer graphics Computer hardware Computer History Museum Computer keyboard Computer mouse computer program Computer programming computer science computer software computer storage Computer-aided design Computer-aided design#Capabilities computer-aided manufacturing computer-generated imagery concave cone (solid)language Cone tracing Conjugacy_class#Conjugacy_as_group_action Clipmap COLLADA consortium constraints Comparison Constructive solid geometry of continuous Direct3D function contrast ratioand conversion OpenGL between -
Extents and Limitations of 3D Computer Models for Graphic Analysis of Form and Space in Architecture SALEH UDDIN, Mohammed University of Missouri-Columbia, U.S.A
Go to contents 18 Extents and Limitations of 3D Computer Models for Graphic Analysis of Form and Space in Architecture SALEH UDDIN, Mohammed University of Missouri-Columbia, U.S.A. http://web.missouri.edu/~envugwww/faculty.html http://web.missouri.edu/~uddinm This paper investigates the strength and limitations of basic 3D diagrammatic models and their related motion capabilities in the context of graphic analysis. The focus of such analysis is to create a computer based environment to represent visual analysis of architectural form and space. The paper highlights the restrictions that were found in a specific 3D-computer model environment to satisfy a basic diagrammatic need for analysis. Motion related features that take into account of parametric changes are also investigated to help enhance representation of analytic models. Acknowledging the restrictions, it can be stated that computational media are the only ones at present that can create an interactive multimedia format using components constructed through various computational techniques Keywords: 3D Model, Analytic Diagram, Motion Model, Form Analysis, Design Principles. Analysis points’ and also supported the theoretical model. Throughout history, the notion of ‘precedent’ has Thus, it can be said that an analysis is an abstract always provided conceptual models to serve the quest process of simplification that reduces a total work into for appropriate architectural forms. It is a relatively its essential elements. In architecture, the primary goal recent phenomenon that considers architecture of a design analysis and its representation is to expose through a veil of literary metaphors. Since the end the underlying concept, organizational pattern, design product of architecture is a built outcome, the most characteristics, and ‘tectonics’ through simplified basic theoretical stance must be supported in turn by diagrams. -
Parallel and Efficient Boolean on Polygonal Solids
Vis Comput (2011) 27: 507–517 DOI 10.1007/s00371-011-0571-1 ORIGINAL ARTICLE Parallel and efficient Boolean on polygonal solids Hanli Zhao · Charlie C.L. Wang · Yong Chen · Xiaogang Jin Published online: 22 April 2011 © Springer-Verlag 2011 Abstract We present a novel framework which can effi- 1 Introduction ciently evaluate approximate Boolean set operations for B- rep models by highly parallel algorithms. This is achieved Boolean operations, such as union (∪), subtraction (−), by taking axis-aligned surfels of Layered Depth Images and intersection (∩), are useful for combining simple mod- (LDI) as a bridge and performing Boolean operations on els to create complex solid objects on a Constructive Solid the structured points. As compared with prior surfel-based Geometry (CSG) tree, which has a variety of applications approaches, this paper has much improvement. Firstly, we in computer-aided design and manufacturing (CAD/CAM), adopt key-data pairs to store LDI more compactly. Secondly, virtual reality, and computer graphics (e.g., [4, 17, 18]). robust depth peeling is investigated to overcome the bottle- Polygonal meshes are the most popular boundary repre- neck of layer-complexity. Thirdly, an out-of-core tiling tech- sentation (B-rep) for 3D models. Although many commer- cial CAD systems, such as Rhinoceros [14] and ACIS [13], nique is presented to overcome the limitation of memory. are able to compute Boolean on polygons, they have diffi- Real-time feedback is provided by streaming the proposed culty in modeling very complex models (e.g., the scaffold pipeline on the many-core graphics hardware. of Bone as shown in Fig.