EQUITYNEWS • Has Been a Member of Ms

Total Page:16

File Type:pdf, Size:1020Kb

EQUITYNEWS • Has Been a Member of Ms EQUITYACTORS’ EQUITY: STANDING UP FOR OURNEWS MEMBERS JULY/AUGUST 2014 / Volume 99 / Number 6 www.actorsequity.org Membership Meetings set Theatres in Central Region for the 2014-2015 Season Strive for Equity Excellence The following dates have been set for Equity Membership Meetings in 2014-2015: umerous theatres in the Central Region Eastern Region have made utilizing Friday, October 10, 2014 at 2 p.m. EST N and hiring Equity members a Friday, January 9, 2015 at 2 p.m. EST goal. With the help of AEA staff Central Region members in the Chicago office, Monday, October 6, 2014 at 6 p.m. CST three theatres now proudly state Monday, January 12, 2015 at 12 p.m. CST that they are Equity. Western Region The Insight Theatre in Monday, October 6, 2014 at 11 a.m. PST Webster Groves, Missouri Monday, January 12, 2015 at 11 a.m. PST proudly displays the Actors’ Equity Association logo at the All Regions bottom of its website. The The National Membership Meeting is Friday, April 10, 2015 theatre, along with the Yellow at 2 p.m. EST, 1 p.m. CST and 11 a.m. PST.The regions will Tree Theater in Osseo, be connected by telephonic hook-up in order that members in Minnesota, recently transitioned all regions may hear the statements of candidates running for from using a Special election. Appearance Agreement to Insight Theatre Company’s Artistic Director, Maggie Ryan, having a collective bargaining receiving an Actors’ Equity Plaque from Senior Business agreement and using the Small Representative Christian Hainds at the company’s annual gala. AEA Re-ups CAT, Professional Theatre Contract. “Insight Theatre Company is couple is also excited to further will operate on an LOA to LORT Drury LaneTheatre & in its 7th season and in May, at their mission by introducing contract. For CEO and Producer our annual gala, we officially more professional theatre into Jan Albus, knowing what Equity BAT Contracts for 4Years became an Equity Theatre,” said the Northwest suburbs of the means to performers was Insight’s Artistic Director, Twin Cities. something she learned at a quity negotiated several Captain increments (up to 15 Maggie Ryan. “We are very “After only six years, we are young age. Joining AEA at 15, contracts for new percent or non-profits) and proud to be an AEA Small closer than ever to our goal of the actor said that she learned four-year terms. Actors’ Dramatic Dance Captain E Professional Theatre and have providing actual living wages to from the best and adhered to a Equity Association negotiated a increments (up to 9 percent) as enjoyed announcing that we our artists,” said Jason specific level of excellence new four-year Chicago Area well as an increase for the tour now have our official plaque as Peterson, artistic director. demanded from an Equity Theatre Agreement (CAT) per diem. an Equity theatre.” “Becoming an Equity theatre company — she wants to offer effective through June 24, 2018. A new rule has been For Yellow Tree Theater’s further reiterates our her company the same Approved by the Central achieved that provides access founders, Jason and Jessica commitment to strive for high experience. Regional Board at its July for Chorus Actors to auditions if Peterson, transitioning to an artistic standards, but it also “I am aware of what meeting, the agreement boasts chorus is used in a dramatic SPT means that the company serves as a commitment to the professionalism is associated improvements in a number of production. Language was also will be able to draw more artists we serve to continue to with an Equity company and areas including an average achieved that provides written talented and experienced actors provide them with professional chose it because I wanted our yearly salary increase of 2.67 distinction between Brush- to the community — a goal they opportunities.” productions to be of the highest percent. Retroactivity for up/Understudy rehearsals and have had since opening the The Variety Children’s quality utilizing the talents of the salaries takes effect as of June Put-in rehearsals and theatre’s doors in 2008. The Theatre in St. Louis, Missouri, best St. Louis has to offer.” 23, 2014. compensation for use of Highlights of the new personal musical instrument agreement include increases to where applicable. For stage Professional Theatre Contracts, the On-Call Understudy managers, ASMs in Tier 5 and Equity MournsTwo the two Developing Theatre salaries, Musical Dance Tier 6 shall be engaged on agreements, accounted for 16.5 contract no later than one week Emeritus Councillors percent of overall Equity prior to first rehearsal. employment. Additionally, all proposals put member of the original Housing Richard Lederer Lederer was also an early forth by the Equal Employment Committee that led to the Richard Lederer, who joined proponent of the national liaison Opportunities, Media and Safe creation of New York’s Equity in 1949, was first elected system, of which he often said and Sanitary committees were Manhattan Plaza. He remained to Council in 1974 and named he was “most proud.” Today, achieved. on the Housing Committee and Councillor Emeritus in 1994, Equity has 28 liaison cities. Also in the Central Region, as a member of the Manhattan died at his home in New York on In a letter from Equity, an agreement has been Plaza Management Policy June 8, 2014. He was 96. informing him that he was being reached with Drury Lane Advisory Committee. Today’s Equity members named Councillor Emeritus, it Theatre with salary increases He continued his committee throughout the country benefit was noted that over the years up an average of 2.5 percent for activities, often serving as chair from many of Lederer’s “you have seen many changes the four-year term through June or vice chair of the Stock, initiatives: support for affordable and the beginning of new 2018. Dinner Theatre, Production, housing, national representation policies, some of which you Equity members will see Alien, Equal Employment and the liaison system. initiated and nurtured to fruition. salary increases of 2 percent in Opportunity and Senior Before running for his first You have not only been a each of the first two years, and Performer committees. He was term on Council, Lederer conscientious, plain-speaking 3 percent in years three and the first chair of the Developing already had served on several four. The members will now Theatre Committee. At the (continued on page 2) Periodicals Postage Paid at New York, NY and Additional Mailing Offices committees, on a dozen receive contracts seven days outset, he cautioned that it was separate negotiating teams in prior to rehearsal (up from three not Equity’s role to “underwrite Index four stock categories and had days), while Dance Captain dreams,” but instead to create a been an Equity Deputy on Council Resolutions .............2 increments have increased to contract so that members could NEWS almost every stock and dinner 16 percent. be employed and theatres could From the President ..............3 theatre contract on which he For stage managers, a grow toward achieving a worked. As Councillor, he was a Being a Deputy ...................5 contract was added for a non- standard contract. By the 2012- UITY vocal advocate of affordable acting assistant stage manager. 2013 season, the latest for National News ....................6 165 West 46th Street New York, NY 10036 Address Service Requested Second Class Postage housing for Equity members and Q Additionally, SMs will see one which Equity has figures, Letters Final Curtain ......................8 Paid in New York, NY E worked toward that goal as a of Agreement and Small (continued on page 3) 2 / EQUITY news JULY/AUGUST 2014 Equity Mourns Two respond.” Touring, Stock, Developing serve on Council. Area Liaison “I promise my full attention Theatre, National Organizing, “There have been married Hotline system continued from page 1 to any member with any 99-Seat Theatre, and many couples, but we’re the only problem. If the problem can be negotiating and nominating parent-child pair of nudniks member of [Council], but have solved, I will try; if it cannot, it committees. He was also on that have ever served together,” been an industrious and Call 877-AEA-1913 will be explained; and if the both the Western and National he said, referring to his productive worker on the trying, rules are unfair, they must and House Affairs Committee. In daughter Rebecca Kim Jordan, Equity has a National toll-free painstaking and often unsung will be changed,” he said. addition, for many years, he who has been a member of hotline system for members who chores.” He kept this promise for 30 served as chair of HEP, Inc., a Council representing Chorus live in Area Liaison and office Lederer continued attending years as a member of the nonprofit organization since 1992 and Second Vice cities. The number is 877-AEA- Council meetings until his death. Council and/or the Western dedicated to finding affordable President since 2009. 1913 (honoring the year of His legacy will long endure. Equity’s founding). Each Area Regional Board. He was housing for theatrical Before his passing, Jordan Liaison city has its own S. Marc Jordan named Councillor Emeritus in professionals in the Los wanted his daughter to deliver extension, where members can S. Marc Jordan, who died in 2008. Angeles area. the following message: “Thank access news and information California on July 11, 2014 at A self-proclaimed “loud Jordan worked under most the Council for choosing the mouth,” he served on more Equity contracts in both Chorus union as a way to fight for the in their region.
Recommended publications
  • Equity Tmplate
    OCTOBER/ NOVEMBER “Amateurs hope, 2011 professionals work.” Volume 96 Number 8 EQUITYNEWS — Garson Kanin A Publication of Actors’ Equity Association • NEWS FOR THE THEATRE PROFESSIONAL • www.actorsequity.org • Periodicals Postage Paid at New York, NY and Additional Mailing Offices New York Audition Center Equity-League Reach to be Relocated, Renovated Tentative Agreement lans are underway to current location. give the Audition Center, The announcement comes Increments Raised for FirstTime in 28Years; Plocated in Equity’s New as a new agreement is inked York home in the heart of Times between Equity and Newmark & Compensation Up; Extraordinary Risk Addressed Square, a new look and more Company, the property landlord n early October, Equity and a strong contract that gained im - salary increase over the life of the modern space. The Audition of the 165 West 46th Street the Broadway League provements in areas that hadn’t contract. Center will be moved to another building (known universally as Ireached a tentative agree - been changed in decades,” said In addition, Per Diem will in - floor in 165 West 46th Street, the “Equity Building”), for ment for a new, four-year Produc - Mary McColl, Equity’s Executive crease on full production and the current home of the Audition renovations and relocation of tion Contract running through Director and the Chief Negotiator Tiered tours. Based on member Center and the National and the Audition Center and some of September, 2015. Achieved in for the contract. “We also input and careful consideration, Eastern Region Equity offices. Equity’s National and Eastern just 20 sessions, the new agree - achieved a very good compensa - the Team determined the money The relocation will provide Region offices.
    [Show full text]
  • Dimensions of the Struggle Against Apartheid
    DIMENSIONS OF THE STRUGGLE AGAINST APARTHEID A TRIBUTE TO PAUL ROBESON HELD UNDER THE AUSPICES OF THE UNITED NATIONS SPECIAL COMMITTEE AGAINST APARTHEID (10 APRIL 1978) Published by the African Heritage Studies Association in cooperation with the United Nations Centre against Apartheid. DIMENSIONS OF STRUGGLE AGAINST APARTHEID A TRIBUTE TO PAUL ROBESON Introduction ._,'C:,"H1"" 0. of Special Committee EDITED BY John Henrik Clarke African Heritage New First Edition - 1979 Original Language: English Published by the AFRICAN HERITAGE STUDIES ASSOCIATION An association of scholars of African descent dedicated to the preservation, interpretation and presentation of the historical and cultural heritage of African peoples, both on the ancestral soil of Mother Africa and in diaspora in the Americas and throughout the world. ln Cooperation With The UNITED NATIONS CENTRE AGAINST APARTHEID All material in this publication may be freely reprinted. Ac­ knowledgement, together with a copy of the publication contain­ ing the reprint, would be appreciated. Table of Contents Page Introduction by Leslie 0. Harriman ......................... vii MESSAGES RECEIVED .................................... SEQUENCE OF STATEMENTS . .. .. .. .. .. 7 PAUL ROBESON: A VALIANT FIGHTER FOR FREEDOM AND PEACE Leslie 0. Harriman . 9 HE WORK;ED TO ESTABLISH THE DIGNITY OF THE INDIVIDUAL Fred O'Neal .................... 16 PAUL ROBESON: A GIANT OF A MAN Andrew Young .................. 17 A PIONEER FOR AFRICAN LIBERATION Lloyd L. Brown . 19 A FIGHTER FOR THE UNION MOVEMENT Cleveland Robinson . 24 PAUL ROBESON: A GREAT AMERICAN Rikhi Jaipal . 27 HE SANG FOR US ALL Esther Jackson .................. 29 PAUL ROBESON: THE TALLEST TREE IN OUR FOREST Gil Noble . 33 PAUL ROBESON: A RELENTLESS FIGHTER FOR HUMAN HAPPINESS Peter Florin ....................
    [Show full text]
  • 12 Film Clips Volume 8, Number 2 FESPACO
    40 Acres And AMule Filmworks a OW ACCEPTING SCRIPTS © Copyright Required DEVELOPMENT DEPARTMENT • 8 ST. FELIX STREET • BROOKLYN, NY 11217 Close Up 6 Cauleen Smith speaks from her soul and Thandie Newton scores big in the movies. 10 World View Bridgett M. Davis returnedfrom the 1994 Cannes Film Festival with disturbing revelations about the state ofAfrican American cinema. Black Film Review 12 Film Clips Volume 8, Number 2 FESPACO... Windows on the World explores the Galapogos 10th Anniversary Issue Islands... 95'...John Carstarphen takes a humorous look at Corporate & Editorial Offices 2025 Eye Street, NW Black romance...Danny Glover does storytelling. Suite 213 Washington DC 20006 Tel. 202.466.2753 FEATURES Fax. 202.466.8395 e-mail 14 In Our Own Image [email protected] SHERI PARKS Editor-in-Chief Why African American women are a vitalforce in the film industry. Plus Leasa Farrar-Frazer the Daughters ofthe Diaspora Filmography. Consulting Editor Tony Gittens (Black Film Institute) Art Direction & Design 16 Keys to the Kingdom Lorenzo Wilkins for SHADOWORKS PHYLLIS K. KLOTMAN AND JANET C. CUTLER. Contributing Editors Jacqueline Shearer was the personification ofcultural truth, commu­ Patricia AUfderheide nity activism and the celebration oflife. In a final conversation she Thomasina Sligh TaRessa Stovall shares her convictions and insights. Contributors Natalie Bullock 20 Recall and Recollect: Excavating the Life History of Eloyce King Patrick Gist Julia Chance GLORIA J. GIBSON-HuDSON Janet K. Cutler Eugenia C. Daniels The life ofa foremother ofBlack cinema is brought to light. Bridgett M. Davis Kwame-Cumale Fitzjohn Gloria J. Gibson-Hudson 22 Beyond Black and White TJ Johnson Phyllis R.
    [Show full text]
  • JOIN the CONVERSATION #THEARTOFJUSTICE the Art Of
    The Art of Justice Articulating an Ethos and Aesthetic of the Movement To join the conversation via Twitter use hashtag #THEARTOFJUSTICE Follow @CCCADI and @NYUARTSPOLITICS WIFI GuestID: guest1 Password: dspatett For more information about the conference, presenters and JOIN THE CONVERSATION resources, visit www.theartofjusticeconference.com #THEARTOFJUSTICE www.theartofjusticeconference.com STATEMENT From the Organizing Committee In Memory of Our Ancestors THE ART OF JUSTICE: Abbey Lincoln Grace Lee Boggs Max Roach Articulating an Ethos and Aesthetic of the Movement Abdul Rahman Grace Paley Maya Anjelou A One-Day Conference Aishah Rahman Henrietta Engel Michael Babatunde Al Loving Herman Engel Olatunji “We knew we heard Monk and Mongo differently; Trane’s tenor seized Albert Ayler Holt Fuller Miriam Makeba our spirit, shook our consciousness while Miles blue thru a cold trumpet Alvin Ailey Ingrid Mongo Santamaria that cooled the asphyxiating heat of our collective hell in America… Ours Amiri Baraka Washinawatok Nana Gus Dinizulu was the first American aesthetic revolution.” -Felipe Luciano 2015 Andrew Hill Jack Tchen Nina Simone Art Williams Jacob Lawrence Nora Astorga Welcome to the first in a three part series of conversations focused on Arthur Hall James Baldwin Odetta the role of culture and art as integral to the actions of individuals, Baba Oserjiman Adefumi James Brown Ornette Coleman advocacy movements to claim their right to culture, racial, civil and social Barbara Ann Teer Jane Cortez Oscar Micheaux justice. Understanding
    [Show full text]
  • Dimensions of the Struggle Against Apartheid
    I I ' DIMENSIONS OF THE STRUGGLE AGAINST APARTHEID Published by the AFRICAN HERITAGE STUDIES ASSOCIATION An association of scholars of African descent dedicated to the preservation, interpretation and presentation of the historical and cultural heritage of African peoples, both on the ancestral soil of Mother Africa and in diaspora in the Americas and throughout the world. In Cooperation With The UNITED NATIONS CENTRE AGAINST APARTHEID A TRIBUTE TO PAUL ROBESON HELD UNDER THE AUSPICES OF THE UNITED NATIONS SPECIAL COMMITTEE AGAINST APARTHEID (10 APRIL 1978) Published by the African Heritage Studies Association in cooperation with the United Nations Centre against Apartheid. DIMENSIONS OF THE STRUGGLE AGAINST APARTHEID A TRIBUTE TO PAUL ROBESON Proceedings of Special Meeting of the Special Committee Against Apartheid on the 80th Anniversary of the birth of Paul Robeson - 10 April 1978 Introduction by H.E. Mr. Leslie O. Harriman (Nigeria), Chairman of the United Nations Special Committee Against Apartheid EDITED BY John Henrik Clarke Chairman, Commission on Education and Research, , African Heritage Studies Association African Heritage Studies Association Publications Center 2286 Adam Clayton Powell. JI. Boulevard New York, New York 10030 USA Table of Contents Page Introduction by Leslie O. Harriman .. ,' .. ........ .. .. .. vii MESSAGES RECEIVED ....... .. .. ......... ......... .. .. First Edition - 1979 SEQUENCE OF STATEMENTS . .... .. ..... .. .. .... ..... 7 ; Original Language: English '-! PAUL ROBESON: A VALIANT FIGHTER FOR FREEDOM '. Published by the AND PEACE AFRICAN HERITAGE STUDIES ASSOCIATION Leslie O . Harri man .. 9 An association of scholars of African descent dedicated to the preservation, interpretation and presentation of the historical HE WORI\ED TO ESTABLISH THE DIGNITY OF THE and cultural heritage of African peoples, both on the ancestral INDIVIDUAL soil of Mother Africa and in diaspora in the Americas and Fred O'Neal .
    [Show full text]
  • PAUL ROBESON AWARD by Actors' Equity Foundation and Actors’ Equity Association
    FOR IMMEDIATE RELEASE PRESS CONTACT: David Elzer 818-508-1754 [email protected] INDEPENDENT SHAKESPEARE CO. Receives Paul Robeson Citation Award from Actors' Equity Foundation and Actors’ Equity Association October 16, 2018…Los Angeles… INDEPENDENT SHAKESPEARE CO. has been named the 2018 recipient of the PAUL ROBESON AWARD by Actors' Equity Foundation and Actors’ Equity Association. The award was presented at the Association’s National Membership Meeting in Los Angeles on October 15, 2018. The Paul Robeson Citation Award honors individuals or organizations that best exemplify and practice the principles to which Robeson devoted his life: commitment to the freedom of expression and conscience, belief in the Artist’s responsibility to society and respect for the individual and dedication and concern for service to all humankind. The award was first presented to Robeson himself in 1971. Subsequent recipients include: Paul Robeson; Maya Angelou; Harry Belafonte; Ossie Davis and Ruby Dee; James Earl Jones; Athol Fugard; Lena Horne; Joseph Papp; Sidney Poitier; Pete Seeger; Baayork Lee, Artists Striving To End Poverty (ASTEP) and its founder Mary-Mitchell Campbell, and Jamal Joseph. Independent Shakespeare Co. is only the second organization to receive this honor. Comments ISC artistic director Melissa Chalsma, “Receiving the Robeson Award is such an honor! It is gratifying that AEA recognizes our efforts creating equity of access to classical theater (both for audiences as well as artists). We are also pretty humbled by the list of past recipients,
    [Show full text]
  • Collection of Gordon Parks
    HLC Accreditation 2016-2017 Evidence Document Academic Affairs University Libraries Collection of Gordon Parks Additional information: See also the digitized collection of Gordon Parks on the University Libraries Special Collections and Archives website: http://cdm15942.contentdm.oclc.org/cdm/landingpage/collection/p15942coll8 University Libraries Special Collections and Archives Gordon Parks Papers Collection Summary Title: Gordon Parks Papers Call Number: MS 2013-01 Size: 133.5 linear feet Acquisition: Purchased from the Gordon Parks Foundation, 2008 Processed By: JLY, KD, EC and LMM, 2008-2011; LBW, JP, MS, LG, and AA, 2011-2012; LMM 2-9-2015 Restrictions: Boxes 119-135 and OS 24 are restricted. Literary Rights Literary rights were not granted to Wichita State University. Literary rights are held by the Gordon Parks Foundation. When permission is granted to examine the manuscripts, it is not an authorization to publish them. Manuscripts cannot be used for publication without regard for common law literary rights, copyright laws and the laws of libel. It is the responsibility of the researcher and his/her publisher, to obtain permission to publish. Scholars and students who eventually plan to have their work published are urged to make inquiry regarding overall restrictions on publication before initial research. Content Note The collection consists of the papers of Gordon Parks from 1878-2007. The papers, most of which were collected by Parks during his lifetime, document his professional and personal life as a successful fashion photographer, photojournalist, novelist, memoirist, poet, film director, and composer, with the bulk of the material from the 1960s to the early 2000s. The collection demonstrates Parks' wide range of literary, cinematic, and artistic endeavors.
    [Show full text]
  • Kosfinalpk.Pdf
    CONTENTS Credits........................................................................................................................................3 Background ...............................................................................................................................4 Synopsis .....................................................................................................................................6 UCLA Film & Television Archive Program Notes ...................................................................8 Notes from Film Preservationist Ross Lipman..........................................................................9 Charles Burnett ...................................................................................................................... 10 Filmography ............................................................................................................... 12 Short Films ................................................................................................................ 14 Television Productions ............................................................................................. 15 Other Credits ............................................................................................................ 16 Cast Members ........................................................................................................................ 17 The Participants Remember .................................................................................................
    [Show full text]
  • Robeson, Paul and Eslanda
    Howard University Digital Howard @ Howard University Manuscript Division Finding Aids Finding Aids 10-1-2015 ROBESON, PAUL AND ESLANDA MSRC Staff Follow this and additional works at: https://dh.howard.edu/finaid_manu Recommended Citation Staff, MSRC, "ROBESON, PAUL AND ESLANDA" (2015). Manuscript Division Finding Aids. 168. https://dh.howard.edu/finaid_manu/168 This Article is brought to you for free and open access by the Finding Aids at Digital Howard @ Howard University. It has been accepted for inclusion in Manuscript Division Finding Aids by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. THE PAUL AND ESLANDA ROBESON COLLECTION Collection 158-1 to 158-13 Prepared by Joellen ElBashir April 1992 SCOPE NOTE The Paul and Eslanda Robeson Collection (1907 - 1988) consists primarily of printed material on the life and career of Paul Robeson [1898-1976], world renowned actor, singer, scholar and political activist. There is a small amount of material related to Eslanda Goode Robeson [1896- 1965], chemist, anthropologist, writer and activist. The collection measures approximately 6 linear feet. After Moorland-Spingarn's acquisition of the Robeson Archives, a variety of Robeson fans and enthusiasts donated additional materials. Many items in the collection are tributes to Robeson in the form of articles about him or programs and fliers of events held in his honor, some posthumously. Major series include Writings About Robeson; Awards and Tributes; Cardozo Family, which contains photographs, greeting cards and financial records members of Eslanda Robeson's family; Freedomways which consists of galley proofs of the book, Paul Robeson: The Great Forerunner edited by Freedomways in 1978; and Russian Letters, containing 72 letters written by school children in the Soviet Union to Paul Robeson, congratulating him on his 75th birthday.
    [Show full text]
  • Equity News Winter 2018
    AUTUMN 2018 | VOLUME 103 | ISSUE 4 ACTORS’ EQUITY ASSOCIATION Equity NEWS THE ART OF BEING SEEN NEW PERSPECTIVES ON THE CASTING PROCESS EquityDIRECTORY EASTERN REGION WESTERN REGION BUSINESS THEATRE Kaitlyn Hoffman [email protected], x322 SPECIAL APPEARANCE, GUEST AND DINNER THEATRE ARTIST Philip Ring [email protected], x106 CABARET Kaitlyn Hoffman [email protected], x322 CASINO Kathy Mercado [email protected], x335 WITHIN LA - 99 SEAT Albert Geana-Bastare [email protected], x118 DINNER THEATRE Gary Dimon [email protected], x414 TYA, STOCK, LOA TO COST & LOA TO WCLO Christa Jackson [email protected], x129 Austin Ruffer [email protected], x307 DINNER THEATRE ARTIST SPT, HAT Gwen Meno [email protected], x110 DISNEY WORLD Brian Spitler [email protected], x603 Buckly Stephens [email protected], x602 LORT Ethan Schwartz [email protected], x150 GUEST ARTIST Austin Ruffer [email protected], x307 LOA TO LORT Lyn Moon [email protected], x119 LABS/WORKSHOPS Corey Jenkins [email protected], x325 CONTRACTS WITHIN NORTHERN CALIFORNIA Ethan Schwartz [email protected], x150 LOA-NYC Raymond Morales [email protected], x314 CONTRACTS WITHIN SOUTHERN CALIFORNIA Albert Geana-Bastare LOA-PP Timmary Hammett [email protected], x376 [email protected], x118 LORT Gary Dimon [email protected], x414 CONTRACTS WITHIN TEXAS & UTAH Christa Jackson [email protected], x129 Jeffrey Bateman [email protected],
    [Show full text]