DOCSLIB.ORG

Projected Trends in Chinese Consumption Women As Half the Sky (Photo by Bapbtepmchana, USSR) Represents the Labour Strength of Women Who Make up Half the Workforce

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Projected Trends in Chinese Consumption Women As Half the Sky (Photo by Bapbtepmchana, USSR) Represents the Labour Strength of Women Who Make up Half the Workforce A CHINESE WEEKLY OF NEWS AND VIEWS Vol. 31, No. 40 October 3-9, 1988 Projected Trends in Chinese Consumption Women as Half the Sky (photo by Bapbtepmchana, USSR) represents the labour strength of women who make up half the workforce. The photo is selected from the International Photo Exhibition, China Through Foreigners'Eyes. by Zhang Yanbo BeijingR^vir HIGHLIGHTS OF THE WEEK VOL. 31. NO. 40 OCT. .Vy, Future Development of Chinese Consumption CONTENTS • Despite being labelled an underdeveloped country, China's consumption of basic commodities in 1986 was already way NOTES FROM THE EDITORS 4 ahead of 1990 estimated averages for all developing countries. I'actory I.)ircLtors" Worries Based on the level of its current productive forces, China should EVENTS/TRENDS 5-9 now diversify its patterns of consumption (p. 20). Zhao: China's Future r<eforms To Focito on Three Pioblcm.s Technology C'oine-, Before Loans Factory Directors' Worries Governmcnl Sees a Brain Drain Taiwan 'Legisiaior' Visits for • At a recent forum organized by the China Enterprise Unity Association to discuss improvements in the economic Train Dri\ers Sentenced environment, factory directors and managers called for the Begging Becomes Popular elimination of "the three pests" — officials reselling goods in Profcsion short supply at high prices for exorbitant profits, indiscriminate China Trains High-level and arbitrary charges, and interference in enterprises' decision- ~ Judges making powers.' The State Council has ordered the banning of Weekly Chronicle (September "official racketeering" and public opinion demands 19-25) punishment (p. 4). WTERHAflONAL 10-13 United Naiions: 4.^rd Session Cilina Promotes Its Traditional Arts Laces Challenges US-L;SSR: IDelente Reflects • Ninety-six Chinese artists and craftsmen have been given the Hconomic Pressures honourary title of "Master of Chinese Art" as part of a Laos: Foreign Trade Ties government campaign to foster traditional arts and crafts (p. H.xpand 14). A look at the work and contrasting styles of four Chinese PLO: .Arafat Drums Up World-wide embroiderers (p. 18). Support Arts and Crafts: Protection, Expansion, Innovation 14 Taiwan "Legislator" Visits the Mainland Modern Chinese Embroidery 18 Projected Clianges In Chinese • Visiting Taiwan "legislator" Hu Chiu-yuan said both sides Consumption 20 of the Taiwan Strait have achieved much success in the past 40 Non-Governmental Bank in years, and if they can successfully reunify, China will surely Chengdu Successful 22 prosper and become strong. Hu was expelled from the KMT for Facts & Figures (A Decade of his mainland visit (p. 6). Reform II): The Industrial Economy 23 43rd UN Session Faces Challenges FROM THE CHINESE PRESS 28-29 BUSINESS/TRADE 30-31 • With the settlement of some difficult problems such as, the CULTURE/SCIENCE 32-34 Iran-Iraq war and the conflict in Afghanistan, the United COVER: .\rt master Zhang Tonglu Nation's role in the world scene has become increasingly (centre). depui\r of the Beijing important. Under such circumstances, the current session of Huayi Cloisonne Factory, leaching UN General Assembly will meet opportunities and face young workers. challenges (p. 10). Xu XIangjun and Xue Chao Subscription rates {1 year); USA _ US$24.00 Published every Monday by General Editorial Office Tel: 8314318 Australia A.$24.00 Canada CBn.$23.00 BEIJING REVIEW English Oept Tel: 831.5599 E«, 546 New Zealand ltlZ.$33.00 24 Baiwanzhuang Road, Distributed by China International Book UK £13.00 Beijing 100037 Trading Corporation (GUOJI SHUDIAN) The People's Republic of China P.O. Box 399, Beijing, China •i NOTES FROM THE EDITORS Factory Directors' Worries by Jin Qi t a recent forum organized by street with everybody yelling kill strative organizations. It has been Athe China Enterprise Manage• them! Kill them!" disclosed that a director of the ment Association to discuss But why has it proved so Balizhuang neighbourhood com• improvements to the economic difficult to handle cases that have mittee in Beijing's Chaoyang environment, directors and man• been investigated and confirmed? District openly reprimanded fac• agers called for the elimination of A commentary published in tory directors: "As long as your "the three pests"—officials who Renmin Ribao (People's Daily) on factories are located on our street, resold goods in short supply at September 16 analysed a case that no matter how large they are, we high prices (the "official rack• occurred in Shangyu County, have our own way to rule over eteers"), indiscriminate and arbit• Zhejiang Province, pointing out them." rary charges, and administrative that it could not be effectively Clearly the stipulations of 1984 interference with enterprises' dealt with because higher officials that government administrations decision-making powers. The dir• pleaded on behalf of the should not interfere with enterpr• ectors said "official racketeering" speculators. The commentary ises' decision-making powers poses the greatest threat. For refuted the argument that specul• (which were written into the example, the price of aluminium ation can develop production as Enterprise Law last year) have not ingots and siUcon steel plates has the profits obtained do not line been fully implemented. As reform doubled since the beginning of this private pockets but go to work has granted enterprises more year, forcing enterprises depend• units. rights, some administrative ent on these materials to limit It added that the Shangyu case bureaus have attempted to retain production. At present, enterpr• was only a small one, and asked their power by forming "admini• ises get about 40 percent of their whether there would be greater strative companies" and then capital goods through commercial difficulties in handling larger establishing "operational com• channels, with 60 percent directly instances of speculation where panies." allocated according to the state high-ranking officials are given plan. unprincipled protection by their By and large, they have been According to the State Admini• superiors. successful, for as the signs in front stration for Industry and Com• In recent years, with the of their buildings change over and merce, between 1987 and June development of economic reform over again, their power to interfere 1988, investigations into 317 and production, enterprises have with enterprises' autonomy has confirmed cases of speculation increasingly accumulated funds. not weakened. The argument used revealed 95 where capital goods This has led to many requests for to defend these actions runs had been resold, of which 58 "financial aid" and "support" simply that a socialist enterprise involved departments handling from local administrations. These cannot be without its superior. the supply of materials and charges, however, are often barely There are also complaints that equipment. Abusing their powers, disguised extortion. For instance, state-owned companies abuse they purchased capital goods in one instrument factory emitted their privileged buying rights. A short supply at a fair price and white smoke, but the department director of a cotton yarn factory resold them at far higher rates for responsible for checking pollution has said that under the system enormous profits, seriously dis• asserted it was black. The factory where the state had monopoly on rupting the market order. had no choice but to give a the purchase and marketing of The State Council has ordered banquet to treat these officials. capital goods, individual firms just the banning of "official racketeer• Having been feasted, they changed passed all their goods onto the ing" and public opinion strongly their minds and declared the state-owned companies. Now, demands punishment of those smoke was "white." however, these companies only involved, calling for them to be Enterprises also face many take products enjoying a ready treated like "rats crossing the charges from grass-roots admini• market — they will do nothing 4 BEUlNG REVIEW, -OCTbiBER 3-9, 1988 m EVENTS/TRENDS Zhao: China's Future Reforms to Focus On Three Problems he conditions are now right for measures to separate the owner• TChina to introduce a stock ship of state-owned enterprises system, Zhao Ziyang, general from management powers. The secretary of the Communist Party contract responsibility system will of China, said on September 19 be practised in many enterprises, during a meeting with American and then, a system of stocks, in economist and Nobel Prize winner which the state will be the major Milton Friedman. shareholder, will be introduced. He pointed out that China's "This means major reforms in future reforms will focus on state-owned enterprises," Zhao about other products. resolving three problems— said. "And now the conditions Invigorating enterprises has reforming the pricing system, exist in which China can introduce always been the core and hope of controlling inflation and introduc• a stock system." China's economic reform. There• ing a stock system in enterprises. Zhao stressed that the direction fore, the problems uppermost in Pricing reform will go to the top China's economic reform will take the minds of factory directors and of the agenda, Zhao said. The will not change. The reforms will managers are major issues that reform will not simply involve be carried out unswervingly. must be tackled to consolidate the state readjustment and control of However, he added, some mea• reform programme at its present prices but also help establish a sures may need to he readjusted to crucial stage.
Load more

Recommended publications
  • Download Article (PDF)
    Advances in Social Science, Education and Humanities Research, volume 341 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019) Protection and Development of the Intangible Cultural Heritage of Lingnan Embroidery from the Perspective of Maritime Silk Road Shujun Zheng Fuzhou University of International Studies and Trade Fuzhou, China 350001 Abstract—In the 21st century, people of insight in the Now, it has been endowed with new era connotation by this society called for saving and protecting the dying Chaozhou new grand idea. Lingnan area, which is rich in intangible embroidery techniques, and Chaozhou embroidery was cultural heritage resources of Chaozhou embroidery, lacks included in the first national intangible cultural heritage list. long-term development strategy. Lingnan area related to the However, the protection of intangible cultural heritage has maritime silk route is rich in intangible cultural heritage different views in the academic circle, and specific protection resources, which has a long history. Therefore, it is important projects of intangible cultural heritage have their bases. to take this opportunity to set up the Lingnan clan Although fashionable embroidery is highly sought after in the embroidery "Hester" brand, and the Lingnan area Maritime market in recent years, it is difficult to conceal the Silk Road and pass down depth of resources, strengthen embarrassment of the industry development. The output of Lingnan area through cultural construction of intangible Chaozhou embroidery is extremely limited, and the quantity of remaining products is not large. The market still has a large cultural heritage protection, and promote the development demand for Chaozhou embroidery products which generally and growth of the third industry, such as embroidery.
    [Show full text]
  • THE SLOW HANDS LAB the Slow Hands’ Lab
    THE SLOW HANDS LAB The Slow Hands’ Lab A Thesis Project by Jiayi Dong Class of 2019 MFA, Design for Social Innovation School of Visual Arts Thesis Advisor Archie Lee Coates IV TABLE OF CONTENT TABLE OF CONTENT INTRODUCTION 3 DESIGN PROCESS 9 INTERVENTION 31 LEARNINGS 45 LOOKING FORWARD 47 ACKNOWLEDGEMENT 49 INTRODUCTION Suzhou embroidery (Su embroidery for short) was originated in Suzhou, China and later on spread to the neighboring areas such as Nantong and Wuxi in Jiangsu province. These areas, locat- THE HISTORY ed in the lower reach of Youngest River, have been famous for their high quality silk produc- OF SU EMBROIDERY ART tions for centuries. The fertile soil, mild tempera- ture, and booming production of silk fabric and thread naturally nourished the burgeoning and flourishing of Suzhou embroidery. According to "Shuo Yuan", written by Liu Xiang during the Western Han Dynasty (206 BC - 24 AD), the country of Wu (current Suzhou area) has started to use embroidery to decorate garments over 2,000 years ago. As described in the book of "Secret Treasures of Qing," the Suzhou embroi- ders in Song Dynasty (960-1279) used "needles that could be as thin as the hair. During the Ming Dynasty (1368-1644), Suzhou has become a thriving center for silk industries and handicrafts. Artists in Wu area, represented by Tang Yin (Bohu) and Shen Zhou, helped the further development of Suzhou embroidery. Embroiders reproduced their paintings using needles. These works were so vivid and elegant as to be called "paintings by needle" or "unmatch- able even by the nature." Since then, Suzhou embroidery evolved a style of its own in needle- work, color plan and pattern.
    [Show full text]
  • The Inheritance and Dissemination of Suzhou Embroidery
    2019/5/17 Youth Impact Communication-Suzhou Experimental High School AP Center-Team 1 Youth Impact Communication The Inheritance And Dissemination Of Suzhou Embroidery Yijie Ding, Suzhou Experimental High School AP Center YUN FEI QUAN, Suzhou Experimental High School AP Center Zhouhang GUO , Suzhou Experimental High School AP Center Tianyi Guo, Suzhou Experimental High School AP Center QI LU, Suzhou Experimental High School AP Center Xun Gu, Suzhou Experimental High School AP Center Yueyao Hu, Suzhou Experimental High School AP Center QING WEI ZHANG, Suzhou Experimental High School AP Center http://project.learningfirst.cn/#/toPrint?project_id=5bac5c11a4640b0f358b4595&account_id=59c1e3b909f77851278b4598&team_code=1 1/24 2019/5/17 Youth Impact Communication-Suzhou Experimental High School AP Center-Team 1 Summary Based on the topic of the Inheritance and Dissemination of Suzhou Embroidery, the team mainly focuses on two parts: inheritance and dissemination of Suzhou Embroidery. The team first made an assumption that citizens in Suzhou, one of the cities in Jiangsu Province, China, do not have a clear understanding of Suzhou Embroidery. To testify this assumption, the team made a sample survey in Suzhou; it turns out that people in Suzhou are lacked the knowledge of Suzhou Embroidery and some of them even misunderstand Suzhou Embroidery. To create impact, the team starts its action by setting up a special column about Suzhou Embroidery on a WeChat Official Account called Baozaoalan. So far, the team has released 10 articles about Suzhou Embroidery on the account, including History of Suzhou Embroidery, Suzhou Embroidery Classification, etc. The team also made a documentary about Suzhou Embroidery to stir up the interests of the audience.
    [Show full text]
  • Theis from Wanping797142.Pdf
    RHYME CHINOISERIE Chinese Traditional Patterns and Handicraft in Contemporary Bag Design ZHONG WANPING “History doesn’t repeat itself, but it does rhyme.” — Mark Twain CONTENTS 4 Introduction Aesthetic analysis of traditional Chinese pattern 18 1.1 Theory and practice of the pattern 22 1.2 Aesthetic analysis of Chinese pattern 42 1.3 Chinese patterns in the contemporary design History and development of traditional Chinese handicraft 74 2.1 The Arts and Crafts Movement 86 2.2 Chinese arts and traditional crafts 93 2.3 Chinese handicraft in the contemporary design Contemporary aesthetic of bag design 101 3.1 Handbags from the West and China 107 3.2 Contemporary lifestyle and bag design 117 3.3 Chinese traditional patterns and crafts in bag design Materials and technologies of Eco-fashion 137 4.1 Eco-fashion 142 4.2 Eco-friendly materials 156 4.3 Laser cutting Projects of Rhyme Chinoiserie 162 5.1 Project1 brief 169 5.2 The moodboard and the metaprogetto phase 175 5.3 Line board and Technical drawings 212 5.4 Project2 214 5.5 Line board and Technical drawings 222 Bibliography and website Introduction Chinoiserie is a French term that refers to a European artistic style that began in the late 17th and throughout the 18th Centuries in which objects and decoration are inspired by Chinese design. Several hundreds years passed, Chinese patterns and traditional handcrafts (Embroidery, Paper-cutting, Origami, Chinese knot...) are more and more applied in all kinds of products by luxury fashion brands, once again. Compared to the 18th century, nowadays it is much easier to communicate different culture concept through sharing media all over the world .
    [Show full text]
  • Suzhou's Silk Industry Suzhou Is Renowned for High Quality Silk
    Suzhou’s Silk Industry Suzhou is renowned for high quality silk production, first serving as center of the silk industry during the Tang (618 – 907) and Song Dynasties (960 – 1279). Today, visitors to Suzhou can create their own silk road by visiting iconic locations across the city that provide an authentic look into the important fiber that has been woven into China’s history for centuries. Must-visit attractions include the Suzhou Silk Museum, which traces the path of silk from its discovery to present day. Visitors to the museum’s Silk Weaving Workshop can view ancient human-powered looms that demonstrate traditional silk-weaving methods. At the No.1 Silk Factory, travelers gain insight on how established practices of harvesting silk have blended with modern methods. Workers still unravel the cocoons by hand as delicately as they did 1,000 years ago. Suzhou silk is used in the celebrated Su embroidery, which can be identified by its vibrant depictions of animals, landscapes, and flowers. The Suzhou Embroidery Art Museum provides visitors with understanding of how Su embroidery has developed over time while showcasing craftsmanship through live demonstrations. Suzhou’s silk is the most important element of the city’s wedding dress industry. Suzhou is home to more than 1,000 wedding-related stores, and nearly 80 percent of the world’s wedding dresses are produced in the city. Brides-to-be can shop in Suzhou for wholesale prices, with gowns starting as low as $75US. For more information on Suzhou please visit www.TravelToSuzhou.com or follow Suzhou Tourism on social media at Instagram, Twitter, and Facebook at @VisitSuzhou.
    [Show full text]
  • Embroidery Work - Kalady, Kerala Art of Decorating Fabric by Prof
    D’source 1 Digital Learning Environment for Design - www.dsource.in Design Resource Embroidery Work - Kalady, Kerala Art of Decorating Fabric by Prof. Bibhudutta Baral, Divyadarshan C. S. and Rakshitha NID Campus, Bengaluru Source: http://www.dsource.in/resource/embroi- dery-work-kalady-kerala 1. Introduction 2. Tools and Raw Materials 3. Making Process 4. Products 5. Video 6. Contact Details D’source 2 Digital Learning Environment for Design - www.dsource.in Design Resource Introduction Embroidery Work - Kalady, Embroidery is the handicraft of decorating fabric with needle and thread. It is most often used on dresses, caps, Kerala coats, blankets and etc. There are various techniques of embroidery, which are the basic characteristics for stitch- Art of Decorating Fabric ing today. The derivation of the word ‘Embroidery’ comes from the Anglo-Saxon word for “edge” but the tech- by nique of embroidery was being used long before the word discovery. The origin of embroidery dates back to the Prof. Bibhudutta Baral, Divyadarshan C. S. and ancient China during the 5th – 3rd BC. ‘Suzhou embroidery’ is one among the famous ancient Chinese embroi- Rakshitha deries. The artists of Suzhou embroidery took the opportunity and started to seek the innovation in the field of NID Campus, Bengaluru embroidery under the influence of western civilization during the early 20th century. A profound Suzhou embroi- dery artist by name ‘Shen Yunzhi’ of those days incorporated the properties of portraits in oil-painting into her embroidery work and crafted a new style called “realistic embroidery”. Later her works on portrait embroideries like “Portrait of Italian Queen” that was sent to Italy and the “Portrait of Jesus” exhibited at US received great Source: acclaim and invoked the sensation everywhere.
    [Show full text]
  • The China Odyssey
    The China Odyssey A University of Michigan Expedition to China and Tibet 1993 Jim and Anne Duderstadt The Universitiy of Michigan Ann Arbor, Michigan 1 During May of 1993, Anne and I had an opportunity to accompany a delegation of Michigan faculty and alumni on an extraordinary journey across modern China, including a visit to the autonomous region of Tibet. This trip was quite unlike anything we had experienced before. It combined high-level visits with government officials, interaction with the leaders of Chinese universities, and major alumni outreach activities with critical development efforts aimed at building endowment for the University's Center for Chinese Studies. In a sense, the trip represented a natural extension of the successful University Seminars series. A number of alumni who were significant supporters of the University were invited to participate in a trip, which had been carefully arranged by members of the Center for Chinese Studies, under the direction of Professor Ken Lieberthal. Included in the faculty group leading the trip were Leonard Woodcock, Adjunct Professor and former Ambassador to China, and Marshall Wu, Curator of Asian Art at the University's Museum of Art. The intent was to provide these alumni with an in-depth exposure to China and exceptional access to China's leaders and educational and cultural institutions. Because of the unusual nature of the trip and the high level of anticipated interactions, it was felt important that the president should be a member of this delegation. This trip would represent the first time that the president of the University had visited China since President Shapiro's trip in 1981.
    [Show full text]
  • DUNHUANG Inspired by an Ancient Muse
    18 CHINA DAILY | HONG KONG EDITION Tuesday, November 12, 2019 | 19 LIFE DUNHUANG Inspired by an ancient muse The Mogao Caves — part of the ancient Silk Road — provide endless inspiration for designer Xiong Ying, helping her to take her fashion house, Heaven Gaia, to new levels on the international stage, Chen Nan reports. Great Hall History set in stone Digging in designs reflect • In 366, the first cave is carved by Yuezun, a Bud­ dhist monk who happens to visit Dunhuang. inspiration from • The first large­scale boring of grottoes begins in Dunhuang during the Northern Liang (401­439) Gansu caverns kingdom period. • Rulers of the Northern Wei (386­534), Western Wei (535­556) and Northern Zhou (557­581) By LIN QI dynasties follow Buddhism and contribute to the [email protected] expansion of the grottoes. When construction of the Great Hall of the Peo­ • Booming trade along the ancient Silk Road gradu­ ple began in 1958, then­premier Zhou Enlai sug­ ally helps the Mogao Caves become prominent in the gested while overseeing the project that talented seventh and the eighth centuries. During the reign of young Chinese have the opportunity to partici­ empress Wu Zetian of the Tang Dynasty (618­907), pate. more than 1,000 caves exist at the site. Chang Shana, then 27, was among the artists chosen. A teacher at the Central Academy of Arts • Dunhuang is ruled by the Tibetan Tubo regime and Design (now Tsinghua University’s Academy from 781 to 848, who dig 56 caves. of Arts and Design) at the time, Chang got the chance after being noticed in China’s art world for • Local warlords govern Dunhuang from 848 to her accurate copies of the mural paintings inside 1036, creating many family grottoes.
    [Show full text]
  • Exploration of Inheritance Relationship of Taiwan Flying Embroidery
    International Journal of Education and Research Vol. 4 No. 4 April 2016 Exploration of Inheritance Relationship of Taiwan Flying Embroidery Ching-Yi Wang Department of Culture Heritage and Conservation, National Yunlin University of Science and Technology 123 University Road, Section 3, Douliou, Yunlin 640, TAIWAN E-mail: [email protected] Abstract This study investigates the inheritance relationship of Taiwan Flying Embroidery and focuses on its founders, Sixue Chen (1924–2014) and Wenxun Tsai (1958–2016). This study applied case studies, data collect through document and interview. The study intends to determine the following: 1. over three generations of Taiwan Flying Embroidery has seen different social and economic conditions and the development of different techniques. 2. According to situated learning, two generation have different styles: Sixue Chen prefers traditional embroidery forms and principles, working with full embroidery in a more elegant and meticulous style. Wenxun Tsai considers modern uses of a composite media to develop new forms of embroidery, supplemented by a painting or a composite media in the embroidery, and showing a preference for a bright and lively style. Keywords: Embroidery, Situated Learning, Intersecting Embroidery, Taiwan Flying Embroidery, Intangible Cultural Heritage 1 Introduction Taiwan Flying Embroidery originates from intersecting embroidery in China, with the addition of two main techniques and Taiwanese cultural elements. Intersecting embroidery is a popular embroidery faction and has been around for nearly 86 years in China. It was developed around the 1930s and originated in Suzhou, China (Lin, 2007；Lu, 2011). It is part of the intangible cultural heritage of China and lends to creative industry brand development.
    [Show full text]
  • Jen Bervin Su Hui's Reversible Poem Suzhou Embroidery Research
    Jen Bervin Su Hui’s Reversible Poem Suzhou Embroidery Research Institute https://vimeo.com/119814865 Su Hui’s poem, “Xuanji Tu” in a woven facsimile at the Suzhou Silk Museum in Suzhou, China Jen Bervin Su Hui’s Reversible Poem In Su Hui’s Reversible Poem, poet and visual artist Jen Bervin will draw international attention to an innovative and compelling work by the Chinese poet, Su Hui, who wrote and embroidered a remarkable poem in the 4th century with over 7000 possible readings. Bervin aims to create a deeper conversation around this poem in Suzhou, China between three Chinese women, embroidery masters at Suzhou Embroidery Research Institute, as they embroider Su Hui’s poem over the course of a year in a reversible textile medium—a highly specialized double-sided/reversible silk embroidery technique worked on taut translucent silk screens. Conveying the embroiderers’ contemporary experience of reading Su Hui’s poem and the conversations and interactions around it is the center of the work, and will result in an art installation with audio, film and textile components inspired by highly interactive Chinese museum environments. The embroidery workshop studio environment is as visually layered as China itself, a mix of ancient and contemporary aesthetic registers. Su Hui’s poem, known in Chinese as “Xuanji Tu” or “Picture of the Turning Sphere”, was composed as a 29 x 29 character grid, written and embroidered in silk. Su Hui used a “reversible” form in which the characters can be read reversibly in any direction—horizontally, vertically, diagonally—within the grid to yield 7,000 possible readings.
    [Show full text]
  • On Protection of Intangible Cultural Heritage in China from the Intellectual Property Rights Perspective
    sustainability Article On Protection of Intangible Cultural Heritage in China from the Intellectual Property Rights Perspective Qing Lin 1,* and Zheng Lian 2 1 Xiamen Academy of Arts & Design, Fuzhou University, No. 852 Zigong Road, Jamey District, Xiamen 361024, China 2 Fujian Buffing Law Firm LLP, 9/F, Westin Tower, No. 398 Xinhua Road, Siming District, Xiamen 361012, China; lz@xufenglawfirm.com * Correspondence: [email protected]; Tel.: +86-05923753064 Received: 10 October 2018; Accepted: 20 November 2018; Published: 23 November 2018 Abstract: With the development of globalization, intangible cultural heritage (ICH) has come under increasing threat, making the safeguarding of ICH a crucial task for the governments and peoples of the world. This paper examines China’s current state of intellectual property (IPR) protection for ICH and proposes that ICH be placed under China’s legislative protection as intellectual property. Due to the immense diversity and complexity of ICH and the difficulty in reconciling various interests involved, the existing IPR protection mode faces many obstacles in practice. We present two case studies and three sets of recommendations on improving the protection of ICH in China. The first set relies on improving copyright protection for ICH, the second set relies on improving trademark and geographical protection for ICH, and the third set relies on improving patent protection for ICH. Keywords: economic globalization; intangible cultural heritage (ICH); IPR protection; patent rights; copyrights; Trademark rights; geographical indication rights 1. Introduction 1.1. Background Cultural heritage is defined as “an irreplaceable repository of knowledge, and a valuable resource for economic growth, employment and social cohesion” [1].
    [Show full text]
  • Universidad Autónoma Metropolitana Secretaría De Unidad Coordinación De Servicios De Información Sección De Hemeroteca
    Universidad Autónoma Metropolitana Secretaría de Unidad Coordinación de Servicios de Información Sección de Hemeroteca La Sección de Hemeroteca cuenta con un acervo hemerográfico de 1,200 títulos de revistas impresas especializadas, de las cuales 56 apoyan la Licenciatura de Diseño de la Comunicación Gráfica. La UAM suscribe 13,000 revistas en formato electrónico disponibles en texto completo que abarcan todas las áreas del conocimiento para apoyar los planes y programas de estudio e investigación de la Universidad, y de las cuales 3,545 apoyan a la Licenciatura de Diseño de la Comunicación Gráfica. Las revistas electrónicas las puede consultar en la siguiente dirección: http://www.bidi.uam.mx/ La Comunidad Universitaria puede consultar las revistas electrónicas a través del portal de la biblioteca digital ya sea dentro de la red UAM o de forma remota con su número económico o matrícula y el NIP de servicios bibliotecarios. REVISTAS IMPRESAS 56 Títulos REVISTAS ELECTRÓNICAS 3,545 Títulos Publicaciones Periódicas Impresas “Diseño de la Comunicación Gráfica” TÍTULO DE LA REVISTA DIVISIÓN 1. ADMINISTRACIÓN Y TECNOLOGÍA PARA EL DISEÑO CYAD 2. ART &DECORATION - LA REVUE DE LA MAISON CYAD 3. ART IN AMERICA CYAD 4. ARTES DE MÉXICO CYAD 5. ARTES GRÁFICAS CYAD 6. ARTES VISUALES CYAD 7. AUTO E DESIGN CYAD 8. AXIS CYAD 9. CASABELLA CYAD 10. CERAMICS MONTHLY CYAD 11. COLOR RESEARCH AND APPLICATION CYAD 12. COMPUTER DESIGN CYAD 13. CRAFTS CYAD 14. CUESTIÓN DE DISEÑO CYAD 15. DECORATION - AMEUBLEMENT CYAD 16. DESIGN ISSUES CYAD 17. DESIGN METHODS- THEORIES RESEARCH EDUCATION AND PRACTICE CYAD 18. DESIGN RECHERCHE CYAD 19. DESIGN STUDIES CYAD 20.
    [Show full text]