Archives of the University of Notre Dame Archives of the University of Notre Dame

CONTENTS

1993 eJF STAFF

Erik (the bold) Hanson ®

Al Kozar

· j(j,r/.;,;,u',;,; ./1t5~/lr,ycp Brian CapOZZi 271-1177 2 CHAIRMAN'S WELCOME PAPA JOHN'S REGULAR MENU Greg Gager Chris Bell

10" Small 14" Large 16" Extra Large TOPPINGS: Extra Cheese · ·rr~,t1cah;-'/I'; [z4;'w:k'p PERFORMANCE SCHEDULE Ham Mushrooms Cheese Pizza 5.43 7.86 10.86 Cristina Mendoza Pepperoni Onions One Topping 6.10 8.76 12.05 Sausage BLack Olives ,c0Y,/I-0c ga,';'Y/~ Two Toppings 6.71 9.67 13.24 Ground Beef Green Olives MEMORIES Christina Prask 4 Three Toppings 7.14 10.57 14.43 Bacon Green Peppers Anchovies Jalapeno Peppers Four Toppings 7.62 11.29 15.62 .-::lJ'C''Y/'£r//'' •:~';!h/w~£///(''/(. Five Toppings 7.95 11.76 15.90 Sean Kenney Breadsticks...... 1.81 Mike Sasena PAST JUDGES AND CHAIRPERSONS Delicious oven-baked sticks with plenty Garden Special 6.95 10.24 12.33 of Papa John's Special Garlic Sauce Mushrooms, Onion, ,?fP')(,·/I/Ic/'r//lr/. ~?C ./16£l/I.aycp Cheesesticks ...... Green Peppers 2.95 Tom Carney & Black Olives A Chicago-cut taste treat smothered in A PERSONAL MEMOIR cheese & garlic sauce · ~6'r'yn:;ra&& 0,;'n/w' The "Works" 8.67 12.81 16.43 8 Drinks ...... 57 Mall'Beth Wegner "Super Cheese" including 12 oz. can of Coke, Sprite or Diet Coke Pepperoni, Ham, THE MASTER OF CEREMONIES Sausage, Mushrooms, Extras ...... 30 .~t:tf&'r:,(y 11 Onion, Green Peppers Extra Pepperoncini or Garlic Butter Jim Maher & Black Olives Elizabeth Nichol Aaron Warren /.2 HOURS: THE JUDGES • ·l'/"w,k-;,;'I?-rJ&;,.·cc/C/' Serving Notre Dame, Mon.~Wed. 11:00 am 1:00 am Jason Spak St. Mary's & South Bend Thur. 11:00 am 2:00 am Fri. & Sat. 11:00 am ~ 4:00 am 54533 Terrace Lane ·y,;;.,...... l7y ./;,r~I/.)np Sunday Noon 1:00 am Fr. George Wiskirchen, C.S.c. r------T------,------,------,------,------, Onel4" Large Lunch Special One Topping Famil"] Special Nifty Nine" Fifty Two 14" Large Buy OneI4'LargewithlbtWOl" One 16 Extra Large 0 T . OneIO'PiIza,TwoTpplngs Kirklyn Cox $ 6~~Onel4'LargeT' Toppm Two Toppings ne loppmg &TwoCan ofCQke a Large OR Two 14" Large One Topping for the Price $10~~ of a Small (11II1~1I_""""'1 11 ...... I ..'ft'4,.9\ort'lCk • -.nlIl~l,15fBi..h 1olnilJ1~1J'n~ ~~_Ir."....9'lto;1l(h. J.lll~'INl!'o'f1'UlP91-tt'Kn N...... II.lWlt....'(II.hn("ul".., L .-..IUwllh-.. ..hrt~-.n N.A.-.l1d ...11h"",." ~ '" ...... -J\.hlM'Jl"l"lIh::llWUJ'OIl }..... YJ.llh ....r ... foor.r'••~'" ... ~.hJ ..." ..'n,lIho .... ""''" V.iJJ .... I~.,.nll:lJW:tnI:..oJmo V.IlJnrtltJlf'Wl...... "f" \'.I.lIJrll~" (If'ft \'.a.J<.Jnh_[W1IC...lnf=Ao_ \!.I~.mIy"'rootl... """..... V..1Jd~II4I'ltfl""""a1Clk__ ------~------~------~------~------~------~ ------Archives of the University of Notre Dame

FROM THE CHAIRMAN PERFORMANCE SCHEDULE

-n behalf of the entire staff of the 1993 Collegiate Festival, I would like to welcome you ~to the 35th annual Jazz Festival held at the University of Notre Dame. For those of us who have only been associated with the festival for a few years, it is hard to imagine the first Notre Dame festival which took place in 1959 in the old Field House. Somehow, against the odds, the festival has survived its austere beginnings and has made its mark on jazz history. It is the oldest festi­ val of its kind and like so many things at Notre Dame, it has become a tradition. Unlike many other student organized festivities on this campus, ClF is a noble and proud tradition, one based on the virtues of musical and educational excellence. It is a tradition which has been kept alive by the dedi­ cation of students and jazz musicians from throughout the nation. For them, and for all of us who FRIDAY have been able to be a part of its history, the Notre Dame Collegiate Jazz Festival will always bring back fond memories. In this, our 35th year, we celebrate our proud history. Therefore, we have creat­ University of Notre Dame Jazz Band 7:30 p.m. ed this special length program to appropriately commemorate t'le event. I sincerely hope that the SYZYGY (The Crane School of Music Jazz Sextet) 8:15 p.m. bands, the audience, and the judges find this year's fe'tival to be truly rewarding. We also hope the festival will continue to uphold its long standing traditions of hospitality, professionalism, quality, and, Purdue University Jazz Band 9:00 p.m. most importantly, personality. M.LT. Festival Jazz Ensemble 9:45 p.m. This year we are pleased to welcome to our stage thirteen, excellent collegiate ensembles as Judges' Jam 10:30 p.m. well as our distinguished panel of judges. I am sure we will all be entertained if not inspired by their performances. In our efforts to eliminate competitive attitudes regarding the festival, the judges will be asked to choose a number of outstanding instrumentalists and ensembles to honor at the end of our festivities. Each group will also receive constructive criticisms of their performances to facilitate musi­ cal growth in a performing environment. ~URDAY ~FTERNOON Because this festival continues to be a student run affair, I would like to thank all those stu­ dents who helped in putting on what I believe to be Notre Dame's finest student organized activity. This year's entire staff has been nothing short of fantastic. By the middle of February we had reached judges' Clinics - D Band Building 11:30 a.m. a stage of accomplishment that we had not reached in previous years until April. Special thanks go Rm. 101 - Rhythm, Rm. 102 - Reeds, Rm. 103 - Brass out to Brian Capozzi, who handled the budget and finance aspects of the festival with a great deal of niversity of orthern Iowa jazz Band I 1:00 p.m. enthusiasm, originality, and zeal; Greg Goger, for doing it all, whenever asked; Al Kozar, who drove niversity of Notre Dame Jazz Combo 1:45 p.m. me to Chicago, helped with about everything, and single handedly organized our program creation; Crane School of Music Jazz Ensemble 2:30 p.m. Sean Kenney, who wrote the program text, designed certificates, and consistently reminded Father Ge rge to write a 35th anniversary article; and our three publicity managers, Aaron, Liz, and Jim who wov'tet (Western Michigan University jazz Combo) 3:15 p.m. enthusiastically managed our growing advertising efforts. Fredonia Jazz Ensemble 4:00 p.m. And of course, my deepest gratitude goes to Father George Wiskirchen, csc. Without Father George there would be no jazz festival at Notre Dame. His efforts for the festival and love of the music have inspired many in the Notre Dame family, including myself. I hope that the vision and per­ sonality which he has given to the Notre Dame Collegiate Jazz Festival over the past 34 years will Saturday N i g h t continue to be the foundation on which future festivals are built. Working on this festival over the past four years has been a true highlight of my Notre Dame Eastern Illinois University Jazz Ensemble 7:30 p.m. experience. I hope that some day I may be able to return to the festival as a spectator and enjoy "the William Paterson College :'\Jew jazz Ensemble 8:15 p.m. finest in collegiate jazz." It goes without saying that without an audience the Collegiate Jazz Festival could not continue to exist. Thank you very much for coming and for your continued support of the Western Michigan University ja/z Orchestra 9:00 p.m. Collegiate Jazz Festival at the University of otre Dame. Michigan State University jazz Band I 9:45 p.m. Michigan State niversity jazz Band I - f aturing Bunky Green, guest soloist 10:30 p.m.

Erik \'

THIRTY-FIVE YEARS OF COLLEGIATE JAZZ few... the list is mind-boggling and T know I'm festival (some twists good, others not so good) leaving out some very important ones but there but all acting with energy, concern and deep just isn't room. inlnest in the oldest collegiate jazz festival and hi; is the program for the 35th Annual Memorial) with the band on one end of the I remember sam of the great band lead­ none of them able to badly Jamage or subvert it. Collegiate Jazz Festival. .. Dear God! Is it empty basketball floor and the judges on the ers and producers of jazz: Stan Kenton, Johnny I remember from 25 yvars ago Paul Schlaver (now Y possible that so many years have gone other end with the audience in the seats on either Richards, Quincy Jones, Henry Mancini, Oliver doing social work in the 13oston area), John oel by so quickly' No question ahout it and here we side of the court. I remember the primitive light­ Nelson, , . I rem mber (a hicago lawyer) and Greg Mullen (how the ,He coming up on another Cjr. ing and PA system with the sound just as boomy some of th great trumpet players: Clark Terry, years fly by.. .! taught Greg in high school and he "Memories" (: hate <-ats) "are made of as Stepan Center and warmup facilities in the Red Rodney, Randy Brecker, Jimmy Owens, at played with the M lodons of DHS at the festival things like that" (and Dean arten's a close sec­ fencing locker room. I remembered David Baker Adderley, Wynton and now he's ond) although I do offer Bob Hope "thanks for playing trombone with the band from Indiana arsalis, Conte currently a the memories". In general memories make me University and Leon Breedon with the orth Condoli, Terence school principal nervous and too often make me fl'el guilty; too Tt:xas State Band. Blan hard, Claudio in th northern many memories mean I'm gerring old and "In I remember the 1960 Jcstival which Roditi, and Lester suburbs of Memoriam" always sounds so final and so etched marked my first trip to the CjF as a participant as Bowie al ng ith Chicago with a in stone. I brought my high school band, the Melodons trombonists Bill son currently in Yet with 34 CjF's under my belt, I've got from Notre Dame High School in the Chicago Waltrous and Steve our band pro­ lor's of wonderful and most welcome memories. suburb of files, for the first of what was to be a TUITe. I remember gram at D). I As I remember festivals back to 1959, I run of 13 consecutive appearances as the guest saxophonists rem mber Bob realize that Cjl-' has played a \iny central part in band at the festival on Friday nights. I remember "Cannonball" and Barb Syburg my life as a teacher and band director. Over the the program we played (an of Adderley, Sonny (Barb a chairper­ years CjF has given me a certain focus for desired Gershwin's S'Woncierful by Al Feeney - a member Stitt, Joe Farrell, son of C]F in her goals, inspiration to expand my mind to be a bet­ of the band ancl a couple of Basie tunes from Sonny Rollins, David own right with ter teacher, nourishment and direction for growth [ eal Hefti's Atom Bomb album - Li!' Darlin ' and Sanborn, Bunky the name of as an educator. Perhaps, even more pleasantly, Flight ofthe Faa Birds). I remember the comments Gre n, Zoot Simms , Fr. George Wiskirchen greets Stan Kenton, a judge at the 1960 CfF Simonds in ClF has been a collection of wonderful musical of the judges (Stan Kenton, Willis Conover of the Bradford Marsalis, , Jimmy Heath, etc. undergrad years) along with Joe Carey (th histo­ and personal experiences. Voice of America Jazz, Chuck Suber thl'll publish­ I remember the great piano playing of Bill Evans, rian of the festival with his book Big Noise from So many times CJF has shown me the er of Down Beat MagaZine and Bob Share who Billy Tayor, Herbie Hancock, Richard Abrams, Notre Dame), Bob O'Donnell (now editor of state of the art in educational jazz through the was administrator of the Berklee School of Music John Lewis, Jim Mc eely, Elis Marsalis and Electronic Musician magazine on th west coast). eXCiting and stimulating experienc of some in Boston). I remember the applause, enthusiasm Mulgrew Miller. I remember Paul Loughidge (scuffling as a profes­ great sounds. It has so often mirrored the profes­ and acceptance of the crowd. I rem mber bassists Ray Brown, Charlie sional drummer and music store percussion sional state and advances of jazz - perhaps never I remember the mounting of a Jazz Liturgy Haden, , , Richard Davis, expert) along with last year's chairman PJ. really on the "curring edge" but certainly the back in Stepan (:c:nter in 1969 when we did a prayerful Dave Holland, John Clayton, etc. along with Goodwine and this year's stalwart Erik Hanson. of the blade or its contiguous and necessary handle. version of Jim Mc eely',') Jazz Mass (Mass en drummers Roy Haynes, Jack DeJohnette, Louis Dear God! There are so many things to Over the years CjF has brought together Masse) and then repeated it on the next day in Bellson, Philly Joe Jones, Tony Williams, Mel remember... but now it's time to kick-back and lis­ so many wonderful people - some of the greatest the Moreau ~eminary Chapel. I remember the Lewis, Shelly Manne and Carl All n. r remember ten to the sounds of this 35th J, time to build jazz people in the rnusicians, the critics, the hist ­ choreographed version of Jim Pankow's Ballet the arrangers: Lalo Schifrin, Gary McFarland, some more memories (maybe Cats isn't so bad rians, the student and staffs and instrument manu­ (recorded by the grou p Chicago and here scored William Russo and Ernie Watkins. I remember the after all) of the festival where th music of jazz facturers. SO ... when I was pestered by the current for big b:lIld by one of my band member ) that vibes of Terry Gibbs, the flute of , the comes first ...where the concerns and development program chairman of the festival to come up with earned us the invitation from Willis Conover for a clarin t of Buddy Defranco along with the guitars of the performers comes first...where negative a short article for the program, I kicked-back and trip to Washington for the "Jazz at the Kennedy of Herb Ellis and Gene Bertoncini. vibes, bitter competition and ill-will don't exist or let my mind wander through those 3') years. Center" dedicatory con('c.'rt with the I remember s me of the great college at least nlO dead last. Enjoy C]F 1993! I remember that winter dely in 1959 when Band. I remember Quincy Jones, and directors and t achers: Gene Hall, John Garvey, Chuck Suber called me in from the Down Beat Richard Abrams rehearsing and playing with my Leon Breedon, David Baker, Ralph Mutchler, etc. office and offered me a ride down to Notre Dame band in our band room in :\iles as a result of our I remember the critics and writers: Chuck SUber, fv,~0~ for the first running of CJF. I remember the serring contact at ClP. Bob Share, an Morgenstern, Leonard Feather, in the old Field House (now itself just a memory I remember meeting, making friends with Willis Conover, and Don DeMichael. I remember Fr. George Wiskirchen, C.s.c. and a stump of old yellow otre Dame brick on and being inspired by so many wonderful jazz some of the student chairpersons of C]F each the edge of the new mall with fountain and Peace people over the past 35 years. I'll just mention a trying to put their own memorabl spin on the

- Archives of the University of Notre Dame

/,9·:):9 Art Van Damme, Frank Dan Morgenstern, Leon /,9,1:J Ron Calter, Bradford 1959 Bill Graham 1970 Ann Heinrichs 1982 K vin Bauer Hol7Jiend, Charles Suber, Thomas, Gerald Wison Marsalis, Wynton Marsalis, Robert Trendier Jim Me -eely, 1971 Ann Heinrichs 1983 Bob O'Donnell /,972 Jamey Abersold, Willis 1960 Jim Haughton Dan Morgenstern, /,96'0 Willis Conover. Frank Conover, Aynsley Dunb,u, 1972 Bob Syburg 1984 Bob O'Donnell Tony Williams 1961 Dave Sommer Holzfiend, Stan Kenton, Roberta Flack, Hubert Robert Sh3re, Chark~s Suber Laws, Dan Morgl'l1stern, /,9(1:,/ Terence Blanchard, Joanne 1962 Tom Eiff 1973 Bob Syburg 1985 John J Cerabino George Russell l3rackeen, Paquitto /,96"/ Bill Evans, Johnny 1974 Ken Lee 1986 Jerry Murphy D'Rivera, Danny Gottlieh, 1963 Charlie Murphy Richards, George Russell. /.97:.7 Alvin Batiste, .loa Farrell, Dave Holland, Robert Share, Charles Suher Jimmy Giuffre, Roy Hayes, 1964 Sidney Gage 1975 Barbara Simonds 1987 Kevin Cronin Huben Laws, Dan Morgenstern /,96:2 Don DeMichael, Quincy 1976 Damian Leader 1988 David C. Thorton Dan Morgenstern, /~cJ'.5 Gene Bertoneini, Stanley 1965 Daniel Ekkebus Jones, Henry !\tbncini, Jimmy Owens Cowell, Jimmy Heath, Robert Share, Charks Suber 1966 Tony Andrea, 1977 Mike Dillon 1989 Kevin Keane, /.974 Charlie Haden, Billy Dave Holland, Butch Miles, Tony Rivizzigno Pa ul Loughridge /,96'-J Manny Alham, Leonard Dan Morgenstern 1978 Jim Thomas Harper, Roy Haynl'~;, Dan Feather, Terry Gibbs, 1990 Kevin Keane Morgenstern, Lonnie Liston /,9cJ'6' Conte Candoli, Alan 1967 Paul Schlaver 1979 Joe Carey Rohert Share, Charles Suber Smith, Bill \,(/altrous Dawson, Chuck Isreals, 1968 John Noel 1991 Jerry Larkin /,96V Julian "Cannonball" 1980 Stan Huddleston /.97:,:) Cecil Bridg'_water, Dee Ellis Marsalis, Addedy, Gary McFarland, 1992 Paul]. Coodwine Dee Bridgewater, Jack Dan Morgenstern, 1969 Greg Mullen , eorge 1981 Tim Griffin DeJohnette, Hubert Laws, Lew Tabackin Russell, Robert Share, Dan Morgenstern, Chuck /,9(f7 Charlie Haden, Roy Charles Suber Rainey, Sonny Rollins Haynes, Larry Dwyer, Dan Paul Horn. Arif Mardin, /.96'-:;- /,976' Lester Bowie, Joe Farrell. Morgenstern, H.ed Rodney, Robert Share, harles Malachi Favors, Hob James, Frank \'

7' Archives of the University of Notre Dame ------

THE COLLEGIATE JAZZ FESTIVAL AT 3 5 jazzhound camaraderie that buoyed you along him "Jazzy"), and slipped out of his Notre because you helped create something that actual­ Dame dorm at night, risking expulsion, to ly means something in life, that meant something play jan at downtown locales. My inter­ views with Charlie eventually led to a Notre Isn't everything meaningful we do in life place. Where else would students scrape, plan, to you and others. Though you may not realize it Dame magazine profile, which he thor­ related in some way to romance? and plot each year to pull together the multifari­ at the time, you've created a work of art and oughly enjoyed. What a guyl They sure Why did you write that first stOlY, poem, ous loose ends of a sprawling two-day festival given it away. Tell me how many times you've l or song? without any recompense or recognition? With a done something that rewarding in your lift<' broke the jazz mold after that one What do you most often think of when bare bones budget and a threat of cancellation Count 'em up on the fingers of one hand, if you can. you hear a certain old favorite tune? oft-hanging overhead? With constantly-shifting As I look back on the festival as the 'rl'si­ • Receiving a letter from then President, now President-Emeritus, of 1\~utre Dame, Rev. When were you at your absolutely best student leadership each spring? With a music as dent historian," (by dint, I imagine, of the book I and worst in life? its muse that, although recently declared a wrote about the festival, EllS Noise From Notre Theodore Hesburgh, saying how happy he When did you fall in love with jazz? "national treasure" by Congressional decree, is Dame. A Historv ofthe Collep,iate Jazz Festival, was to receive and read a copy of Big oise, and how pleased he was to give me I fell for jazz, hard, a long time ago. Was still wrongly thought of by many as esoteric and published by the University of :'\otre Dame Press the green light to go ahead with the idea : it because of those old swinging Bing CroslJy difficult to understand? in 1986), I find myself awash at this thirty-fifth and Peggy lee 78's ust be a bunch of roman­ anniversary moment in such personal jazz happy had proposecl to him: of creating and installing a bronze plaque on campus cele­ discovered in the basement tics running the show. festival memories as: "~I as a kid. Or my dad's fond­ think the resurgence Must be kids who get brating the achievements of the festival. A year later the plaque went up on the pre­ ness for Ellington, Eckstine, ofinterest in jazz enthusiastic about something • Sitting down in one of the vacant judges' and that "saloon singer" and fall in love with a mar­ chairs to listen during CJF 1979 (the year I served old Field House brick cornerstone structure behind the LaFortune Student named Sinatra. these days is itselfa velous music along the way. ran the fest), to the jazz band I had created: Center. I'm pretty proud about that plaqlle' Or simply getting return to romance." Kids who for thirty-five years Philly Joe Jones, Joe 'ample, Buddy involved with Notre Dame's have somehow convinced the DeFranco, Eichard Davis, \fat Adderley, in fact, I may be the only one around who has official President I:meritus permission to Collegiate Jazz Festival for a HOWARD REICH greats of jazz to truck out to and Gunky Green as they performed during "feel free to polish up the plaque" anytime fevv undergraduate years cmCAGO TRIBUNE JAZZ CRITIC South Bend by the most ineh­ a lengthy Friday night ''judges' Jam." Can I'm passing by. And you know, I do give it and soaking up all those rect of nights to listen to and you imagine the joy of a tvventy-one year late 70's ear-and-eye opening nights of great critique fire-breathing collegiate hand talent and old kid who had a chance to handpick a a little brush-up when no-one is looking smokin' big band and combo jazz? even throw in a nifty "jam" for good measure. group of jazz greats and then let them from time to time. Who knows? Kids who managed to select a cross-section of romp to life on stage? I could But once you fall, you just keep falling, top-notch college jazz groups from around the have sworn they were play­ l over and over and over again. And, fortunately, country for three and a halJ decades and place it ing for me alone What a folks these days all over the map are falling for on display for all to hear and enjoy mega-musical thrill. jazz again. It isn't a smooth-as-silk ride. I ran the Thank the current yen for nostalgia in our festival myself back in 1979 and I've talked to • Touching ba~;(' during the frantic, no-chance-to-catch-your-breath-times the students running the fest for many years since course of rc;earch for my where the innocence of bedazzlement/bombard­ and one thing never changes - they all pull out book with Notre Dame alum­ ments by MTV and other media, and the tragic their hair a few million times before the show nus Charlie Davis, a famed threat of AIDS. Thank the sturdiness of the well­ actually takes place. othing seems to go right Midwest bandleader (who, crafted American popular son, which many and it's frustrating and you wish you could take sadly, just passed away last singers and musicians are re-exploring with a rollercoaster once in a while just to grab some year), only to discover that refreshing fervor. Better still, thank the timeless air and remember how to laugh (forget about Totre Dame's jazz legacy lure and need for romance in our lives. how to sleepl) dates back to his 1917-1921 1968 While you're at it, thank yourself. You're But then, when the lights dim on the collegiate days - when jazz Freddie Hubbard at the CollegiateJazz Festival. here. You're listening. You're cool. Best of all opening festival night and the crowd hushes and was in its infancyl Davis, who you're at the epicenter of jazz and romance - the the announcer stakes out his first spotlight mark played with Bix Beiderbecke, Hoagy • Hearing from Theodore Hesburgh Memorial library Renner Audio/Video Listening thirty-fifth University of '\otre Dame Collegiate and - suddenly - a bandleader's hand is in the air Carmichael, Red Nichols, and more (actual­ Center personnel that kids taking jazz Jazz Festival. setting a beat for that familiar, soon-to-follow ly as Charlie, who was quite a character. Romance, you say? In South Bend? In a brassy IJig band joy, you know it was worth all liked to put it: "Bix played in my band!"), history courses at Notre Dame were using geodesic dome? the hassle, the sleepless nights, the mistakes, the palled around with football stars G org the collection of 1959-1966 and 1985-pre­ sent festival tapes I donated in 1991 to the Take it from me, crimestoppers, this is the crazy times, and the underground campus ipp and Knute Rockne (who nicknamed Archives of the University of Notre Dame

libraly to write "comparative musical technique" papers for the class. Each year I stop over at the Hesburgh Library during ANTHONY TRAVEL, INC. TIM EBY the festival and listen to a few different A tapes from selected years What a kick l This year's Master of Ceremonies for the Someday, I hope to be able to fill in the Collegiate Jazz Festival is Tim Eby, Eby is in his Proudly Sponsors missing years! The Collegiate jazz Festival eleventh year of managing the local PubliC Radio Historical Tapes Collection is open and Station \XIVPE-F 188,1. \XIVPE is the area's prime accessible to the public - check it outl The 1993 University of Notre Dame outlet for jazz, featuring more than eighty hours Collegiate Jazz Festival each week with daily jazz programming, Sometimes, when the moment's right and Eby has developed \XIVPE from a student you lift your eyes and ears above the grinding, operated rock oriented station to a Puhlic Radio gritty day-to-day, you really can see and hear the See an Anthony Travel Representative For Station staffed by a full-time and part-time staff, most beautiful things in the world. community volunteers ancl students, In addition to • Domestic Air or Train Tickets TIlere's a festival today, can you see it dearly? its jazz programming, \XIVPE also fc::tures blues, Are you listening to the whistling • Eurail Passes folk, classical, new age, and reggae music, plus winds of jazzl • International Discount Fares news and iJlformational programming, The station Can you hear the big bands thriving, com­ is listener su ppolLcd and receives most of its fund­ ing at you, still surviving? While the combo's take ing from listener and corporat contributions. a blast from 01' Diz's bebop pad? LaFortune Center Prior to his work at WVPE, Eby worked as What's the message, what's the notion of 8 • 5 Monday· Friday Music Director at WTON in Staunton, Virginia and this thirty-fifth collegial commotion? 63t-7080 various other radio stations, He is a 1982 graduate If not power, fame, or money, what's from the niversity of Evansville in Indiana, the goa]? Perhaps its just something here that's hit and simply caught a bit of Old Man jan's inner soul. Yes .. " that must be it, Something here has hit and caught a bit of Old Man jazz's inner soul' • ASS &SO S Well, I guess all you jazz-romantics out there now know the secret - the C]F has soul! So I'll simply ask once more, Home of World Famous Grand Pianos "When did you fall in love with jazz?" THE HOnOIS INN I did, hard, with the help of a great festi­ Of NOTRE DA!1E val such as this a long, long time ago, Congratulations to all on what should be a Fine Dining stellar 35th. And here's to many more. Open to the Public Over 75 In Stock: Joseph K Carey is the author ofBig Noise From Notre Dame: A History ofthe Steinway • Baldwin Collegiate razz Festival. Serving Daily Kawai •Young Chang Enjoy a dining experience in the true spirit of Notre Dame For Reservations Calt 234-0141 • • 282 Dunes Plaza· Michigan City, IN 46360· 879-4474 Archives of the University of Notre Dame

exposed to a diverse srectrum of music and CAR L ALL E N also conducts clinics and workshops on recorded with the likes of , the --- drumming and jazz concepts at educational insti­ o RUM S Rollingstone Stones, Frank Sinatra, Kool and the tutions and music retailers across the US. and Born in Oakland, California on July 24, Gang, Luther Vandross, Quincy Jones, and Billy JoeL "I want [0 !;ring back the marriage of abroad. He has established a lecture series "Jazz 1953, Jon began on the trumpet at age eight, Faddis' career took another turn in 1982 gospel and jazz, spiritual music that is happy and Against Drugs" which is designed to educate and inspired by . Three years later, when Dizzy invited him to accompany him to the reaches the people, r1aying deep inside where it warn people of the dangers and consequences of his trumpet teacher, Bill Catalano, turned the jazz­ White House Jon's partiCipation in the event was relates to the listeners; music that touches a drug abuse as well as pI' mote the great cultural struck youngster on to enough to convince him to get person's soul." significance of jazz music and there was no looking back. back into the club scene. [n One of the international jazz scene's most As a graduate of William Paterson College Faddis began performing at 1987, Jon played a key role in respected players, 31 year old Milwaukee born & in New Jersey, Carl arned his Bachelor of Music a young age. In high school, Jon the organization of Dizzy's big bred composer, drummer, lecturer and clinician, in Jazz Studies and Performance in 1983. Carl played with local R&B combos and band, the band to celebrate Allen brings an undying plays the piano at home big bands. His first touring gig was Dizzy's 70th birthday love and respect for the in ew York City, but as a featured soloist in Lionel has received music to the bandstand composes on the vibra­ Hampton's hancl. Dn.lmmer Mel high acclaim from both Down each time he plays. Carl phone. As a classically Lewis invit d Faddis to sit in. with Beal and the I ew York Chapter has quickly established trained percussionist, the Thad Jones- leI Lewis Big Band. of National Academy of Recording performance and studio he's adept at various This invite turned into a four year Arts & Sciences. His most recent credibility with an mallet instruments. At relationship with the group includ­ recordings are Hornucopia and Into impressive list of artists, present, Carl shares this ing a tour of the Soviet Union. During those same tbe Faddisphere. Jon can summarize his own career, including Jackie Mclean, knowledge by serving as four years Jon was also recording on the Pablo "[t all comes down to music. I think my strong , Donald a clinician and consultant label with Dizzy and Oscar Peterson. point in being able to play all the differcnt styles." Byrd, George Coleman, for Ludwig Drums and At this point in. his life, Jon Faddis opted "Jon Faddis can sound Jike Dizzr Gillespie, Branford Marsalis, Randy Sabian Cymbals. for the studio life. These years proved to be Sweets Edison or Howard Mcghee, but now he Weston, and Lena Horne. Allen's composing significant in his artistic development. He was just sounds like Jon Faddis. " Freddie Hubbard and writing is inspired states that "Allen is one by graphic and literary of the best young drum­ artists such as Romare BUN K Y G R E E N He received film credits for his background solo mers .. playing with the Bearden, Jacob Lawrence, work in Lorraine Hansbeny's A Raisin in the Sun, S A X 0 P H 0 N E maturity of someone Toni LVIorrison, Langston featuring Danny Glover and Esther Rolle. Green is twice his age...one of my Hughes, James Baldwin, Bunky Green, the player, educator, com­ part of the American Music Program at the favorites." The London and August Wilson. poser, arranger, lecturer, and music education University of Norrh Florida in Jacksonville. He is a Times concurs, "a top "They create pictures consultant, is one of those rare individuals, con­ professor of saxophone, teaches improvisation, drummer in the style of and [ hear sounds." stantly evolving and forecasting the musical future and has two major combos. Art Blakey or Philly Joe Other influences include while being fulJy aware of the past. Bunky learned jazz on the Jones." Most recently, Sid Catlett, Papa Jo He has 14 albums released in his streets and as a graduate of Modern DrUlnJner maga­ Jones, Arthur Taylor, name and has written and arranged Northwestern Lniversity - he zine observed that "Allen Billy Higgins, and Tony many of the compositions on Clark received his classical skills from takes chances, makes Williams. His greatest Teny's album, Summit Meeting, and world-renowned saxophonist, choices, and helps shape admiration, however, is also on Alvin .lone's album, Time Frederick Hemke. As a writer he the music every time he reserved for Capsule, while recording with ach has written a book entitled Jazz hits the bandstand" Mel and Art Blakey. of them as a featured artist. Clark in a Nutshell, and he has Lewis articulated the thoughts of many by observ­ ''I'm still interested in playing With, Terry's latest release, Having Fu.n, authored articles for the ing that "Allen is one of the great young talents. and learning form, the masters. My vision is to again features Bunky as a guest Saxophone Symposium and the He's also a gifted educator." minister to the people through the music. .. artist. Healing the Pain, Bunky's Nationall:j;/ucatorJournal. "Education is the answer to everything... give testimony...however, I'm not content most recent recording received five Green is president of the Inter­ education goes beyond turning your tassels.. .it is unless I'm swinging!" stars in Down Beat magazine. national Association ofJazz Educators. A'" a dedicat­ a life-long process." In addition to teaching On alto saxophone, Bunky has been nom­ ed member, he is donating his time and talent toward several private students around the country, Carl inated to the Down Beat IVIagazine's Readers' Poll. jazz education, to educators and students, alike. Archives of the University of Notre Dame

Rufus continues to work with both programs, Hancock and Freddie Hubbard. In 1985, in collab­ R U F U S I R E o His major professional career began in oration \Nith his friend Orrin Keep, Jimmy BAS S Chicago and continues in New York, where he recorded the widely-acclaimed New Picture. has traveled, performed and recorded with most Holding deep conviuions about the Rufus Reid received his Associate Arts Jimmy Heath is one of the most valuable of the jazz masters. importance of passing on his harcl-earned jazz Degree from Olympic College in Bremerton, players and consistently melodic composers of He was privileged to share a moment of o Washington in 1969. He continued his education our times. Jimmy's major artistic status has been knowledge, Heath maintains an active teachinIe> at Northwestern University in Evanston, where he music with some that have passed on - Booker recognized I)y his peers, critics, and the more schedule He has lectured and taken part in work­ graduated in 1971 with a Bachelor of Music Irving, Gene Ammons, Kenny Dorham, Sonny knowledgeable members of the shops at universities from coast Degree as a Performance Major on the Double Bass. Stitt, , Thad Jones,Philly Joe Jones, Mel jazz puhlic for quite a few to coast, participated in the Rufus began doing Lewis, Dexter Gordon, years. As a young man in Black College Jazz Network clinics that same year, Stan Getz, and Dizzy Philadelphia he assembled a Tour, currently teaches at City adjudicating and perform­ Gillespie, He continues local big band that included Cotlege of New York, and has ing. He has been for performing and record­ both John Coltrane and Benny a long association with the thirteen years and is ing with notables Benny Golson. His early experience, famed Jazz-mobile program. currently on the faculty Golson, Art Fam1er, Harold at the end of the forties and Recent honors have included of William Paterson Land, Bobby Hutcherson, start of the fifties, came with BMI's Jazz Pioneers Award, and College in Wayne, New Freddie Hu bbard, Ray bright young stars like Dizzy an honorcuy Doctorate of Jersey, as Director of the Btyam, J..J. Johnson, Benny Gitlespie and . Music from Sojourner-Douglass Jazz Studies and Perfor­ Carter, Joe Henderson, A decade later he creat­ College in Baltimore. Most mance Program. He has , Kenny ed a memorahle series of recent is the dedication of developed the curricu­ Barron, and Jimmy albums for Riverside Records Philadelphia's 1987 iellon Jazz lum of this degree Heath, to name a few. with such notahle sidemen as Cannonhall and Festival, a ten-day program, to "'the living jazz program where he Rufus Reid has fat Adderley, Donald Byrd, Tommy Flanagan, legacy of Philadelphia-bred musical legends coaches small and large recorded over 200 Kenny Hurrell. and brothers Percy and "Tootie" Jimmy, Percy, and 'Tootie' Heath." jazz ensembles. albums, three under his Heath, plus early 1960's newcomers Herbie Rufus has also own leadership ­ written two bass method PeJpetual Stroll, Seven Minds, and Corridor To lessons, church, R&B prom gigs, and leading his books. The first, The MULGREW MILLER 77Je Limits. In 1990, he own teenage dance trio. In 1973, at lemphis Evolving Bassist is an aid joined with Akira Tana P I A N 0 State University, he was first exposed to the in developing a total musical concept for the to form the quintet, Mulgrew Miller is a uniquely talented academic and theoretical aspects of jazz, and double bass and electric Tanareid. Their endeav­ pianist, composer, and bandleader. Miller is a formed a friendship with another impressive bass. After being pub­ ors have produced the deeply experienced and mature young pianist, James Williams. lished in 1974, the book recordings Yours and musician with an exceptional Robert Palmer of is now in a trilingual, Mine and Passing appreciation of his musical the New York Times has international edition. The Thoughts. They continue roots, and an awesome tech­ identified Miller as "a young second book, EvolVing to perform and teach nical command of his instru­ pianist who has been Upn'ard - Bass BOO/2 11 around the world. ment. In addition to a full impressing his fellow musi­ works more on developing In 1992, Ru fus had decade of playing experience cians with accomplished, thumb position technique two performances of with such artists as Art Blakey, inventive, and increasingly for the double bass and Two Faces, a concerto Johnny Griffin, Woody Shaw, individual playing and com­ was published in 1977. for solo double bass and Betty Carter, Mercer Ellington, posing." Palmer continues, From 1980 to 1985, Rufus was on the jazz trio, composed by Benny Golson for Rufus and Tony Williams. "He has an approach of his panel of the National Foundation for the with the Wayne Chamber Orchestra. It was Born in Greenwood, own: flowing multinoted, Advancements in the Arts This program - ARTS debuted at William Paterson College and had a Mississippi on August 13, making sophisticated but (Art Recognition and Talent Search) - is specifically l\;ew York premiere in October in Alice Tully Hall 1955, he began playing piano sparing use of harmonic for graduating high school students across the at the Lincoln Center. at age six. From childhood extensions and rhythmic sus­ nation. This program is now affiliated with the he was involved in a broad mixture of musical pensions... His solos have a disciplined directness International Association of Jazz Educators, and styles and situations that included classical and dazzling inner dynamism." Archives of the University of Notre Dame

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PURDUE UNIVERSITY UNIVERSITY OF NOTRE JAZZ BAND DAME JAZZ BAND The Purdue University Jazz Band has a Welcoming the crowd of fans and per­ tradition of excellence that began in the early formers at the opening of the 35th annual Collegiate 1970's. In addition to performances on campus, Jazz Festival fur their 21st consecutive year under the band has performed at the Notre Dame Jazz the direction of Father George Wiskirchen, CSc. Festival, the Detroit Montreux Jazz Festival and is the Lniversity of Notre Dame Jazz Bane!. the Elmhurst Jazz Festival. The band has toured The Band consists largely of non-music Europe on two occasions, each time appearing at maiors from every college and the graduate variety of fields from engineering to liberal arts. the prestigious Montreax Jazz Festival in school at the university. The band performs on Students enjoy the opportunity to develop and Niles, Illinois (the Melodons) for 13 years, from Switzerland. Some of the finest jazz musicians in campus every year in their "Dimensions in Jazz" refine their musical skills through performance in Northwestern University for two years and now the countlY have perform d alongside the Purdue concert as well as in a concert for the Junior a choice of ten instrumental ensembles at Purdue. the University of Notre Dame for the past 21 Jazz Band including: Howie Smith, Marvin Stamm, Parents \\cekend, the faU "Bop & Beyond" con­ ('he Purdue Ja',-:;~ Band is the premier jazz years. This 1993 Collegiate Jazz Festival will also Freddie Hubbard, Allen Vizzutti, Bill Waltrous, cert and the end of the year "Farewell to Seniors" group made up of outstanding undergraduate and mark Father George's 19th year as faculty advisor Gary Burton, Rich atteson, Denis DiBlasio, Kim concert and other events. They regularly give graduate musicians. The band is in the process of to the fetiva!. Richmond, and Chris Vadala and Jim Pugh. broadcast concerts on the local NPH. jazz outlet, producing a compact disc that will be available in 1993 Personnel- Director Father George Since there is no music degree available at \X!VPE-FM This year they also travelled to June of 1993. Wiskirchen, CS.C Saxophones Stacey Sloan, Purdue, the m mbers of the band represent a Holland, Michigan for a concert and to Chicago. Maria Santos~ Jim McKiernan) David Blersh, Beclry The jazz program at NuLre Dame involves Bizup. Trumpets.' Craig Heinzen, Angelia Cartwrip,ht, two big bands and three or four smaller combos Greg Gogel~ Sam Pennington, Jim Nichol. Me Pomeroy conducted the group for twenty-two with an Improvisation \X!orkshop. Trombones' GeOlp,e Smith, Cristina Mendoza, Greg years, during which time it performed at numer­ This year mark's Father George's 34th year Ginocchio, Brian Hammel. Piuno: Stepherl Lensky ous festivals around the country, as well as the as a CJF group leader. He has fronted and direct­ GuitCll~' Kevin Hoffinan Bass: Chris Mueller Vihes.· Montreux Jazz Festival in 1970 ed big bands at all but the velY first running Harrison Keller Drums. Kevin Flemming, Richard In 1985, the band was taken over by CJF - bands from Notre Dame High School in DuBrava. Vocalist: lVlatt Umho/er. Jamshied Sharifi, a graduate of both M.1.T and Berklee. Mr. Sharifi directed the band for seven years, maintaining the direction set by Me Pomeroy, SYZYGY THE CRANE by both searching for innovative and musically SCHOOL OF MUSIC SEXTET valid material and by contributing numerous award-winning charts of his own. The FJE now nters its 13th year and is being led by James SYZYGY, The Crane Sextet, makes its first 'Dell former Director of Bands at Boston appearance at the 1993 Collegiate Jazz "estival. niversity. Mr. O'Dell continues in the style of The group from The Crane School of Music in M.LT FESTIVAL those before him, and has greatly expanded the Potsdam, New York regularly perform at a variety band's libraly with the introduction of works from of venues in the northern. lew York area, and in JAZZ ENSEMBLE many local composers. October of 1992 presented a series of perfoi­ 7993 Personnel- Director: james 0 'Dell. mances on tour in l~irmingham, England and Tnt mpets. Ali Azarhayejani, Trevor Bauer Dave environ,. SYZYGY members collectively have The M.LT. Festival Jazz Ensemble is com­ prised of undergraduate and graduate students at Ricf<.s, Chris Stroupe, Neil Tender Tromhones. studied and/or performed with such noted figures Michael Casey, Joeljohnson, Mike Peterson, as , Freddie HulJbard, Jan Jarczyk and the institute. Currently in its 13th year, the ensem­ Brian Tacey. Saxophones.' Mark Messiel~ Nat Adderly ble primarily performs new works in the jazz idiom by Boston area composers, highlighting Andres Pieczans/<.i, Brian Sawyer, Ron SoliZ, 1993 Personnel- Bass. Kevin Dorsey. Susan Ward. Rhythm. Doug Ahrams (piano), Steve Saxophone.· jason Jap,emann, Steve Jones. Piano. especially the works of students both at M.LT. and at the Berklee College of Music. FJE was Conahan (hass), Dan Hosken (guitar), Frank Monastero. Trumpet: Vito Speranza Keith M Swartz (drums) founded in 1963 by 1. Herbert Pomeroy, noted Drums. Anc~)J Walton. trumpet, composer, arranger, and teacher. ------/7 Archives of the University of Notre Dame

Europe. The band performed at THE CRANE SCHOOL OF the Montreux Jazz Festival in 1985 and 1989 and at the '\iolth Sea MUSIC JAZZ ENSEMBLE Jazz Festival in Holland in 1989. The 35th L\.nniversary It twice has been a featured band Jazz festival Wishes The Crane Jazz Ensemble led by Bret at the Greeley, Colorado Jazz Zvacek is the premiere performance group in the Festival. In 1982 and 1985, Jazz To Thank: Jazz Studies Program at The Crane School of Band I was invited to perform at Music. The Crane Jazz Ensemble tours regularly, the national conventions of the most r ently being honored by their selection National Association ofJazz Alllhe Ju~es and Bands as an Outstanding Band at the 1992 otre Educators in Chicago and Dallas. Dame Collegiate Jazz Festival, and has I Jazz Band I has been Pal. Ellen and ev ryon al rs. Other ensembles Keller. Bass: Jeremy Manier. Wojciechowski, pianist Xavier variety of styles and approaches Jazz Studies program at Western include: a Sewn O'Clock Big Drums: Kevin Fleming Davis, bassist Mall Hughes, and to improvisation. The group Michigan l niversity. The quartet drummer Keith Hall. Band, a vocal jazz group, and attempts to keep in touch with \vas formed in the fall of .1992 numerous small jazz lab groups. Archives of the University of Notre Dame

EASTERN ILLINOIS JAZZ ENSEMBLE

The University of otre Dame Collegiate Jazz Festival is pleased to have the Eastern IJIinois University Jazz Ensemble with us this year. 1993 Personnel­ Director Allan Horney. Saxophone Randy Culp, Waif Howard, Kevin Hoferel~ Mike Peitzman, Rich Mazzolini. TJ'umpets. LVIark Cornell, Mike LeVinsky, Tom Foster, Amy WESTERN MICHIGAN Jazz Festival, and a heralded performance in New 1 elson, Chris Short. Tromhone. York City's Carn gie Hall. The ensemble is Ron Westray, Brian Kern, UNIVERSITY JAZZ ORCHESTRA dire't d by Trent Kynaston. Landon Fullel~ l';l!iot Peppers. 1993 Personnel- Director:' Trent KYl1astul1 Rhythm: Simon Rowe (piano), "axophones. Aaron McEvers, jeremy Millel~ john Eel Taylor (bass), Scott Hesse The Western Michigan Univ rsity Jazz Wojciechowski, Miles TesCl1~ ick Moran Tru mpets. (p,uitar), Dan'en Scorza (drums) Orchestra has received national ac laim for its joe Stretch, Ben McKenzie, Nikki Razey, Becky high performance standards and creative Gilbert, Anezy Whelpzy, Arin Holley. Trombones approach to big band jazz. Recent recognitions Paul Mundo, Scott GWinnell, jelflngm1Jwn, Eric include thirteen consecutive performances at the MICHIGAN STATE joslin. Rhythm: Xavier Davis (piano), Eany Duthie Montreux/Detroit International Jazz Festival, four (guitar), Matt Hughes (bass), Keith Hal! (drUlnsJ UN1VERSITY JAZZ "Outstanding Performance" recognitions over the last five years from the otre Dame Collegiate BAND I

WILLIAM PATERSON NEW The Michigan University Jazz Band has been a regular JAZZ ENSEMBLE performer at the otre Dame Jazz Festival since its beginnings in the 1960's It also has performed The ew Jazz Ensemble is one of twenry­ at the Montreux-Detroit Jazz two ensembles in the William Paterson College FestivaL Disneyv/Orkl, the 1988 Jazz Studies Program. The ensemble was formed International Association of Jazz in September of 1992, ,;vith three members contin­ Educators Convention in Detroit, uing from last year's group ane.! two new mem­ and at numerous concerts bers joining. The ensemble rehearses for approxi­ throughout Ivlichiga n. mately five hours per w ek under the direction of The MS Jazz Band I 1993 Personnel- Director. Ron Eric Welch, Todd Thamer Jazz Studies Director Rufus Reid, and participates will also be playing in this year's Newman Saxophones: Taimur Tromhones: Chad Hayes, Greg in the college's renowned Jazz Room ConceIt guest banel performance on Sullivan, Allison Sloan, Brian Spiridopoulos, Nate Lampman, ... Series, as well as in other program activities. Saturday Night 'with festival Doyle, David Vis 11 Cl W, Done!! joe Schroeder. Piano. Andrew 1993 Personnel- Director Rufus Reiel judge, 13unky Green, Snyde7~ Gre,f!, ~ )ales. humpets· Pills. Bass.' Matt Mueller Drums' Tenor axophone. David Detweiler Guitar jell Brian Be-Ileman, Phil Rohison, Malt Guggenos. Bun'. Piano.' Tomoko Oh110 Bass joseph Mmtin. Drums Russell Meissner Archives of the University of Notre Dame

The Copy Shop We enjoy blowing LaFortune Center our own horn... Phone 631-8138 and not because we like to make noise for the sake of being heard. --0MPUS We toot our trumpet as proudly as the CJF because as your service organization at Notre Dame, we have MINISTRY 6¢ COPIES plenty to offer: A Weekend COURSE PACKETS • the most extensive alumni club network in the world. • community service activity through the Summer Retreat Experience SPIRAL BINDING Service Project and club programs. Guided By • a Student Alumni Relations Group (SARG) that FAX SERVICE communicates student concerns to the Alumni Board. is proud to support Students, Faculty, Staff • reunions which include academic, social, TRANSPARENCIES athletic and spiritual events. • the Extern program which allows students a week NOTRE DAME ENCOUNTER COMPUTER DISKS of intensive career exploration. The 35th Annual RESUMES Collegiate Jazz Festival Contact: Come and see what we're about at the Campus Ministry Office LAMINATING Alumni All Classes Picnic on Saturday, 103 Hesburgh Library & MORE!!! May 1 on Stepan Field 631-7800

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