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REFLECTĂRI ÎN PRESĂ Semestrul II 2013 REFLECTĂRI ÎN PRESĂ – semestrul II 2013 INSTITUTUL CULTURAL ROMÂN DE LA TEL AVIV PAG. 1 REFLECTĂRI ÎN PRESĂ Semestrul II 2013 1. AUTONOMY & ANATOMY OF THE MOVING IMAGE. Arta video și cinematografia experimentală în ultimul deceniu. 7-9 iulie 2013, Cinemateca din Ierusalim http://www.icr.ro/video_cinema_decade_ro http://www.artiscontemporary.org/features_detail.php?id=269 Call for Papers: Autonomy & Anatomy of the Moving Image, International Symposium on Video Art and Experimental Cinema at the Mamuta Art and Media Center at Hansen Compound, Jerusalem CALL FOR PAPERS & PROPOSALS Autonomy & Anatomy of the Moving Image - Video & Experimental Cinema in the Last Decade: An international symposium on video art and experimental cinema to be held at the Mamuta Art & Media Center at Hansen Compound, Jerusalem July 7-9, 2013 The Mamuta Art and Media Center, The Hebrew University of Jerusalem School of the Arts at the Faculty of the Humanities, Arts, Technology, Media and Science Interfaces Seminar, Bezalel Academy of Arts and Design - Department of Screen-Based Arts, the Jerusalem Cinematheque, and the Jerusalem Film Festival. Deadline for submission of all Proposals: March 31, 2013 REFLECTĂRI ÎN PRESĂ – semestrul II 2013 INSTITUTUL CULTURAL ROMÂN DE LA TEL AVIV PAG. 2 Proposals will be received by email at: [email protected] Answers will be given: April 18, 2013 On the occasion of the tenth anniversary of “Intersections”, the Israeli Video Art and Experimental Film Competition, an International Symposium on Video Art and Experimental Cinema will be held on July 7-9, 2013, in the frame of the 30th Jerusalem Film Festival. The symposium will take place at the Mamuta Art and Media Center at Hansen Compound, Jerusalem. The organizing committee invites scholars and artists to submit proposals for individual papers, organized panels, screenings, and roundtable discussions related to the theme of the conference: “Autonomy & Anatomy of the Moving Image: Video & Experimental Cinema in the Last Decade.” The conference will explore the ways in which developments in new technologies have turned the Internet into a new platform where the digital/network platform replaces the more traditional support - the tape. We invite papers that address the narrative and aesthetic developments that are made possible by mechanisms of network and digital media: deconstruction, interaction, randomization, multi-layeredness, browser dependence, real-time broadcast and editability; alteration, combination, and incorporation of various media into video (medium or video elements within them). Youtube, cell phone, and ipad video-culture on the one hand, and the availability of cutting-edge technologies for independent artists and amateurs, on the other hand, have dramatically altered the language, use, possibilities and ways of promotion of moving-image works. The conference will also address the "war on terror" policy, which has developed and justified all-embracing practices of control and monitoring in the name of "national security." In every coffee shop in the city, in every store, mall, university, hospital, and even getting onto a city bus, one is under the vigilant gaze that guards "our security," a reminder of the constant presence of built-in systems of control and paranoia, which become invisible at moments of calm. The state justifies these practices in the name of self- defense, in an attempt to defend the established order, its interests, ideology, and its structures of power to protect itself from the threat of hostile elements. In the face of this use, in which video has become one of the central instruments of state control, subversive video practices have been developed by artists and activists, developing not only new social and political practices for "powerless" individuals and groups, but also influencing and re-defining the aesthetics, poetics, and politics of video/art in the last decade or more, from the 9/11 attacks and until the Arab spring. Individual paper, panel, and screening proposals should be submitted to the seminar programming committee by mail to: [email protected] Individual paper proposals should include an abstract and should not exceed 250 words. Panel proposals should include information on the panel theme and on each individual paper, and should not exceed 750 words. The committee encourages scholars and artists to submit proposals for screenings as well. Suggested Topics for Panels & Screenings ● The seam line between video art and experimental cinema ● Poetics and politics of the media in the last decade ● Video games and video art ● Video and internet: online and live practice ● Between art and activism: the use of document video for artistic and activist outputs ● Surveillance, counter-surveillance, and video art ● Satire and humour in contemporary video art ● Analog vs. Digital: time in the digital age Program Committee: Prof. Edwin Seroussi (Hebrew University of Jerusalem) Dr. Tal Ben-Zvi (Bezalel Art Academy) Dr. Hava Aldouby (Hebrew University of Jerusalem) Ms. Sharon Balaban (Bezalel Art Academy) Ms. Lea Mauas (Mamuta Art and Media Center, Bezalel Art Academy) Mr. Diego Rotman (Mamuta Art and Media Center, Hebrew University of Jerusalem) Inquiries: please contact Ms. Lea Mauas: [email protected] This symposium is funded through the support of the Ostrovsky Family Fund and Hansen Compound. http://www.conferencealerts.com/show-event?id=116131 REFLECTĂRI ÎN PRESĂ – semestrul II 2013 INSTITUTUL CULTURAL ROMÂN DE LA TEL AVIV PAG. 3 http://madan.org.il/en/node/7459 REFLECTĂRI ÎN PRESĂ – semestrul II 2013 INSTITUTUL CULTURAL ROMÂN DE LA TEL AVIV PAG. 4 http://cargocollective.com/mirjanabatinic/NEWS http://www.jff.org.il/?CategoryID=1033 REFLECTĂRI ÎN PRESĂ – semestrul II 2013 INSTITUTUL CULTURAL ROMÂN DE LA TEL AVIV PAG. 5 http://mamuta.org/?p=2692&lang=IW http://mamuta.org/?cat=13&lang=IW REFLECTĂRI ÎN PRESĂ – semestrul II 2013 INSTITUTUL CULTURAL ROMÂN DE LA TEL AVIV PAG. 6 http://www.events.bezalel1.net/BRPortalStorage/a/97/24/11-TyB2wTmfQ4.pdf http://www.bezalel.ac.il/news/item/?id=1404#.UdkakWzfqpo REFLECTĂRI ÎN PRESĂ – semestrul II 2013 INSTITUTUL CULTURAL ROMÂN DE LA TEL AVIV PAG. 7 http://www.bezalel.ac.il/events/item/?id=1472#.Udkar2zfqpo http://eilaeitan.co.il/inter/ REFLECTĂRI ÎN PRESĂ – semestrul II 2013 INSTITUTUL CULTURAL ROMÂN DE LA TEL AVIV PAG. 8 במסגרת פסטיבל הקולנוע ירושלים ה03-: אמנות בצומת פורסם ב- 32 ביוני 3102 במסגרת פסטיבל הקולנוע ירושלים ה03-: אמנות בצומת לרגל עשור לתחרות אמנות הווידאו והקולנוע הנסיוני מיוזמת ויויאן אוסטרובסקיייערכו השנה, בנוסף לתחרות, סימפוזיון בנושא "אנטומיה ואוטונומיה של הדימוי הנע" והקרנות ייחודיות של סרטים . סינמטק ירושלים 7-21 ביולי אלונה רודה, אמיר יציב ויהונתן דובק, אסתר בירס ואמיתי ארנון, כרמל מיכאלי ורוני באס,לי אורפז, ציון אברהם חזן, קרן שביט ורועי מנחם מרקוביץ הם היוצרים שנבחרו להשתתף השנה בתחרות לאמנות וידאו וקולנוע ניסיוני במסגרת פסטיבל הקולנוע בירושלים. התכנית, שחוגגת עשור, מרחיבה השנה את פעילותה ומציעה לקהל הרחב, לצד התחרות, כנס בנושא "אנטומיה ואוטונומיה של הדימוי הנע" והקרנות של שני סרטים: " אֶרֶ ס ונֶצַח" )2592( של ז'אן איזידור איזו ו"כל זה יכול להיות" )1321( של סיובהאן דיוויס ודיוויד הינטון. א. התחרות לאמנות וידיאו וקולנוע ניסיוני 5/7 בשעה 25:03 השנה יצוין עשור לתוכנית אמנות בצומת - המקום בו האמנות פוגשת בקולנוע – במסגרת פסטיבל הקולנוע ירושלים. אמנות בצומת הפכה להיות לאחת התוכניות המחדשות והייחודיות בפסטיבל הקולנוע בירושלים, ומהווה במה מרכזית לתצוגה ותמיכה בעשייה בתחומי הוידיאו והקולנוע הנסיוני. השנה הוכפל סכום הפרסים. הפרס הראשון על שם מוארי ל. גלינסון עומד על סך 00111 ש"ח והשני מטעם קרן משפחת אוסטרובסקי עומד על סך 0111 ש"ח. אמנות בצומת היא יוזמה של ויויאן אוסטרובסקי ומתקיימת בתמיכת קרן משפחת אוסטרובסקי, מנוהלת מאז 3112 על ידי קבוצת סלה-מנקה מטעם המרכז לאמנות ומדיה מעמותה, השותפה לתוכניות, מפיקה את התחרות ואוצרת את האירועים הנלווים. לצד התחרות התקיימו לאורך השנים אירועים נלווים, אשר עסקו בהיבטים שונים של אמנות הוידיאו, תערוכות, אירועי פרפורמנס ומוזיקה והציגו יצירות אוונגרד לקהל רחב ומגוון. האמנים המשתתפים בתחרות השנה: אלונה רודה, אמיר יציב ויהונתן דובק, אסתר בירס ואמיתי ארנון, כרמל מיכאלי ורוני באס,לי אורפז, ציון אברהם חזן, קרן שביט, רועי מנחם מרקוביץ. חבר השופטים: מעין אמיר, רועי ברנד ורישארד קלוז'ינסקי. ב. " אנטומיה ואוטונומיה של הדימוי הנע" – סימפוזיון בהשתתפות אורחים מהארץ ומהעולם, 7- 5.7 בסינמטק ירושלים השנה, לרגל שנת העשור לתכנית, יתקיים כנס בנושא: אוטונומיה ואנטומיה של הדימוי הנע: אמנות וידיאו וקולנוע ניסיוני בעשור האחרון. הכנס יעסוק באופן בו התפתחויות טכנולוגיות חדשות הציבו את האינטרנט כפלטפורמה חדשה, בה הרשת והמרחב הדיגיטלי מחליפים את הקלטת המסורתית. עוד יעסוק הכנס במדיניות המלחמה בטרור, אשר פיתחה והצדיקה פרקטיקות חובקות של שליטה ומעקב בשם ביטחון לאומי. במקום שבו וידאו מתפקד ככלי מרכזי בידי השלטון, התפתחו פרקטיקות חתרניות של וידאו על ידי אמנים ואקטיביסטים, אלה אינן רק פרקטיקות חברתיות ופוליטיות המצויות בידיהם של האינדיבידואל או קבוצות חסרות כח, אלא שפה המשפיעה ומגדירה מחדש את האסתטיקה, הפואטיקה והפוליטיקה של אמנות הווידיאו בעשור האחרון. REFLECTĂRI ÎN PRESĂ – semestrul II 2013 INSTITUTUL CULTURAL ROMÂN DE LA TEL AVIV PAG. 9 בין הדוברים: פרופ זיגפריד זיאלינסקי )גרמניה(, פרופ אווה אילוז , ג'ון קסלר )ארצות הברית(, פרופ' רישרד קלוז'ינסקי )פולין(, הדס קדר, דן גבע, ד"ר רותי גינזבורג, דר. מיכאל פינק ואילנה טננבאום. הכנס מתקיים בשיתוף עם המחלקה לאמנויות המסך בבצלאל, והחוג אמנות באוניברסיטה העברית. במסגרת הכנס- ביום שני 7.0 31:11 - תתקיים ההקרנה: מתיחסים לעבר, דואגים לעתיד – 4 יוצרים פולנים – 3 דורות. המתח בין עבר לעתיד ביצירות של: Jozef Robakowski, Kinga Araya, Anna Baumgart,Piotr Wyrzykowski ג.הקרנות מיוחדות גם השנה מציעה מסגרת "אמנות בצומת" הזדמנות נדירה לצפות בקולנוע ניסיוני מהעולם, והפעם הוחלט להקרין שתי יצירות; האחת משקפת את העשייה העכשווית בתחום, והשנייה רסטורציה של סרט שנוצר לפני שישה עשורים: כל זאת יכול להיות דיוויס סיובהאן, דייוויד הינטון / בריטניה, 3103 יום שישי / . 9.7 יום שישי / 21.7 "הליכה", הנובלה שפירסם ב0200- רוברט ואסלר השוויצרי היוותה את מקור ההשראה לסרטם של סיובהאן דיוויס ודיוויד הינטון. צמד הבמאים בחר להתעמק במעשה ההתבוננות על ידי שימוש בתצלומים וקטעי ארכיון מראשית ימי הקולנוע, וערכו אותם מחדש כדי להתבונן ולחקור תנועות מוכרות, יומיומיות.
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