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October 30, 2018
October 30, 2018: (Full-page version) Close Window “Music is the social act of communication among people, a gesture of friendship, the strongest there is.” —Malcolm Arnold Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Franck The Breezes (A Symphonic Poem) National Orchestra of Belgium/Cluytens EMI Classics 13207 Awake! 00:13 Buy Now! Vivaldi Trio in G minor for Winds, RV 103 Camerata of Cologne Harmonia Mundi 77018 054727701825 00:23 Buy Now! Brahms Piano Trio No. 1 in B, Op. 8 Trio Fontenay Teldec 9031-76036 090317603629 01:01 Buy Now! Warlock Capriol Suite English Sinfonia/Dilkes EMI 62529 077776252926 01:12 Buy Now! Respighi The Birds Orpheus Chamber Orchestra DG 437 533 N/A 01:32 Buy Now! Mozart String Quartet No. 17 in B flat, K. 458 "Hunt" Alban Berg Quartet Teldec 72480 090317248028 02:00 Buy Now! Handel Flute Sonata in A minor Bruggen/Bylsma/van Asperen Sony 60100 074646010020 Symphony No. 9 in E minor, Op. 95 "From the 02:12 Buy Now! Dvorak Houston Symphony/Eschenbach Virgin 91476 075679147622 New World" 03:00 Buy Now! Boccherini Cello Concerto No. 3 in G Bylsma/Tafelmusik/Lamon DHM 7867 054727786723 03:17 Buy Now! Schumann Manfred Overture, Op. 115 Royal Concertgebouw/Haitink Philips 411 104 028941110428 03:30 Buy Now! Franck Violin Sonata in A Mintz/Bronfman DG 415 683 028941568328 First Suite in E flat, Op. 28 No. 1 (for military 03:59 Buy Now! Holst Central Band of the RAF/Banks EMI 49608 077774960823 band) 04:11 Buy Now! Mozart Symphony No. -
Richard Lert Papers 0210
http://oac.cdlib.org/findaid/ark:/13030/kt638nf3ww No online items Finding Aid of the Richard Lert papers 0210 Finding aid prepared by Rebecca Hirsch The processing of this collection and the creation of this finding aid was funded by the generous support of the National Historic Publications and Records Commission. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] June 2010 Finding Aid of the Richard Lert 0210 1 papers 0210 Title: Richard Lert papers Collection number: 0210 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 58.51 Linear feet70 boxes Date (inclusive): 1900-1981 Abstract: This collection consists of Richard Lert's video and audio recordings of performances, rehearsals and lectures, personal papers and his music score library. Lert was born in Vienna and trained as an orchestral conductor in Germany. He moved to the United States in 1932 with his family and was the conductor of the Pasadena Symphony Orchestra from 1932 until his retirement in 1972. creator: Lert, Richard, 1885-1980 Biographical Note Richard Lert was born September 19, 1885, in Vienna, Austria. He trained as an orchestral conductor under Arthur Nikisch and began his career in Darmstadt, Germany, where he met and married his wife, Vicki Baum, in 1916. They had two sons. Lert held posts in Frankfurt, Kiel and Hannover before becoming the music director of the Berlin National Opera. Lert and his family moved to Los Angeles in 1932, where he became the music director of the Pasadena Symphony Orchestra. -
Symphony Orchestra
School of Music ROMANTIC SMORGASBORD Symphony Orchestra Huw Edwards, conductor Maria Sampen, violin soloist, faculty FRIDAY, OCT. 11, 2013 SCHNEEBECK CONCERT HALL 7:30 P.M. First Essay for Orchestra, Opus 12 ............................ Samuel Barber (1910–1983) Violin Concerto in D Major, Opus 77 .........................Johannes Brahms Allegro non troppo--cadenza--tranquillo (1833–1897) Maria Sampen, violin INTERMISSION A Shropshire Lad, Rhapsody for Orchestra ..................George Butterworth (1885–1916) Symphony No. 2 in D Major, Opus 43 ............................Jean Sibelius Allegro moderato--Moderato assai--Molto largamente (1865–1957) SYMPHONY ORCHESTRA Huw Edwards, conductor VIOLIN I CELLO FRENCH HORN Zachary Hamilton ‘15, Faithlina Chan ’16, Matt Wasson ‘14 concertmaster principal Billy Murphy ‘16 Marissa Kwong ‘15 Bronwyn Hagerty ‘15 Chloe Thornton ‘14 Jonathan Mei ‘16 Will Spengler ‘17 Andy Rodgers ‘16- Emily Brothers ‘14 Kira Weiss ‘17 Larissa Freier ‘17 Anna Schierbeek ‘16 TRUMPET Sophia El-Wakil ‘16 Aiden Meacham ‘14 Gavin Tranter ‘16 Matt Lam ‘16 Alana Roth ‘14 Lucy Banta ‘17 Linnaea Arnett ‘17 Georgia Martin ‘15 Andy Van Heuit ‘17 Abby Scurfield ‘16 Carolynn Hammen ‘16 TROMBONE VIOLIN II BASS Daniel Thorson ‘15 Clara Fuhrman ‘16, Kelton Mock ‘15 Stephen Abeshima ‘16 principal principal Wesley Stedman ‘16 Rachel Lee ‘15 Stephen Schermer, faculty Sophie Diepenheim ‘14 TUBA Brandi Main ‘16 FLUTE and PICCOLO Scott Clabaugh ‘16 Nicolette Andres ‘15 Whitney Reveyrand ‘15 Lauren Griffin ‘17 Morgan Hellyer ‘14 TIMPANI and -
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
Composers and Works List
Composers and Works List Adams, John Coolidge (American, 1947-) Common Tones in Simple Time Grand Pianola Music Harmonielehre Shaker Loops The Chairman Dances Two Fanfares for Orchestra Adams, John Luther (American, 1953-) Dark Waves The Farthest Place The Light that Fills the World Addinsell, Richard Stewart (British, 1904-1977) A Christmas Carol Suite Warsaw Concerto Agapkin, Vasily Ivanovich (Russian, 1884-1964) Farewell to Slavianka Albéniz y Pascual, Isaac Manuel Francisco (Spanish, 1860-1909) Suite española, Op 47 Alexandrov, Alexander Vasilyevich (Russian, 1883-1946) Sacred War Soviet National Anthem Alfvén, Hugo Emil (Swedish, 1872-1960) Symphony 1, Op 7 Symphony 2, Op 11 Swedish Rhapsody 1, Op 19 'Midsummer Vigil' Symphony 3, Op 23 The Mountain King, Op 37 Symphony 4, Op 39 'From the Outermost Skerries' Andriessen, Hendrik Franciscus (Dutch, 1892-1981) Ricercare Symphony 2 Symphony 3 Andriessen, Jurriaan Hendrik (Dutch, 1925-1996) Rococo Concerto Antheil, George (American, 1900-1959) A Jazz Symphony Capital of the World Hot-Time Dance Jazz Sonata 4 Specter of the Rose Symphony 3 ‘American’ Symphony 4 ‘1942’ Symphony 5 Symphony 6 Arnič, Blaž (Slovenian, 1901-1970) Overture to a Comic Opera, Op 11 Symphony 5, Op 22 'Particularistic' Artyomov, Vyacheslav Petrovich (Russian, 1940-) Guria Hymn Requiem Atterberg, Kurt Magnus (Swedish, 1887-1974) Symphony 1, Op 3 Symphony 2, Op 6 Auerbach, Lera (Russian-American, 1974-) Icarus, symphonic poem Symphony 1 ‘Chimera’ Bach, Johann Sebastian -
SAMUEL BARBER Evening During Term in the College Chapel and Presents an Annual Concert Series
559053bk Barber 15/6/06 9:51 pm Page 5 Choir of Ormond College, University of Melbourne Deborah Kayser Deborah Kayser performs in areas as diverse as ancient Byzantine chant, French and German Baroque song and In June and July of 2005 the Choir of Ormond College gave its eleventh international concert tour, visiting classical contemporary music, both scored and improvised. Her work has led her to tour regularly both within AMERICAN CLASSICS Switzerland, Germany, Denmark, Poland and Italy. Other tours have included New Zealand, Singapore, Japan, Australia, and internationally to Europe and Asia. She has recorded, as soloist, on numerous CDs, and her work is Holland, England, Scotland, Switzerland and Belgium. These tours have received outspoken praise from the public frequently broadcast on ABC FM. As a member of Jouissance, and the contemporary music ensembles Elision and and critics alike. The choir was formed by its Director; Douglas Lawrence, Master of the Chapel Music, in 1982. Libra, she has performed radical interpretations of Byzantine and Medieval chant, and given premières of works There are 24 Choral Scholars: ten sopranos, four altos, four tenors, and six basses. The choir sings each Sunday written specifically for her voice by local and overseas composers. Her performance highlights include works by SAMUEL BARBER evening during term in the College chapel and presents an annual concert series. Each year a number of outside composers Liza Lim, Richard Barrett and Chris Dench, her collaboration with bassist Nick Tsiavos, and oratorio and engagements are undertaken. These have included concerts for the Australian Broadcasting Commission, Musica choral works with Douglas Lawrence. -
Mys Music Inventory:Master List
Update: 9/30/10 Minnesota Youth Symphonies – Music Library *Indicates Strings only 1 Availability of pieces in the library changes frequently. New works are added so this list may not be complete. Call the MYS office at 651-699-5811 for further information. Composer Arranger Title Publisher Accolay Schill, editor Concerto No. 1 Schirmer Strings Albinoni, Ricor Giazotto, Remo Adagio in G minor* Giazotto Strings Anderson, Leroy A Christmas Festival Warner Bros. (Mills) Full/Holiday Anderson, Leroy Custer, Calvin Leroy Anderson Favorites Belwin/Mills Full/Pop Anderson, Leroy Promenade Belwin/Mills Full Anderson, Leroy Sleigh Ride Full/Holiday Avison, Charles Isaac, Merle Concerto in E Minor, mvt 3* Etling Strings Bach, J.C. Dackow Sinfonia in D Major, Op. 18, No. 1* Ludwig Strings Bach, J.S. Clark, Tom Bach Suite Schirmer Full Bach, J.S. Isaac, Merle Brandenburg Concerto No. 2, First Movement Highland/Etling Strings Bach, J.S. Brandenburg Concerto no. 3 in G major Kalmus Bach, J.S. Soldan, editor Brandenburg Concerto No. 3* C.F. Peters Strings Bach, J.S. Schlu Brandenburg Concerto No. 3, 1. Satz Noetzel Edition Brass Ensemble Bach, J.S. Isaac, Merle Brandenburg Concerto No. 3, mvt 1&2 (Abridged)* Highland/Etling Strings Bach, J.S. Brandenburg Concerto No. 4 Kalmus Piano only Bach, J.S. Leidig, Vernon Brandenburg Concerto No. 4* First Movement Highland/Etling Strings Bach, J.S. Jasinski, Mark Brandenburg Concerto No. 4, mvt 3* Highland/Etling Strings Bach, J.S. Soldan, editor Brandenburg Concerto No. 5* C.F. Peters Strings + Flute Bach, J.S. Isaac, Merle Brandenburg Sinfonia (Abridged) Highland/Etling Full Bach, J.S. -
The Concerts at Lewisohn Stadium, 1922-1964
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more. -
The University Mnsical Society of Tile University of Michigan
The University Mnsical Society of Tile University of Michigan Presents ROYAL PHILHARMONIC ORCHESTRA RUDOLF KEMPE, Conductor TEIKO MAEHASHI, Violinist SATURDAY EVENING, NOVEMBER 4, 1972, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PRO G RAM Second Essay for Orchestra, Op. 17 BARBER Concerto in D minor, Op. 47, for Violin and Orchestra SIBELIUS Allegro moderato Adagio di molto Allegro, ma non tanto TEIKO MAEHASHI INTERMISSION Symphony No. 6 in B minor, Op. 74 ("Pathetique") TCHAIKOVSKY Adagio j allegro non troppo Allegro con grazio Allegro molto vivace Adagio lamentoso j andante Columbia, Decca, EMI, RCA, World Record Club Fourth Concert Ninety-fourth Annual Choral Union Series Complete Programs 3789 PROGRAM NOTES BY ROBIN GOLDING Second Essay for Orchestra, Op. 17 SAMUEL BARBER The first of Samuel Barber's two Essays for orchestra was composed in 1937 and performed for the first time the following year, togetber with the Adagio for strings, by Arturo Toscanini in the first concert he gave witb tbe NBC Sympbony to include music by an American composer. The second Essay was written in March 1942 and first performed by the Philharmonic Symphony Society of New York under Bruno Walter on April 16 that year. It follows a similarly concise "literary" design to that of the first Essay, but is scored for a larger orchestra and is rather broader in scope. There are two main themes, both undulating in outline, the first introduced at the outset by the flute, the second, and more lyrical, by the violas, and both of them are incorporated in the brisk, energetic fu gal 'development.' A third, ostinato-like motif is introduced by the brass shortly before the end of the exposition and reappears in the coda (which is preceded by a fortis simo re-statement of the first theme). -
Atlanta Symphony Orchestra Program Notes by Ken Meltzer
Atlanta Symphony Orchestra Program notes by Ken Meltzer. Samuel Barber, Second Essay for Orchestra, Opus 17 (1942) Samuel Barber was born in West Chester, Pennsylvania, on March 9, 1910, and died in New York on January 23, 1981. The first performance of Second Essay for Orchestra took place at Carnegie Hall in New York on April 16, 1942, with Bruno Walter conducting the New York Philharmonic. The Second Essay for Orchestra is scored for piccolo, two flutes, two oboes, English horn, two clarinets, bass clarinet, two bassoons, four horns, three trumpets, three trombones, tuba, timpani, bass drum, suspended cymbal, side drum, tam-tam and strings. Approximate performance time is ten minutes. In the late 1930s, Samuel Barber emerged as one of America’s most talented and promising young composers. In the spring of 1938, both the New York Philharmonic and Cleveland Orchestra included Barber’s The School for Scandal, Overture (1933) as part of New York concerts. On November 5 in New York, the legendary Italian conductor Arturo Toscanini conducted the NBC Symphony Orchestra in a nationwide broadcast of the world premieres of Barber’s Adagio for Strings (1938), and First Essay for Orchestra (1937). In 1939, Barber accepted a commission to write what would become one of his most beloved concert works, the Violin Concerto (1940). Barber’s sketchbook reveals that in addition to the Violin Concerto, he was working on a Second Essay for Orchestra. Barber completed the Second Essay on March 15, 1942. By then, the United States was involved in the Second World War. Barber was keenly aware that he might be called into military service at any moment. -
SAN DIEGO SYMPHONY ORCHESTRA a JACOBS MASTERWORKS CONCERT Jahja Ling, Conductor
SAN DIEGO SYMPHONY ORCHESTRA A JACOBS MASTERWORKS CONCERT Jahja Ling, conductor May 11, 12 and 13, 2018 SAMUEL BARBER Adagio for Strings LEONARD BERNSTEIN Symphony No. 1: Jeremiah Prophecy Profanation Lamentation Kelly O’Connor, mezzo-soprano INTERMISSION LUDWIG VAN BEETHOVEN Piano Concerto No. 5 in E-flat Major, Op. 73: Emperor Allegro Adagio un poco moto Rondo: Allegro, ma non troppo Martin Helmchen, piano Adagio for Strings SAMUEL BARBER Born March 9, 1910, West Chester, Pennsylvania Died January 23, 1981, New York City Barber spent the summer and fall of 1936 in the small village of St. Wolfgang in the Tyrol. The 26-year-old composer had just completed a symphony, and now his thoughts turned to chamber music. The Curtis String Quartet, made up of friends from the Curtis Institute, was planning a European tour that fall, and they had invited Barber to compose a quartet for them to play on the tour. Barber struggled with it, however, and the Quartet in B minor – as the three-movement quartet was called – was not ready for the Curtis Quartet to play; the Pro Arte Quartet eventually gave the first performance in Rome on December 14, 1936. Even before the quartet had been played, though, Barber knew that there was something extraordinary about its central movement, an Adagio. On September 13, 1936, he wrote to the cellist of the Curtis Quartet: “I have just finished the slow movement of my quartet today – it is a knockout!” During the summers of these years, Barber and his friend Gian Carlo Menotti had been visiting Arturo Toscanini at the conductor’s summer home at a villa on Lake Maggiore. -
A Comparative Study of the Solo, Duet, and Orchestral Versions
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SAMUEL BARBER’S SOUVENIRS: A COMPARATIVE STUDY OF THE SOLO, DUET, AND ORCHESTRAL VERSIONS A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS ADELAIDE LEUNG Norman, Oklahoma 2010 SAMUEL BARBER’S SOUVENIRS: A COMPARATIVE STUDY OF THE SOLO, DUET, AND ORCHESTRAL VERSIONS A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY ___________________________________ Dr. Edward Gates, chair ___________________________________ Dr. Jane Magrath ___________________________________ Dr. Sanna Pederson ___________________________________ Dr. Frank Riddick ___________________________________ Dr. John Fagan © Copyright by ADELAIDE LEUNG 2010 All Rights Reserved. TABLE OF CONTENTS TABLE OF CONTENTS iv LIST OF FIGURES v ABSTRACT viii CHAPTER ONE: INTRODUCTION AND RELATED LITERATURE 1 Purpose of the Study 3 Need for the Study 3 Procedures for the Study 3 Organization of the Study 4 Limitations of Study 4 Related Literature 5 CHAPTER TWO: BARBER’S LIFE AND MUSIC 13 Biography 13 Compositional Style 17 Piano Music 20 CHAPTER THREE: OVERVIEW OF SOUVENIRS 24 Timeline of Souvenirs 25 The Context of Souvenirs 29 CHAPTER FOUR: COMPARING THE VERSIONS OF SOUVENIRS 31 Waltz 31 Schottische 47 Pas de Deux 54 Two-Step 62 Hesitation-Tango 68 Galop 75 CHAPTER FIVE: SUMMARY AND CONCLUSIONS 84 BIBLIOGRAPHY 88 iv LIST OF FIGURES Figure 1a—Souvenirs, “Waltz” (solo version), mm.7-12 33 Figure 1b—Souvenirs, “Waltz” (duet version, primo), mm. 7-12 33 Figure 2a—Souvenirs, “Waltz” (solo version), mm. 57-60 34 Figure 2b—Souvenirs, “Waltz” (duet version, secondo), mm. 57-60 34 Figure 3a—Souvenirs, “Waltz” (solo version), mm.