Plan My Spanish Film Festival 2014
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Memory and Film in Post-Dictatorial Spain" (2014)
Connecticut College Digital Commons @ Connecticut College Self-Designed Majors Honors Papers Self-Designed Majors 2014 Unveiling the Monster: Memory and Film in Post- Dictatorial Spain Juan Pablo Pacheco Bejarano Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/selfdesignedhp Part of the European Languages and Societies Commons, and the Film and Media Studies Commons Recommended Citation Pacheco Bejarano, Juan Pablo, "Unveiling the Monster: Memory and Film in Post-Dictatorial Spain" (2014). Self-Designed Majors Honors Papers. 10. http://digitalcommons.conncoll.edu/selfdesignedhp/10 This Honors Paper is brought to you for free and open access by the Self-Designed Majors at Digital Commons @ Connecticut College. It has been accepted for inclusion in Self-Designed Majors Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Unveiling the Monster: Memory and Film in Post-Dictatorial Spain Fig. 1. Francisco de Goya, El sueño de la razón produce monstrous (The sleep of reason produces monsters), 1799, Museo del Prado, Madrid, Spain An Honors Thesis presented by Juan Pablo Pacheco To Professor Luis González, Ph.D. In Partial Fulfillment of the Requirements for Honors in the Major Field Connecticut College New London, Connecticut May 2014 Table of Contents Acknowledgements………………………………………………………………………………..2 Abstract……………………………………………………………………………………………4 1. Introduction……………………………………………………………………………………..6 2. Haunting Spain through Deformed Pasts: Historical Memory, Cinema and the Gothic and the Grotesque………………………………………………………...........11 Critical Memories: Beyond Forgetting and the Moral Imperative of Remembrance……….12 Representing Abject Pasts: Film, Narrative and Historical Memory………………………..22 The Gothic and the Grotesque: Radical Possibilities of Cinematic Aesthetics.............…….26 3. -
Film Library 2018
FILM LIBRARY 2018 Latido Films is an international sales agency founded in 2003 to commercialize all-film rights of titles from all over the world (with a line-up of no more than 15 per year to ensure our quality standards), with a special focus in Spain and Latin-America and lately Eastern Europe. Latido has collaborated with prestigious filmmakers such as Juan Jose Campanella (“The Weasels”, “The Secret In Their Eyes” – Oscar for Best Foreign Language Film), Carlos Saura (“J: Beyond Flamenco”, “Fados”), Andres Wood (“Violeta Went To Heaven” and “Machuca”), just to mention some of them. Moreover, we support established arthouse directors such as Krzysztof Zanussi, Mariano Cohn and Gastón Duprat. On the other hand, we work with box office hits such as “Champions“ by Javier Fesser and “The Best Summer Of My Life” by Dani de la Orden. Likewise, Latido seeks after rising up new talents like Bartosz M. Kowalski (“Playground”) and Rodrigo Sorogoyen (“The Realm”, “May God Save Us”). We are also convinced that there’s a market for movies by striking new women directors, such as Pepa San Martin (“Rara”), Laura Mora (“Killing Jesus”) and Arantxa Echevarría (“Carmen & Lola”). Multi-audience animations and ground-breaking documentaries are also a must in our catalogue. FILM LIBRARY 1973. Uruguay is governed by a military dictatorship. One autumn Festivals & Awards A TWELVE-YEAR night, three Tupamaro prisoners are taken from their jail cells in a secret military operation. The order is precise: “As we can’t kill Venice Film Festival 2018 Festival Internacional de Cine de San NIGHT them, let’s drive them mad.” The three men will remain in solitary Sebastián LA NOCHE DE 12 AÑOS confinement for twelve years.Among them is Pepe Mujica –later to Busan International Film Festival Festival Biarritz Amérique Latine become president of Uruguay. -
Balada Triste De Trompeta
BALADA TRISTE DE TROMPETA THE LAST CIRCUS Otros títulos/Other titles: A SAD TRUMPET BALLAD ; BALADA TRISTE (España/Spain 90%-Francia/France 10%) Dirigido por/Directed by ÁLEX DE LA IGLESIA Productoras/Production Companies: TORNASOL FILMS, S.A. (45%) Veneras, 9, 7ª planta. 28013 Madrid. Tel.: +34 91 102 30 24. Fax: +34 91 542 87 10. www.tornasolfilms.com ; [email protected] CASTAFIORE FILMS, S.L. (45%) Jean Claude Combaldieu, s/n. 03008 Alicante. Tel.: 91 542 87 10 - 965 90 80 73. Fax: 91 542 87 10. LA FABRIQUE 2. (10%) 25 rue Henry Monnier. 75009 Paris. (Francia) Tel.: +33 143440511. En asociación con/In Association with: MIKADO FILMS, UFUND Y UFUND, BACKUP FILMS. Con la participación de/With the participation of: TVE - TELEVISIÓN ESPAÑOL, CANAL+ ESPAÑA, CANAL+ (FRANCIA/FRANCE), CIUDAD DE LA LUZ. Director: ÁLEX DE LA IGLESIA. Producción/Producers: GERARDO HERRERO, MARIELA BESUIEVSKY. Producción ejecutiva/Executive Producers: MARIELA BESUIEVSKY, GERARDO HERRERO. Coproducción/Co-producers: FRANCK RIBIERE, VERANE FREDIANI. Producción asociada/Associate Producers: JAVIER LÓPEZ- BLANCO, ADRIÁN POLITOWSKI, GILLES WATERKEYN. Producción delegada/Delegate Production: WINNIE BAERT. Dirección de producción/Line Producer: YOUSAF BOKHARI. Guión/Screenplay: ÁLEX DE LA IGLESIA. Fotografía/Photography: KIKO DE LA RICA (AEC). Cámaras/Camera Operators: JOSU INCHAUSTEGUI, RAÚL GARCÍA. Música/Score: ROQUE BAÑOS. Dirección artística/Production Design: EDOU HYDALLGO. Web: www.baladatristedetrompeta.com ; Montaje/Editing: ALEJANDRO LÁZARO. Sonido/Sound: CHARLY SCHMUKLER, DIEGO GARRIDO. www.baladatristedetrompeta.blogspot.com Ayudante de dirección/Assistant Director: DOMINGO GONZÁLEZ. Casting: CAMILLA-VALENTINE ISOLA. Maquillaje/Make-up: JOSÉ QUETGLAS. Efectos especiales de maquillaje/Special Make-up Effects: PEDRO RODRÍGUEZ "PEDRATI". -
Brochure-Amsterdamfilm.Pdf
WELCOME Bienvenidos to the third edition of the Amsterdam Spanish Film Festival. This year, we will be taking you on another exciting and heart-warming journey through the world of Spanish cinema, music and gastronomy; presenting the most powerful, thought provoking, original and enjoyable Spanish language films made over this past year. Along the way, you will discover a hand-picked selection of films from various genres, demonstrating the compelling variety of Spanish cinema in all its richness. From engaging thrillers to entertaining comedies, from moving dramas and action movies to documentaries, this selection will once again demonstrate the dynamism and creativity of Spanish cinema today. We are honoured to introduce two new festival venues for this edition. Another fantastic cinema house, Het Ketelhuis, joins us on this journey, located inside Westerpark and surrounded by nature. And for the first time and to continue beating the drum for Spanish culture, we introduce an emblematic music location in Amsterdam, Bimhuis, where one of our music documentaries OMEGA will prove that Cohen, Lorca, rock and flamenco are perfectly capable of being blended together. Soleá Morente and Antonio Arias from the rock band Lagartija Nick, both protagonists in this documentary, will burn the stage after the screening. This year, we also want to reflect some social issues that we believe are important. ASFF cares about and celebrates the power that film has to communicate, inspire and empower society. The war correspondent and documentary filmmakerHernán Zin will join us to present his documentary NACIDO EN SIRIA with a panel discussion afterwards hosted by Hivos. -
Press File BIFFF 2015
MENU 2015 POPCORN TIME Editorial.………………………………………………………………………………………………….…………………………… 3 TRAILER 1) Openings.……………………………………………………………………………………………………….………… 4 2) Closings…………………………………………………………………………………………………….……………….5 3) Knights of the Order of the Raven…………………………………………….……………………………….6 4) BIFFF Première………………………………………………………………………….……………………………… 8 5) First Feature Section………………………………………………………………………………………………..10 6) BIFFF Junior Section……………………………………………………………….………………………….…….17 7) Midnight X-tremes Section…………………………………………………….………………………….…… 19 8) Fantastic Night.………………………………………………………………………………………………………. 23 9) Thriller Competition.……………………………..………………………………………………….……………24 10) Thriller Jury…………………………………………………………………………………………………………….30 11) 7th Orbit Competition.…………………………………………………………………………………………….31 12) 7th Orbit Jury…………………………………………………………………………………………………………..36 13) European Competition…….……………………………………………………………………………………..38 14) Méliès Jury……………………………………………………………………………………………………………..43 15) International Competition.……………………………………………………………………………………..45 16) Out of Competition……..…………………………………………………………………………………………..52 17) Belgian Film Day……………………….……………………………………………………………………………..71 • Tax Shelter Conference ………………………………………………………………………….71 • Short Films……………………………………………………………………………………………..73 • Press Jury………….………………….………………………………………………………………..80 18) Guests……………………………………………………………………………………………………………..………81 1 FILM SCREENING 1) EGFM European Genre Film Market….…………………………………………………………………….92 2) Frontières..………………………………………………………………………………………………………………93 3) Cosplay……………………………………..………………………………………………………………………….…98