The Researcher Is Intended to Study His Select Novels and Want to Focus on Socio-Cultural Issues in His Select Novels

Total Page:16

File Type:pdf, Size:1020Kb

The Researcher Is Intended to Study His Select Novels and Want to Focus on Socio-Cultural Issues in His Select Novels Review of Literature: The researcher is intended to study his select novels and want to focus on socio-cultural issues in his select novels. Indian society is caste and religion based society. Earlier, they were all regarded equal in social status and could take up any profession they liked. There was no restriction in the matter of eating food or marriage with members of other profession. But with the beginning of specializing in hereditary professions and coming with contact with indigenous people situations changed and the birth of people decided their caste. Hence the varna system was developed that time was an outcome of social and economical development. But as time passed it led the divisions of society. He has read some articles on Kiran Nagarkar’s works. 1] Pande Vijay Baburao (Aug. 2011) writes in his research paper ‘Reasons for Cross- Culturalism in the Works of V’ S’ Naipaul,’ he presents Indian Immigrants to retain Indianness. Naipaul’s work reflects Cross-culturalism in Religion, tradition, taboos, orthodoxies, customs, rituals , superstitions, casteisms, marriage sex names education, language, clothes, manners etiquettes and food etc. 2] Suryawanshi Shivaji V and Kharbe Ram P (Nov.. 2011) has worked on ‘Cultural Harmony in Khushwant Singh’s Train to Pakistan’. The paper attempts to explore cultural harmony and its milieu with socialization and also how cultural disharmony plays reluctant role to demonstrate menace of social disintegration in the context of partition time of India. The culture of India is one of the oldest cultures in the world. There is cultural diversity through out the country. There is hardly any culture in the world that is as varied as India. It is a social theory that keeps Indian society integrated. 3]. Anjesh Kumar, (Aug. 2012)Cultural Dimensions in Raja Rao’s Novels, Raja Rao points out two complementary to each other Ramaswamy the hero of The Serpent and the of the Rope believes that one can know other’s culture by living together. He realizes it in the company of Madline. In another case Comrade Kirillov and Irene who come closer to each other forget their cultural differences. Kamal, the son by Irene visits India to pay off its cultural depths in both of the novels Raja Rao has tried to find the hidden strands that connect one culture with other. 5] Anjesh Kumar, (Sept. 2012) has also published an article on has written on Colonial Consciousness and Identity Crisis A Note on Arun Joshi’s central Character. It reflects the problem of identity and helpless efforts to explore the possibility of an equation between colonial consciousness and self realization. The parallel cultures of the rich and the poor moves in his mind. He sees corruption on national level therefore he finds no glory in family life, any merits in help and education. Restless, sleepless, he is terrified by uncertainties of life. 4] Mishra Alokkumar (Oct. 2012) presents in his research article ‘Study of Love Sex and Marriage in Anita Desai’s Fiction ; Desai explores the lives of characters in solitary confinements their place in society, social cultural and psychological approach through this article. This article focuses on the relationship of contrast sex. It should not remain up to male and female as other animals found in nature .There must be a bound of love there by the cultural and social issues are becoming fruitful and significant 5] Nagarkar Kiran’s God’s Little Soldier (2012) illuminates Zia’s childhood, his emersion in Islamic doctrine at the urging of his devout aunt Zubeida and Zia’s conviction as he grows up, he is destined to be God’s Little Soldier, a defender of Islamic values in a degenerate and immortal world. This novel shows the glimpses of spiritual quest, display of faith, spiritual zeal, fortitude, conversion of religion, fanatism and religious extremism, hypocrisy passion and love, influence and impact of Hindi cinema, manifestation of knowledge, identity crisis, conflicts, pain and suffering, psycho-analysis, exploration of the heroics and perils of idealism adaptability and adjustment in new Islamic culture and Oedipus complex in God’s Little Soldier. The book describes Kabir’s philosophy about God and his devotees. Sagari is a friend of Amanat who is child actress plays role in films but believes in Christianity Vivian is a girl friend of Zia who laughs at him when Zia was performing a prayer. This is epistolary style novel having digression method in this book. My research guide 6]Patil Umesh in his research paper Crisis of Identity and Rethinking Feminism in Githa Hariharan’s The Thousand Faces of Night ( Oct. 2014)lights on the dungeon life of women in contemporary India. Githa Hariharan has focused on the life of Indian women. Devi the protagonist of the novel has facing the same problems which the traditional women. 7] Pawar H. D. (March. 2015) writes in his article In ‘Social awakening in R’ K’Narayan’s Novel The Guide’it reflects regional aspects characters, human relations, and myths. Narayan focuses on the credulity of Indian people gives an opportunity to humbugs like Raju to become a Sadhu and later the International Swamy. Lack of education and proper direction blind the people and gives birth to exploitation black magic, and social taboos in the society. 8] Rane S. R. (March. 2015) has written in his research paper on Social panorama of Human Relationship in kamala Markandeya’s Selected Novels that human relations and change of behaviour sharing meaningful and sometimes doubtful relations in domestic life which man and woman can live and work together harmoniously. 9] Pathak Narendra and Shindkhedkar S. D (March, 2015) wrote on Social Obligation and The Protagonist in Arthur Miller’s Death of a Salesmanshows social obligation means man’s bounded relation with society 10]Gaikwad Kamalakar (May 2015) A Multi dimensional View in Kiran Nagarkar’s Narrativesis also useful article for the researcher. It is about meaningful observation of human behaviour, description of natural phenomenon, god religion, music, political and social morality. In narrative perspective of Kiran Nagarkar uses social , cultural , political and realistic pictures in his works. He has skill full handled use of digression, language epigraph, which provides sound background to his major prospective. It is most beneficial for researcher because it is his core concept to judge such approach. 11] Gaikwad Kamalakar and Songire Vijay D, in their article (May 2015) A Critical Estimate of Gender Discrimination and Domestic Violence in Kiran Nagarkar’s Seven Sixties are Forty Threefocused on the social problem like gender discrimination. Indian women are subordinate to man. She had been always given a subordinate place by male dominating society. Kiran Nagarkar has observed the same in his study.The researcher has shown the cause of humanity, social justice and human welfare. The article linked to power , history, subjectivity , religion , cast and gender oppression operates in social set up as much through institution of culture .The family educational institution and media as though the repressive and violent forces of police and other state agencies. 12] GaikwadKamalakar( Sept. 2015)another article A Female Protagonists in Kiran Nagarkar’s Seven Sixes Are Forty Threealso presents the theme of man –woman relationship as it foregrounds the oppressiveness of Patriarchy and precarious existence of women. The author mainly focuses on female protagonist and her status in society. It reflects husband and wife relationship through their various sufferings, humiliations dependability of male dominated society, inability to resist against men is cleverly described by Kiran Nagarkar. 13] Gaikwad Kamalakar and Songire Vijay D, ( Nov. 2015) in their article Identity Crisis in Kiran Nagarkar’s Seven Sixes Are Forty Three,Kashank is the mouthpiece of the author reveals pain suffering, death, tragic plight, loneliness etc. is prominently revealed through his life. 14] GaikwadKamalakar(Dec, 2015) Kiran Nagarkar: An Emerging Star in Indian English Fiction, Indian Scholar,An International Multidisciplinary e-journal is also very useful article the researcher has studied. Nagarkar depicts effectively traditional themes, their ironic mode of narration and outlines of the plot moving trans-continental territories. He mentions cultural elements and composes his work for Indian ethnic groups. He presents cohesive cultural face to the world at last. Nationalism has been the majopr preoccupation of post-colonial studies. 15] Salunke Khusahba, (Feb, 2016) in her article “Reflection of Culture, Gender and Ethnic Identity in Selvadura’s Funny Boy,”lights on the story of a boy who grows up and brought up in Srilanka. The paper exposes the cultural conflict between Sinhala Tamil has been displayed by Selvadurai. 16] Gangurde U. Y.( March. 2016) wrote an article on Tradition, Religion and Culture Reflected in The Village by the Sea The paper focuses on the culture and Tradition is not just rituals an offering it shapes the lives of people as it has in village narrated the novel. His second article he has presented paper ‘Reflection of Caste System and inferiority Sense in Untouchable’ he emphsises about the caste system deliberately imposed in because of superiority complex and class structure it shows social economical cultural disparity between upper caste Hindu’s and inferior untouchables. 17] Kharba Ambreen S. (March. 2016)has also focused on cultural prejudice among people of different religion and caste in their article History Politics and Cultural Conflict in Shashi Tharoor’s Riot. The article focuses on cultural issues and it will be useful for researcher. 18] Jaybhaye Ramesh B. (April 2016) has also written on Multiculturalism in Kiran Nagarkar’ s Ravan and Eddie. His article focuses on multicultural issues, life style of Chawl and Hinduisms’ as well as Christianity. Ravan and Eddie is one of the waitlist, bawdiest, most perceptive novels in contemporary Indian English Literature.
Recommended publications
  • The Epic Imagination in Contemporary Indian Literature
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School May 2017 Modern Mythologies: The picE Imagination in Contemporary Indian Literature Sucheta Kanjilal University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the South and Southeast Asian Languages and Societies Commons Scholar Commons Citation Kanjilal, Sucheta, "Modern Mythologies: The pE ic Imagination in Contemporary Indian Literature" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6875 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Modern Mythologies: The Epic Imagination in Contemporary Indian Literature by Sucheta Kanjilal A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a concentration in Literature Department of English College of Arts and Sciences University of South Florida Major Professor: Gurleen Grewal, Ph.D. Gil Ben-Herut, Ph.D. Hunt Hawkins, Ph.D. Quynh Nhu Le, Ph.D. Date of Approval: May 4, 2017 Keywords: South Asian Literature, Epic, Gender, Hinduism Copyright © 2017, Sucheta Kanjilal DEDICATION To my mother: for pencils, erasers, and courage. ACKNOWLEDGEMENTS When I was growing up in New Delhi, India in the late 1980s and the early 1990s, my father was writing an English language rock-opera based on the Mahabharata called Jaya, which would be staged in 1997. An upper-middle-class Bengali Brahmin with an English-language based education, my father was as influenced by the mythological tales narrated to him by his grandmother as he was by the musicals of Broadway impressario Andrew Lloyd Webber.
    [Show full text]
  • History of Novel
    History of Novel BRAINSTORMING [PAGE 177] Brainstorming | Q 1 | Page 177 Match the columns: Column A Column B (a) Murasaki Shikibu (1) Cervantes (b) Novella (2) Bankimchandra Chattopadhyaya (c) Don Quixote (3) Tale of Genji (d) Rajmohan’s Wife (4) New Solution: Column A Column B (a) Murasaki Shikibu (3) Tale of Genji (b) Novella (4) New (c) Don Quixote (1) Cervantes (d) Rajmohan’s Wife (2) Bankimchandra Chattopadhyaya Brainstorming | Q 2.1 | Page 177 Pick out the odd element from the group. Arun Joshi, Vikram Seth, Graham Greene, Kiran Nagarkar Solution: Graham Greene. All the others are authors of Indian origin. Brainstorming | Q 2.2 | Page 177 Pick out the odd element from the group. Place, Period, Theme, Climate, Lifestyle Solution: Theme All the others are details related to the setting of the novel. Brainstorming | Q 2.3 | Page 177 Pick out the odd element from the group. Theme, Plot, Character, Novella Solution: Novella All the others are elements of the novel/novella. Brainstorming | Q 3.1 | Page 177 Complete the following statement: The two types of conflicts that the plot may have are _______. Solution: The two types of conflicts that the plot may have are internal (inside the mind of the character) and external (with other characters or entities). Brainstorming | Q 3.2 | Page 177 Complete the following statement: The word ‘picaresque’ originated from _______. Solution: The word ‘picaresque’ originated from the Spanish word, ‘picaro’ which means ‘rogue’. Brainstorming | Q 3.3 | Page 177 Complete the following statement: The epistolary novel presents the narrative through _______. Solution: The epistolary novel presents the narrative through series of correspondence or other documents.
    [Show full text]
  • Rochester Thesis
    CORE Metadata, citation and similar papers at core.ac.uk Provided by ASU Digital Repository The Empire's Shadow: Kiran Nagarkar's Quest for the Unifying Indian Novel by Rachel Rochester A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts Approved November 2011 by the Graduate Supervisory Committee: Daniel Bivona, Co-Chair J. Edward Mallot, Co-Chair Elizabeth Horan ARIZONA STATE UNIVERSITY December 2011 ABSTRACT Kiran Nagarkar, who won the Sahitya Akedemi Award in India for his English language writing, is a man who attracts controversy. Despite the consistent strength of his literary works, his English novels have become a lightning rod – not because they are written in English, but because Nagarkar was a well-respected Marathi writer before he began writing in English. Although there are other writers who have become embroiled in the debate over the politics of discourse, the response to Nagarkar's move from Marathi and his subsequent reactions perfectly illustrate the repercussions that accompany such dialectical decisions. Nagarkar has been accused of myriad crimes against his heritage, from abandoning a dedicated readership to targeting more profitable Western markets. Careful analysis of his writing, however, reveals that his novels are clearly written for a diverse Indian audience and offer few points of accessibility for Western readers. Beyond his English language usage, which is actually intended to provide readability to the most possible Indian nationals, Nagarkar also courts a variegated Indian audience by developing upon traditional Indian literary conceits and allusions. By composing works for a broad Indian audience, which reference cultural elements from an array of Indian ethnic groups, Nagarkar's writing seems to push toward the development of the seemingly impossible: a novel that might unify India, and present such a cohesive cultural face to the world at large.
    [Show full text]
  • Stylistic Experiments in Kiran Nagarkar's Ravan and Eddie And
    International Journal of English Research International Journal of English Research ISSN: 2455-2186; Impact Factor: RJIF 5.32 Received: 31-01-2019; Accepted: 01-03-2019 www.englishjournals.com Volume 5; Issue 2; March 2019; Page No. 81-85 Stylistic Experiments in Kiran Nagarkar’s Ravan and Eddie and The Extras Dr. Pravin Waghmare Research Scholar, Shri Shivaji College Akola, Maharashtra, India Abstract Kiran Nagarkar is very innovative regarding the employment of narrative techniques and stylistic devices. His novel Ravan and Eddie (1994) narrates the story of two protagonists and The Extras (2012) is a sequel to it. In The Extras the first chapter is repeated exactly from the first novel. The novel traces the adult lives of Ravan and Eddie as extras in Bollywood. He has used various techniques that suit the multicultural reality of his fictional world. His irony is seething and humour is replete with tragic connotations. It is through the dexterous use of stylistic devices he brings out the tragic absurdity of life. His narrative techniques are characterized by black comedy and the flippant attitude to look at the world of sorrows and sufferings he has created is his forte. The present paper attempts to find the manner in which the stylistic devices have been fused to create the impression of life as it is seen and experienced by the novelist. Keywords: stylistic device, narration, black humour irony, paradox, hyperboles Introduction discussion and analysis, but on more impersonal issues, The famous romantic poet and a critic, S.T. Coleridge issues which are related tangentially to the story- for firmly believes that all arts achieve their form from within example, the disquisition on Hindi films, or the meditation and there is no imposition from without.
    [Show full text]
  • Bombay Novels
    Bombay Novels: Some Insights in Spatial Criticism Bombay Novels: Some Insights in Spatial Criticism By Mamta Mantri With a Foreword by Amrit Gangar Bombay Novels: Some Insights in Spatial Criticism By Mamta Mantri This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Mamta Mantri All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2390-X ISBN (13): 978-1-5275-2390-6 For Vinay and Rajesh TABLE OFCONTENTS Acknowledgements ......................................................................... ix Foreword ......................................................................................... xi Introduction ................................................................................. xxvi Chapter One ...................................................................................... 1 The Contours of a City What is a City? The City in Western Philosophy and Polity The City in Western Literature The City in India Chapter Two ................................................................................... 30 Locating the City in Spatial Criticism The History of Spatial Criticism Space and Time Space,
    [Show full text]
  • “I Knew That I Was a Hybrid”: an Interview with Kiran Nagarkar
    JOURNAL OF POSTCOLONIAL WRITING, 2017 VOL. 53, NOS. 1–2, 43–51 https://doi.org/10.1080/17449855.2017.1322169 INTERVIEW “I knew that I was a hybrid”: An interview with Kiran Nagarkar Anjali Nerlekar Rutgers University, New Brunswick, NJ, USA ABSTRACT Kiran Nagarkar is a well-known bilingual novelist in Marathi and in KEYWORDS English who has written several notable and award-winning novels as Fiction; chawls; hybridity; well as plays. In this interview conducted in August 2016, the novelist advertising; Kersy Katrak; discusses his background and his beginnings in Marathi writing, and Cuckold his years in advertising and working with Kersy Katrak. The novelist discusses the biographical connection to the chawls in Bombay and the role of excrement in his own work. Nagarkar also explains the early popular and literary influences on his work, the sense of his own hybridity across the writing in two languages, and his refusal to search for an originary past. Kiran Nagarkar (b. 1942) is known for his bilingual writing and innovation in both Marathi and English: his first novel, Sat Sakkam Trechalis (Seven Sixes Are Forty-Three; Nagarkar 1974), is seen as one of the early experimental texts in modern Marathi writing; his third novel, Cuckold (1997), won the prestigious Sahitya Akademi award. Amongst his most popular writing is the novel Ravan and Eddie (1994) to which Nagarkar has added the sequels The Extras (2012) and Rest in Peace: Ravan & Eddie (2015a). It features the irrepressible duo of Ravan and Eddie who document, with tremen- dous humour as well as empathy, post-1960 Bombay through to the current 21st-century Mumbai.
    [Show full text]
  • Apeejay Kolkata Literary Festival 2017
    Apeejay Kolkata Literary Festival 2017 Conversations: Identity: Inclusive urban cities, Post Truth, Voice of Girls, women writers and writing on women , News : Announcing of short film winner at Little India Stories by iLead-o-Scope 2.0 Discussions : History, why mythology is subjective truth Events: Day 3 - 17th January @ ST. PAUL’S CATHEDRAL GROUNDS: Us and Them: Of Identity and Belonging: with authors Marcos G Torrente, Jael Silliman, Kiran Nagarkar and Sadaf Saaz; Modernity and Beyond: Culture and the Urban Space in the 21st Century: With architect Jon Lang, photographer Ram Rahman, and author Amit Chaudhuri; A Space for Us: The Last Girl in Literature: With Anita Nair, Baby Halder, Ruchira Gupta. Moderated by Urvashi Butalia; Lest We Forget: Rescuing Lost Histories: Challenges and rewards of revisiting silenced histories. With Ritu Menon, Kama Maclean, Shrabani Basu; Post-Truth – a threat to liberal democracy? Are we living in a time where fact is being ignored for emotional rhetoric? With Ananya Vajpeyi and Ram Rahman; Of Stardust and Tinseltown: Writing Bollywood: With Shobhaa De, Rachel Dwyer, Jerry Pinto; Little India Stories: the Other attractions: Poetry Café and Plug in hold their sessions for 2017 with Open Pic, Adil & Paloma and Sambit; Little India Stories: the iLead-o-Scope 2.0 Awards with actor Parambrata, filmmaker Q, cinematographer Ranjan Palit, film studies professor Rachel Dwyer. Introduced and moderated by Modhurima Sinha. @ TOLLYGUNGE CLUB: From Olympus to Kailash with Devdutt Pattanaik on Greek myths with an Indian
    [Show full text]
  • Spatial Representations in Conte Metropolis Bombay
    Metropolis Bombay: Spatial Representations in Contemporary Indian Fiction in English A Thesis Submitted in Partial Fulfilment of the Requirement s for the Degree of Doctor of Philosophy Kalpana Bora Roll No. 06614103 Supervisor Professor Rohini Mokashi-Punekar Department of Humanities and Social Sciences Indian Institute of Technology Guwahati Guwahati 781039 India February 2013 Indian Institute of Technology Guwahati Department of Humanities and Social Sciences Guwahati – 781039 (Assam) INDIA STATEMENT I hereby declare that the matter embodied in this thesis, entitled Metropolis Bombay: Spatial Representations in Contemporary Indian Fiction in English , is the result of research carried out by me in the Department of Humanities and Social Sciences, Indian Institute of Technology G uwahati, India, under the supervision of Professor Rohini Mokashi-Punekar in the Department of Humanities and Social Sciences. IIT Guwahati February 2013 (Kalpana Bora) TH-1162_06614103 Indian Institute of Technology Guwahati Department of Humanities and Social Sciences Guwahati - 781 039 (Assam), INDIA Dr. Rohini Mokash i-Punekar Phone: +91-361-2582555 Professor and Head Fax: +91-361-2582599 Email: [email protected] [email protected] CERTIFICATE It is certified that the matter embodied in the thesis entitled Metropolis Bombay: Spatial Representations in Contemporary Indian Fiction in English , submitted for the award of the degree of Doctor of Philosophy by Kalpana Bora, a student of the Department of Humanities and Social Sciences, Indian Institute of Technology Guwahati, India, has been carried out under my supervision. It is also certified that this work has not been submitted anywhere else for the award of a research degree. IIT Guwahati February 2013 (Prof.
    [Show full text]
  • Feminist Interpretation in Kiran Nagarkar's Novel 'Rest in Peace'
    JAC : A Journal Of Composition Theory ISSN : 0731-6755 Feminist interpretation in Kiran Nagarkar’s novel ‘Rest in Peace’ Misha Parnami Research Scholar Department of English University of Mumbai, Mumbai, Maharashtra, India Email- [email protected] Mobile- 9009865321 Abstract The role of women is not just vital in society but has always remained vital in literature. It has drastically changed in today’s world. From always carrying out domestic chores, the women of today are at compelling positions and at par with men. At whichever position they might be, they have always remained the support system of the family. Kiran Nagarkar’s novels are exuberant not just in terms of its’ male characters but also its female characters. Strong, independent, vocal and supportive are the qualities of the women characters in his novels. Nagarkar’s trilogy: ‘Ravan & Eddie’ (1995), ‘The Extras’ (2012) and ‘Rest in Peace’ (2015) have the same women characters. The novels are a true depiction of the ‘female’ in feminism and a ‘female’ in the modern world. The research paper focuses on the female characters in the novel ‘Rest in Peace’ throwing light on their qualities that a modern woman possesses in the Indian context. Keywords: female, modern, strong, independent, vocal, supportive The notable bilingual writer, Kiran Nagarkar was a novelist, playwright, screenwriter, storyteller and drama and film critic. Born on 2 April 1942 in Bombay, in a middle- class Maharashtrian family, the writer wrote in Marathi, his mother tongue as well as in English. A Postmodern in his approach and writings he died on 5 September 2019 in Mumbai after suffering from brain hemorrhage.
    [Show full text]
  • The Postcolonial Bazaar: Marketing/Teaching Indian Literature
    The Postcolonial Bazaar: Marketing/Teaching Indian Literature ARNAB CHAKLADAR A JLx. GOOD WAY perhaps to measure the viability of a critical methodology or approach is to count the number of antholo• gies it generates. Another is to count the number of public dis• agreements among its practitioners over its very name. In the case of "postcolonial" studies — in all its typographical vari• ants — both numbers are quite high. In just the last few years at least as many as five substantial "introductions" to and readers and anthologies of "postcolonial" criticism have been pub• lished by major academic presses1. Major journals such as ARIEL, Callaloo, Critical Theory, October, PMLA, and Social Text have all published special issues on "postcoloniality."2 This has been accompanied by the growing appearance of "postcolonial" sections not just in college bookstores but also in the outlets of major popular chains. But if in all this activity it has become easier to find postcolonial criticism, there is still litde agreement over the uses and implications of the different versions of its name. These disagreements have been aired so often it may not be worth belabouring them here.3 Suffice it to say, the crux of the matter is usually that of coming to terms either with the temporality of colonialism suggested by the "post" or the affiliations with other "post-isms" that the term calls to mind. Surprisingly enough the timeline of postcolonial studies itself is usually taken for granted. If we were to take as our guide the chapter breakdowns and page allotment of major surveys of the field, either Robert Young's influential White My• thologies or Bart Moore-Gilbert's recent Postcolonial Theory: Con• texts, Practices, Politics, it would seem that the story of postcolonial studies proper takes Frantz Fanon as short preface but really begins with the publication of Edward Said's Orientalism and comes into its own with the career of Edward ARIEL: A Review of International English Literature, 31:1 & 2, Jan.
    [Show full text]
  • Indian Writing in English
    INDIAN WRITING IN ENGLISH Contents 1) English in India 3 2) Indian Fiction in English: An Introduction 6 3) Raja Rao 32 4) Mulk Raj Anand 34 5) R K Narayan 36 6) Sri Aurobindo 38 7) Kamala Markandaya’s Indian Women Protagonists 40 8) Shashi Deshpande 47 9) Arun Joshi 50 10) The Shadow Lines 54 11) Early Indian English Poetry 57 a. Toru Dutt 59 b. Michael Madusudan Dutta 60 c. Sarojini Naidu 62 12) Contemporary Indian English Poetry 63 13) The Use of Irony in Indian English Poetry 68 14) A K Ramanujan 73 15) Nissim Ezekiel 79 16) Kamala Das 81 17) Girish Karnad as a Playwright 83 Vallaths TES 2 English in India I’ll have them fly to India for gold, Ransack the ocean for oriental pearl! These are the words of Dr. Faustus in Christopher Marlowe’s play Dr Faustus. The play was written almost in the same year as the East India Company launched upon its trading adventures in India. Marlowe’s words here symbolize the Elizabethan spirit of adventure. Dr. Faustus sells his soul to the devil, converts his knowledge into power, and power into an earthly paradise. British East India Company had a similar ambition, the ambition of power. The English came to India primarily as traders. The East India Company, chartered on 31 December, 1600, was a body of the most enterprising merchants of the City of London. Slowly, the trading organization grew into a ruling power. As a ruler, the Company thought of its obligation to civilize the natives; they offered their language by way of education in exchange for the loyalty and commitment of their subjects.
    [Show full text]
  • Indian English Novel After 1980: Encompassing the New Generation
    JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 Vol 8, Issue 1, 2021 INDIAN ENGLISH NOVEL AFTER 1980: ENCOMPASSING THE NEW GENERATION Arnab Roy Research Scholar National Institute of Technology, Durgapur Email: [email protected] Abstract: Indian English Literature refers to authors' body of work in India whose native or mother tongues might be one of India's several languages. It is also related to the work of Indian Diaspora members. It is also named Indo-Anglian literature. As a genre, this development is part of the larger spectrum of postcolonial literature. This paper discusses about Indian English novels after 1980. 1. Introduction This article attempts to consolidate Indian English Literature after 1980. There are a variety of books by literary artists such as SrinivasaIyengar, C.D. Narasimmaiya, M. K. Naik etc. that describe the beginning and development up to 1980. But the timely collection is not enough to date and this report is useful for a briefing on contemporary literary pedalling in around three-and-a-half decades. Apart from the deficiency of the correctly written root of the works consulted by Wikipedia, this kind of history is regularly obligatory. In India, post-colonial pressures played a critical and special position rather than post-war circumstances. It is true that an Indian genre called English writing has flourished unlimitedly and immensely and continues to thrive only during that time, i.e. after 1980. This paper is a study of Post- modern Indian English Novel, highlighting its history, themes adopted, andother aspects. 2. Historical past English isn't a foreign tongue to us.
    [Show full text]