The Subtle Knife Is the Second Part of the Trilogy That Began with the Golden Compass
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A Comparative Study of Gender Representations in Philip Pullman's
A Comparative Study of Gender Representations in Philip Pullman’s His Dark Materials and Its Chinese Translation by WING BO TSO A thesis submitted to The University of Birmingham in part fulfillment of the degree of Doctor of Philosophy in Applied Linguistics Centre for English Language Studies School of English, Drama and American & Canadian Studies College of Arts and Law The University of Birmingham November 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. 3rd of 3 modules Modules 1 and 2 are in a separate file Abstract Philip Pullman’s His Dark Materials has caused controversy as well as enjoyed great popularity among readers worldwide. Its influence has created a great impact in the field of children’s literature. The purpose of this thesis is two-fold. Firstly, the thesis analyzes gender representations in Pullman’s trilogy in the context of how he rewrites female archetypes through the subversive re-inscription of Eve, the invention of daemons, the reinvention of ‘femme fatale’, and the new portrayal of Gypsy women. Secondly, the thesis aims at comparing and examining how gender representations in the source text are translated, transformed or / and manipulated in its Chinese translation. -
Subversive Female Mentors in Philip Pullman's His Dark Materials
This is the published version of the bachelor thesis: Baró González, Jana; Martín Alegre, Sara, dir. "Witch-oil" : subversive female mentors in Philip Pullman’s ’His Dark Materials’. 2015. 29 pag. (801 Grau en Estudis Anglesos) This version is available at https://ddd.uab.cat/record/137417 under the terms of the license “Witch-oil”: Subversive Female Mentors in Philip Pullman’s His Dark Materials TFG Estudis Anglesos Supervisor: Dr Sara Martín Alegre Jana Baró González June 2015 Table of Contents I. Introduction 3 II. His Dark Materials as Children’s Fantasy 4 III. Deceiving the Authority: Marisa Coulter as a Subversive Mother 8 IV. The Wicked Hag and the Joyful Goddess: Serafina Pekkala as a Contemporary Witch 15 V. Serafina Pekkala and Mrs. Coulter as Lyra’s Contrasting Mentors 22 VI. Conclusions 25 VII. Bibliography 27 Abstract Philip Pullman’s fantasy trilogy His Dark Materials follows Lyra Belacqua’s journey across different worlds, where she meets a series of adult figures who act as her guides and mentors – and also as tormentors and pursuers. This paper will focus on two of the women who teach and nurture Lyra: Serafina Pekkala, a witch, but a benign figure; and Marisa Coulter, an intelligent, glamorous woman who turns out to be her mother, and one of the main villains. In my view – from a Gender Studies perspective –, Serafina and Coulter offer positive examples of the representation of women in fantasy literature, which their role as mentors for the protagonist, with all their differences, prove. Their memorable personalities go beyond stereotypes, and they are characters with agency and believable motives. -
Mcsporran, Cathy (2007) Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction
McSporran, Cathy (2007) Letting the winter in: myth revision and the winter solstice in fantasy fiction. PhD thesis http://theses.gla.ac.uk/5812/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction Cathy McSporran Thesis submitted for the degree of Doctor of Philosophy Department of English Literature, University of Glasgow Submitted October 2007 @ Cathy McSporran 2007 Abstract Letting the Winter In: Myth-Revision and the Winter Solstice in Fantasy Fiction This is a Creative Writing thesis, which incorporates both critical writing and my own novel, Cold City. The thesis explores 'myth-revision' in selected works of Fantasy fiction. Myth- revision is defined as the retelling of traditional legends, folk-tales and other familiar stories in such as way as to change the story's implied ideology. (For example, Angela Carter's 'The Company of Wolves' revises 'Red Riding Hood' into a feminist tale of female sexuality and empowerment.) Myth-revision, the thesis argues, has become a significant trend in Fantasy fiction in the last three decades, and is notable in the works of Terry Pratchett, Neil Gaiman and Philip Pullman. -
The Exploration of Will's Maturation Through Intersubjectivity in Philip
DOI: 10.7816/idil-06-35-03 idil, 2017, Cilt 6, Sayı 35, Volume 6, Issue 35 THE EXPLORATION OF WILL’S MATURATION THROUGH INTERSUBJECTIVITY IN PHILIP PULLMAN’S HIS DARK MATERIALS TRILOGY1 Gözde ERSOY2 ABSTRACT This paper, through focusing on Philip Pullman’s The Subtle Knife (1997) and The Amber Spyglass (2000) from His Dark Materials trilogy, analyses the maturation process of young co-protagonist Will, who in the beginning is introduced to the readers as a boy carrying the world on his shoulders. It showcases his gradual coming of age through the effect of his actions with others, and whilst doing this social thinker Jürgen Habermas’s interpretation of the intersubjectivity theory helps to trace the changes in him. Moreover, the article briefly discusses the way in which intersubjectivity differs from Bakhtinian interpretation of multi-voiced narratives. Therefore, concepts such as mutual understanding and self-reflection are shown to affect the process of maturation in quest style young adult narratives. In the meantime, the whole discussion is backed up with a framework belonging to the doyen of fantasy literature critic John Clute, whose “full fantasy Story” (1997; 2011) model with its gradual four phases, is incorporated into the analysis. Keywords: Intersubjectivity, Growth and Maturation, Philip Pullman, Full- fantasy Story, Jürgen Habermas. 1 This article has partly been produced from the author’s Ph.D. thesis, for which she was awarded the degree in 2016 from Brunel University London, entitled: “Trajectories, Theresholds, Transformations: Coming of Age in Classic Modern Fantasy Fiction.” 2 Research Assistant Dr. Gözde ERSOY, Süleyman Demirel University (Isparta / Turkey), Faculty of Arts and Letters, Department of Western Languages and Literatures, contact e-mail: gozdeersoy(at)sdu.edu.tr 1915 www.idildergisi.com Ersoy, G. -
Read Book His Dark Materials: the Amber Spyglass (Gift Edition) Pdf
HIS DARK MATERIALS: THE AMBER SPYGLASS (GIFT EDITION) PDF, EPUB, EBOOK Philip Pullman | 352 pages | 21 Nov 2019 | Scholastic | 9780702301698 | English | London, United Kingdom His Dark Materials: The Amber Spyglass (Gift Edition) PDF Book After debuting The Golden Compass in to little acclaim, the entertainment industry is trying once again to adapt His Dark Materials , Philip Pullman's beloved fantasy trilogy. United States. She reviews regularly for the Sunday Times Books Section. Related: His Dark Materials star shares Logan character connection. The Harry Potter series claimed the top spot. Throughout the preview, the battle between the Magisterium and the rebels escalates, trapping Lyra in the middle. You may be able to find the same content in another format, or you may be able to find more information, at their web site. This item can be requested from the shops shown below. Forgotten password Please enter your email address below and we'll send you a link to reset your password. This product has not been rated yet. I read it a while back when I was younger and enjoyed it though a lot of the story line was hard for me to understand. Theology and Literature after Postmodernity explores a reconstructive approach to reading and literary study in the university setting, with contributions from interdisciplinary scholars worldwide. Philip was born in Norwich on 19th October Explore Plus. Yes, there she was, and she paused and looked back so that he saw the expression on her face, and he could not understand how anyone so steeped in evil could look so radiant with hope and happiness. -
Being Alone: Experiences of Isolation in the Imaginary Worlds of “His Dark Materials”
Being Alone: Experiences of Isolation in the Imaginary Worlds of “His Dark Materials” Graham Law Waseda University Abstract: Because of its apparently unlimited freedom both to play with material settings and to explore the human consequences, fantasy fiction seems an appropriate context in which to consider the relationship between being alone and feeling alone. In other words, to consider the extent to which isolation as a psychological experience is shaped by isolation in the physical sense. To be published in: “Literary Geographies in Isolation,” Literary Geographies 6:2 (Dec. 2020) https://www.literarygeographies.net/index.php/LitGeogs Philip Pullman’s His Dark Materials trilogy * at the narrative level, a series of novels founded on the idea of a multiplicity of parallel worlds (like the 'Narnia' Chronicles of the Christian apologist C.S. Lewis, of which it is in many respects a deconstruction) * at the philosophical level a Blakean critique of the dichotomization of body and soul typical in the Christian tradition * at the psychological level a sustained analysis of the experience of sexual maturation The characteristics of social interaction ... 1) ... within the virtual classroom * using a laptop camera at home occasionally brings alien beings into view or even into the conversation = house-mates, family members, domestic animals, 2) ... throughout the imaginary worlds of Pullman’s fantasy novels * preoccupied with the physiological and psychological complexities of the state of being ‘alone’ = in adjectival form, attributed to a human or humanized agent, and with the various senses of unaccompanied, single-handed, or solitary (OED A.1.a-c), = this term occurs in this sense more than 50 times in the course of a narrative not far short of 400,000 words. -
Extract from Chapter Ten of La Belle Sauvage Eleven-Year-Old Malcolm
Extract from chapter ten of La Belle Sauvage Eleven-year-old Malcolm lives with his parents at the Trout Inn near Oxford, across the river Thames from Godstow Priory, where the nuns are looking after a special guest. One night his father comes to Malcolm’s bedroom. Now read on: “Malcolm, you en’t in bed yet—good. Come downstairs for a minute. There’s a gentleman wants a word with you.” “Who is it?” said Malcolm eagerly, jumping up and following his father out. “Keep your voice down. He’ll tell you who he is if he wants to.” “Where is he?” “In the Terrace Room. Take him a glass of Tokay.” “What’s that?” “Hungarian wine. Come on, hurry up. Mind your manners and tell the truth.” “I always do,” said Malcolm automatically. “News to me,” said his father. But he ruffled Malcolm’s hair before they entered the bar. The gentleman waiting gave him a start, though all he was doing was sitting still by the cold fireplace. Perhaps it was his dæmon, a beautiful silvery spotted leopard, or perhaps it was his dark, saturnine expression; in any event, Malcolm felt daunted, and very young and small. His dæmon, Asta, became a moth. “Good evening, sir,” he said. “Your Tokay what you ordered. Would you like me to make up the fire? It’s ever so cold in here.” “Is your name Malcolm?” The man’s voice was harsh and deep. “Yes, sir. Malcolm Polstead.” “I’m a friend of Dr. Relf,” said the man. “My name is Asriel.” “Oh. -
Satanic Characters in Philip Pullman's Trilogy, His Dark Materials
1 Dreadful Monsters or Self-sacrificing Parents? Satanic Characters in Philip Pullman’s Trilogy, His Dark Materials Zsuzsanna Tóth * University of Szeged, Hungary Abstract Within a close transtextual inheritance of John Milton’s Paradise Lost (1667) and William Blake’s The Marriage of Heaven and Hell (1790-1793) starring Satan, Philip Pullman’s contemporary fantasy trilogy, His Dark Materials (1995-2000), retells the Judeo-Christian myth of the Fall of Man in order to criticize the grand narrative of Christianity. From the theoretical position of myth criticism, the paper proves that on the one hand, in Pullman’s mythopoesis the symbolic role of Satan is divided into two characters, a man called Lord Asriel and a woman called Mrs Marisa Coulter. On the other hand, their about-turn cannot be considered a real character development even though both the public and private purposes of Lord Asriel and Mrs Coulter diametrically change at the end of Pullman’s story. Keywords: character-development, fantasy literature, myth-criticism, Satan 1. Introduction: On the Devil’s Party Satan as the embodiment of antagonism has been a recurring character in Judeo-Christian literature. Since the era of Romanticism, he has been interpreted as a tragic, heroic figure (Pál and Újvári, 2001: 364), also as one of the embodiments of man’s intellectual freedom (405). The most prominent examples are John Milton’s Paradise Lost (1667), Johann Wolfgang von Goethe’s Faust (1808; 1832) and Mikhail Bulgakov’s The Master and Margarita (1966). The list continues with a British author of children’s and adolescents’ fiction, namely Philip Pullman (1946- ) who retells the Judeo-Christian myth of the Fall of Man in his post-modern fantasy trilogy, entitled His Dark Materials . -
The Subtle Knife Ebook, Epub
THE SUBTLE KNIFE PDF, EPUB, EBOOK Philip Pullman | 368 pages | 03 Oct 2013 | Scholastic | 9781407139760 | English | London, United Kingdom The Subtle Knife PDF Book They break in and soon reach the tower where they find a roughed-up elderly man bound and gagged. Frequently Bought Together. John tells Will that the subtle knife is the most powerful weapon in the world, that it is the only weapon that can destroy God, and that Will must find Lord Asriel and force the ultimate confrontation between good and evil. In stock online Available in stores. This content is imported from YouTube. Popular pages: His Dark Materials. The season will pick up exactly where season 1 ends: like, hours after. Internet Explorer. Immediate Media Company Limited publishers of radiotimes. On set, the threads and portals or windows were real, created with wire by the VFX team to allow the actors to more easily interact with them. Chrome On the Control button top right of browser , select Settings from dropdown. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Anything more than that will just be spoiler territory. Meanwhile, the witch Serafina Pekkala is searching for her clan, when she comes across Mrs. The narrators really bring the story to life. Rate Product. Now, for the first time ever, Lois H. Edition Horoscopes. And something to run it down. Sign me up! Back to top. He returns to camp only to find the witches are gone, two angels have arrived, and the only sign left of Lyra is her alethiometer. Did he spoil his own return? She kills John and then herself, and Will is left bereft. -
His Dark Materials" and Tolkien’S "The Lord of the Rings"
University of Dayton eCommons Joyce Durham Essay Contest in Women's and Gender Studies Women's and Gender Studies Program 2009 Medieval Romance and British Romanticism: Gender Constructions in Pullman’s "His Dark Materials" and Tolkien’s "The Lord of the Rings" Emily Elizabeth Howson University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/wgs_essay Part of the Women's Studies Commons eCommons Citation Howson, Emily Elizabeth, "Medieval Romance and British Romanticism: Gender Constructions in Pullman’s "His Dark Materials" and Tolkien’s "The Lord of the Rings"" (2009). Joyce Durham Essay Contest in Women's and Gender Studies. 3. https://ecommons.udayton.edu/wgs_essay/3 This Essay is brought to you for free and open access by the Women's and Gender Studies Program at eCommons. It has been accepted for inclusion in Joyce Durham Essay Contest in Women's and Gender Studies by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Medieval Romance and British Romanticism: Gender Constructions in Pullman's His Dark Materials and Tolkien's The Lord of the Rings by Emily Elizabeth Howson Winner 2009 Joyce Durham Essay Contest in Women's and Gender Studies Medieval Romance and British Romanticism: Gender Constructions in Pullman's His Dark Materials and Tolkien's The Lord of the Rings In a 1999 interview, Philip Pullman, author of His Dark Materials, replied to a question about gender, saying, "Eve is the equal of Adam and shares in whatever it is that happens" (Pullman, Parsons par. 30). J.R.R Tolkien, author of The Lord of the Rings expressed a different attitude toward male and female. -
<I>His Dark Materials</I>
Volume 24 Number 2 Article 1 10-15-2004 His Dark Materials: A Look into Pullman's Interpretation of Milton's Paradise Lost Karen D. Robinson Texas A&M University and Purdue University, IN Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Robinson, Karen D. (2004) "His Dark Materials: A Look into Pullman's Interpretation of Milton's Paradise Lost," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 24 : No. 2 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol24/iss2/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Explores ideas of duality and other concepts from Milton’s Paradise Lost that influenced Pullman’s Dark Materials trilogy. Additional Keywords Milton, John. Paradise Lost; Pullman, Philip. -
Lyra Belacqua in His Dark Materials
REWRITING THE FALL: LYRA BELACQUA IN HIS DARK MATERIALS REWRITING THE FALL: LYRA BELACQUA’S RESISTANCE TO ADULT IDEOLOGY IN HIS DARK MATERIALS By DANIEL T. MOORE, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Daniel T. Moore, September 2014 ii McMaster University MASTER OF ARTS (2014) Hamilton, Ontario (English) TITLE: Rewriting the Fall: Lyra Belacqua’s Resistance to Adult Ideology in His Dark Materials AUTHOR: Daniel T. Moore, B.A. (McMaster University) SUPERVISOR: Professor Iris Bruce NUMBER OF PAGES: v, 100 iii ABSTRACT This thesis examines resistance to adult ideology by child/adolescent characters in Philip Pullmans’ His Dark Materials. Drawing on terminology provided by Maria Nikolajeva (aetonormativity) and Roberta Trites (power within repression) this paper describes the development of Lyra Belacqua, the protagonist of The Golden Compass. It identifies in Pullman’s text a particular emphasis on allowing children to develop into adolescents before subjecting them to religious or secular ideologies. This thesis works with the terms Entwicklungsroman and Bildungsroman in order to illuminate and complicate the subject- positions: adolescent, child and adult. This thesis demonstrates the particular attention to qualities of adolescence and childhood in Pullman’s works, and the effect that reconstructing adolescence as an end-point for child characters has on child protagonists, by contrast to adulthood as a destination. iv ACKNOWLEDGEMENTS I would like to thank my mother and father, without whom I would not have been able to pursue my degree, and who have encouraged me and supported me every step of the way.