Extract from Chapter Ten of La Belle Sauvage Eleven-Year-Old Malcolm
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Subversive Female Mentors in Philip Pullman's His Dark Materials
This is the published version of the bachelor thesis: Baró González, Jana; Martín Alegre, Sara, dir. "Witch-oil" : subversive female mentors in Philip Pullman’s ’His Dark Materials’. 2015. 29 pag. (801 Grau en Estudis Anglesos) This version is available at https://ddd.uab.cat/record/137417 under the terms of the license “Witch-oil”: Subversive Female Mentors in Philip Pullman’s His Dark Materials TFG Estudis Anglesos Supervisor: Dr Sara Martín Alegre Jana Baró González June 2015 Table of Contents I. Introduction 3 II. His Dark Materials as Children’s Fantasy 4 III. Deceiving the Authority: Marisa Coulter as a Subversive Mother 8 IV. The Wicked Hag and the Joyful Goddess: Serafina Pekkala as a Contemporary Witch 15 V. Serafina Pekkala and Mrs. Coulter as Lyra’s Contrasting Mentors 22 VI. Conclusions 25 VII. Bibliography 27 Abstract Philip Pullman’s fantasy trilogy His Dark Materials follows Lyra Belacqua’s journey across different worlds, where she meets a series of adult figures who act as her guides and mentors – and also as tormentors and pursuers. This paper will focus on two of the women who teach and nurture Lyra: Serafina Pekkala, a witch, but a benign figure; and Marisa Coulter, an intelligent, glamorous woman who turns out to be her mother, and one of the main villains. In my view – from a Gender Studies perspective –, Serafina and Coulter offer positive examples of the representation of women in fantasy literature, which their role as mentors for the protagonist, with all their differences, prove. Their memorable personalities go beyond stereotypes, and they are characters with agency and believable motives. -
Mcsporran, Cathy (2007) Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction
McSporran, Cathy (2007) Letting the winter in: myth revision and the winter solstice in fantasy fiction. PhD thesis http://theses.gla.ac.uk/5812/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction Cathy McSporran Thesis submitted for the degree of Doctor of Philosophy Department of English Literature, University of Glasgow Submitted October 2007 @ Cathy McSporran 2007 Abstract Letting the Winter In: Myth-Revision and the Winter Solstice in Fantasy Fiction This is a Creative Writing thesis, which incorporates both critical writing and my own novel, Cold City. The thesis explores 'myth-revision' in selected works of Fantasy fiction. Myth- revision is defined as the retelling of traditional legends, folk-tales and other familiar stories in such as way as to change the story's implied ideology. (For example, Angela Carter's 'The Company of Wolves' revises 'Red Riding Hood' into a feminist tale of female sexuality and empowerment.) Myth-revision, the thesis argues, has become a significant trend in Fantasy fiction in the last three decades, and is notable in the works of Terry Pratchett, Neil Gaiman and Philip Pullman. -
Lower School Title Genre Classification
Lower school Title Genre Classification Sputnik's Guide to Life on Earth (by BOYCE, Frank Adventu F BOY Cottrell, 2017) re Wonder Woman : warbringer (by Leigh Bardugo, Fantasy F BAR 2017) The Dark is Rising (by Susan Cooper, 2013; E-book) Fantasy F COO La Belle Sauvage = The Book of Dust - Volume 1 (by Fantasy F PUL Philip Pullman, 2017) The Chronicles of Narnia, 7-volume = The Magician's Nephew, The Lion, the Witch and the Wardrobe, The Horse and His Boy, Prince Caspian : the return Fantasy F LEW to Narnia, The Voyage of the Dawn Treader, The silver chair, The last battle (by LEWIS, C.S.) The Ingo chronicles, 5-volume = Ingo, The tide knot, The deep, The crossing of Ingo, Stormswept (by Fantasy F DUN Helen Dunmore) The Stupidest Angel : a Heartwarming Tale Humour F MOO of Christmas Terror (by Christopher Moore, 2008) Love Wintersong (by S. Jae-Jones, 2017) F JAE stories Magpie Murders: A Novel (by Anthony Horowitz, Mystery F HOR 2017; eBook) Orbiting Jupiter (by Gary D. Schmidt, 2017) Realistic F SCH Firebird series, 3-volume = A Thousand Pieces of You, Ten Thousand Skies Above You, A Million Science F GRA Worlds With You (by Claudia Gray) Tales of the Peculiar (Miss Peregrine’s Peculiar Short F NUL Children book 0.5) (by Millard Nullings, 2016) stories The bone sparrow : hope can set you free (Zana F FRA Fraillon, 2017) Apple and Rain (by Sarah Crossan, 2015) F CRO Upper school Title Genre Classification In order to live : a North Korean girl's journey to Auto- NF 920 PAR freedom (by Yeonmi Park, 2016) biography Maya Angelou’s 5-volume autobiography = I know why the caged bird sings, Gather together in my Auto- name, Singin' and swingin' and getti' merry NF 928 ANG biography like Christmas, The Heart Of A Woman, All God's children need travelling shoes Maud's Line (by Margaret Verble, 2016) Historical F VER 4321 (by Paul Auster, 2017) Historical F AUS The Sport of Kings (by C. -
2018 Modernity, Revolutions and Frontiers in Philip Pullman
Modernity, revolutions and frontiers in Philip Pullman’s His Dark Materials or a contribution to the fourth culture Maria do Rosário Monteiro CHAM, FCSH, Universidade NOVA de Lisboa, Portugal ABSTRACT:Accepted Philip Pullman’s His Dark Materials is a series of fantasy narratives for (young) adults. Its complexity and structure place the novels directly within the theme of this publication: Modernity, Frontiers and Revolutions. The three segments of the title are all intimately connected throughout the texts—are their core. Regarding modernity, it is present in the ethical perspective, the scientific references and the series structure. The revolution plays a significant part in the whole plot, being the aim of a mul- titude of characters. It will be a political, social, cultural religious and ethical revolution taking place in a variety of universes. Frontiers, in so far as they act in an ambivalent way, both as containers and promises for change, as obstacles and challenges, are also one major topic in the series, with characters travelling from world to world, crossing borders and returning to their homelands. Two teenagers, sometimes under supervision, face difficult issues like death, truth, friendship, war, and love. However, most of the time they have to decide without guidance, relying on their consciousness, on principles inherited from the cultural milieu, on their friendship but also on their intuitions and emo- tions. The two characters are complementary, and this characteristic allows them to make the right ethical choices, even the most painful. Pullman proposes some radical transformations in literature for young adults, and he also paves a road out of formulaic and/or post-Tolkien fantasy while, at the same time, fulfils the “mission” of “speaking out of tone”, of contrasting and questioning cultural agendas of mainstream literature and culture. -
The Subtle Knife Is the Second Part of the Trilogy That Began with the Golden Compass
The Subtle Knife is the second part of the trilogy that began with The Golden Compass. That first book was set in a world like ours, but different. This book begins in our own world. * * * * * In The Subtle Knife, readers are introduced to Will Parry, a young boy living in modern- day Oxford, England. Will is only twelve years old, but he bears the responsibilities of an adult. Following the disappearance of his explorer-father, John Parry, during an expedition in the North, Will became parent, provider and protector to his frail, confused mother. And it's in protecting her that he becomes a murderer, too: he accidentally kills a man who breaks into their home to steal valuable letters written by John Parry. After placing his mother in the care of a kind friend, Will takes those letters and sets off to discover the truth about his father. Will does indeed make an astonishing discovery, but it's not about his father. Along a busy road, he happens upon an extraordinary window in the air. Almost invisible to the eye, it opens into an entirely different world. Anxious to remain hidden, Will ventures through this window into the shimmering, haunted city of Cittàgazze, where he meets Lyra Belacqua and her dæmon, Pantalaimon, who have also wandered into Cittàgazze from yet another world while searching for the answers behind Dust. Aside from Will and his new companions, this city is eerie, empty and silent. The people have fled to the hills to escape the Specters, phantom-like beings that feed on the consciousness of grown-ups, leaving them zombie-like and void forever after. -
Satanic Characters in Philip Pullman's Trilogy, His Dark Materials
1 Dreadful Monsters or Self-sacrificing Parents? Satanic Characters in Philip Pullman’s Trilogy, His Dark Materials Zsuzsanna Tóth * University of Szeged, Hungary Abstract Within a close transtextual inheritance of John Milton’s Paradise Lost (1667) and William Blake’s The Marriage of Heaven and Hell (1790-1793) starring Satan, Philip Pullman’s contemporary fantasy trilogy, His Dark Materials (1995-2000), retells the Judeo-Christian myth of the Fall of Man in order to criticize the grand narrative of Christianity. From the theoretical position of myth criticism, the paper proves that on the one hand, in Pullman’s mythopoesis the symbolic role of Satan is divided into two characters, a man called Lord Asriel and a woman called Mrs Marisa Coulter. On the other hand, their about-turn cannot be considered a real character development even though both the public and private purposes of Lord Asriel and Mrs Coulter diametrically change at the end of Pullman’s story. Keywords: character-development, fantasy literature, myth-criticism, Satan 1. Introduction: On the Devil’s Party Satan as the embodiment of antagonism has been a recurring character in Judeo-Christian literature. Since the era of Romanticism, he has been interpreted as a tragic, heroic figure (Pál and Újvári, 2001: 364), also as one of the embodiments of man’s intellectual freedom (405). The most prominent examples are John Milton’s Paradise Lost (1667), Johann Wolfgang von Goethe’s Faust (1808; 1832) and Mikhail Bulgakov’s The Master and Margarita (1966). The list continues with a British author of children’s and adolescents’ fiction, namely Philip Pullman (1946- ) who retells the Judeo-Christian myth of the Fall of Man in his post-modern fantasy trilogy, entitled His Dark Materials . -
His Dark Materials" and Tolkien’S "The Lord of the Rings"
University of Dayton eCommons Joyce Durham Essay Contest in Women's and Gender Studies Women's and Gender Studies Program 2009 Medieval Romance and British Romanticism: Gender Constructions in Pullman’s "His Dark Materials" and Tolkien’s "The Lord of the Rings" Emily Elizabeth Howson University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/wgs_essay Part of the Women's Studies Commons eCommons Citation Howson, Emily Elizabeth, "Medieval Romance and British Romanticism: Gender Constructions in Pullman’s "His Dark Materials" and Tolkien’s "The Lord of the Rings"" (2009). Joyce Durham Essay Contest in Women's and Gender Studies. 3. https://ecommons.udayton.edu/wgs_essay/3 This Essay is brought to you for free and open access by the Women's and Gender Studies Program at eCommons. It has been accepted for inclusion in Joyce Durham Essay Contest in Women's and Gender Studies by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Medieval Romance and British Romanticism: Gender Constructions in Pullman's His Dark Materials and Tolkien's The Lord of the Rings by Emily Elizabeth Howson Winner 2009 Joyce Durham Essay Contest in Women's and Gender Studies Medieval Romance and British Romanticism: Gender Constructions in Pullman's His Dark Materials and Tolkien's The Lord of the Rings In a 1999 interview, Philip Pullman, author of His Dark Materials, replied to a question about gender, saying, "Eve is the equal of Adam and shares in whatever it is that happens" (Pullman, Parsons par. 30). J.R.R Tolkien, author of The Lord of the Rings expressed a different attitude toward male and female. -
<I>His Dark Materials</I>
Volume 24 Number 2 Article 1 10-15-2004 His Dark Materials: A Look into Pullman's Interpretation of Milton's Paradise Lost Karen D. Robinson Texas A&M University and Purdue University, IN Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Robinson, Karen D. (2004) "His Dark Materials: A Look into Pullman's Interpretation of Milton's Paradise Lost," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 24 : No. 2 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol24/iss2/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Explores ideas of duality and other concepts from Milton’s Paradise Lost that influenced Pullman’s Dark Materials trilogy. Additional Keywords Milton, John. Paradise Lost; Pullman, Philip. -
Lyra Belacqua in His Dark Materials
REWRITING THE FALL: LYRA BELACQUA IN HIS DARK MATERIALS REWRITING THE FALL: LYRA BELACQUA’S RESISTANCE TO ADULT IDEOLOGY IN HIS DARK MATERIALS By DANIEL T. MOORE, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Daniel T. Moore, September 2014 ii McMaster University MASTER OF ARTS (2014) Hamilton, Ontario (English) TITLE: Rewriting the Fall: Lyra Belacqua’s Resistance to Adult Ideology in His Dark Materials AUTHOR: Daniel T. Moore, B.A. (McMaster University) SUPERVISOR: Professor Iris Bruce NUMBER OF PAGES: v, 100 iii ABSTRACT This thesis examines resistance to adult ideology by child/adolescent characters in Philip Pullmans’ His Dark Materials. Drawing on terminology provided by Maria Nikolajeva (aetonormativity) and Roberta Trites (power within repression) this paper describes the development of Lyra Belacqua, the protagonist of The Golden Compass. It identifies in Pullman’s text a particular emphasis on allowing children to develop into adolescents before subjecting them to religious or secular ideologies. This thesis works with the terms Entwicklungsroman and Bildungsroman in order to illuminate and complicate the subject- positions: adolescent, child and adult. This thesis demonstrates the particular attention to qualities of adolescence and childhood in Pullman’s works, and the effect that reconstructing adolescence as an end-point for child characters has on child protagonists, by contrast to adulthood as a destination. iv ACKNOWLEDGEMENTS I would like to thank my mother and father, without whom I would not have been able to pursue my degree, and who have encouraged me and supported me every step of the way. -
Children's Books Rights Guide Autumn 2017
united agents united children’s books rights guide Autumn 2017 All enquiries about translation rights unless otherwise stated to: Jane Willis (Email [email protected] Direct line + 44 20 3214 0892) Jane is assisted by Naomi Pieris Email [email protected] Direct line + 44 20 3214 2273 United Agents, 12-26 Lexington Street, London, W1F 0LE, UK Telephone + 44 20 3214 0800, www.unitedagents.co.uk 2 CONTENTS FRONTLIST PAGE NO Adult/Crossover DAEMON VOICES by Philip Pullman 4 THE GHOST WALL by Sarah Moss 5 Young Adult LUNE by Christina Wheeler 6 SATELLITE by Nick Lake 7 DARK GIFTS trilogy by Vic James 8 UNSCREWED by Helen Howe 9 11+ BIG BONES by Laura Dockrill 10 THE GOOSE ROAD by Rowena House 11 Children’s BOOK OF DUST: LA BELLE SAUVAGE by Philip Pullman 12 BILLY AND THE MINPINS by Roald Dahl, illustrated by Quentin Blake 13 SATSUMA BRIDESMAID by L A Craig 14 THE MIRACLE OF MOSES MOLE by Sandra Daniels 15 FREDERICK THE GREAT DETECTIVE by Philip Kerr 16 FENN HALFLIN AND THE SEABORN by Francesca Amour-Chelu 17 HAMISH AND THE WORLDSTOPPERS series by Danny Wallace 18 THE MATILDA EFFECT by Ellie Irving 19 THE MARSH ROAD MYSTERIES series by Elen Caldecott 20 FLAME’S STORY by Sheridan Winn 21 THE BIG GREEN BOOK by Robert Graves, illustrated by Maurice Sendak 22 BACKLIST HIGHLIGHTS Young Adult and Crossover 24 THE SHATTERED SEA trilogy by Joe Abercrombie 25 THE CELLAR by Natasha Preston 26 WHISPER TO ME by Nick Lake 27 LORALI by Laura Dockrill Children’s HIS DARK MATERIALS trilogy by Philip Pullman 28 KRINDLEKRAX by Philip Ridley -
EXPLORING the CHRONICLES of NARNIA, HARRY POTTER, and HIS DARK MATERIALS Jamie Weston Southeastern University - Lakeland
Southeastern University FireScholars Selected Honors Theses Fall 11-2017 FINDING FAITH IN FANTASY: EXPLORING THE CHRONICLES OF NARNIA, HARRY POTTER, AND HIS DARK MATERIALS Jamie Weston Southeastern University - Lakeland Follow this and additional works at: https://firescholars.seu.edu/honors Part of the Comparative Literature Commons Recommended Citation Weston, Jamie, "FINDING FAITH IN FANTASY: EXPLORING THE CHRONICLES OF NARNIA, HARRY POTTER, AND HIS DARK MATERIALS" (2017). Selected Honors Theses. 77. https://firescholars.seu.edu/honors/77 This Thesis is brought to you for free and open access by FireScholars. It has been accepted for inclusion in Selected Honors Theses by an authorized administrator of FireScholars. For more information, please contact [email protected]. FINDING FAITH IN FANTASY: EXPLORING THE CHRONICLES OF NARNIA, HARRY POTTER, AND HIS DARK MATERIALS by Jamie Leahann Weston Submitted to the Honors Program Committee In partial fulfillment Of the requirements for University Honors Scholars Southeastern University 2017 ii Copyright by Jamie Leahann Weston 2017 iii ABSTRACT Fantasy is often a controversial topic within the Christian community, especially when magic is involved and religious ideals are tested. This controversy is explored and questioned through the advocating of the creative, intellectual, and spiritual qualities of Fantasy that are positive and encouraging for a Christian, and by analyzing the presence and value of these qualities within three famous fantasy series, The Chronicles of Narnia, Harry Potter, and His Dark Materials. KEY WORDS Fantasy, Fantasy Literature, Christianity, Magic, The Chronicles of Narnia, Harry Potter, His Dark Materials, C.S. Lewis, J.K. Rowling, Philip Pullman, J.R.R. Tolkien iv TABLE OF CONTENTS 1. -
Turtles All the Way Down All the Crooked Saints
BOOKSTurtles All the Way Down A Skinful of Shadows by John Green by Frances Hardinge Release Date: October 10 Release Date: October 17 Sixteen-year-old Aza never intended to pursue the mys- This is the story of a bear-hearted girl . tery of fugitive billionaire Russell Pickett, but there’s a Sometimes, when a person dies, their spirit goes looking hundred-thousand-dollar reward at stake and her Best for somewhere to hide. and Most Fearless Friend, Daisy, is eager to investigate. So Twelve-year-old Makepeace has learned to defend herself together, they navigate the short distance and broad divides from the ghosts which try to possess her in the night, des- that separate them from Russell Pickett’s son, Davis. perate for refuge, but one day a dreadful event causes her to All the Crooked Saints drop her guard. by Maggie Stiefvater Ghosts of Greenglass House Release Date: October 10 (Greenglass House, #2) Here is a thing everyone fears: What it takes to get one. by Kate Milford Any visitor to Bicho Raro, Colorado is likely to find Release Date: October 3 a landscape of dark saints, forbidden love, scientific Welcome back to the irresistible world of Greenglass House DEBUTINGwhere thirteen-year-old Milo is, once again, spending the dreams, miracle-mad owls, estranged affections, one or two orphans, and a sky full of watchful winter holidays stuck in a house full of strange guests who desert stars. are not what they seem. There are fresh clues to uncover as friends old and new join in his search for a mysterious map La Belle Sauvage and a famous smuggler’s lost haul.