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The Nightingale
SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy -
Sydney Theatre Company Annual Report 2011 Annual Report | Chairman’S Report 2011 Annual Report | Chairman’S Report
2011 SYDNEY THEATRE COMPANY ANNUAL REPORT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2 3 2011 ANNUAL REPORT 2011 ANNUAL REPORT “I consider the three hours I spent on Saturday night … among the happiest of my theatregoing life.” Ben Brantley, The New York Times, on STC’s Uncle Vanya “I had never seen live theatre until I saw a production at STC. At first I was engrossed in the medium. but the more plays I saw, the more I understood their power. They started to shape the way I saw the world, the way I analysed social situations, the way I understood myself.” 2011 Youth Advisory Panel member “Every time I set foot on The Wharf at STC, I feel I’m HOME, and I’ve loved this company and this venue ever since Richard Wherrett showed me round the place when it was just a deserted, crumbling, rat-infested industrial pier sometime late 1970’s and a wonderful dream waiting to happen.” Jacki Weaver 4 5 2011 ANNUAL REPORT | THROUGH NUMBERS 2011 ANNUAL REPORT | THROUGH NUMBERS THROUGH NUMBERS 10 8 1 writers under commission new Australian works and adaptations sold out season of Uncle Vanya at the presented across the Company in 2011 Kennedy Center in Washington DC A snapshot of the activity undertaken by STC in 2011 1,310 193 100,000 5 374 hours of theatre actors employed across the year litre rainwater tank installed under national and regional tours presented hours mentoring teachers in our School The Wharf Drama program 1,516 450,000 6 4 200 weeks of employment to actors in 2011 The number of people STC and ST resident actors home theatres people on the payroll each week attracted into the Walsh Bay precinct, driving tourism to NSW and Australia 6 7 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT Andrew Upton & Cate Blanchett time in German art and regular with STC – had a window of availability Resident Artists’ program again to embrace our culture. -
Inside WAAPA Issue 37 Page 1 NEW PIANO HITS RIGHT NOTES
OFFICIAL NEWSLETTER OF THE WESTERN AUSTRALIAN ACADEMY OF PERFORMING ARTS, EDITH COWAN UNIVERSITY (ISSUE 37) October 2014 Acclaimed violinist joins WAAPA McCusker family donates Fazioli Page 2 Frozen’s Elsa comes alive Page 4 Art Song success Page 5 Plus Visiting artists, awards and much more! Inside WAAPA Issue 37 Page 1 NEW PIANO HITS RIGHT NOTES ormer State governor Malcolm McCusker Paul Tunzi, WAAPA’s piano and his family have generously provided technician for 27 years, travelled to Fa Fazioli grand piano for a new generation Sacile in Italy to personally inspect of WAAPA students, 24 years after he and his the pianos at the Fazioli factory. late father, Sir James McCusker, donated the Tunzi enlisted the expertise of university’s original grand piano. Fazioli founder, Mr Paolo Fazioli and “In 1990 my father, the late Sir James Italian concert pianist Alessandro McCusker, and I were very pleased to donate Taverna – who spent a day playing funds to WAAPA for a grand piano. We recognised three shortlisted pianos – to help Wheatley Kathy by Photo select the piano that would be most Second year music student Hannah Th’ng tests the new Fazioli grand piano, with McCusker the importance of students at the high level of Charitable Foundation Trustees Dr Malcom McCusker and Carolyn McCusker WAAPA having a first-class instrument on which suitable for WAAPA’s demands. to hone their talents,” said Dr McCusker. “I am The Fazioli piano chosen for WAAPA displays a The acquisition of the Fazioli grand, which delighted to repeat that gesture as WAAPA has versatility and flexibility which means students was made possible with logistical support become a world class academy.” will be able perform a range of musical genres from Rob Cowell at Snadens Pianos, follows the Now, thanks to the generosity of the on the piano, from classical to jazz. -
© 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia
© 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia SUNDAYS AT 8.30PM FROM JUNE 3, OR BINGE FULL SEASON ON IVIEW Hotly anticipated six-part drama Mystery Road will debut on ABC & ABC iview on Sunday, 3 June at 830pm. Because just one episode will leave audiences wanting for more, the ABC is kicking off its premiere with a special back-to-back screening of both episodes one and two, with the entire series available to binge on iview following the broadcast. Contact: Safia van der Zwan, ABC Publicist, 0283333846 & [email protected] ABOUT THE PRODUCTION Filmed in the East Kimberley region of Western Australia, Aaron Pedersen and Judy Davis star in Mystery Road – The Series a six part spin-off from Ivan Sen’s internationally acclaimed and award winning feature films Mystery Road and Goldstone. Joining Pedersen and Davis is a stellar ensemble casting including Deborah Mailman, Wayne Blair, Anthony Hayes, Ernie Dingo, John Waters, Madeleine Madden, Kris McQuade, Meyne Wyatt, Tasia Zalar and Ningali Lawford-Wolf. Directed by Rachel Perkins, produced by David Jowsey & Greer Simpkin, Mystery Road was script produced by Michaeley O’Brien, and written by Michaeley O’Brien, Steven McGregor, Kodie Bedford & Tim Lee, with Ivan Sen & the ABC’s Sally Riley as Executive Producers. Bunya Productions’ Greer Simpkin said: “It was a great honour to work with our exceptional cast and accomplished director Rachel Perkins on the Mystery Road series. Our hope is that the series will not only be an entertaining and compelling mystery, but will also say something about the Australian identity.” ABC TV Head of Scripted Sally Riley said: “The ABC is thrilled to have the immense talents of the extraordinary Judy Davis and Aaron Pedersen in this brand new series of the iconic Australian film Mystery Road. -
1 2021 Season
2021 SEASON 1 SYDNEY THEATRE COMPANY 2021 SEASON 2 3 SYDNEY THEATRE COMPANY 2021 SEASON Your night starts here. The walkway, familiar, stretches out before you. The glittering water. A glimpse of the bridge. The buzz of friends in The Bar. The dark of the theatre. A sense of anticipation. A new world on stage. Welcome back to theatre. Welcome back to The Wharf. 4 5 SYDNEY THEATRE COMPANY 2021 SEASON “It feels wonderful to be home again” ‘Act 2’ of our 2021 Season is the first to Shakespeare’s ferocious study of power and be launched since our move home to corruption, Julius Caesar, will be presented The Wharf and, as such, we’ve planned a in the round – an exciting new format for celebration of the full gamut of what theatre The Wharf. I’m also thrilled that my new is capable of – a tribute to the artform adaptation of The Picture of Dorian Gray, that brings us all together. This season is which premiered in 2020, will be returning also our first chance to tell stories in our for an encore season. newly renovated and flexible theatre spaces and my team and I have carefully curated Continuing our tradition of bringing you a series of shows that will showcase this the best new international writing, Bess historic building’s new capabilities. Wohl’s Grand Horizons and The Lifespan of a Fact by Jeremy Kareken, David Murrell Our commitment to contemporary and Gordon Farrell, are big, hilarious and Australian plays and the development of thought-provoking plays that will provide Australian theatre-makers is a central focus everyone, regardless of age and stage, a of the Company. -
Black Lives Matter Debate in Senate
56 SENATE Wednesday, 10 June 2020 Question negatived. The PRESIDENT: Senators, that concludes the discovery of formal business but I would urge you to block out some time in your diary for tomorrow afternoon. MATTERS OF PUBLIC IMPORTANCE COVID-19 The PRESIDENT (15:48): A letter has been received from Senator Hanson: Pursuant to standing order 75, I propose that the following matter of public importance be submitted to the Senate for discussion: "Allowing activists to breach Covid-19 restrictions without punishment, even as these same restrictions are devastating jobs, businesses and lives, is a grave insult to all law-abiding Australians." Is the proposal supported? More than the number of senators required by the standing orders having risen in their places— The PRESIDENT: I understand that informal arrangements have been made to allocate specific times to each of the speakers in the debate and, with the concurrence of the Senate, I shall ask the clerks to set the clock accordingly. Senator HANSON (Queensland) (15:49): The matter of public importance I have raised today is based on our state governments, in particular the weak leadership of Queensland Premier Annastacia Palaszczuk, allowing activists to breach COVID-19 restrictions without punishment even as these same restrictions are devastating jobs, businesses and lives. It's a grave insult to all law-abiding Australians. Last weekend we saw tens of thousands of Australians pack city centres across the nation protesting for Black Lives Matter. This protest started in the United States with the unnecessary death of a black American at the hands of police officers. -
Annual Report 2019/20
Published by Screen Australia October 2020 ISSN 1837-2740 © Screen Australia 2020 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2019/20. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data; Metropolitan and National market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of RegionalTAM. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from Mystery Road series 2. Back cover image from Total Control. Screen Australia operates within Australia, with its head office located in Sydney at 45 Jones Street, Ultimo, and an office in Melbourne at 290 Coventry Street, South Melbourne. -
Redfern-Now-Season-2
Most Outstanding Drama 2013 TV Week Logie Awards SEASON TWO Media Kit MEDIA CONTACTS Catherine Lavelle Kris Way UNIT PUBLICITY ABC TV PUBLICITY T 02 9405 2880 T 02 8333 3844 M 0413 88 55 95 M 0419 969 282 E [email protected] E [email protected] As at 23.5.13 Redfern Now Season Two The highly celebrated and multi award winning drama of 2012. Recipient of Most Outstanding Drama at this year’s Logie Awards, the critically acclaimed Redfern Now is currently filming its second season in and around Redfern. With 5 AACTA Award nominations and 3 TV Week Logie Award nominations the first season of Redfern Now received: Silver TV Week Logie Award Most Outstanding Drama 2012 Redfern Now Silver TV Week Logie Award Most Outstanding New Talent Shari Sebbens AACTA Award Best Script in a Television Drama Steven McGregor AACTA Award Best Actress in a Television Drama Leah Purcell Australian Directors Guild Award Best Direction in a TV Drama Rachel Perkins for Pretty Boy Blue Celebrated by audiences and critics alike, Redfern Now is produced by some of Australia’s finest creatives in collaboration with internationally acclaimed writer Jimmy McGovern (Redfern Now, The Street, Cracker, The Lakes) as Story Producer. The powerful, heartbreaking and uplifting stories of the second 6 x 1 hour season have been written by Leah Purcell, Wayne Blair, John Bell, Adrian Russell Wills and the AACTA Award winning Steven McGregor and are being directed by Wayne Blair, Adrian Russell Wills, Beck Cole, Leah Purcell and Australian Director’s Guild Award winning director Rachel Perkins for her episode Pretty Boy Blue. -
Archibald Prize 2020 Education
EDUCATION KIT FOR K-6 CREATIVE ARTS AND 7-12 VISUAL ARTS ARCHIBALD PRIZE 2020 ART GALLERY OF NEW SOUTH WALES 2020 ARCHIBALD PRIZE Analysing the winner Vincent Namatjira Stand strong for who you are Unpacking the prize: themes Identity and place Process and practice Familiar faces Self-portrait Focus works Neil Tomkins Digby Webster, Ernest brothers Kaylene Whiskey Dolly visits Indulkana Ramesh Mario Nithiyendran Self-portrait with outstretched arms Karen Black Madonna ARCHIBALD PRIZE 2020 WINNER Vincent Namatjira Stand strong for who you are acrylic on linen 3 Archibald Prize Art Gallery of New South Wales Education Kit ANALYSING THE WINNER Vincent Namatjira describes his portrait subject, Adam Goodes, as ‘a proud Aboriginal man who stands strong for his people’. He says: ‘I first met Adam in 2018, when he visited the school in Indulkana where I live, as part of his work promoting Indigenous literacy. When I saw the documentary The final quarter about Adam’s final season of AFL, my guts were churning as I relived Adam’s experiences of relentless racism on and off the field. Memories of my own experiences were stirred up and I wanted to reach out and reconnect with Adam. ‘We share some similar stories and experiences – of disconnection from culture, language and Country, and the constant pressures of being an Aboriginal man in this country. We’ve also both got young daughters and don’t want them to have to go through those same experiences. ‘When I was younger and growing up in the foster system in Perth, Indigenous footballers were like heroes to me. -
Naming Rights Sponsor
RD 3 AACTA AWARDS NOMINEES & WINNERS AACTA RAYMOND LONGFORD AWARD Jacki Weaver BYRON KENNEDY AWARD Australian Cinematographers Society (ACS) AACTA AWARD FOR OUTSTANDING ACHIEVEMENT IN VISUAL EFFECTS THE GREAT GATSBY Chris Godfrey, Prue Fletcher, Tony Cole and Andy Brown TELEVISION AACTA AWARD FOR BEST CHILDREN'S TELEVISION SERIES DANCE ACADEMY - SERIES 3 Joanna Werner - ABC3 NOWHERE BOYS Tony Ayres and Beth Frey - ABC3 PELEDA Luke Jurevicius and Nathan Jurevicius - ABC3 YOU'RE SKITTING ME - SERIES 2 Toni Malone and Damian Davis - ABC3 AACTA AWARD FOR BEST TELEVISION COMEDY OR LIGHT ENTERTAINMENT SERIES THE AGONY OF LIFE Amanda Brotchie, Nicole Minchin and Adam Zwar - ABC1 GRUEN NATION - SERIES 2 Sophia Zachariou, Jo Wathen, Wil Anderson and Jon Casimir- ABC1 PLEASE LIKE ME Todd Abbott - ABC2 SHAUN MICALLEF'S MAD AS HELL Peter Beck and Shaun Micallef - ABC1 UPPER MIDDLE BOGAN Robyn Butler and Wayne Hope - ABC1 AACTA AWARD FOR BEST REALITY TELEVISION SERIES AUSTRALIA'S GOT TALENT - SERIES 7 Greg Beness and Steve Kelly - Nine Network MASTERCHEF: THE PROFESSIONALS Margaret Bashfield, David McDonald, Mark Barlin and Tim Toni - Network Ten MY KITCHEN RULES - SERIES 4 Rikkie Proost, Matt Apps, Evan Wilkes and Greg Swanborough - Seven Network THE X FACTOR - SERIES 4 Jonathon Summerhayes - Seven Network AACTA AWARD FOR BEST TELEVISION DRAMA SERIES OFFSPRING - SEASON 4 John Edwards and Imogen Banks - Network Ten REDFERN NOW - SERIES 2 Darren Dale and Miranda Dear - ABC1 SERANGOON ROAD Paul Barron and Nick North - ABC1 WENTWORTH -
Celebrating Years National Institute of Dramatic Art EXCELLENCE, INNOVATION and ACCESS in ARTS EDUCATION THEATRE | FILM | TELEVISION
ANNUAL REPORT 2009 Celebrating years National Institute of Dramatic Art EXCELLENCE, INNOVATION AND ACCESS IN ARTS EDUCATION THEATRE | FILM | TELEVISION Registered Office 215 Anzac Parade Kensington NSW Australia 2033 Postal Address NIDA Australian Company Number UNSW Sydney NSW 000 257 741 Australia 2052 Australian Business Number Tel +61 2 9697 7600 99 000 257 741 Fax +61 2 9662 7415 Email [email protected] CRICOS Provider Code Web www.nida.edu.au 00756M Auditors KPMG Legal Representative Bank Holman Webb Commonwealth Bank of Australia National Institute of Dramatic Art is supported by the Australian Government NIDA is at the University of New South Wales Photographers: Branco Gaica, Gaye Gerard, Rob Kelly, Cathy McDouall, Olivia Martin-McGuire, James Morgan, Ian Waldie, Lisa-Maree Williams, Tahnee McGuire This printed material has been printed with FSC certified paper using Soy Ink (100% vegetable oil) and alcohol-free printing methods. Hamlet Copyright National Institute of Dramatic Art (NIDA) 2010. 2nd year production Contents Vision & Mission 2 Chairman’s Report 3 Director/CEO's Report 4 Governance 6 Staff 8 Full-time Courses 10 Accredited Courses 12 Secondments 12 Visiting Staff 13 Statistics 14 2009 Graduates 16 Open Program 18 Corporate Performance 20 NIDA Foundation Trust 21 Operations 22 Venues 22 Archives 22 Rodney Seaborn Library 23 Friends of NIDA 23 Volunteers 23 2009 Productions 24 Financial Statements 34 Donors 52 Scholarships & Sponsors 53 Vision NIDA is Australia’s national education and training institution for the dramatic arts, discovering and nurturing creative professionals and dynamic arts practice. Our graduates will become the future leaders, innovators and agents of change for the arts and entertainment industry, enabling Australia to develop its cultural identity both at home and on the international stage. -
By Meyne Wyatt
GRIFFIN THEATRE COMPANY PRESENTS GRIFFIN THEATRE CITY COMPANY OF GOLD BY MEYNE WYATT SBW STABLES THEATRE 26 JULY – 31 AUGUST 2019 DIRECTOR ISAAC DRANDIC ASSISTANT DIRECTOR SHARI INDRIANI SET DESIGNERS SIMONE TESORIERI & SIMONA COSENTINI LIGHTING DESIGNER JASON GLENWRIGHT COMPOSER/SOUND DESIGNER TONY BRUMPTON COSTUME DESIGNER NATHALIE RYNER DRAMATURG PAIGE RATTRAY FIGHT DIRECTOR NIGEL POULTON DIRECTORIAL OBSERVATION HANNAH BELANSZKY STAGE MANAGER KHYM SCOTT ASSISTANT STAGE MANAGER ELLA GRIFFIN WITH JEREMY AMBRUM MATHEW COOPER MAITLAND SCHNAARS SHARI SEBBENS ANTHONY STANDISH CHRISTOPHER STOLLERY MEYNE WYATT ACKNOWLEDGMENT OF COUNTRY Griffin would like to acknowledge the Gadigal people of the Eora Nation who are the Traditional Custodians of this land. We pay our respects to their Elders both past and present, and to all Aboriginal and Torres Strait Islander peoples. A co-production with Government partners Griffin’s Production Supported by Partner program Playwriting Australia as part of its Muru Salon and National Script Workshop programs Griffin acknowledges the generosity of the Seaborn, Broughton & Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986. PLAYWRIGHT’S NOTE It is Thursday, 13th of June 2019 and I thought I would pursue later in life. But am in the third week of rehearsal for my I felt it was so urgent that it had to be first ever play, written by me: City of Gold. now or never. So, I went and got the skills I am the lead actor of the show, because I thought I needed. Learnt the basics of of course I am, and I just so happen to structure and whatnot.