Juraj Slăˇvik Papers
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Master Artist of Art Nouveau
Mucha MASTER ARTIST OF ART NOUVEAU October 14 - Novemeber 20, 2016 The Florida State University Museum of Fine Arts Design: Stephanie Antonijuan For tour information, contact Viki D. Thompson Wylder at (850) 645-4681 and [email protected]. All images and articles in this Teachers' Packet are for one-time educational use only. Table of Contents Letter to the Educator ................................................................................ 4 Common Core Standards .......................................................................... 5 Alphonse Mucha Biography ...................................................................... 6 Artsits and Movements that Inspired Alphonse Mucha ............................. 8 What is Art Nouveau? ................................................................................ 10 The Work of Alphonse Mucha ................................................................... 12 Works and Movements Inspired by Alphonse Mucha ...............................14 Lesson Plans .......................................................................................... Draw Your Own Art Nouveau Tattoo Design .................................... 16 No-Fire Art Nouveau Tiles ............................................................... 17 Art Nouveau and Advertising ........................................................... 18 Glossary .................................................................................................... 19 Bibliography ............................................................................................. -
June 06, 1968 P. Shelest Reports on Miloš Krno's Evaluation of the Czechoslovak Crisis
Digital Archive digitalarchive.wilsoncenter.org International History Declassified June 06, 1968 P. Shelest Reports on Miloš Krno's Evaluation of the Czechoslovak Crisis Citation: “P. Shelest Reports on Miloš Krno's Evaluation of the Czechoslovak Crisis,” June 06, 1968, History and Public Policy Program Digital Archive, TsDAHOU, F. 1, Op. 25, Spr. 30, Ll. 1-6. http://digitalarchive.wilsoncenter.org/document/113095 Summary: P. Shelest reports to the CPSU CC on Slovak writer Miloš Krno's evaluation of events in Czechoslovakia. Original Language: Russian Contents: English Translation Secret CPSU CENTRAL COMMITTEE A Slovak writer, Miloš Krno, who is a Communist and former partisan, has just been in the city of Kyiv. 229 He has traveled to Ukraine numerous times in the past and was a counselor at the Czechoslovak embassy in Moscow at the end of the 1940s. 230 Krno is the author of several stories published in Ukraine, in particular a story about a Hero of the Soviet Union, Ján Nálepka. 231 This story was dedicated to friendship between the Soviet and Slovak peoples. Evaluating the situation in Czechoslovakia, Krno spoke in support of strengthening friendship with the Soviet people and with the Communist Party of the Soviet Union. However, in conversations pertaining to the current and future state of affairs in the CSSR, his unease was palpable, and he seemed somewhat reticent. In his view, the reasons for the ongoing events in the CSSR are as follows: “. Because of the rude leadership of Novotný and his cronies, an extremely tense situation emerged in the country, especially in a material sense. -
The Political and Symbolic Importance of the United States in the Creation of Czechoslovakia
Graduate Theses, Dissertations, and Problem Reports 2014 Drawing borders: the political and symbolic importance of the United States in the creation of Czechoslovakia Samantha Borgeson West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Borgeson, Samantha, "Drawing borders: the political and symbolic importance of the United States in the creation of Czechoslovakia" (2014). Graduate Theses, Dissertations, and Problem Reports. 342. https://researchrepository.wvu.edu/etd/342 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. DRAWING BORDERS: THE POLITICAL AND SYMBOLIC IMPORTANCE OF THE UNITED STATES IN THE CREATION OF CZECHOSLOVAKIA Samantha Borgeson Thesis submitted to the Eberly College of Arts And Sciences at West Virginia University in partial fulfillment of the requirements for the degree -
JAN MASARYK (Reflections on His Death)
Summary JAN MASARYK (Reflections on his death) Jan Kalous: Jan Masaryk (1886–1948) The text briefly introduces the personality of a popular Czechoslovak politician, prominent diplomat and Minister of Foreign Affairs. Jan Masaryk was influenced by the environment where he grew up and moved (his father was an university professor and later the first President of the Czechoslovak Republic T.G. Masaryk). Together with President Edvard Beneš he enormously contributed to a reconstruction of the Czechoslovak Republic after the Second World War ended. During the February crisis in 1948 he did not tender his resignation and remained in the Gottwald Government. He died under the unexplained circumstances on 10 March 1948. Lubomír Boháč: The Case Masaryk in the Course of Time The study is based on a critical analysis of the preserved file documentation of official investigations conducted in the years 1948, 1968–1969 and between 1993 and 1996 which only exceptionally refers to the literature devoted to this subject. Analysing the source material, the author deducts that the investigations were not objective as it were subject to direct or indirect political pressures (1948; 1968–1969) or to political atmosphere of that time (1993–1996). Concrete conclusions of individual investigations are explicitly based on testimonies selected for a certain purpose, supporting a version selected in advance. The proof of evidence which was in contradiction with such version or disputed it, was in principal ignored. Fortunately, it was not destroyed but remained preserved in the archive funds. Its analysis led the author to a conclusion that Masaryk’s death was not a classical suicide, let alone a demonstrative one, nor even accidental death but an act of violence. -
Alphonse Mucha (1860-1939)
Alphonse Mucha (1860-1939) Sarah Bernhard Czech painter Alphonse Mucha leapt to fame in Paris in 1895 with his poster ‘Gismonda’ (1894) for the superstar Sarah Bernhardt. It was an overnight sensation and announced the new artistic style and its creator to the citizens of Paris. Bernhardt was so satisfied with the success of that first poster that she entered into a 6 years contract with Mucha. The Parisian actress Sarah Bernhardt was the single most influential figure in Mucha’s life as an artist, he grew both as a man and an artist through his professional collaboration and friendship with the greatest stage personality of the era. Her love of his work combined by her status shot Mucha to fame. Mucha was influenced by Symbolism and by the social aspects of William Morris' Arts and Crafts Movement in England. He attempted to give access to the beauty of art to every social class and to elevate the decorative elements to the status of works of art. Art Nouveau (1890-1910) In an age when the industrial revolution was making mass-produced goods available, it also seemed to be diminishing the role of the artist/craftsman in society. Art Nouveau was a revolt against this – the overall philosophy of the style was to bring the beauty of art to everyday objects. The Art Nouveau artists shared the belief that all arts should work in harmony in order to create a “total work of art”: buildings, textiles, furniture, jewellery, clothes all conformed to the principles of Art Nouveau. Inspired by the decorative style of Art Nouveau (inspired by natural forms and structures) Flowing/swirling/rhythmic lines are visibly apparent within Mucha’s work - Mucha macaroni hair is the name given to Mucha woman with her swirls of abundant hair. -
The Czechoslovak Government-In-Exile in London, 1939-1945
The Czechoslovak Government-In-Exile in London, 1939-1945 Iveta Danišová Bachelor´s Thesis 2017 ABSTRAKT Tato bakalářská práce zkoumá Československý zahraniční odboj a vládu v exilu mezi lety 1939-1945. Na začátku líčí historické pozadí a popisuje problémy Sudetských Němců. Poté se zabývá okolnostmi které předcházely Mnichovské dohodě. Dále se zabývá situací v Československu po podepsání Mnichovské dohody a odchodu vlády do exilu do Londýna. Bakalářská práce také zkoumá podmínky exilové vlády v Londýně, složení vlády, aktivity prezidenta Beneše a snahy vlády, aby byla oficiálně uznána ostatními národy jako právoplatná a jediná legislativní vláda Československa. Poté se zabývá poválečným návratem vlády zpět do Československa. Nakonec práce dokazuje, že úsilí členů exilové vlády ale také československých vojáků přispělo ke spáchání atentátu na Heydricha, ke konci druhé světové války a hlavně k anulování Mnichovské dohody, tudíž mohlo Československo získat po válce zpět své hranice. Klíčová slova: Československo, zahraniční odboj, vláda v exilu, Edvard Beneš, Velká Británie, Londýn, Německo, Mnichovská dohoda, Protektorát Čechy a Morava ABSTRACT This bachelor´s thesis examines the Czechoslovak foreign resistance and the government in exile between 1939 and 1945. It starts by providing the historical background and describing the problems of Sudeten Germans. Then it deals with the conditions that preceded the Munich Agreement. Next, it deals with the situation in Czechoslovakia after the signing the agreement and the departure of the government into exile in London. Moreover, the thesis documents the conditions faced by the government in London, the composition of the government, the activities of President Beneš and the government´s efforts to be officially recognized by other nations as the rightful and only government of Czechoslovakia. -
Operation Anthropoid: the Cost of Communication
Operation Anthropoid: The Cost of Communication Luke Marsalek Junior Division Historical Paper Paper Length: 2,471 words Process Paper: 500 words 1 Process Paper Before even starting my History Day project, I had known about Operation Anthropoid. I heard stories of the heroic parachutists and had even visited the crypt at which the Czech assassins and five other parachutists were killed. I became very intrigued by this story, especially due to my family’s Czech heritage, and so when the time came for choosing a topic for History Day, Operation Anthropoid was an easy selection. I chose it for three main reasons: my genuine interest in Anthropoid, family’s Czech heritage, and its relation to the theme of communication. Communication is pivotal in Anthropoid as there are many great instances of communication, including the assassination (communication that Heydrich’s car was approaching), Karel Čurda’s betrayal (communication of information to the assassins), and the reason Operation Anthropoid was carried out. This information about communication in Anthropoid was provided by my resources. About a third of my resources were books, which proved very valuable as they bestowed quality information. These books limited my use of easier and less informative sources as I already had an abundant amount of information. I also used a fair number of newspaper articles that helped me understand the reaction to the assassination. These resources helped me understand the full scope of Operation Anthropoid and create my project. Creating my project paper, especially drafting, proved to be quite difficult because I like to write a lot. When I turned in my first draft, I was a thousand words over the word limit and I hadn’t even finished the entire paper. -
Central Europe Beautiful and Monumental Painting from Poland and Czechoslovakia
Jan Matejko (1838-1893) Rejtan, or the Fall of Poland 1866 oil on canvas 282 cm × 487 cm (111 in × 192 in) Royal Castle, Warsaw Jan Matejko (1838-1893) Jan Matejko (1838-1893) Astronomer Copernicus: Conversation with God 1872 oil on canvas 221 × 315 cm (87 × 124 in), Museum of the Jagiellonian University, Kraków The figure on the far right is thought to be Pukirev. Masters of Central Europe Beautiful and Monumental Painting from Poland and Czechoslovakia Americans who lived during the Cold its notable buildings and edifices: castles, Polish and Czech artists of great skill attained War may remember the countries of Central palaces, houses, bridges, and great libraries. international renown. 1 Europe primarily as the satellite buffer Warsaw and its memory would be obliterated states dominated by the Soviet Union, their from the face of the earth. After the sudden unraveling of the Soviet Jan Matejko (1838-1893) Sigismund Augustus and Barbara people living behind the “Iron Curtain” under Union in 1991, many of the former Soviet at the Radziwiłł Court in Vilnius 1867 the oppression of totalitarian governments. Over many centuries, the Slavic regions of satellites gained national sovereignty for the oil on canvas 127 cm (50 in). Width: 107 cm (42.1 in). We also remember the Soviet repression Central Europe were repeatedly overrun by first time in centuries and formed democratic [143 x 122,5 x 5] cm of the Hungarian Revolution of 1956 and their stronger neighbors. They continually governments. As these regions opened up to National Museum in Warsaw its invasion of Czechoslovakia in 1968 to struggled to affirm their ethnic and greater freedom of travel and the influence suppress attempts to reform the hard-line cultural identities and gain political self- of the Internet, we of the West gained greater Communist regime. -
Sarah Bernhardt: the Art of High Drama
Willa Z. Silverman exhibition review of Sarah Bernhardt: The Art of High Drama Nineteenth-Century Art Worldwide 5, no. 2 (Autumn 2006) Citation: Willa Z. Silverman, exhibition review of “Sarah Bernhardt: The Art of High Drama,” Nineteenth-Century Art Worldwide 5, no. 2 (Autumn 2006), http://www.19thc- artworldwide.org/autumn06/152-sarah-bernhardt-the-art-of-high-drama. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. ©2006 Nineteenth-Century Art Worldwide Silverman: Sarah Bernhardt: The Art of High Drama Nineteenth-Century Art Worldwide 5, no. 2 (Autumn 2006) Sarah Bernhardt: The Art of High Drama The Jewish Museum, New York City (2 December 2005 - 2 April 2006) Sarah Bernhardt: The Art of High Drama Carol Ockman and Kenneth E. Silver, et. al. New York/New Haven and London: The Jewish Museum/Yale University Press, 2005 216 pp; 122 color and 73 black-and-white ill.; chron.; bib. $35.00 (paperback) ISBN 0-300-11343-9 According to the myth inseparable from her name, she slept in a coffin and kept a menagerie of wild animals in her home. Twice married and the mother of a son out of wedlock (perhaps fathered by a Belgian prince), her lovers, male and female, were said to include Victor Hugo, the well-known classical actor Mounet-Sully, and the artists Alfred Stevens, and Louise Abbéma. She toured America nine times, traveling in her personalized train, and played there to packed houses and wildly enthusiastic crowds, as she did in Cairo, Istanbul, Tahiti, Rio de Janeiro, and throughout Europe. -
? Libro Alphonse Mucha
Register Free To Download Files | File Name : Alphonse Mucha PDF ALPHONSE MUCHA Calendario Calendario mural, 23 agosto 2012 Author : A Brilliant Gift I bought this book as a gift for my partner who is very knowledgeable about Art and Design. He is particularly fond of Mucha's designs and has used their fireplace tiles. The book contains brilliant photos and write-ups of Mucha's prolific output. Beautiful. Alfons Maria Mucha (Czech: [\u02c8alfons \u02c8muxa] (); 24 July 1860 - 14 July 1939), known internationally as Alphonse Mucha, was a Czech painter, illustrator and graphic artist, living in Paris during the Art Nouveau period, best known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah Bernhardt. He produced illustrations, advertisements, decorative panels ... Alphonse Mucha is known for beginning the Art Nouveau movement but the artist actually later distanced himself from that in order to promote the media that he moved onto later in his career, such as oil painting. By the end of his career Mucha had created advertisements, postcards, paintings, illustrations and designs and showed immense talent ... Famous Czech artist Alphonse Mucha produced paintings, illustrations, advertisements, postcards and designs during a long and distinguished career which left behind a large and technically impressive oeuvre which specialised in female portraiture within the style of Art Nouveau. He was a commercial success throughout most of his life, living in ... Alfons Maria Mucha (Czech: [\u02c8alfons \u02c8muxa] ( listen); 24 July 1860 - 14 July 1939), known as Alphonse Mucha, was a Czech Art Nouveau painter and decorative artist, known best for his distinct style. -
Constructing a Czech National Art in the Prague Biennale Carrie Dedon Pomona College
Claremont Colleges Scholarship @ Claremont Pomona Senior Theses Pomona Student Scholarship 2010 Visualizing the Nation: Constructing a Czech National Art in the Prague Biennale Carrie Dedon Pomona College Recommended Citation Dedon, Carrie, "Visualizing the Nation: Constructing a Czech National Art in the Prague Biennale" (2010). Pomona Senior Theses. Paper 39. http://scholarship.claremont.edu/pomona_theses/39 This Open Access Senior Thesis is brought to you for free and open access by the Pomona Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pomona Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. VISUALIZING THE NATION: CONSTRUCTING A CZECH NATIONAL ART IN THE PRAGUE BIENNALE By Carrie Dedon Submitted to Pomona College in Partial Fulfillment of the Requirement for the Degree of Bachelor of Arts Thesis Readers: Frances Pohl Mary McNaughton April 23, 2010 Carrie Dedon Acknowledgements Many thanks to Frances Pohl and Mary McNaughton for their suggestions and advice in writing this thesis; to the Pomona College Art History faculty, particularly my advisor George Gorse, for their support and encouragement; to the Faculty Research Committee for the Summer Undergraduate Research Project Grant and the Art & Art History Department for the Flintridge Foundation/Louisa Moseley Fine Arts Special Project Grant, both of which funded my research in Prague; to Josef Bolf, Lucie Drdova, Edith Jeřábková, Miloš Šejn, Štĕpanká Šimlová, Pavel Šmíd, and Miloš Voytĕchovsky for their insightful interviews; to Katka Francová and her family for their generous hospitality and Czech-English translations; and to my family and friends who were the patient sounding boards for every idea in the following pages. -
Spis Treci 1.Indd
Zeszyty Naukowe ASzWoj nr 2(111) 2018 War Studies University Scientific Quarterly no. 2(111) 2018 ISSN 2543-6937 THE DEFENCE SECTOR AND ITS EFFECT ON NATIONAL SECURITY DURING THE CZECHOSLOVAK (MUNICH) CRISIS 1938 Aleš BINAR, PhD University of Defence in Brno Abstract The Czechoslovak (Munich) Crisis of 1938 was concluded by an international conference that took place in Munich on 29-30 September 1938. The decision of the participating powers, i.e. France, Germany, Italy, and the United Kingdom, was made without any respect for Czechoslovakia and its representatives. The aim of this paper is to examine the role of the defence sector, i.e. the representatives of the ministry of defence and the Czechoslovak armed forces during the Czechoslovak (Munich) Crisis in the period from mid-March to the beginning of October 1938. There is also a question as to, whether there are similarities between the position then and the present-day position of the army in the decision-making process. Key words: Czechoslovak (Munich) Crisis, Munich Agreement, 1938, Czechoslovak Army, national security. Introduction The agreement in Munich (München), where the international conference took place on 29–30 September 1938, represents a crucial crossroads in the history of Czechoslovakia. By accepting the Munich Agreement, Czechoslovak President, Edvard Beneš, and representatives of his government made a decision that affected the nation not only for the next few years, but for decades thereafter. This so-called Munich Syndrome, then, is infamously blamed by many in Czechoslovak society for the fascist-like orientation of the so-called the Second Czechoslovak Republic (1938–1939) and the acceptance of the Communist coup d’état of 1948.