SIU Excels During Tanker Exercise Operation Underscores Reliability of U.S
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Jeannie Leavitt, MWAOHI Interview Transcript
MILITARY WOMEN AVIATORS ORAL HISTORY INITIATIVE Interview No. 14 Transcript Interviewee: Major General Jeannie Leavitt, United States Air Force Date: September 19, 2019 By: Lieutenant Colonel Monica Smith, USAF, Retired Place: National Air and Space Museum South Conference Room 901 D Street SW, Suite 700 Washington, D.C. 20024 SMITH: I’m Monica Smith at the National Air and Space Museum in Washington, D.C. Today is September 19, 2019, and I have the pleasure of speaking with Major General Jeannie Leavitt, United States Air Force. This interview is being taped as part of the Military Women Aviators Oral History Initiative. It will be archived at the Smithsonian Institution. Welcome, General Leavitt. LEAVITT: Thank you. SMITH: So let’s start by me congratulating you on your recent second star. LEAVITT: Thank you very much. SMITH: You’re welcome. You’re welcome. So you just pinned that [star] on this month. Is that right? LEAVITT: That’s correct, effective 2 September. SMITH: Great. Great. So that’s fantastic, and we’ll get to your promotions and your career later. I just have some boilerplate questions. First, let’s just start with your full name and your occupation. LEAVITT: Okay. Jeannie Marie Leavitt, and I am the Commander of Air Force Recruiting Service. SMITH: Fantastic. So when did you first enter the Air Force? LEAVITT: I was commissioned December 1990, and came on active duty January 1992. SMITH: Okay. And approximately how many total flight hours do you have? LEAVITT: Counting trainers, a little over 3,000. SMITH: And let’s list, for the record, all of the aircraft that you have piloted. -
Brother Ali Hip-Hop Artist / Activist Brother Ali Is a Highly Respected Hip Hop Artist, Speaker and Activist from Minneapolis, MN
Brother Ali Hip-Hop Artist / Activist Brother Ali is a highly respected Hip Hop artist, speaker and activist from Minneapolis, MN. His decade long resume includes six critically acclaimed albums, mentorships with Iconic Hip Hop legends Chuck D and Rakim and Previous Speaking Engagements: performances on late night talk shows with Conan O Brien and Jimmy Fallon. He’s been the subject of Al-Jazeera and NPR pieces and was a keynote speaker at this year’s Nobel Peace Prize Forum. He’s landed coveted press features such Keynote presenter - Nobel Peace as Rolling Stone’s 40th anniversary “Artist to Watch” and Source Magazine’s “Hip Prize forum, Topic: Hip Hop, Islam and Hop Quotables”. Global Politics Ali has won the hearts and minds of Hip Hop fans world wide with his intimate song writing, captivating live performances and outspoken stance on issues Featured performer/presenter - of Justice and Human Dignity. In 2007, Ali was flagged by The US Department Chicago University with Dr. Cornel of Homeland Security for his controversial critique of America’s human rights West, Amy Goodman of Democracy violations in his song/video “Uncle Sam Goddamn”. In the summer of 2012, Ali was Now and Tavis Smiley, Topic: Poverty arrested in an act of civil disobedience as an organizer of Minnesota’s Occupy in America. Homes movement to defend Twin Cities homeowners from unjust foreclosures. Brother Ali’s latest album, Mourning in America and Dreaming in Color is his Solo lecturer - Stanford University, manifesto on the political, socioeconomic and cultural suffering in modern hosted by Jeff Chang, Topic: Activism, American life, as well as a declaration of hope and possibility for a brighter future. -
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves. -
Congressional Record—Senate S8784
S8784 CONGRESSIONAL RECORD — SENATE December 17, 2011 the time for the two leaders be re- THE FOLLOWING AIR NATIONAL GUARD OF THE UNITED To be major general STATES OFFICER FOR APPOINTMENT IN THE RESERVE served for their use later in the day; OF THE AIR FORCE TO THE GRADE INDICATED UNDER BRIG. GEN. LYNN A. COLLYAR further, that following any leader re- TITLE 10, U.S.C., SECTIONS 12203 AND 12212: THE FOLLOWING NAMED OFFICER FOR APPOINTMENT To be brigadier general IN THE UNITED STATES ARMY TO THE GRADE INDICATED marks the Senate be in a period of WHILE ASSIGNED TO A POSITION OF IMPORTANCE AND morning business until 4 p.m., with COL. JOHN P. CURRENTI RESPONSIBILITY UNDER TITLE 10, U.S.C., SECTION 601: Senators permitted to speak therein THE FOLLOWING NAMED OFFICERS FOR APPOINTMENT IN THE UNITED STATES AIR FORCE TO THE GRADE INDI- To be lieutenant general for up to 10 minutes each, and that fol- CATED UNDER TITLE 10, U.S.C., SECTION 624: MAJ. GEN. MARY A. LEGERE lowing morning business, the Senate To be brigadier general THE FOLLOWING NAMED OFFICER FOR APPOINTMENT proceed to executive session under the COLONEL JOHN D. BANSEMER TO THE GRADE INDICATED IN THE ARMY NURSE CORPS previous order. COLONEL DAVID B. BEEN UNDER TITLE 10, U.S.C., SECTIONS 3064 AND 3069(B): COLONEL MICHAEL T. BREWER The PRESIDING OFFICER. Without COLONEL THOMAS A. BUSSIERE To be major general objection, it is so ordered. COLONEL CLINTON E. CROSIER COLONEL ALBERT M. ELTON II COL. JIMMIE O. KEENAN COLONEL MICHAEL A. -
Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)
Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast’s “Mainstream” (1996) MITCHELL OHRINER[1] University of Denver ABSTRACT: Recent years have seen the rise of musical corpus studies, primarily detailing harmonic tendencies of tonal music. This article extends this scholarship by addressing a new genre (rap music) and a new parameter of focus (rhythm). More specifically, I use corpus methods to investigate the relation between metric ambivalence in the instrumental parts of a rap track (i.e., the beat) and an emcee’s rap delivery (i.e., the flow). Unlike virtually every other rap track, the instrumental tracks of Outkast’s “Mainstream” (1996) simultaneously afford hearing both a four-beat and a three-beat metric cycle. Because three-beat durations between rhymes, phrase endings, and reiterated rhythmic patterns are rare in rap music, an abundance of them within a verse of “Mainstream” suggests that an emcee highlights the three-beat cycle, especially if that emcee is not prone to such durations more generally. Through the construction of three corpora, one representative of the genre as a whole, and two that are artist specific, I show how the emcee T-Mo Goodie’s expressive practice highlights the rare three-beat affordances of the track. Submitted 2015 July 15; accepted 2015 December 15. KEYWORDS: corpus studies, rap music, flow, T-Mo Goodie, Outkast THIS article uses methods of corpus studies to address questions of creative practice in rap music, specifically how the material of the rapping voice—what emcees, hip-hop heads, and scholars call “the flow”—relates to the material of the previously recorded instrumental tracks collectively known as the beat. -
Fear of a Muslim Planet
SOUND UNBOUND edited by Paul D. Miller aka DJ Spooky that Subliminal Kid The MIT Press Cambridge, Massachusetts London, England 6 2008 Paul D. Miller All rights reserved. No part of this book may be reproduced in any form by any elec- tronic or mechanical means (including photocopying, recording, or information stor- age and retrieval) without permission in writing from the publisher. For information about special quantity discounts, please email special_sales@mitpress .mit.edu This book was set in Minion and Syntax on 3B2 by Asco Typesetters, Hong Kong, and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Sound unbound / edited by Paul D. Miller. p. cm. Includes bibliographical references and index. ISBN 978-0-262-63363-5 (pbk. : alk. paper) 1. Music—21st century—History and criticism. 2. Music and technology. 3. Popular culture—21st century. I. DJ Spooky That Subliminal Kid. ML197.S694 2008 780.9005—dc22 2007032443 10987654321 Contents Foreword by Cory Doctorow ix 1 An Introduction, or My (Ambiguous) Life with Technology 1 Steve Reich 2 In Through the Out Door: Sampling and the Creative Act 5 Paul D. Miller aka DJ Spooky that Subliminal Kid 3 The Future of Language 21 Saul Williams 4 The Ecstasy of Influence: A Plagiarism Mosaic 25 Jonathan Lethem 5 ‘‘Roots and Wires’’ Remix: Polyrhythmic Tricks and the Black Electronic 53 Erik Davis 6 The Life and Death of Media 73 Bruce Sterling 7 Un-imagining Utopia 83 Dick Hebdige 8 Freaking the Machine: A Discussion about Keith Obadike’s Sexmachines 91 Keith + Mendi Obadike 9 Freeze Frame: Audio, Aesthetics, Sampling, and Contemporary Multimedia 97 Ken Jordan and Paul D. -
Administration of Joseph R. Biden, Jr., 2021 Remarks on International
Administration of Joseph R. Biden, Jr., 2021 Remarks on International Women's Day and an Exchange With Reporters March 8, 2021 The President. Thank you, Madam Vice President, and thank you, Mr. Secretary. On Friday, I submitted to the Senate for confirmation my first slate of nominations for four- star command positions in our Armed Forces, among them, two outstanding and eminently qualified warriors and patriots. General Jacqueline Van Ovost—and United States Air Force is currently the only female four-star officer serving in our military. I nominated her as Commander of the United States Transportation Command. And when confirmed, the Lieutenant General Laura Richardson, of the United States Army, will be promoted in rank and join General Van Ovost as the only four-star—as another four-star general. I nominated her as Commander in the United States Southern Command. And, when confirmed, they will become the second and third women in the history of the United States Armed Forces to lead combatant commands. Each of these women have led careers demonstrating incomparable skill, integrity, and duty to country. And at every step, they've also helped push open the doors of opportunity to women in our military, blazing the trail a little wider, a little brighter for all the proud women following in their path and looking to their example. And I wanted to shine the light on these accomplishments for those women today because General Van Ovost—as reiterated in an interview this last week, and I'm the second person to say this—it's hard to be what you can't see. -
Pop and Jazz Across the U.S. This Summer - Nytimes.Com 5/5/11 8:22 PM
Pop and Jazz Across the U.S. This Summer - NYTimes.com 5/5/11 8:22 PM HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Subscribe to The Times Welcome, andreakramer3 Log Out Help Search All NYTimes.com Music WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS ART & DESIGN BOOKS DANCE MOVIES MUSIC TELEVISION THEATER VIDEO GAMES Advertise on NYTimes.com Pop and Jazz Log in to see what your friends Log In With Facebook are sharing on nytimes.com. Privacy Policy | What’s This? What’s Popular Now The Inner Lives Pakistani Army of Wartime Chief Warns U.S. Photographers on Another Raid Richard Termine for The New York Times The cast of “Glee Live!,” whose North American tour begins May 21 in Las Vegas By AMANDA PETRUSICH Published: May 5, 2011 Alabama RECOMMEND TWITTER HANGOUT MUSIC FESTIVAL Blog E-MAIL Gulf Shores, May 20-22. Anyone Advertise on NYTimes.com PRINT ArtsBeat looking to combine two timeless The latest on the REPRINTS arts, coverage of summer pastimes — beach lounging Movies Update E-Mail live events, critical and festivalgoing — will be well SHARE Sign up for the latest movie news and reviews, sent reviews, multimedia every Friday. See Sample extravaganzas and served by the Hangout Music Festival, [email protected] much more. Join the discussion. which sets up on Alabama’s white Change E-mail Address | Privacy Policy More Arts News sand gulf shore for three days each Enlarge This Image summer. A boon for the less rustic http://www.nytimes.com/2011/05/08/arts/music/pop-and-jazz-across-the-us-this-summer.html?_r=1 Page 1 of 11 Pop and Jazz Across the U.S. -
USAF's New Take on Training SERE Trainers
B-21 Raider Comes Multi-capable Airmen48 | All-Electric Aircraft41 |Lindbergh’s Record Flight 56 into Focus | 35 SURVIVORS USAF’s New Take on Training SERE Trainers |34 March 2021 $8 Published by the Air Force Association EXTENDING THE POWER OF A LEGEND Image courtesy of www.af.mil Maximum B-52 readiness with COLLINS NACELLES AND STRUTS reduced maintenance • Modernized for new engines • Proven nacelle technology For nearly 70 years, every B-52 variant has flown with our • Maximum fleet readiness proven technology. And today, our modernized nacelles and • Reduced maintenance struts are more capable than ever – protecting engines and • Demonstrated on every B-52 variant optimizing airflow – with reduced maintenance. Nobody knows B-52’s nacelles and struts better than Collins Aerospace and we stand ready to support this legend for decades to come. Learn more by visiting collinsaerospace.com/b-52 © 2020 Collins Aerospace CA_8528_B-52_Aero_PowerofaLegend_AirForceMagazine.indd 1 9/18/20 4:31 PM Client: Collins Aerospace - Military Ad Title: B52 Power of a Legend Filepath: /Volumes/GoogleDrive/Shared drives/Collins Aerospace 2020/_Collins Aerospace Ads/_Military/B-52_Power of a Legend /4c Ads/CA_8528_B-52_Aero_AirForceMagazine.indd Publication: Air Force Magazine - October Trim: 8.125” x 10.875” • Bleed: 8.375” x 11.125” • Live: 7.375” x 10.125” STAFF Publisher Bruce A. Wright Editor in Chief Tobias Naegele March 2021 Vol. 104, No. 3 Managing Editor Juliette Kelsey Joby Aviation Chagnon DEPARTMENTS FEATURES Joby Aviation Editorial Director 2 Editorial: Go All In eVTOL aircraft John A. Tirpak 16 Q&A: Humans in the Loop has six rotors By Tobias Naegele News Editor and seats five, John A. -
CONGRESSIONAL RECORD—SENATE, Vol. 157, Pt. 13 November 30, 2011 the PRESIDING OFFICER
18412 CONGRESSIONAL RECORD—SENATE, Vol. 157, Pt. 13 November 30, 2011 The PRESIDING OFFICER. Without CATED WHILE ASSIGNED TO A POSITION OF IMPORTANCE MEGAN H. ERICKSON AND RESPONSIBILITY UNDER TITLE 10, U.S.C., SECTION MARK E. FISCHER objection, it is so ordered. 601: PETER S. GAUGER WILLIAM KEVIN GIEZIE f To be lieutenant general RAINER G. GOMEZ LT. GEN. FRANK GORENC DAVID M. HALTER PROGRAM FRANK G. HALUSKA THE FOLLOWING NAMED OFFICER FOR APPOINTMENT DUANE DARNELL HAYDEN Mr. DURBIN. Mr. President, we ex- IN THE UNITED STATES AIR FORCE TO THE GRADE INDI- WILLIAM FREDRICK HEFNER pect to complete action on the Defense CATED UNDER TITLE 10, U.S.C., SECTION 624: CLARK ALLAN HIGHSTRETE To be brigadier general REYNOLD T. HIOKI authorization bill during tomorrow’s WALLACE RAY HOUSER session. Additionally, the majority COL. SEAN L. MURPHY LOREN MATTHEW HUBERT leader filed cloture on the motion to THE FOLLOWING NAMED OFFICER FOR APPOINTMENT GENE W. HUGHES, JR. IN THE UNITED STATES AIR FORCE TO THE GRADE INDI- ADAM H. JENKINS proceed to S. 1917, the Middle Class Tax CATED UNDER TITLE 10, U.S.C., SECTION 624: SCOTT K. JOHNSON Cut Act of 2011. If no agreement is BRIAN J. KAMP To be brigadier general JANEL L. KEIZER reached, this vote will be Friday morn- GARY VERNON KELLOGG ing. COL. CHARLES E. POTTER HAROLD I. E. KINGDON, JR. THE FOLLOWING NAMED OFFICER FOR APPOINTMENT KEIR D. KNAPP f IN THE RESERVE OF THE AIR FORCE TO THE GRADE INDI- LEE A. KNOWLTON CATED UNDER TITLE 10, U.S.C., SECTION 12203: RITA M. -
The Politics of Independent Hip-Hop a Dissertation Submitted in Partial
UNIVERSITY OF CALIFORNIA RIVERSIDE Just Say No to 360s: The Politics of Independent Hip-Hop A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Christopher Sangalang Vito June 2017 Dissertation Committee: Dr. Ellen Reese, Chairperson Dr. Adalberto Aguirre, Jr. Dr. Lan Duong Dr. Alfredo M. Mirandé Copyright by Christopher Sangalang Vito 2017 The Dissertation of Christopher Sangalang Vito is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would like to thank my family and friends for their endless love and support, my dissertation committee for their care and guidance, my colleagues for the smiles and laughs, my students for their passion, everyone who has helped me along my path, and most importantly I would like to thank hip-hop for saving my life. iv DEDICATION For my mom. v ABSTRACT OF THE DISSERTATION Just Say No to 360s: The Politics of Independent Hip-Hop by Christopher Sangalang Vito Doctor of Philosophy, Graduate Program in Sociology University of California, Riverside, June 2017 Dr. Ellen Reese, Chairperson My dissertation addresses to what extent and how independent hip-hop challenges or reproduces U.S. mainstream hip-hop culture and U.S. culture more generally. I contend that independent hip-hop remains a complex contemporary subculture. My research design utilizes a mixed methods approach. First, I analyze the lyrics of independent hip-hop albums through a content analysis of twenty-five independent albums from 2000-2013. I uncover the dominant ideologies of independent hip-hop artists regarding race, class, gender, sexual orientation, and calls for social change. -
Rites of Passage Album Download Brother Ali Rites of Passage Album Download Brother Ali
rites of passage album download brother ali Rites of passage album download brother ali. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66c9c194fb320d46 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Brother Ali. Brother Ali has no reservations in saying that he’s “trying to be one of the greatest of all time” (on the Molemen track “Life Sentence”). Inspired by golden era legends like KRS-One and Rakim, this undisputed Master of Ceremony began rapping as a means of survival. Growing up albino (colorless hair, skin and eyes, poor vision, and extreme sensitivity to the sun) in a world of cruel kids made it strikingly obvious to Ali that he needed a high-powered way to earn some respect and prestige among his peers. As a result, every since elementary school he hasn’t slowed down with his lyrical grind. In his rare moments of silence these days, if you catch his eyes, you’ll notice that this Minneapolis denizen is rapping in his head.