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Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
TV Finales and the Meaning of Endings Casey J. Mccormick
TV Finales and the Meaning of Endings Casey J. McCormick Department of English McGill University, Montréal A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Casey J. McCormick Table of Contents Abstract ………………………………………………………………………….…………. iii Résumé …………………………………………………………………..………..………… v Acknowledgements ………………………………………………………….……...…. vii Chapter One: Introducing Finales ………………………………………….……... 1 Chapter Two: Anticipating Closure in the Planned Finale ……….……… 36 Chapter Three: Binge-Viewing and Netflix Poetics …………………….….. 72 Chapter Four: Resisting Finality through Active Fandom ……………... 116 Chapter Five: Many Worlds, Many Endings ……………………….………… 152 Epilogue: The Dying Leader and the Harbinger of Death ……...………. 195 Bibliography ……………………………………………………………………………... 199 Primary Media Sources ………………………………………………………………. 211 iii Abstract What do we want to feel when we reach the end of a television series? Whether we spend years of our lives tuning in every week, or a few days bingeing through a storyworld, TV finales act as sites of negotiation between the forces of media production and consumption. By tracing a history of finales from the first Golden Age of American television to our contemporary era of complex TV, my project provides the first book- length study of TV finales as a distinct category of narrative media. This dissertation uses finales to understand how tensions between the emotional and economic imperatives of participatory culture complicate our experiences of television. The opening chapter contextualizes TV finales in relation to existing ideas about narrative closure, examines historically significant finales, and describes the ways that TV endings create meaning in popular culture. Chapter two looks at how narrative anticipation motivates audiences to engage communally in paratextual spaces and share processes of closure. -
Oral Traditions of Kentucky
University of Kentucky UKnowledge Folklore Anthropology 1974 The Harvest and the Reapers: Oral Traditions of Kentucky Kenneth Clarke Western Kentucky University Mary Clarke Western Kentucky University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Clarke, Kenneth and Clarke, Mary, "The Harvest and the Reapers: Oral Traditions of Kentucky" (1974). Folklore. 4. https://uknowledge.uky.edu/upk_folklore/4 The Kentucky Bicentennial Bookshelf Sponsored by KENTUCKY HISTORICAL EVENTS CELEBRATION COMMISSION KENTUCKY FEDERATION OF WOMEN'S CLUBS and Contributing Sponsors AMERICAN FEDERAL SAVINGS & LOAN ASSOCIATION ARMCO STEEL CORPORATION, ASHLAND WORKS A. ARNOLD & SON TRANSFER & STORAGE CO., INC. / ASHLAND OIL, INC. BAILEY MINING COMPANY, BYPRO, KENTUCKY / BEGLEY DRUG COMPANY J. WINSTON COLEMAN, JR. / CONVENIENT INDUSTRIES OF AMERICA, INC. IN MEMORY OF MR. AND MRS. J. SHERMAN COOPER BY THEIR CHILDREN CORNING GLASS WORKS FOUNDATION / MRS. CLORA CORRELL THE COURIER-JOURNAL AND THE LOUISVILLE TIMES COVINGTON TRUST & BANKING COMPANY MR. AND MRS. GEORGE P. CROUNSE GEORGE E. EVANS, JR. FARMERS BANK & CAPITAL TRUST COMPANY FISHER-PRICE TOYS, MURRAY MARY PAULINE FOX, M.D., IN HONOR OF CHLOE GIFFORD MARY A. HALL, M.D., IN HONOR OF PAT LEE, JANICE HALL & MARY ANN FAULKNER OSCAR HORNSBY INC. / OFFICE PRODUCTS DIVISION IBM CORPORATION JERRY'S RESTAURANTS / ROBERT B. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Single-Camera Picture Editing For A Drama Series The Alienist: Angel Of Darkness Better Angels While Sara, Moore and Kreizler struggle with decisions about their future paths, New York is in the grips of an all-out manhunt for the killer, and the team must overcome the wrath of the police and an underworld gang on the rampage. Cheryl Potter, Editor The Alienist: Angel Of Darkness Ex Ore Infantium Sara Howard has opened a pioneering private detective agency. She reunites with formidable alienist Dr. Laszlo Kreizler and New York Times journalist John Moore to find the kidnapped infant daughter of a Spanish dignitary. Dermot Diskin, Editor American Gods The Lake Effect Shadow has to decide the price he's willing to pay for his idyllic Lakeside life. As Laura and her new ally close in on her target, Wednesday has to persuade Czernobog that it's time to make peace with their enemies. Wendy Hallam Martin, ACE, Editor American Gods Sister Rising Shadow explores notions of purpose, destiny and identity with a newly enlightened Bilquis. Elsewhere, Technical Boy struggles with an identity crisis of his own. In his efforts to free Demeter, Wednesday asks a reluctant Shadow to assist in a new con. Christopher Donaldson, CCE, Editor American Gods Tears Of The Wrath-Bearing Tree Teetering on the edge of war and peace, the gods gather to mourn a loss. Bilquis' divine journey brings her to an unexpected revelation, while Shadow finally embraces a destiny that could bring him either greatness or death. Andrew Coutts, CCE, Editor Away Half The Sky A staff change at Mission Control upsets the usually unflappable Lu, and the fallout undermines Emma's command. -
Cartoons/Comics
Delaware Winter Invitational, 2010 Cartoon and Comics packet by Mark Pellegrini, Rob Poirier, and Nick Lacock Tossups 1) Tim Curry provided the voice for this series' main antagonist, an ancient warrior- sorcerer who captured Atlantean souls in the Crystal of Souls. Each episode ended with the protagonist giving an educational fact pertaining to the events in the episode. The main character's pet iguana Thor was once devolved into a dinosaur by Dr. Zygote. The titular character, accompanied by bodyguards Norman and Virgil, travels through portals in time and space using his red cap. This show is, for ten points, what cartoon based on the Polly Pocket toy line? ANSWER: Mighty Max 2) In this character's original appearance he was killed by an evil snowman. This character has taken on many roles, including a tooth fairy, a sumo wrestler, a pimp, a member of Osama Bin Laden's harem, a Vietnamese prostitute named Ming Li, and General Robert E. Lee. This character is given to frequent bouts of racism, such as his insistence that Jews can't be pirates, gingers have no souls, and all black people know how to play the bass guitar. He once made chili out of Scott Tenorman's parents. He frequently sings that his friend's mom is a big fat bitch, and demands that people respect his "authoritah." This is, for ten points, what fat character on South Park? ANSWER: Eric Cartman (Accept either) 3) This comic has spawned a number of TV specials, featuring the titular character in the Rough, on the Town, in Paradise, and going to Hollywood. -
39155 369E8e52840f888dd93c
Age of Ultron (AU) (crossover Amazing Spider-Man Annual, The. Anole 698 series) 698 See Spider-Man, Amazing Spider- Ant-Man (1st) 225, 226, 229, 231, Index Agent X 679 Man Annual, The 235, 236–37, 240–41, 300, 305, Agents of S. H. I. E. L. D. (TV Amazing Spider-Man Special, The. 317, 325, 485, 501–03, 628, 681. Italic numerals refer to pages of the series) 699. See also Captain See Spider-Man, Amazing Spider- See also Giant-Man; Goliath (1st); TASCHEN book 75 Years of Marvel America, Captain America: Man Special, The Henry (Hank) Pym; Wasp, The which include images. The Winter Soldier (movie); Amazing Spider-Man, The (book). See (1st); Yellowjacket (1st) S. H. I. E. L. D. Spider-Man, Amazing Spider- Ant-Man (2nd) 581, 591, 628, 653. A Aggamon 281 Man, The (book) See also Scott Lang “Amazing Case of the Human Torch, Aja, David 685, 697 “Amazing Spider-Man, The” (comic Ant-Man (3rd) 691 The” (short story) 55 Alascia, Vince 29, 63, 68, 100 strip). See Spider-Man, “Amazing Antonioni, Michelangelo 468 A.I.M. (Advanced Idea Alcala, Alfredo 574 Spider-Man, The” (comic strip) Apache Kid 120. See also Western Mechanics) 381 Alderman, Jack 73 Amazing Spider-Man, The (movie). Gunfighters (vols. 1–2) Aaron Stack 596. See also Machine Aldrin, Edwin (“Buzz”) 453 See Spider-Man, Amazing Spider- Apache Kid, The 106 Man Alex Summers 475. See also Havok Man, The (movie) Apocalypse 654 Aaron, Jason 691, 694 Alf 649 Amazing Spider-Man, The (TV Apollo 11 453 ABC (American Broadcasting Alias (live TV version) 699 series) (1977–79). -
UC Irvine UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title The Adolescent in American Print and Comics Permalink https://escholarship.org/uc/item/4h64k2t2 Author Mugnolo, Christine Elizabeth Publication Date 2021 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE The Adolescent in American Print and Comics DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Visual Studies by Christine Elizabeth Mugnolo Dissertation Committee: Professor Cécile Whiting, Chair Professor Kristen Hatch Professor Lyle Massey 2021 © 2021 Christine Elizabeth Mugnolo TABLE OF CONTENTS Page LIST OF FIGURES iv ACKNOWLEDGEMENTS x VITA xii ABSTRACT OF THE DISSERTATION xiii CHAPTER 1: INTRODUCTION 1 CHAPTER 2: THE IMMIGRANT JUVENILE AS URBAN AVATAR: 30 SUNDAY COMICS AND THE YELLOW KID The Sunday Supplement vs. the Comic Weekly 32 Bad Boy Comic Strips 50 The Yellow Kid and the Residents of Hogan’s Alley 56 The Return Gaze and a New Form of Political Humor 65 The Yellow Kid as Mask and Mirror 79 CHAPTER 3: THE MIDDLE-CLASS JUVENILE AS CULTURAL IDIOT: BUSTER BROWN 95 Reform in Comics and Buster Brown 96 Buster Brown Breaks the Comic Strip Formula 99 Buster and Middle-Class Child Rearing 109 “Resolved!” 115 Spank as Shock 121 CHAPTER 4: THE ADOLESCENT BODY IN THE AMERICAN IMAGINATION, 130 PAINTING, AND PRINT Formulating the Adolescent as a Visual Type 132 The Adolescent Body and the Masculine Ideal 138 Adolescence -
Apprentice Watch: Learning Through Reality TV Susan P
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Clute Institute: Journals Journal of College Teaching & Learning – September 2006 Volume 3, Number 9 Apprentice Watch: Learning Through Reality TV Susan P. Eisner, (E-mail: [email protected]), Ramapo College of New Jersey ABSTRACT The Apprentice attracts younger viewers in record number. Most of today’s college students fall within that range. This paper presents pedagogy created to use The Apprentice in business school teaching. INTRODUCTION n December 15, 2005, 27.6 million people watched Donald Trump hire Randall Pickett in the series finale of season four of the NBC reality television series, The Apprentice. It was not because Mr. Pickett is the founder of a consulting firm in the state of New Jersey (Apprentice Finale Boosts NBC, 2005) where ORamapo College is located that many of its students watched as Donald Trump said, “You‟re Hired.” Like the three apprentices selected by Mr. Trump at the end of prior seasons, 34-year old Mr. Pickett is a cohort of an audience segment the series targets and regularly attracts: younger viewers, aged 18-49 – the viewers most valued by advertisers (Muscato, 2004), and the age group of most college students. So many young viewers watched The Apprentice finale that NBC beat out competing stations that night in the key 18-49 demographic (Apprentice Finale Boosts NBC, 2005). In doing so, it continued the trend established in its first season when The Apprentice ranked overall second only to American Idol in young adult viewing (Levin, 2004), and in its second season when it again finished strong among young adult viewers (Apprentice Heading to Broadway, 2005). -
Weekend Edition Police Patrols Get Personal Page 3 Kanye Does It Again Page 24
INSIDE SCOOP CURRENT WEEKEND EDITION POLICE PATROLS GET PERSONAL PAGE 3 KANYE DOES IT AGAIN PAGE 24 Visit us online at smdp.com OCTOBER 27-28, 2007 Volume 6 Issue 297 Santa Monica Daily Press ‘MICHAEL CLAYTON’ PLEASES SEE PAGE 20 Since 2001: A news odyssey THE DOWN, BUT NOT OUT ISSUE BEST ON THE WESTSIDE FABULOUS DINNER SPECIALS SINCE 1972 SERVED 4PM – 10PM GABY SCHKUD MUSIC LESSONS COMPLETE DINNERS $10.95 (310)586-0308 INSTRUMENTAL & VOICE 1433 Wilshire Boulevard, (310) 453-1928 at 15th Street The name you can depend on! 1901 Santa Monica Blvd. in Santa Monica www.704-15th.com www.santamonicamusic.com 310-394-1131 OPEN 24 HOURS Calendar “It’s more 2 WEEKEND EDITION, OCTOBER 27-28, 2007 A newspaper with issues than a business, Happy Holidays it’s my Thanksgiving Day Open 7:30a.m. – 2p.m. passion!” Christmas Day Open 7:30a.m. – 2p.m. 1920 Santa Monica Blvd. (Corner of 20th & Santa Monica Blvd.) - Eddie Guerboian (310) 829-9597 Hours: 6:30am - 10:00pm Daily EDDIE GUERBOIAN GOLDSMITH . DESIGNER Tabloid Witch Awards 601 Santa Monica Blvd., 10 a.m. — 5 p.m. Winners of the Tabloid Witch Awards, an online amateur horror filmmaking contest, will be screened at this all-day festival. Filmmakers (schedules pending) will be on hand for audience Q & A. All screenings are free. Auditorium seating is first come, first served in the MLK Jr. Auditorium. For more information, visit www.hollywoodin- vestigator.com/2007/horrorfilm2007. 331 Wilshire Blvd. Santa Monica CVS flu shots 2505 Santa Monica Blvd., 10 a.m. -
Reading the Uncanny Xmen: Gender, Race, and The
READING THE UNCANNY XMEN: GENDER, RACE, AND THE MUTANT METAPHOR IN A POPULAR NARRATIVE By Joseph James Darowski A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY American Studies 2011 ABSTRACT READING THE UNCANNY XMEN: GENDER RACE AND THE MUTANT METAPHOR IN A POPULAR NARRATIVE By Joseph James Darowski The first superhero comic book was published in 1938 and since that time the genre has become a staple of American popular culture. While superhero stories have been adapted into every popular storytelling medium, the genre is most closely associated with the comic book industry. This dissertation examines the first 500 issues of The Uncanny XMen, one of the most popular series to be published in America. In particular, the portrayals of race and gender will be analyzed by performing a close reading of the stories published as well as a numerical analysis of the ethnicity, nationality, and gender of the heroes, villains, and guest stars who appear in the series. The X‐Men comic book franchise has a reputation among fans, creators, and scholars as one of the most diverse and progressive superhero comic book titles. The core conceit of the series, that there are people called mutants who are born with powers and abilities that separate them from normal humans, has allowed the themes of societal prejudice and hatred to be explored in a metaphorical fashion, though looking closely at the race and gender of the characters in the series reveals a different reality than the common perception of the series. -
Read Book Iron Man: Official Index to the Marvel Universe
IRON MAN: OFFICIAL INDEX TO THE MARVEL UNIVERSE PDF, EPUB, EBOOK Marvel Comics | 316 pages | 07 Apr 2010 | Marvel Comics | 9780785145899 | English | New York, United States Iron Man: Official Index To The Marvel Universe PDF Book For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab. He informs Stark that Potts is in an electric chair with the power slowly building. Official Handbook of the Marvel Universe Vol 1 — 15 issues. Buy it now. Once again facing the bodily modified individual, Stark questions him. Learn more - eBay Money Back Guarantee - opens in new window or tab. Published Oct by Marvel. Erin P. Add to basket. More filters. S - U from Subterraneans to Ursa Major. Cancel Create Link. Annihilation : Nova Corps Files [50]. Issue 6. It is also the inspiration for the Marvel Database Project. Contact the seller - opens in a new window or tab and request a shipping method to your location. Sort order. Avengers NOW! X of Swords Handbook 1 October, What size image should we insert? TWB rated it really liked it Jan 28, Stark finds M. Alternate Universes [22]. Marvel Studios Visual Dictionary. You are covered by the eBay Money Back Guarantee if you receive an item that is not as described in the listing. Book of the Dead: Dorma to Patriot. Unfortunately, it is currently almost two decades out of date, the last issue having been released in To create our Stock photo. To ask other readers questions about Iron Man , please sign up. The item you've selected was not added to your cart.