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BARRY HARRIS NEA Jazz Master (1989)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BARRY HARRIS NEA Jazz Master (1989) Interviewee: Barry Harris (December 19, 1929 - ) Interviewer: Aaron Graves with recording engineer Ken Kimery Date: August 20th, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 36 pp. Graves: My name is Aaron Graves, today is August the 20th 2010. We’re here at the University of the Streets with Master Barry Harris. And we’re going to ask Mr. Harris, if you would to give us – state your name for us. Harris: Okay. Barry D. Harris. The “D” stands for Doyle. Barry Doyle Harris. Graves: Barry Doyle Harris. Harris: That’s right. Graves: That’s new to the world? Harris: All Irish all the way. Graves: Irish? Harris: Irish and English and Scottish. And born – when – December 15th, 1929. Graves: Mm-hm. Harris: In a little cabin. [laughs] Graves: When – where were you born? Harris: Where was I born? For additional information contact the Archives Center at 202.633.3270 or [email protected] Graves: Where were you born? Harris: I was born in Herman Kiefer Hospital in Detroit. You know, so Detroit was really my home, you know for quite a few years. Graves: So, mother and father. What’s your mother and father’s names? Harris: Mother’s named Bessie, father’s named Melvin. Graves: Melvin. Harris: That’s right, as you know. Graves: Alright. So who named you? Do you know who named you – your name is Barry Doyle… Harris: Don’t ask me. -
Downbeat.Com July 2015 U.K. £4.00
JULY 2015 2015 JULY U.K. £4.00 DOWNBEAT.COM DOWNBEAT ANTONIO SANCHEZ • KIRK WHALUM • JOHN PATITUCCI • HAROLD MABERN JULY 2015 JULY 2015 VOLUME 82 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Encyclopedia: Jazz Pianists
Encyclopedia: Jazz pianists Supporter Benefits Signup Login Sources Home Reviews About Questions Forums Contact Encyclopedia Correlations Countries Stats Flags Maps Plots Pies Added Mar 10 Encyclopedia: Jazz pianists ● Our next offering Updated 68 days 15 hours 43 minutes ago. ● Latest newsletter ● Student area Other descriptions of Jazz pianists ● Lesson plans Categorized listing of Jazz pianists: ● Tsunami stats! Well known jazz pianists include: ● We need editors Contents Top Graphs 1 Early Pioneers 2 Giants of the Modern Era ● Richest 3 Important Pianist-Composer/Arrangers 4 Major Figures ● Most Murderous 5 Other Well-known Figures ● Most Populous 6 Jazz Singer/Pianists 7 Jazz Musicians Who Double on Piano ● Most Militaristic 8 Celebrities Who Play Jazz Piano ● Most Taxed ● Poorest Early Pioneers ● Longest Living ● Albert Ammons, (1907-1949) ● Most Generous ● Count Basie, (1904-1984) ● Most Educated ● Nat "King" Cole, (1919-1965) ● Duke Ellington, (1899-1974) ● Most Athletic ● Earl Hines, (1903-1983) ● Largest ● James P. Johnson, (1894-1955) ● Marian McPartland, (1918- ) ● Most Corrupt ● Jelly Roll Morton, (1890-1941) ● Most Trigger Happy ● Clarence "Pinetop" Smith, (1904-1929) More Stats ● Willie "The Lion" Smith, (1897-1973) ● Fats Waller, (1904-1943) ● Mary Lou Williams, (1910-1981) ● Teddy Wilson, (1912-1986) Giants of the Modern Era ● Dave Brubeck, (1920- ) ● Ray Charles, (1930-2004) ● Chick Corea, (1941- ) ● Bill Evans, (1929-1980) ● Errol Garner, (1921-1977) ● Herbie Hancock, (1940- ) ● Ahmad Jamal, (1930- ) ● Keith Jarrett, -
Jazz-Inside-Magazine-2020-01
Eric Nemeyer’s WWW.JAZZINSIDEMAGAZINE.COM December-Janauary 2020 Interviews DaveDave StrykerStryker Jazz Standard, Jan 24--26 LewisLewis NashNash omprehensive DirectoryDirectory of NY ClubS, ConcertS HaroldHarold MabernMabern KnowingKnowing HowHow toto StayStay OutOut ofof thethe WayWay TheThe FinalFinal InterviewInterview To Advertise CALL: 215-887-8880 December 2015 Jazz Inside Magazine www.JazzInsideMagazine.com 1 COVER-2-JI-15-12.pub Wednesday, December 09, 2015 15:43 page 1 MagentaYellowBlacCyank ORDER THIS 200+ Page Book + CD - Only $19.95 Call 215-887-8880 To Advertise CALL: 215-887-8880 December-January 2020 Jazz Inside Magazine www.JazzInsideMagazine.com 1 Eric Nemeyer’s Jazz Inside Magazine ISSN: 2150-3419 (print) • ISSN 2150-3427 (online) December-January 2020 – Volume 10, Number 7 Cover Photo and photo and at right of Harold Mabern By Eric Nemeyer Publisher: Eric Nemeyer Editor: Wendi Li Marketing Director: Cheryl Powers Advertising Sales & Marketing: Eric Nemeyer Circulation: Susan Brodsky Photo Editor: Joe Patitucci Layout and Design: Gail Gentry Contributors: Eric Nemeyer, Ken Weiss, Joe Patitucci. ADVERTISING SALES 215-887-8880 Eric Nemeyer – [email protected] ADVERTISING in Jazz Inside™ Magazine (print and online) Jazz Inside™ Magazine provides its advertisers with a unique opportunity to reach a highly specialized and committed jazz readership. Call our Advertising Sales Depart- ment at 215-887-8880 for media kit, rates and information. SUBSCRIPTION INFORMATION SUBMITTING PRODUCTS FOR REVIEW Jazz Inside™ Magazine | Enthusiasm Corporation Jazz Inside™ (published monthly). To order a subscription, call 215-887-8880 or visit Companies or individuals seeking reviews of their recordings, books, videos, software P.O. Box 8811, Elkins Park, PA 19027 Jazz Inside on the Internet at www.jazzinsidemagazine.com. -
BARRY HARRIS NEA Jazz Master (1989)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BARRY HARRIS NEA Jazz Master (1989) Interviewee: Barry Harris (December 15, 1929 - ) Interviewer: Aaron Graves with recording engineer Ken Kimery Date: August 20th, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 36 pp. Graves: My name is Aaron Graves, today is August the 20th 2010. We’re here at the University of the Streets with Master Barry Harris. And we’re going to ask Mr. Harris, if you would to give us – state your name for us. Harris: Okay. Barry D. Harris. The “D” stands for Doyle. Barry Doyle Harris. Graves: Barry Doyle Harris. Harris: That’s right. Graves: That’s new to the world? Harris: All Irish all the way. Graves: Irish? Harris: Irish and English and Scottish. And born – when – December 15th, 1929. Graves: Mm-hm. Harris: In a little cabin. [laughs] Graves: When – where were you born? Harris: Where was I born? For additional information contact the Archives Center at 202.633.3270 or [email protected] Graves: Where were you born? Harris: I was born in Herman Kiefer Hospital in Detroit. You know, so Detroit was really my home, you know for quite a few years. Graves: So, mother and father. What’s your mother and father’s names? Harris: Mother’s named Bessie, father’s named Melvin. Graves: Melvin. Harris: That’s right, as you know. Graves: Alright. So who named you? Do you know who named you – your name is Barry Doyle… Harris: Don’t ask me. -
In His Own Words... George Fludas
January-February 2016 Chicago Jazz Magazine Page 5 in his own words... Chicago drummer George Fludas was George Fludas born in Chicago on October 10, 1966. He was inspired to play drums by his father, who was also a drummer, and who exposed him to great jazz drummers such as Art Blakey, Max Roach, and “Philly” Joe Jones. He attended Lane Tech High School where he majored in music and played percussion in their concert band and orchestra. After briefly attending Roosevelt University’s music school in 1985-86, he began freelanc- ing with Chicago greats Von Freeman, Jodie Christian and Lin Halliday, as well as playing in groups with guitarist Bobby Broom, and saxophonists Ron Blake and Eric Alexander. He has subsequently played with many stellar musicians such as Ira Sullivan, Buddy Montgomery, Lou Donald- son, Frank Wess, Kenny Burrell, Betty Carter, Johnny Griffin, Roy Hargrove, Tommy Flanagan, Hank Jones, Cedar Wal- ton, Diana Krall, Benny Carter, Phil Woods, Junior Cook, Slide Hampton, Jesse Davis and Benny Green. Fludas has performed at numerous jazz venues in the U.S. such as the Jazz Show- case in Chicago, Yoshi’s in Oakland, the Blue Note, Village Vanguard, Smoke and the Jazz Standard in New York and Catalina’s in Hollywood, as well as many international jazz festivals, including Mon- treal Festival du Jazz, Bern Jazz Fest in Switzerland, Glasgow and Edinburgh Jazz Fests, Vitoria Jazz Fest, San Sebastian Fest in Spain and the USS Norway Jazz Cruise. He toured Europe and Japan extensively as a member of Ray Brown’s Trio, and with groups led by Hank Jones, Diana Krall, Monty Alexander, Cedar Walton and Joey DeFrancesco. -
ADA Leslie Odom Jr 2020 Christmas One Sheet Layered.Jpg
ada–music.com @ada_music NEW RELEASE GUIDE October 30 November 6 ORDERS DUE SEPTEMBER 25 ORDERS DUE OCTOBER 2 2020 ISSUE 23 October 30 ORDERS DUE SEPTEMBER 25 3LP | List Price: $59.98 Release Date:10/30/20 Discount: No Discounts Packaging: 20pp Bookpack 180g 3LP UPC: 4050538587227 Returnable: NO ACE OF SPADES Box Lot: 1 | Units Per Set: 3 (40TH ANNIVERSARY) File Under: Rock H 3LP & 2CD formats plus US only 1LP & 1CD H 3LP & 2CD formats contain 17 previously unreleased tracks 1LP | List Price: $24.98 Release Date: 10/30/20 Release Date: 10/30/20 Discount: No Discounts Packaging:180g 1LP n 40th Anniversary of this Iconic Rock album UPC: 4050538606553 n 3LP and 2CD Formats include previously unreleased 17 track Live Returnable: NO From Belfast album recorded during the Ace Up Your Sleeve tour’ Box Lot: 25 | Units Per Set: 1 File Under: Rock n All LP releases use new half speed master created from the original tapes, pressed on 180g heavyweight vinyl “Ace Of Spades”—the title track of Motörhead’s 1980 iconic, game changing album isn’t just one of the greatest hard rock songs ever written— it has truly become a lifestyle anthem for several generations of rockers, metalheads, punks, bikers, athletes, rebels, outcasts, and freethinkers all around the world. Few songs in modern history can instantly ignite the adrenaline of music fans the way the song’s opening dirty bass riff, and drum roll can. From zero to 100 mph in a matter of seconds. That speaker- destroying opening riff is unstoppable. -
Title Format Released (Jerry Bergonzi/Bobby Watson/Victor Lewis) Together Again for the First Time CD 1997 ???? ????? CD 1990 4
Title Format Released (Jerry Bergonzi/Bobby Watson/Victor Lewis) Together Again For The First Time CD 1997 ???? ????? CD 1990 4 Giants Of Swing 4 Giants Of Swing CD 1977 Abate, Greg It'S Christmastime CD 1995 Monsters In The Night CD 2005 Evolution CD 2002 Straight Ahead CD 2006 Bop City: Live At Birdland CD 2006 Abate, Greg Quintet Horace Is Here CD 2004 Bop Lives CD 1996 Adams, George & Don Pullen Don't Lose Control CD 1979 Adams, Greg Midnight Morning CD 2002 Adams, Pepper 10 to 4 at the 5-Spot CD 1958 Adderley, Cannonball The Poll Winners: Volume 4 CD 1960 The Cannonball Adderley Quintet In San Francisco [Live] [Bonus Track] CD 1959 Adderley, Cannonball With Bill Evans Know What I Mean? CD 1961 Adderley, Nat Work Song CD 1990 Ade & His African Beats, King Sunny Juju Music CD 1982 Aggregation, The Groove’s Mood CD 2008 Akiyoshi, Toshiko Desert Lady/Fantasy CD 1993 Live at Maybeck Recital Hall: Volume 36 CD 1994 Finesse CD 1978 Alaadeen and the deans of swing Aladeen And The Deans Of Swing Plays Blues For RC And Josephine, Too CD 1995 Alaadeen, Ahmad New Africa Suite CD 2005 Time Through The Ages CD 1987 Page 1 of 79 Title Format Released Albany, Joe The Right Combination CD 1957 Alden, Howard & Jack Lesberg No Amps Allowed CD 1988 Alexander, Eric Solid CD 1998 Alexander, Monty Goin' Yard CD 2001 Jamboree CD 1998 Ray Brown Trio - Ray Brown Monty Alexander Russell Malone (Disc 2-2) CD 2002 Reunion in Europe CD 1984 Ray Brown Monty Alexander Russell Malone (Disc 1) CD 2002 My America CD 2002 Monty Meets Sly And Robbie CD 2000 Stir It -
Greg Cohen Stephan Crump René Mclean Jazz Epistles
APRIL 2017—ISSUE 180 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM IN MEMORIAM HAROLD LARRY CORYELL 1943-2017 MABERNBIG HANDS BIG SOUNDS GREG STEPHAN RENÉ JAZZ COHEN CRUMP MCLEAN EPISTLES Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2017—ISSUE 180 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Greg Cohen 6 by george kanzler [email protected] Andrey Henkin: [email protected] Artist Feature : Stephan Crump 7 by ken waxman General Inquiries: [email protected] On The Cover : Harold Mabern 8 by ken dryden Advertising: [email protected] Encore : René McLean by alex henderson Calendar: 10 [email protected] VOXNews: Lest We Forget : Jazz Epistles 10 by andrey henkin [email protected] LAbel Spotlight : Aerophonic by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] In Memoriam Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, In Memoriam: Larry Coryell Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD Reviews 16 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Mark Keresman, Miscellany 35 Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Event Calendar 36 Elliott Simon, Andrew Vélez, Ken Waxman, Scott Yanow Contributing Writers Robert Bush, Kevin Canfield, Brian Charette, George Kanzler, April is Jazz Appreciation Month, culminating on Apr. -
Jazzland Label Discography
Jazzland Label Discography Stereo releases had a 9 added to the front of the number, for example 23 monaural was 923 stereo. JLP 1 - Jazz Lab - Gigi Gryce, Donald Byrd [1960] Reissue of Riverside RLP 12-229 entitled "Gigi Gryce and the Jazz Lab Quintet". Love for Sale/Geraldine/Zing! Went the Strings of My Heart/Minority/Straight Ahead/Wake Up! JLP 2 - Zoot Sims Quintet- - Zoot Sims Quintet [1960] Reissue of Riverside RLP 12-228 entitled "Zoot!". Why Cry?/Echoes of You/Swim Jim/Here and Now/Fools Rush In/Osmosis/Taking a Chance on Love JLP 3 - The Swingers - Kenny Dorham [1960] Gee!/Kingston Lounge/The Boys from Brooklyn/Gone with the Wind/Orient/Free Flight/Checkmate JLP 4 - Zule - Randy Weston, Art Blakey [1960] Reissue of Riverside RLP 12-227 entitled "Randy Weston - Trio and Solo". Again/Zulu/Pam's Waltz/Solemn Meditation/If You Cold See Me Now/Sweet Sue/Little Girl Blue/We'll Be Together Again/Softness/Lover JLP 5 - Herbie Mann Quintet featuring Jack Sheldon - Herbie Mann Quintet featuring Jack Sheldon [1960] Reissue of Riverside RLP 12-245 entitled "Herbie Mann's Californians - Great Ideas of Western Mann". The Theme/Lady Bird/Get Out of Town/Is It True What They Say About Dixie?/A Handful of Stars/A Stella Performance JLP 6 - Hard Bop! - Donald Byrd, Hank Mobley [1960] Reissue of Riverside RLP 12-236 entitled "Kenny Drew - This Is New". You're My Thrill/It's You or No One/Carol/This Is New/Little T/Paul's Pal/Why Do I Love You? JLP 7 - Cruisin' the Rhythm Sections - Wynton Kelly, Wilbur Ware, Philly Joe Jones, Paul Chambers [1960] Serenade to a Bus Seat/Stardust/Cruising/That Old Black Magic/Specific Gravity/Lover Man/Like Someone in Love JLP 8 - Low-Down Guitar - Mundell Lowe, Billy Taylor, Gene Quill [1960] Reissue of Riverside RLP 12-238 entitled "Mundell Lowe - A Grand Night for Swinging". -
FROM PITTSBURGH to the PERSHING: ORCHESTRATION, INTERACTION, and INFLUENCE in the EARLY WORK of AHMAD JAMAL by Michael Paul Mack
FROM PITTSBURGH TO THE PERSHING: ORCHESTRATION, INTERACTION, AND INFLUENCE IN THE EARLY WORK OF AHMAD JAMAL by Michael Paul Mackey Bachelor of Science, Duquesne University, 2003 Master of Music, Duquesne University, 2009 Submitted to the Graduate Faculty of the Kenneth P. Dietrich of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2017 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts and Sciences This dissertation was presented by Michael Paul Mackey It was defended on March 31, 2017 and approved by Amy Williams, Associate Professor, Music Deane L. Root, Professor, Music Geri Allen, Associate Professor, Music Laurence Glasco, Associate Professor, History Dissertation Advisor: Michael Heller, Assistant Professor, Music ii Copyright © by Michael Paul Mackey 2017 iii FROM PITTSBURGH TO THE PERSHING: ORCHESTRATION, INTERACTION, AND INFLUENCE IN THE EARLY WORK OF AHMAD JAMAL Michael Paul Mackey, PhD University of Pittsburgh, 2017 Despite over sixty years of international recognition and the enduring respect of his fellow musicians, pianist Ahmad Jamal’s omission from jazz discourse is most curious. Stanley Crouch hailed Jamal as second only to Charlie Parker as the most influential individual on the development of jazz after 1945. While Jamal was still a teenager in Pittsburgh, the eminent Art Tatum deemed him a “coming great.” After establishing himself as one of Chicago’s leading pianists during the 1950s, his album But Not for Me: Live at the Pershing (1958) remained on Billboard’s album chart for 107 weeks and has become one of the best-selling jazz albums of all-time. -
20. Resurgence in the 1980S and '90S
20. Resurgence in the 1980s and '90s nterest in jazz in Cleveland was at a low ebb during the 1970s. There was very little live jazz being I perfonned here by either national or local musicians, and very little recorded jazz being played on area radio stations. Jazz flutist, saxophonist and textbook author Mark Gridley remembered, "It was so bad that I would have to drive to Pittsburgh, Cincinnati or Detroit just to hear Miles Davis or Chick Corea." In 1971, Gridley, who was studying and teaching at Case Western Reserve University, organized a series of monthly jazz concerts featuring such local musicians as Bill Dobbins, Lamar Gaines and Val Kent. It was almost the only live jazz in town at the time. A Northeast Ohio Jazz Society concert on Cleveland's Public Square But, by the end of the 1970s and early in the 1980s, four things happened to help trigger a resurgence ofjazz The late Allison Kaslow, a founder of the New in Greater Cleveland: Orleans Jazz and Heritage Festival, was the Jazz • The Northeast Ohio Jazz Society was formed in Society's first executive director in 1986 and ' 87. John March of 1978, Richmond served as the full-time, paid NOJS executive • The Tri-C JazzFest was launched in April of director from 1989 until 1999. Dr. Carlos Ramos 1980, became the executive director in 2002. • The Cleveland Jazz Orchestra was fonned in May After presenting a number of well-attended jazz of 1984, concerts and education and social events, the jazz • Public Radio Station WCPN began programming society marked its tenth anniversary in 1988 with a gala jazz in September of 1984.