PHILOSOPHY of HORROR Spring 2017 MWF 12:00-12:50 MCOM 080
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Come Celebrate the 15Th Year Aniversary of the Alameda Point Antiques Faire
The Official Faire Magazine and Program Guide FREE! Volume 4 Issue 9 SUNDAY, SEPTEMBER 2, 2012 come early for the faire and stay for the auction! Visit Our Website to Discover How to Shop the Faire 365 days a Year MICHAAN’S AUCTIONS PRESENTS Come Celebrate the 15th Year Aniversary of The Alameda Point Antiques Faire Details Inside! • Detailed Booth Maps for Antiques Faire • Additional Maps with Alternate • Partial Sellers Directories Routes to Freeways • Details About Our Rain-Out Policy • Fun and Informative Articles Antiques By The Bay, Inc. • 510-522-7500 Michaan’s auctions • 510-740-0220 www.alamedapointantiquesfaire.com www.michaans.com 2900SEPTEMBER Navy Way 2, (at 2012 Main Street) Alameda, CA 94510 2751 Todd Street, Alameda, CA 94501 1 Michaan’s Auctions presents Now Accepting Quality Consignments for our Upcoming Auctions. We are looking for consignments of fine art, American and European furniture, decorations, Asian art, fine jewelry and timepieces for our auctions. To schedule a private appointment or to inquire about consigning please contact Tammie Chambless at (510) 227-2530. 1. Hermann Herzog (American 1832-1932) Farallon Islands, Pacific Coast Sold for $43,875 2. A Finely Carved Rhinoceros Horn ‘Lotus’ Libation Cup, 17th/18th Century Sold for $70,200 3. Philip & Kelvin LaVerne Studios Chan Coffee Table Sold for $6,435 Ph. (800) 380-9822 • (510) 740-0220 2751 Todd Street, Alameda, California 94501 Bond #70044066 Michaan’s Auctions presents The Official Magazine and Program Guide of the Alameda Point Antiques Faire * The Alameda Point Antiques Faire and Alameda Point Vintage Fashion Faire are not affiliated with any other antique shows. -
Post-Human Nightmares
Post-Human Nightmares Mark Player 13 May 2011 A man wakes up one morning to find himself slowly transforming into a living hybrid of meat and scrap metal; he dreams of being sodomised by a woman with a snakelike, strap-on phallus. Clandestine experiments of sensory depravation and mental torture unleash psychic powers in test subjects, prompting them to explode into showers of black pus or tear the flesh off each other's bodies in a sexual frenzy. Meanwhile, a hysterical cyborg sex-slave runs amok through busy streets whilst electrically charged demi-gods battle for supremacy on the rooftops above. This is cyberpunk, Japanese style : a brief filmmaking movement that erupted from the Japanese underground to garner international attention in the late 1980s. The world of live-action Japanese cyberpunk is a twisted and strange one indeed; a far cry from the established notions of computer hackers, ubiquitous technologies and domineering conglomerates as found in the pages of William Gibson's Neuromancer (1984) - a pivotal cyberpunk text during the sub-genre's formation and recognition in the early eighties. From a cinematic standpoint, it perhaps owes more to the industrial gothic of David Lynch's Eraserhead (1976) and the psycho-sexual body horror of early David Cronenberg than the rain- soaked metropolis of Ridley Scott's Blade Runner (1982), although Scott's neon infused tech-noir has been a major aesthetic touchstone for cyberpunk manga and anime institutions such as Katsuhiro Otomo's Akira (1982- 90) and Masamune Shirow's Ghost in the Shell (1989- ). In the Western world, cyberpunk was born out of the new wave science fiction literature of the sixties and seventies; authors such Harlan Ellison, J.G. -
Danse Macabre Online
kfynS (Read ebook) Danse Macabre Online [kfynS.ebook] Danse Macabre Pdf Free Stephen King audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #162520 in Audible 2016-08-11 2016-08-11Format: UnabridgedOriginal language:EnglishRunning time: 1088 minutes | File size: 58.Mb Stephen King : Danse Macabre before purchasing it in order to gage whether or not it would be worth my time, and all praised Danse Macabre: 5 of 5 people found the following review helpful. Stephen King: the ultimate guide to horror and the macabre!By Kendall GilesSome of us love stories that leave us listening fearfully for shuffling footsteps in the dark, or movies that make us spray our popcorn about the room when the bogeyman leaps from the shadows, on reflection, we may wonder just what it is about scary stories that causes such fearful reactions. Those who scoff at the horror genre, who flinch at any mention of anything bad happening in a story and whose entertainment choices revolve around TV shows like American Idol, may wonder what all the excitement over the horror genre is about. The balm for both these groups is Stephen King's Danse Macabre, an homage, exploration, and critical analysis of the horror genre during the period 1950-1980, a period that experienced the cultivation and development of the scary story form through radio, TV, movie, and book formats.Lest the very idea of a thirty-year overview of the horror genre conjure up fears of a stale, academic, and tedious exposition, rest assured that this tour through the spooky and macabre is conducted by the perfect guide-King is an award-winning author of more than 49 horror novels and short stories with many movie and TV adaptations. -
The Grotesque of the Gothic: from Poe to the Present
Phillips 1 The Grotesque of the Gothic: From Poe to the Present A Four-Week Instructional Unit Plan designed by Amy Dyster Phillips ELAN 7408 Dr. Smagorinsky University of Georgia Fall, 2007 The Grotesque of the Gothic Phillips 2 Amy Phillips Dr. Smagorinsky ELAN 7408 Unit Rationale: The Grotesque of the Gothic: From Poe to the Present “Gothic” or “Goth” is a term still used today, but where did it come from? What does Gothic really mean? Why does dressing “Goth” imply wearing all or mostly black? And why are spooky images associated with both? Edgar Allen Poe had a lot to do with this. The Gothic genre, though having originated in England, was brought to America by Poe and the literary culture as we then knew it was transformed. This four-week unit is designed to outline for students the historical background of the Gothic, including biographical information on Poe’s life. Students will examine and analyze how the Gothic has changed from Poe’s time until now, and wrestle with questions such as “what is attractive about the emotional experience of fear”? In other words, “why do you enjoy scary movies?” Gothic (or gothick), a term originally used to describe that which was barbaric or barbarian, comes from the word Goth, the name of the Germanic tribes who destroyed Rome and wreaked havoc on the rest of Europe in the third through fifth centuries. Later, because of the architecture that flourished in Europe during the Middle Ages known for its non-classical style, the term Gothic came to take on other meanings, synonymous with Middle Ages and medieval. -
Notions of the Gothic in the Films of Alfred Hitchcock. CLARK, Dawn Karen
Notions of the Gothic in the films of Alfred Hitchcock. CLARK, Dawn Karen. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19471/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version CLARK, Dawn Karen. (2004). Notions of the Gothic in the films of Alfred Hitchcock. Masters, Sheffield Hallam University (United Kingdom).. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus Sheffield S1 1WB Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE ProQuest Number: 10694352 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694352 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Notions of the Gothic in the Films of Alfred Hitchcock Dawn Karen Clark A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Master of Philosophy July 2004 Abstract The films of Alfred Hitchcock were made within the confines of the commercial film industries in Britain and the USA and related to popular cultural traditions such as the thriller and the spy story. -
Screams on Screens: Paradigms of Horror
Screams on Screens: Paradigms of Horror Barry Keith Grant Brock University [email protected] Abstract This paper offers a broad historical overview of the ideology and cultural roots of horror films. The genre of horror has been an important part of film history from the beginning and has never fallen from public popularity. It has also been a staple category of multiple national cinemas, and benefits from a most extensive network of extra-cinematic institutions. Horror movies aim to rudely move us out of our complacency in the quotidian world, by way of negative emotions such as horror, fear, suspense, terror, and disgust. To do so, horror addresses fears that are both universally taboo and that also respond to historically and culturally specific anxieties. The ideology of horror has shifted historically according to contemporaneous cultural anxieties, including the fear of repressed animal desires, sexual difference, nuclear warfare and mass annihilation, lurking madness and violence hiding underneath the quotidian, and bodily decay. But whatever the particular fears exploited by particular horror films, they provide viewers with vicarious but controlled thrills, and thus offer a release, a catharsis, of our collective and individual fears. Author Keywords Genre; taboo; ideology; mythology. Introduction Insofar as both film and videogames are visual forms that unfold in time, there is no question that the latter take their primary inspiration from the former. In what follows, I will focus on horror films rather than games, with the aim of introducing video game scholars and gamers to the rich history of the genre in the cinema. I will touch on several issues central to horror and, I hope, will suggest some connections to videogames as well as hints for further reflection on some of their points of convergence. -
American Belly Dance and the Invention of the New Exotic: Orientalism, Feminism, and Popular Culture
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1-1-2010 American Belly Dance and the Invention of the New Exotic: Orientalism, Feminism, and Popular Culture Jennifer Lynn Haynes-Clark Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Let us know how access to this document benefits ou.y Recommended Citation Haynes-Clark, Jennifer Lynn, "American Belly Dance and the Invention of the New Exotic: Orientalism, Feminism, and Popular Culture" (2010). Dissertations and Theses. Paper 20. https://doi.org/10.15760/etd.20 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. American Belly Dance and the Invention of the New Exotic: Orientalism, Feminism, and Popular Culture by Jennifer Lynn Haynes-Clark A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology Thesis Committee: Michele R. Gamburd, Chair Sharon A. Carstens Priya Kandaswamy Portland State University ©2010 Abstract Belly dance classes have become increasingly popular in recent decades in the United States. Many of the predominantly white, middle-class American women who belly dance proclaim that it is a source of feminist identity and empowerment that brings deeper meaning to their lives. American practitioners of this art form commonly explain that it originated from ritual-based dances of ancient Middle Eastern cultures and regard their participation as a link in a continuous lineage of female dancers. -
Bluebeard's Wives
P a g e | 202020 Bluebeard’s Wives: Horror, Quality and the Gothic (or Paranoid) Woman’s Film in the 1940s Mark Jancovich Although a body of work now exists on the Gothic (or paranoid) woman’s film of the 1940s, 1 most of this work ignores or explicitly denies any association between these films and the horror film more generally. As a result, the following essay presents a study of the critical reception of these films during the period that demonstrates that at the time of their initial release these films were clearly understood as women’s horror films. It starts out from a survey of the academic debates over these films and their relationship to horror before moving on to explore the strategies through which these films were generically understood and critically evaluated on their release in the United States. In the process, it argues that many key examples of the Gothic (or paranoid) woman’s film were championed as the epitome of cinematic quality films, rather than being denigrated as low-brow entertainment. At the same time, other films were condemned as pretentious exercises that sought to disguise lowbrow materials as quality productions, or as quality productions that lacked visceral thrills and failed to deliver as horror films. 1 I use the term “Gothic (or paranoid) woman’s film” as a composite given that there are so many overlapping terms used to describe these films; the Gothic film, the Gothic woman’s film, the paranoid woman’s film, the female Gothic, and so forth. Furthermore, while different generic terms are rarely synonymous with one another, these terms operate as a rare case where critics do seem to be using different terms to refer to the same films, and seem to be directly engaging with one another’s work. -
An Interview with Stephen King by John C. Tibbetts
“We Walk Your Dog at Night!”: An Interview with Stephen King by John C. Tibbetts Stephen King is a phenomenon. He is without question the most popular writer of horror fiction of all time. In l973 he was living with his family in a trailor in Hampden, Maine, struggling to make a living as a high school teacher, when he published his first novel, Carrie, a tale of a girl with telekinetic powers. Its sales in hardcover were modest (l3,000) but enough to inspire a paperback reprint and a popular film adaption by Brian De Palma in l976. His “breakthrough” book, Salem's Lot, came out that year and quickly sold 3,000,000 copies. Within the next four years The Shining, The Stand, Night Shift, and The Dead Zone—all best-selling horror fiction—established King as the reigning Master of the Macabre. When he co- authored The Talisman in l984 with Peter Straub [See the Straub interview elsewhere in these pages], it was a publishing event unparalleled in modern times. Today over l00 million copies of his books are in print. King's work is frankly derivative of the traditions of l9th century gothic horror. Carrie is written in the style of the "epistolary" novel of the late l8th century. Salem's Lot is an update on Bram Stoker's vampire novel, Dracula. Christine is a variant on Oscar Wilde's The Portrait of Dorian Gray. Pet Sematary is a retelling of W. W. Jacobs' "The Monkey's Paw." And The Dark Half draws from the rich vein of "doppelganger" stories by Poe, Hoffmann, and Stevenson. -
Download Danse Macabre Pdf Ebook by Stephen King
Download Danse Macabre pdf book by Stephen King You're readind a review Danse Macabre book. To get able to download Danse Macabre you need to fill in the form and provide your personal information. Book available on iOS, Android, PC & Mac. Gather your favorite ebooks in your digital library. * *Please Note: We cannot guarantee the availability of this ebook on an database site. Ebook File Details: Original title: Danse Macabre 512 pages Publisher: Gallery Books; Reprint edition (February 23, 2010) Language: English ISBN-10: 1439170983 ISBN-13: 978-1439170984 Product Dimensions:5.3 x 1.5 x 8.2 inches File Format: PDF File Size: 4876 kB Description: Before he gave us the “one of a kind classic” (The Wall Street Journal) memoir On Writing, Stephen King wrote a nonfiction masterpiece in Danse Macabre, “one of the best books on American popular culture” (Philadelphia Inquirer).From the author of dozens of #1 New York Times bestsellers and the creator of many unforgettable movies comes a vivid, intelligent,... Review: Stephen King was thirty-three when he wrote ‘Damse Macabre’ in 1980. At that point he had published only five major novels: ‘Carrie’ (1974), ‘Salem’s Lot’ (1975), ‘The Shining’ (1977), ‘The Stand’ (1978), and ‘The Dead Zone’ (1979). While these were the novels that cemented his early reputation, many of his most famous books would come later: ‘Firestarter’... Ebook Tags: danse macabre pdf, stephen king pdf, horror genre pdf, jekyll and hyde pdf, horror movies pdf, harlan ellison pdf, night shift pdf, years ago pdf, movies and -
Our Evolving Fears Joshua Dewar Old Dominion University
RUNNING HEAD: OUR EVOLVING FEARS Our Evolving Fears Joshua Dewar Old Dominion University OUR EVOLVING FEARS Dewar 1 Joshua Dewar December 3rd, 2018 Eng 333 Our Evolving Fears Stephen King’s ‘Salems Lot has been an incredibly successful novel. The homage to Bram Stoker’s Dracula can attribute its popularity to King’s masterful ability to find the pressure points of today’s anxieties and fears and emphasize them in his work. Stoker similarly provoked his audience to address the “elephants in the room” of his era. By analyzing what each of these author’s chooses to focus on, the realities that frighten and confuse their audience, one can draw conclusions about the nature of that audience’s psychological insecurities. This can be an incredibly valuable tool for authors and literary critics within the genre for considering how the horror genre allows audiences to engage in acknowledging and coping with their fears by daring them to take a peek from under the blanket. Fear and anxiety derived from societal pressure and repression is presented in Dracula as emphatically sexual; as King explains in Danse Macabre, “In a way it was the mores of Stoker’s day which dictated that the Count’s evil should come from outside, because much of the evil embodied in the Count is a perverse sexual evil”(67). Scenes like Harker’s close encounter with Dracula’s harpies in which he describes their behavior as “deliberate voluptuousness which was both thrilling and repulsive” embody the contradictory forces of passion(sexual freedom) and purity(sexual conformity) that collide on the page. -
A Collection of Works Illustrative of the Dance of Death in the Library Of
PLATE I. FROM Chertabloris “La Maniere de se bien Preparer a la Mart." Anvers, 1740. G. E. SEARS LIBRARY. A Collection of Works Illuftrative of Hi)? Ilanrp of LA DANSE MACABRE LES IMAGES DE LA MORT IMAGINES MORTIS LE TRIOMPHE DE LA MORT ICONES MORTIS DER TODTEN TANZ. IN THE LIBRARY OF GEORGE EDWARD SEARS With Photographic Reproductions of Rare and Curious Title-Pages and Plates Selected Therefrom HeU) STortt PRIVATELY PRINTED 1889 artists antt Snoraaers WHO ARE KNOWN TO HAVE DELINEATED THE SUBJECT. Hans Holbein, Hans Lutzelberger, H. Aldegrever, David Denecker, Eberh. Kieser, Jobst Denecker, Jobst Amman, Anton Sylvius, Wenceslas Hollar, Otho \Cenius, Ch. de Mechel, Matt. Merian, Andre Trost, M. Rentz, Rudolph Meyer, Conrad Meyer, I. R. SCHELLENBERG, Callot, Chodowiecki, Geo. Cruikshank, Grandville, D. Deuchar, T. Rowlandson, Thos. Bewick, R. Dagley, M. Frenzel, J. SCHLOTTHAUER, Byfield, Bonner, Alex. Anderson. ®anc£ of NAME given to a certain class of allegorical representations, illustrative of the universal power of Death, and dating from the fourteenth century. When the introduction of Christianity a first banished the ancient Germanic conception of a future state, a new description of death mythology arose, partly out of Biblical sources, partly out of the popular character itself, wherein the Last Enemy was represented under simple and majestic images, such as that of a husband- man watering the ground with blood, plowing it with swords, rooting out weeds, plucking up flowers, or felling trees, sowing it with corpses ; or, of a monarch assembling his armies, making war, taking prisoners, inviting his subjects to a festival, or citing them to judgment.