Pooka's Page for Grownups

Total Page:16

File Type:pdf, Size:1020Kb

Pooka's Page for Grownups Pooka's Page for Grownups... In this issue, we have a special guest contributor - Six year old Rebecca who's a member of Pooka's Circle on Facebook. With the help of her mum, she made her very first besom and then wrote a tutorial on how she did it for other kids. Rebecca did a great job, both on the broom and the tutorial. We'd love to see more kids telling other kids how to do the sabbat crafts that they've tried. If your child has done one, share it (along with a photo) on Pooka's Circle. In our last issue, Team Member Carmen wrapped up her year long "Symbols of the Sabbats" and, in this one, she's beginning a brand new column of lessons for young pagans. In it, she will be teaching the basics - much like Pooka's lessons with Elsie! We hope your child enjoys them and, perhaps, be helpful as you teach and guide your child through the ways of your Path. Here at Pooka Pages, we all hope you're having a marvelous summer and that your Lughnasadh is filled with the promise of a bountiful harvest. Lora, Pooka and the Team www.pookapages.com Join our Group on Facebook - Pooka's Circle or visit, "like" and "follow" our Team Page : facebook.com/PookaPagesTeam Also known as Lammas, Festival of First Fruits, First Harvest - This is the first of the three harvest celebrations. Earth’s bounty becomes ripe for gathering. The first loaves of bread are baked from this year’s grains. Fruits are ready to be canned or made into pies and jams. The bounty of the vegetable garden is being canned and preserved to feed people during the coming winter months. In the midst of all this activity, people still find time to gather at County Fairs that are today’s version of the ancient Lughnasadh Festivals. In this Issue Storybook Chair- Elsie's Magic Coloring Page - Sunflower by Liliane Grenier Kitchen Witch - Bread in a Bag by Emily Tinsman Short Story - Pooka Knows When He's Kneaded Elsie's Herb Garden - Saving Seeds Activity Page - Make a Seed Packet Wee Witchling's Read-Along - Saving Seeds A Letter from Scotland by Fiona Tinker How to Make a Broom/Besom - by Rebecca, age 6 Little Book of Shadows - Broom Magic Coloring Page - Corn Dolly by Hope Mayo The Path of the Witchling by Carmen Sanchez-Bezzard Coloring Page - Pooka Harvesting Corn by Liliane Grenier WitchCraft - Wheat to Grow On by Amber A. The Pooka Pages Magazine is published by Lora Craig-Gaddis This is a FREE Publication for Pagan Children The Pooka Pages is published 8 times a year. To get the current issue, go to: www.pookapages.com Pooka Pages, Lughnasadh 2014 © July 2016 No portion of this publication may be used without the author or artist’s permission. To contact an author or artist or for general inquiries, write to [email protected] Elsie's Magic Pooka lay sprawled on the broad stone window sill, his furry black tummy warmed by the sun. He flicked an alert ear when the garden gate opened, but he was used to his witch receiving visitors throughout the day. They'd come to buy herbal remedies for their ailments, charms to bless their homes or rose petal lotion for their complexion. Occasionally, if they had a problem, they'd ask for a tea leaf or tarot reading. So he only half listened through the open window when Mrs. Gilmore, the neighboring farmer's wife said: "Elsie, dear, I need a bit of your magic spice mixture. Did you know that horrible Lavinia Hinkle intends to enter the Lammas Faire Cake Competition again?" Pooka could almost hear his witch shrug her shoulders. "She always does." "And, thanks to your special spice blend, my cake has beat hers every year!" chortled the plump woman smugly. Elsie laughed and said, "I'll be right back." Pooka heard her little boots trot back to the herb room and then return. "Here you go." Mrs. Gilmore promised, in exchange, to bring Elsie some extra eggs, cream and butter this week. She then left the cottage carrying a small packet. Extra cream? That sounded pretty good to the cat. A short while later, the garden gate squeaked open again. Pooka cracked one eye open and this time it was their friend, Randy Mackellar, from the village book store. "Darling girl," he exclaimed when Elsie opened the door. "Your garden is absolutely fabulous! I am so glad you're not entering the flower competition at the Faire this year. My poor roses wouldn't stand a chance!" Pooka heard Elsie laugh. "You wouldn't by any chance be needing some more of my Plant Potion?" "Not only adorable and an amazing little gardener, she's also a psychic!" teased Randy. The garden shed door squeaked open and a moment later Elsie said, "Here you go." "Yes!" cried the young man triumphantly. "Now I'll be sure to win again this year and I promise that the next rose I breed will be named the 'Elsie's Enchantment!" "Don't you dare!" laughed the girl. Pooka stretched lazily. He sat up and scratched behind his ear with a hind paw. As he did, he noticed Randy pause at the garden gate to exchange greetings with Miss Mary, the church organist. Randy went on his way and Mary entered the garden. "Hi, Elsie," she waved. Elsie, who'd been bent over cutting a bouquet of lavender, straightened up and waved back. Pooka was curious. Miss Mary was always friendly when they met her in the village, but definitely not a regular customer at the cottage. So, when Elsie invited her in for a cup of tea, the cat leaped off the window sill and followed them in. As Elsie put the kettle on, Miss Mary looked around. "Your cottage is so warm and homey... and it smells so good in here!" "Thank you," said Elsie as she measured the tea into the little brown pot. "Which reminds me," Mary went on. "Do you remember that mysterious sachet mixture you sold to me last year?" Elsie nodded. "Yes. It was lavender, clove and patchouli oil mixed with..." "Oh, don't tell me!" exclaimed Miss Mary clapping her plump hands over her ears. She then turned bright pink. "You see, I used some of it in the stuffing for the quilt I entered in the contest last Lammas. The judges kept sniffing my quilt and I really do think that's why I won." Elsie poured their tea and placed some lemon verbena cookies on a plate. The organist looked a bit startled as Pooka, who was perched politely on one of the chairs, reached a paw out and helped himself to a cookie. Her eyes widened a bit more as the witch poured a bit of tea into a cup, added a healthy dose of cream and then set it in front of the cat. "So, why don't you want me to tell you the recipe?" Elsie asked the organist. "Then you could just make it yourself." Miss Mary's round cheeks flushed a rosy pink. "Oh, dear... I'm not sure our minister would approve. I mean, there must be some sort of magic in it." Elsie waited. Mary sipped her tea and nibbled a cookie before glancing over at the witch timidly. "But, surely it couldn't hurt to use a bit of it again this year?" Elsie smiled and headed toward her Herb room. "I'll be right back," she said. While they waited, Pooka couldn't help smirking a bit as the organist kept a close eye on him. It almost seemed as though she expected the cat to tie on an apron, head over to the stove and begin supper preparations. After Miss Mary had left, with her bag of sachet mixture tucked in her purse, Elsie went to the parlor to read a book. Pooka trailed behind her, jumped into her lap and sat on the book. He then fixed her with a quizzical Look. "Yes?" the witch sighed. "How come you never enter the Cake Contest? Or the Flower Competition or the Quilting Contest?" demanded Pooka. "You're good at all that stuff. Come to think of it, you never enter any of the competitions at the Lammas Faire." "Because, everyone in the Village knows I'm a witch. So, if I won, people would say I cheated by using magic," Elsie explained. "But they don't mind using your magic to help THEM win!" objected Pooka. Elsie grinned and rubbed behind his ears. "Yeah, well, people are funny that way," she admitted. "It's human nature." "I'm glad I'm a cat!" Pooka announced. The girl gathered his furry little body into her arms and snuggled him. "I'm glad you are too!" Lughnasadh Bread in a Bag by Emily Tinsman This is a really cool recipe because squishing things is always fun, Right? And, your grownup will like it too because it doesn't make a big mess. (Just a little one.) The bread comes out slightly. You can add herbs like rosemary, sage, pepper, thyme, and bit of shredded cheese Or, you can add spices, like cinnamon, cardamom and clove. Or just make it plain. It's deliicious no matter what! It makes 2 mini loaves or 1 normal sized loaf. Note: With regular flour, you'll get more of a "muffin" texture. For a finer, "bread-type" crumb, use bread flour.
Recommended publications
  • MS452 Title: Archives of Cultural Tradition Miscellaneous
    University of Sheffield Library. Special Collections and Archives Ref: MS452 Title: Archives of Cultural Tradition Miscellaneous Manuscripts Scope: An extremely wide and varied collection of material relating to mainly British cultural tradition. The collection is loosely focused on folklore, dialect and domesticity. It is made up of printed ephemera, hand written accounts and reproduced and original documents across a wide time frame. Dates: 1771-1999 Level: Collection Extent: 64 boxes Name of creator: Archives of Cultural Tradition Administrative / biographical history: This collection is made up of individual donations to the Archives of Cultural Tradition. Items mainly relate to British cultural tradition, although other countries are present. Folklore, dialect and domesticity are represented through printed ephemera, hand-written accounts and published documents. Much of the material covers local history and folk-traditions with newspaper cuttings and relevant articles as well as survey studies collected by the Archives of Cultural Tradition. Source: Donated between 1963 and 1999; transferred to University of Sheffield Library July 2008 System of arrangement: As received Subjects: Folklore, Cultural traditions Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS452 Archives of Cultural Traditions Miscellaneous Manuscripts 1.1. Sykes and Barron Ballad Roll, photocopy. Unknown donor, unknown date 1.2. Student Selected Study, Ian D Hunter, post graduate, ”The Centre for English Cultural Tradition and Language” Photocopy, 1986. Unknown donor, unknown date 1.3. Jean Massey collection - articles, photographs and books. Jean Massey donor A. Article re Marjory Fraser, “Songs of the Hebrides” From Scottish Field, November 1957. B.
    [Show full text]
  • Download Continuity of Anglo-Saxon Iconography for FREE
    Continuity of Anglo-Saxon Iconography The Twilight Age Volume Three Bob Trubshaw Continuity of Anglo-Saxon Iconography is an attempt to understand what pre-conversion 'idols' – the weohs and stapols – might have looked like. More especially, this study aims to establish what the meaning and significance of these carvings might have been, based in large part on evidence from early Christian stone crosses. In the process this study sheds light on the way these motifs would have been understood by people at the time – which is not necessarily how such imagery came to be regarded a few centuries later. As none of the wooden weohs and stapols have survived there is, clearly, considerable speculation involved. However these suggestions fit within a plausible 'underlying' worldview established in the first two volumes of The Twilight Age. The fifth volume of this series looks in more detail at the locations of such carvings. About The Twilight Age series Not that many decades ago English history between the fifth the eleventh centuries was deemed the ‘Dark Ages’, largely because of the lack of evidence. Much has changed, and scholarship has shed considerable light on the later centuries. However by then many parts of Britain were evolving into Anglo-Scandinavian culture. Evidence for the Anglo-Germanic fifth and sixth centuries is still scarce and difficult to interpret, so the epithet ‘Dark Ages’ is still apt. The years in between occupy a comparative ‘twilight zone’, fascinating because of numerous social changes, not least the various cultural transitions which ultimately led to Christianity being the dominant religion.
    [Show full text]
  • 2010 WDOAM Magazine – Autumn
    WEALD & DOWNLAND OPEN AIR MUSEUM Autumn 2010 Events and Courses 2010-2011 Celebrating 40 years! ●● TheThe 40th40th anniversaryanniversary weekendweekend inin picturespictures ●● BuildingBuilding HistoryHistory –– newnew bookbook tellstells thethe storystory ofof thethe museum’smuseum’s developmentdevelopment ●● BuildingBuilding conservationconservation comescomes ofof ageage –– anniversaryanniversary conferenceconference HistoricHistoric clothingclothing andand needleworkneedlework projectsprojects taketake leapleap forwardforward £1.00 where sold The museum’s 2010 Christmas card CONTENTS This year’s 3 Richard Harris retires Christmas card From the Chairman: Paul Rigg on features a leading the museum Southdown sheep Announcement of new director with Poplar Cottage in the background, 5 Building Crafts Gallery develops from a photograph behind the market square by visitor services 7 Furnishing projects at the manager Charlie museum Thwaites. They are available by post in Whittaker’s packs of 10 cards 9 at £8.50 each, Cottages and their including post & occupants packing. Order by phone (01243 13 Events Diary 811020) and pay by 14 40th Anniversary Celebrations credit/debit card, minimum order one 16 Building History – pack of 10 cards. Or the story of the Weald buy them from the & Downland Open Air museum shop where they are available as Museum packs of five cards 18 Building conservation comes at £3.75. of age – the museum’s anniversary conference How you can support the Museum 19 Young people benefit from Future The museum is one of the UK’s leading independent museums. It is a Jobs Fund projects charitable trust and receives no regular government or local authority funding but relies on visitor income, voluntary effort, sponsorship and 20 Obituaries its supportive Friends group.
    [Show full text]
  • Kinnettles Kist
    Kinnettles Kist Published by Kinnettles Heritage Group Printed by Angus Council Print & Design Unit. Tel: 01307 473551 © Kinnettles Heritage Group. First published March 2000. Reprint 2006. Contents Introduction 1 Chapter 1 - A Brief Geography Lesson 2 Chapter 2 - The Kerbet and its Valley 4 Chapter 3 - The Kirk and its Ministers 17 Chapter 4 - Mansion Houses and Estates 23 Chapter 5 - Interesting Characters in Kinnettles History 30 Chapter 6 - Rural Reminiscences 36 Chapter 7 - Kinnettles Schools 49 Chapter 8 - Kinnettles Crack 62 Chapter 9 - Farming, Frolics and Fun 74 Chapter 10 - The 1999 survey 86 Acknowledgements 99 Bibliography 101 Colour Plates : People and Places around Kinnettles i - xii Introduction Kinnettles features in all three Statistical Accounts since 1793. These accounts were written by the ministers of the time and, together with snippets from other books such as Alex Warden’s “Angus or Forfarshire – The Land and People”, form the core of our knowledge of the Parish’s past. In the last 50 years the Parish and its people have undergone many rapid and significant changes. These have come about through local government reorganisations, easier forms of personal transport and the advent of electricity, but above all, by the massive changes in farming. Dwellings, which were once farmhouses or cottages for farm-workers, have been sold and extensively altered. New houses have been built and manses, and even mansion houses, have been converted to new uses. What used to be a predominantly agricultural community has now changed forever. The last full Statistical Account was published in 1951, with revisions in 1967.
    [Show full text]
  • Grains Education Pack Q1
    Grains Education Pack Looking at culture, traditions, and use of grains in society Activities and Discussion topics for 5-13 year olds Contents Introduction 2 Teachers notes 3 Fact Sheet 1 Food, tradition and beliefs 5 Fact Sheet 1 The People of Boyaca in Rural Colombia 6 Fact Sheet 1 The Atitecho People 7 Activity Sheet 1 The Weather report 8 Fact Sheet 2 Grain Growing 9 Fact Sheet 2 Worldwide 10 Fact Sheet 2 Cultivation 11 Activity Sheet 2 Sour Dough Starters and Rye Bread 12 Activity Sheet 2 Sour Dough Starters and Rye Bread 13 Fact Sheet 3 Harvesting 14 Fact Sheet 3 Harvest Home 15 Activity Sheet 3 Straw Crafts 16 Activity Sheet 3 Straw Crafts 17 Activity Sheet 3 Straw Crafts 18 Activity Sheet 3 Straw Crafts 19 Fact Sheet 4 Milling 20 Fact Sheet 4 Mills 21 Activity Sheet 4 Weights and measures 22 Fact Sheet 5 Baking 23 Activity Sheet 5 Friendship Cake 24 Activity Sheet 5 Celebrate and decorate 25 Activity Sheet 5 Celebrate and decorate 26 Activity Sheet 5 Celebrate and decorate 27 Activity Sheet 5 Celebrate and decorate 28 Fact Sheet 6 Growing grains in the UK 29 Activity Sheet 6 Grow your own grains 31 Activity Sheet 6 Grow your own grains 32 Bibliography 33 Further resources 34 1 Introduction Grains and bread are universal themes which are valued and used the world over. They act as a vital food source for the majority of the planet, thus creating discussion topics for local activities as well as wider global issues.
    [Show full text]
  • Witches' Reel Gelie Duncan's Song 1591 Image
    Witches’ Reel Gelie Duncan’s Song 1591 Image: Newes from Scotland. Declaring the damnable Life of Doctor Fian a notable Sorcerer, who was burned at Edenbrough in Ianuarie last. 1591. Gellie Duncan was a servant of deputy bailiff of Tranant, North Berwick, David Seton, who is said to have had great capacities to help the sick. Seton became highly suspicious of the success of her cures and accused her of witchcraft, torturing her with the ‘pinniewinks’ (thumbscrews) and wrenching her head with a cord, but she would not confess. After further torture and interrogation in prison, she was found to have ‘the mark of the devil’ on her neck and was said to have confessed to witchcraft, naming many others. In May 1590 James VI had sailed to Leith with his newly wedded bride from Denmark during which the bridal boat was subjected to terrible winds whilst the rest of the fleet remained intact. This incidence was attributed to the witches who were accused of stirring up a storm on Halloween led by the devil, dancing and singing The Witches’ Reel in front of the Auld Kirk. The words of the reel were taken down in transcript in an Edinburgh court and Gellie was summonsed to sing it at Holyrood infront of the King before being sentenced and burned. Others included Agnes Simpson who was fastened to the wall with sharp iron prongs and deprived of sleep, John Fian, a learned schoolmaster was tortured with ‘bootikins’ (leg crushers) and the Earl of Bothwell – rival of King James VI – who was later tried in 1593 but found not guilty.
    [Show full text]
  • 2009 Lughnasadh
    THE GEORGIAN NEWSLETTER Lughnasadh 2009 What’s Inside: Spotlight Recipes & Helpful Hints Announcements Poems Lucinda's Web Art Lammas With Rowan ~ S P O T L I G H T Skip -Yup! Skip GNL -Who introduced you to the Georgians? Skip -Zanoni Silverknife. Met at CoG in Seattle. GNL -Are you an initiated Georgian? Skip -Yup! Very Happy about that. Need to finish the job. GNL -Where are you from originally? Where do you call home now? GNL -What’s your favorite Sabbat? Skip -Originally, Milwaukee Wisconsin. Have not Skip -Spring Equinox been back in decades. Home now is Pittsburg, CA GNL -Why is that? GNL -When did you "discover" Wicca. Skip -Time for "our" special ritual of fey. Skip -As a pre teen...about 1954. Could not DO much about it until the 1980's. GNL -Children? (how many?), 1 grandchildren? 2 GNL -What tradition did you start in? if any? How long GNL -Describe your life a little these days, what great is have you been interested in the craft? going on? Skip -Solitare. Then found COTSS (Church of the Sacred Skip -Bike trails! Wonderful gym. Neat Friends. Getting to Spiral) & ATC in state of WA. 3rd in COTSS. know CA. GNL -Are you a Georgian? The Georgian Newsletter Page 2 GNL -Got any hobby’s or special skills, maybe super Coven naming ritual on Sunday July 12th (next Sunday) at powers or something?....you know, get bit by a 6pm at the Ramada Limited at 74th and South May in Oklahoma City. What is soon to be the Family of the Aquarian radioactive wombat or something? Moon Coven would like to invite everyone to witness the ritual and share in a great Italian Dinner afterwards.
    [Show full text]
  • Over 85 New Items!
    PRSRT STD U.S. Postage P.O. Box 15388 Seattle, WA 98115 PAID www.gaelsong.com GaelSong customer number key code OVER 85 NEW ITEMS! NEW! Secret Knowledge u In the alchemist’s study, a skull sits atop a stack of books. What arcane knowledge do they hold? Lift the top Zipper Detail volume to reveal a hidden space for your secret treasure! Bronze-finished resin with handpainted touches of subtle color. 4½" tall x 4¾" wide, storage space is 2 x 3¼ x 1½". D24009 Skull and Books $40 Trinket Box Printed in USA on recycled paper (minimum post-consumer 10% waste). NEW! EssentiAl philoSophy u The Tree of Life illustrates the interconnectedness of all things—above and below, plants, animals and all beings. Welsh artist Jen Delyth’s depiction of this essential philosophy will inspire your thoughts in this Ivory Charcoal Marled Blue journal. Intricately-tooled green leather cover depicts the Tree of Life surrounded A little Zip to your life by branching knotwork. The classic texture of Irish knitting has fun in this zip-front Hand-laced leather binding hoodie cardigan. Warm and comfortable as a sweatshirt, but holds handmade paper pages. far more stylish, it sports a trinity-knot zipper pull for a final 300 pages; 5" x 7". Irish touch. In Green, Ivory, Charcoal or Marled Blue. Soft C14007 Tree of Life Leather Journal $50 100% merino wool, hand wash. Sizes S-XL. Made in Ireland. Celebrating the Celtic Imagination $ A20025 Women's Hoodie Zip Sweater 160 early autumn 2012 t age oF romance Magically transport yourself to a time of adventures and castles, sorcery and spell- casting, romance and chivalry.
    [Show full text]
  • Best Practices
    Structured dialogue ANNEX III EU – Cultural Sector BEST PRACTICES The European House for Culture on behalf of the Access to Culture Platform has been funded with the support from the European Commission. This communication reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. The Access to Culture Platform is hosted at the European House for Culture. [Access to Culture Platform - Policy Guideline Document] 1 / 131 CONTRIBUTION FROM THE EDUCATION & LEARNING WORKING GROUP [Access to Culture Platform - Policy Guideline Document] 2 / 131 FOREWORD This document presents the case studies that have been collected by the Working Group on Education & Learning. When collecting and discussing the case studies, the working group attempted to make the educational aspects of these cultural projects more explicit by making a direct reference to the ‘Key Competences for Lifelong Learning’, as developed by the EU in 2006. Therefore, some basic information is provided with each case study as an introduction, including a reference to the relevant Key Competence. It must be underlined here that this is just a first step in what the group sees as a long-term process, in which cases studies will be collected and conclusions will be formulated on how to benefit from a closer synergy between education and culture in a European context on the basis of such case studies as well as other information. The European context is increasingly sensitive to the role the culture and the arts can play in fostering creativity and innovation, as being addressed in the EU Year of Creativity & Innovation 2009.
    [Show full text]
  • 5. Lion and Unicorn
    5. Lion and Unicorn 'Building Connections' Collections Researcher, Nicola Minney, delves into the story of a mid- century straw craftsman and his contribution towards the Festival of Britain. Here she responds to a striking image of this celebrated maker and to the skilled photographer who took this portrait. She shares how and why she came to learn about straw work, and draws us into the interconnecting networks of creative life in one special corner of 1950s Essex. John Tarlton, Fred Mizen with Lion and Unicorn sculptures, 1951 In a previous museum post, I had already explored the world of straw plaiting and straw craft. I was quietly confident that I was actually pretty good at it and could probably plait together a hat of some kind without much trouble. Since researching the work of Fred Mizen I have re-evaluated my straw skills and realised I am better off sticking to something like baking. As one of the Collections Researchers for The MERL’s current Building Connections project, I have been able to delve deep into the histories of different objects in the collection looking for new stories, perspectives, and backgrounds to objects and archives. Our first major piece of work was researching items in the Museum’s Welcome Case, where I came across one of Mizen’s creations, a piece of straw craft shaped like a shepherd’s crook. Despite the limits of researching in lockdown, I have been able out more about Fred Mizen and why his work was featured at an event as significant as the Festival of Britain, and why he was so important to British craft.
    [Show full text]
  • Customs, Practices and Folklore Associated with the Traditional Harvest in Wales
    Cynhaeaf: Customs, Practices and Folklore associated with the Traditional Harvest in Wales Alan Robert Phillips MA Celtic Studies Dissertation Department of Welsh and Bilingual Studies University of Wales Trinity Saint David Supervisor: Dr Rhiannon Ifans 2016 Contents Abstract 3 Acknowledgements 4 Introduction 5 Objectives 5 Key Sources 6 Chapter 1: Welsh Harvest Customs in their Context 9 Y Fedel Wenith: Carmarthenshire 9 Harvest Debt: Cardiganshire 10 Sickles, Scythes and Sheaves : Harvesting Practices 12 North Wales Harvest Traditions 14 Evan Jones of Llanwrtyd 17 Chapter 2: Seasonal Migrations 20 The Vale of Clwyd and Cyflog y Groes 23 The Vale of Glamorgan 25 Herefordshire and Shropshire 26 Chapter 3: The Last Sheaf 29 Y Gaseg Fedi 29 Pitching the Mare 32 Symbolism: Meanings and Functions 33 Chapter 4: Harvest Supper 40 Conclusion 44 Bibliography 46 2 Abstract This thesis aims to explore a wide variety of customs and practices associated with the traditional harvest in Wales, principally during the nineteenth century; with a particular focus on south-west Wales, where the evidence survives most strongly. This includes an examination of the practice of harvest migration to destinations both within and outside Wales, the traditions associated with it, and the social stresses which it engendered; with particular attention to the practice of cyflog y groes, or cross wages, in the Vale of Clwyd. The customs and symbolism surrounding the last sheaf, or caseg fedi, are scrutinised in some detail, together with their long-standing Frazerian interpretation, and an alternative approach is proposed. An exploration of a range of harvest folklore demonstrates in particular the constant personification of sheaves as animals or people.
    [Show full text]
  • Corn Dolly History & Stories
    Corn Dolly History & Stories Corn Dolly Watch her as she moves through golden waves Where ears ripen beneath the summer sun Now reapers move across the field, leaving swathes Binders follow making sheaves; a harvest won From the soil we have tilled. Grain that in winter can be milled. There's a gentle swish of sickles through the stalk John Barleycorn is falling to the ground The rig moves on; girls exchanging daily talk As carefully they bind each sheaf around Sweating children work to stook Where mothers have no time to look. At eventide the sun falls below the dripping brow Ceres' row still stands against the blackthorn hedge Her spirit to be beaten back where the oxen plough When winter's solstice comes they'll make a pledge Now its time for sing of joy and mirth Celebrate the bounteous Mother Earth Though the bedstraw beckons weary bairns for sleep And dreams of bitter ales beckon to parched lips At the centre of the field there's still a sheaf to reap The reapers face the stand with hands on hips Each takes his turn to throw His sickle at this final row. To reap the clyack sheaf as custom now demands Each man in turn the blindfold takes Thrice times three is turned around by other hands The sickle then cast forth to the fates The victor knows from others' cheer He shall claim the flowing jug of beer Rituals that have been passed down to us from ancient times As these last stalks are gathered up with care Straw woven with skilled hands to once forgotten rhymes A neck dolly crafted by young Cerys the fair 'Could this be Cybele, mother of gods ?' Her grandmother raises her eyes and nods.
    [Show full text]