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Edo De Waart Leads Cso in a Program of Works by Mozart, Strauss and Adams

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Edo De Waart Leads Cso in a Program of Works by Mozart, Strauss and Adams For Immediate Release: Press Contacts: October 30, 2015 Rachelle Roe, 312-294-3090 Eileen Chambers, 312-294-3092 Photos Available By Request [email protected] EDO DE WAART LEADS CSO IN A PROGRAM OF WORKS BY MOZART, STRAUSS AND ADAMS Violinist Augustin Hadelich Makes CSO Debut in Mozart’s Violin Concerto No. 5 November 11-14 CHICAGO—Guest conductor Edo de Waart returns to lead the Chicago Symphony Orchestra (CSO) in works by Mozart, Strauss, and Adams in programs on Wednesday, November 11, at 6:30 p.m., Thursday, November 12, at 8:00 p.m., Friday, November 13, at 1:30 p.m., and Saturday, November 14, at 8:00 p.m. Violinist Augustin Hadelich, recent winner of the inaugural Warner Music Prize, makes his CSO debut with de Waart and Orchestra in performances of Mozart’s Violin Concerto No. 5 in A Major, K. 219. All of the programs include Mozart’s lively Violin Concerto No. 5 (Turkish) and American composer John Adams’ large-scale symphonic work, Harmonielehre. Inspired by Adams’ own dreams, as well as his reflection on the writings of Carl Jung, the piece was named after Schoenberg’s book Harmonielehre (Treatise on Harmony). In Adams own words, the composition is “a statement of belief in the power of tonality at a time when I was uncertain about its future.” The November 12-14 programs open with Strauss’ playful Till Eulenspiegel’s Merry Pranks, which received its U.S. premiere in 1895 with the CSO under the baton of its first music director, Theodore Thomas. Already a highly sought-after soloist, Augustin Hadelich has performed with many major U.S. orchestras and collaborated with conductors including Robert Abbado, Marc Albrecht and Jaap van Zweden. Hadelich released his first orchestral recording in March 2014 with the Royal Liverpool Philharmonic Orchestra on the AVIE label. In October 2015, he won the first Warner Music Prize, $100,000, awarded to a classical musician aged 35 or under who demonstrates exceptional talent and outstanding promise. The Wednesday, November 11 performance is an Afterwork Masterworks® concert, featuring performances of the works by Mozart and Adams only, without intermission, and begins at 6:30 p.m. All ticketholders are invited to enjoy complimentary wine and an engaging Q&A session with the guest artists in the Grainger Ballroom after the concert. Also on November 11, the CSO’s Overture Council hosts the opening event of its new series of postconcert events for young professionals called Soundpost. Each Soundpost ticket ($35 with promo code: SOUNDPOST) includes prime concert seating and access to a postconcert reception featuring light bites, drink specials and an opportunity to mix and mingle with musicians of the Orchestra. More information about all three Soundpost events, including specially-priced, three-event Soundpost subscriptions is at cso.org/post. The Thursday, November 12 concert, part of CSO’s Classic Encounter series, includes a lively pre-concert scene complete with food and drinks, as well as a multimedia presentation and conversation with a CSO musician hosted by WXRT and Radio Hall of Fame DJ Terri Hemmert. For this Classic Encounter program, Hemmert welcomes Chicago Symphony Chorus Director and Conductor Duain Wolfe for the pre-concert conversation. Single tickets for the Classic Encounter reception can be added to any concert ticket order for November 12. More information is available here. Four-concert Classic Encounter series ticket packages start at $140 and include concert tickets and access to preconcert receptions. More information is available at cso.org/classicencounter. Tickets for all CSOA-presented concerts can be purchased by phone at 800-223-7114 or 312- 294-3000; online at cso.org; or at the Symphony Center box office: 220 S. Michigan Ave., Chicago, IL 60604. Discounted student tickets for select concerts can be purchased, subject to availability, online in advance or at the box office on the day of the concert. For group rates, please call 312-294- 3040. Artists, programs and prices are subject to change. Bank of America is the Global Sponsor of the CSO. # # # Chicago Symphony Orchestra Wednesday, November 11, 2015, 6:30 p.m. Afterwork Masterworks® Chicago Symphony Orchestra Edo de Waart, conductor Augustin Hadelich, violin MOZART Violin Concerto No. 5 in A Major, K. 219 (Turkish) ADAMS Harmonielehre Tickets: $27-$98 NOTE: The Q&A with the artists takes place immediately following the concert in Grainger Ballroom. The Soundpost event takes place immediately following the concert in the fourth floor Rotunda lobby. More information on Soundpost is at cso.org/post. Classic Encounter Thursday, November 12, 2015, 6:30 p.m. Preconcert Reception Terri Hemmert, guest speaker Duain Wolfe, director and conductor, Chicago Symphony Chorus Tickets: $15 Chicago Symphony Orchestra Thursday, November 12, 2015, 8:00 p.m. Friday, November 13, 2015, 1:30 p.m. Saturday, November 14, 2015, 8:00 p.m. Chicago Symphony Orchestra Edo de Waart, conductor Augustin Hadelich, violin STRAUSS Till Eulenspliegel’s Merry Pranks, Op. 28 MOZART Violin Concerto No. 5 in A Major, K. 219 (Turkish) ADAMS Harmonielehre Tickets: $40-$221 Edo de Waart Edo de Waart established a notable conducting career in the last third of the 20th century, becoming known for clear, exciting performances in a wide range of repertory. He came from a musical family, being the son of a choral singer. He studied oboe with Haakon Stotijn and also conducting at the Music Lyceum in Amsterdam. He became co-principal oboe of the Amsterdam Philharmonic in 1961 and associate principal of the Concertgebouw Orchestra in 1963. Meanwhile, he studied conducting, including a course with Franco Ferrara at Hilversum in 1964. This led to a debut with the Netherlands Radio Philharmonic in 1964. That same year he won the prestigious Dimitri Mitropoulos Conductors' Competition in New York, which resulted in a year-long appointment as an assistant conductor of the New York Philharmonic (1965- 66). He became assistant conductor of the Amsterdam Concertgebouw under Bernard Haitink in 1966. He made an impressive recorded debut with the Netherlands Wind Ensemble, which he founded in 1967, including classic recordings of Mozart wind music. He was also appointed co-music director of the Rotterdam Philharmonic with Jean Fournet, becoming sole music director when Fournet vacated his appointment in 1973. His association with the Rotterdam Philharmonic, which lasted until 1979, became noted for firm, exciting orchestral performances and intriguing choices of repertory. In 1975 he became principal guest conductor of the San Francisco Symphony Orchestra, and was elevated to music director in 1977. Although the orchestra was often capable of fine performances, it was variable and had weaknesses. De Waart lifted its standards, turning it into a consistently fine orchestra. In 1985 he conducted an acclaimed series of the complete Wagner Ring operas in San Francisco. Over the years he has made many appearances as an opera conductor, including Bayreuth, Covent Garden, the Santa Fe Opera, Paris' Bastille Opera, and the Metropolitan Opera. He conducted the first recording of Adams' Nixon in China, which won a Grammy Award in 1988. In 1996 he debuted at the Salzburg Festival with Mozart's The Marriage of Figaro. In 1993 he was appointed chief conductor and artistic director of the Sydney (Australia) Symphony Orchestra, and in August 1995 led it on its first European tour in 20 years. In 1996 he took it on its first tours of Japan and Taiwan, and in 1998, on an American tour. He was appointed artistic director of the Netherlands Dutch Radio and Television Organization, and chief conductor of the Netherlands Radio Philharmonic. At the beginning of the 1999-2000 season he began his tenure as chief conductor of the Netherlands Opera. In that year De Waart became music director of the Hong Kong Philharmonic, with his contract extended until 2012. He assumed responsibilities as musical director of the Milwaukee Symphony Orchestra in 2009. An advocate of modern and contemporary music, he has conducted the work of Reich, Torke, Wuorinen, and Britten. Augustin Hadelich Continuing to astonish audiences with his phenomenal technique, poetic sensitivity, and gorgeous tone, Augustin Hadelich has established himself as one of the great violinists of his generation. His remarkable consistency throughout the repertoire, from Paganini to Adès, is seldom encountered in a single artist. Highlights of the 2015/2016 season include debuts with the Chicago Symphony, Pittsburgh Symphony, the Orpheus Chamber Orchestra in Carnegie Hall, and the Finnish Radio Orchestra, as well as return performances with the London Philharmonic, The Philadelphia Orchestra, and the symphonies of Atlanta, Cincinnati, Detroit, Louisville, Milwaukee, New Jersey, Oregon, Seattle, Utah, and Vancouver. Other projects include a return to the Wigmore Hall in London, a recording with the London Philharmonic, a residency with the Bournemouth Symphony, and recital appearances in Germany. With this season’s addition of the Chicago and Pittsburgh symphonies, Hadelich will have appeared with every major orchestra and chamber orchestra in the U.S., several on numerous occasions. Festival appearances include his 2015 debuts at Ravinia and the Grand Teton Music Festival, as well as return engagements at Aspen and Bravo! Vail Valley. He has also performed at Blossom, Britt, Chautauqua, Eastern Music Festival, the Hollywood Bowl, Marlboro, and Tanglewood. Recital appearances include Carnegie Hall, Concertgebouw/Amsterdam, The Frick Collection/New York, Kennedy Center/Washington, D.C., Kioi Hall/Tokyo, the Louvre, and the chamber music societies of Detroit, La Jolla, Philadelphia, Seattle, and Vancouver. Among Augustin Hadelich’s recent and upcoming worldwide appearances are the BBC Philharmonic/Manchester, BBC Symphony/London, Danish National Symphony, Dresden Philharmonic, Helsinki Philharmonic, Hong Kong Philharmonic, Malaysia Philharmonic, Netherlands Philharmonic, Norwegian Radio Orchestra, NHK Symphony/Tokyo, Royal Scottish National Orchestra, RTE National Symphony Orchestra/Dublin, São Paulo Symphony, Stuttgart Radio Orchestra, and a highly acclaimed tour of China with the San Diego Symphony.
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