Economic Valuation and the Commodification of Ecosystem
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The Commodification of Witchcraft
Volume 14, Number 1 31 THE COMMODIFICATION OF WITCHCRAFT Douglas Ezzy University of Tasmania. The modern Witchcraft movement began in small family-like groups. Increasing popularity and market forces have influenced both the practices and beliefs of contemporary Witchcraft. Three websites of prominent Australia Witches are analysed to identify the variations in the effects of commodification on Witchcraft. To varying degrees, commodified Witchcraft facilitates an ideology of consumption by attempting to manipulate people's decisions about their spiritual practices for the purpose of selling commodities such as books of spells and bottles of lotion. The websites of commodified Witchcraft play on people's sense of isolation and alienation, offering the hedonist consumption ofcommodities as solutions, substituting the purchase of commodities for engagement with personal self-discovery. These new forms of oppression need to be weighed against the freedom ofindividualism and new forms ofspirituality facilitated by consumerism. Introduction Contemporary Witchcraft (or Wicca) is a modem spirituality not typically organised as a formal religious institution, although there are a number of organisational loci of the modem Witchcraft movement (Luhrmann, 1989; York, 1995; Hume, 1997; Berger, 1999; Hutton, 1999; Griffin, 2000; Greenwood, 2000). The beliefs of contemporary Witchcraft are elegantly described on one of the websites analysed below: Wicca is a Pagan religion meaning that Wiccans feel love for and a connection with nature and see it as sacred. Wiccans worship two early forms of deity, the Great Mother Goddess and her consort, the Horned God, but is Goddess centred and welcomes men and women. Wiccans celebrate eight religious festivals a year, called Sabbats and these are based on the passing of the seasons and agricultural cycles, like the sowing and harvesting of crops, and astronomical events, like the solstices and equinoxes .. -
Opportunities and Limitations of Contingent Valuation Surveys to Determine National Park Entrance Fees: Evidence from Costa Rica
Environment and Development Economics 3 (1998): 131–149 Copyright © 1998 Cambridge University Press Opportunities and limitations of contingent valuation surveys to determine national park entrance fees: evidence from Costa Rica STEVEN SHULTZ North Dakota State University, P.O. Box 5636, Fargo, North Dakota, 58105, USA* JORGE PINAZZO Natural Resources Secretariat, Paraguay MIGUEL CIFUENTES Director WWF-Central America ABSTRACT. A contingent valuation method (CVM) survey to determine foreign and res- ident willingness to pay (WTP) for return visits to two different Costa Rican national parks was administered in 1995. WTP values were estimated for future entrance fees as- sociated with proposed improvements to infrastructure and services in the Poas Volcano and the Manuel Antonio parks. Resulting logistic CVM models were statistically robust and mean WTP for entrance fees differed among the parks and were considerably higher than current fees. Results indicate that even in a developing country setting, the CVM is a useful tool to help determine park entrance fees in spite of the following methodologi- cal limitations which are recommended for further study: the need to include potential park visitors in survey samples; the lack of detailed information framing and contingent scenarios for park related WTP questions; and the threat of cultural-strategic biases when surveying residents of a developing country. 1. Introduction In Costa Rica, and many other developing countries, national parks are important sources of direct and indirect revenues and necessary to protect biodiversity and national heritage (Morales and Cifuentes, 1989; Dixon and Sherman, 1990). The use of entrance frees for national parks and pro- tected areas is justified in order to: • generate revenues to recover costs and to ensure quality goods and services; * This research was conducted when all of the authors worked at the Tropical Agriculture Research and Higher Education Center (CATIE) in Turrialba, Costa Rica. -
Globalization and Culture Hybridity; the Commodification on Korean Music and Its Successful World Expansion
UGM Digital Press Proceeding of ASIC 2018 2 Social Sciences and Humanities (2018) : 83-89 American Studies International Conference (ASIC) 2018 Globalization and Culture Hybridity; The Commodification on Korean Music and its Successful World Expansion Muhammad Fithratullah American Studies Graduate Program. Faculty of Cultural Sciences, Universitas Gadjah Mada. Indonesia e-mail: [email protected] Abstract The absence of borders increases the consciousness on the larger access which creates global dependency in many ways such as trades, traveling, tourism, and culture information and creates borderless countries. Lyman (2000) explains that the movement and the influence of globalization are triggered by many factors such as the economic expansion in the form of massive industrialization and the development of science, technology, and communication. The beauty of globalization is the ability to force people to be creative and innovative in creating something beneficial. Culture are wrapped and formed then exposed, which later called as “exporting culture” or in the more popular form, it is called as commodification. The boom of Korean popular culture in all over Asian countries has increased starting in 2000 it moves forward to rule all over Asia (Hyejung: 2007). The rise of Korean Popular culture through globalization triggers a favorable environment to the new commodities allowing interaction between nations. K-Pop Global expansion is through three stages “Competence” or Hard Power, “Attraction” or Soft Power and last but not least Criticism in order to be able to continue or to have a sustainable career in global industries many things should be taken including “facelift”. The purpose of this research is to figure out that commodification on culture is the answer for Korean Music to have successful world expansion and global stage powered with qualitative Keywordsresearch is applies in this research. -
Contingent Valuation and Actual Behavior: Predicting Connections to New Water Systems in the State of Kerala, India Author(S): Charles C
Contingent Valuation and Actual Behavior: Predicting Connections to New Water Systems in the State of Kerala, India Author(s): Charles C. Griffin, John Briscoe, Bhanwar Singh, Radhika Ramasubban, Ramesh Bhatia Source: The World Bank Economic Review, Vol. 9, No. 3 (Sep., 1995), pp. 373-395 Published by: Oxford University Press Stable URL: http://www.jstor.org/stable/3989847 Accessed: 31/05/2009 20:59 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=oup. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. Oxford University Press is collaborating with JSTOR to digitize, preserve and extend access to The World Bank Economic Review. -
The End(S) of Freeganism and the Cultural Production of Food Waste
University of Massachusetts Amherst ScholarWorks@UMass Amherst Communication Department Faculty Publication Communication Series 2017 The nd(E s) of Freeganism and the Cultural Production of Food Waste Leda M. Cooks University of Massachusetts - Amherst Follow this and additional works at: https://scholarworks.umass.edu/communication_faculty_pubs Recommended Citation Cooks, Leda M., "The nd(E s) of Freeganism and the Cultural Production of Food Waste" (2017). Perma/Culture: Imagining Alternatives in an Age of Crisis. 54. Retrieved from https://scholarworks.umass.edu/communication_faculty_pubs/54 This Article is brought to you for free and open access by the Communication at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Communication Department Faculty Publication Series by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. The End(s) of Freeganism and the Cultural Production of Food Waste. Leda Cooks, Professor, Department of Communication, UMass Amherst, US In Jonathon Miles 2013 novel Want Not, Crabtree, an older ex-inmate out on parole whose income comes from collecting cans from dumpsters/bins confronts Talmadge, a young Freegan picking out his next meal from a nearby dumpster. Maddened by the ridiculous scene of a seemingly well-off able-bodied white man picking produce out of the trash, Crabtree asks: “The fuck you doing?. You eating from the trash?” [emphasis original] (2013, 9). Talmadge says that yes, yes he is and that the excesses of capital are ruining society: people are starving while supermarkets dump perfectly good food. Crabtree responds that Talmadge is crazy if he thinks anything is changed by going through the garbage. -
The Contingent Valuation Method: Retrospect and Prospect
THE CONTINGENT VALUATION METHOD: RETROSPECT AND PROSPECT Clive L. Spash 2008-04 Socio-Economics and the Environment in Discussion CSIRO Working Paper Series April 2008 ISSN: 1834-5638 Further information: Clive Spash - www.clivespash.org Bev Rose - [email protected] CSIRO Sustainable Ecosystems GPO Box 284, Canberra ACT 2601 Australia www.csiro.au © CSIRO 2007. All rights reserved. This work is copyright. Apart from any use as permitted under the Copyright Act 1968 (Cwlth), no part may be reproduced by any process without prior written permission from the Commonwealth. The Contingent Valuation Method: Retrospect and Prospect Clive L. Spash1 ABSTRACT This paper explores the contingent valuation method for environmental valuation. Issues are raised over the validity of the approach as a method of assessing the underlying preferences of individuals. An alternative interpretation is given to the method as a means of exploring underlying motivation in a rich vein of social psychological research. 1 CSIRO Sustainable Ecosystems, GPO Box 284, Canberra ACT 2601, Australia. C.L. Spash INTRODUCTION The contingent valuation method (CVM) is a controversial approach by which economists have attempted to place a value upon environmental changes. The basic method involves a questionnaire which asks a respondent their willingness to pay (WTP) for an environmental improvement or their willingness to accept (WTA) compensation for a loss or degradation of environmental assets or quality. The resulting stated preference is most commonly used as a mean value of the change and then aggregated across the relevant population and discounted for time. The original justification was the need to include the resulting monetary value as part of a cost-benefit analysis (CBA) to aid project appraisal. -
Cashing in on “Girl Power”: the Commodification of Postfeminist Ideals in Advertising
CASHING IN ON “GIRL POWER”: THE COMMODIFICATION OF POSTFEMINIST IDEALS IN ADVERTISING _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by MARY JANE ROGERS Dr. Cristina Mislán, Thesis Supervisor DECEMBER 2017 © Copyright by Mary Jane Allison Rogers 2017 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled CASHING IN ON “GIRL POWER”: THE COMMODIFICATION OF POSTFEMINIST IDEALS IN ADVERTISING presented by Mary Jane Rogers, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Cristina Mislán Professor Cynthia Frisby Professor Amanda Hinnant Professor Mary Jo Neitz CASHING IN ON “GIRL POWER” ACKNOWLEDGEMENTS My utmost gratitude goes to my advisor, Dr. Cristina Mislán, for supporting me throughout this process. She honed my interest in critically studying gender issues in the media, and her guidance, honesty and encouragement are the reasons I was able to develop the conclusions presented in this paper. I would also like to thank Dr. Amanda Hinnant, Dr. Cynthia Frisby, and Dr. Mary Jo Neitz for their immensely helpful suggestions before and during the research process of this study. Their enthusiasm and guidance was incredibly meaningful, especially during the developmental stages of my research. Additionally, I would like to thank my friends and family for their ongoing support. Special mention needs to be made of Mallory, my cheerleader and motivator from the first day of graduate school, and my Dad and Mom, who have been there since the beginning. -
THE SPECTACLE What Do We Need?
THE SPECTACLE What do we need? While we live in the “modern world,” we are conditioned to want things that we do not need. As an economist, Marx says that if we rely on the market, everything above these essentials is trifling. What does this say about how we value things - like art? Living in a consumer driven society, altered images are advertised as a way to show us what we are missing, what we could have. The “Spectacle,” or image of a thing is not reality. It is fueled by our desires, and as they become warped, the Spectacle feeds our cravings. At its core, the Spectacle is built off our basic ideals, but is then manipulated by the media and sold to us as an enhanced version of what we want. Because these altered ideals are advertised as a form that could never exist in real life, our desires can never be fulfilled. This sculptural series represents three iconic commodities specific to American culture—the Hostess Twinkie, Marlboro Cigarettes, and Q-Tips. Each of these items has been so taken over by the Spectacle that we identify the actual product by its brand, instead of its use or what it is made of. Each is made with unusual materials that either negate their function or have deceptive qualities. I want the viewer to be presented with an icon that they can easily recognize and then come to a realization that what they are looking at is not the real thing, but merely a representation. If we continue the focus on only the monetary and spectacle value of things, we reduce our lives to a dull, impersonal experience. -
The Commodification of Alternative Cultural Spaces
SAUC - Journal V4 - N2 Changing times: Resilience The commodifcation of alternative cultural spaces Letícia Cabeçadas do Carmo, [email protected] Luca Pattaroni [email protected] École polytechnique fédérale de Lausanne (EPFL), Laboratoire de sociologie urbaine EPFL | ENAC | LASUR, BP 2131 Station 16, CH-1015 Lausanne, Switzerland Abstract The commodifcation of “alternative” cultural spaces is a process that has started to take place in several European cities, like Lisbon, for instance. This has happened due to the pressure of the real estate market, tourism trends or the austerity measures imposed by Troika, during the global economic crisis (2008). It is in this context that a specifc real estate agency acts in order to create an opportunity for its business, investing in the rehabilitation of buildings and revitalization of certain areas of the city (interstices), supported by decorative aesthetics and an architectural design inspired by cultures of resistance. This strategy of territorial and decorative investment has had a big impact in the city of Lisbon. The reuse of images, buildings and practices related to “alternative” environments leads to the aesthetization of certain architectures – particularly those which host creative and cultural projects, and whose designs and marketing strategies distort political or social meanings. Keywords: Commodifcation, creative city, industrial clusters, Lisbon, aesthetization, alternative Mas a pureza da arte só existe na “sujidade” do mundo, With a simple click we can fnd a cheap fight and quickly sempre foi assim... a arte antes do Modernismo fazia parte realize at the moment we arrive, a few hours later, in Baixa3, do mundo, estava onde as pessoas estavam, nomeadamente that many other people had the same idea. -
The Objectness of Everyday Life: Disburdenment Or Engagement?
The objectness of everyday life: disburdenment or engagement? Neil Maycroft History of Art & Material Culture Lincoln School of Art & Design University of Lincoln e-mail: [email protected] This paper was originally published as `The objectness of every- day life: disburdenment or engagement?', in Geoforum, Special Section on Material Geographies, 35 (2004) 713-725, (doi:10.1016/j.geoforum2004.03.013). 1 Abstract The increasing scale of designed objects forming our artifactual environment has been often noted. However, description, interpreta- tion and analysis of this dense realm has generally proceeded through discussions of aesthetic attributes, semiotic significance and the mean- ings that such designed objects convey. This paper argues that this interpretative focus has occluded the extent to which the environment of consumer goods has been increasingly marked by the eclipse of the functional utility of such artifacts. Following the insights of Donald Norman, Albert Borgmann and Ivan Illich, three dimensions of use- value, the cognitive, the experiential and the convivial respectively, are considered. The origins of a dynamic towards the eclipse of use- value will be outlined and alternative approaches to understanding the practical significance of such designed objects will be advanced. Keywords: use-value, design, cognition, engagement, conviviality Introduction Whilst it appears a straightforward proposition to equate everyday life with material objects it remains a relatively under theorised area in many com- mentaries. For example, it is ironic given the central role that Marxism assigns to the commodity form that it should actually profess little interest in the physical qualities of objects themselves beyond asserting the contradic- tion between their use and exchange values (though see Baudrillard, 1996). -
Waving the Banana at Capitalism
Ethnography http://eth.sagepub.com/ 'Waving the banana' at capitalism: Political theater and social movement strategy among New York's 'freegan' dumpster divers Alex V. Barnard Ethnography 2011 12: 419 DOI: 10.1177/1466138110392453 The online version of this article can be found at: http://eth.sagepub.com/content/12/4/419 Published by: http://www.sagepublications.com Additional services and information for Ethnography can be found at: Email Alerts: http://eth.sagepub.com/cgi/alerts Subscriptions: http://eth.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://eth.sagepub.com/content/12/4/419.refs.html >> Version of Record - Nov 25, 2011 What is This? Downloaded from eth.sagepub.com at UNIV CALIFORNIA BERKELEY LIB on November 30, 2011 Article Ethnography 12(4) 419–444 ‘Waving the banana’ ! The Author(s) 2011 Reprints and permissions: sagepub.co.uk/journalsPermissions.nav at capitalism: Political DOI: 10.1177/1466138110392453 theater and social eth.sagepub.com movement strategy among New York’s ‘freegan’ dumpster divers Alex V. Barnard University of California, Berkeley, USA Abstract This article presents an ethnographic study of ‘freegans’, individuals who use behaviors like dumpster diving for discarded food and voluntary unemployment to protest against environmental degradation and capitalism. While freegans often present their ideology as a totalizing lifestyle which impacts all aspects of their lives, in practice, freegans emphasize what would seem to be the most repellant aspect of their movement: eating wasted food. New Social Movement (NSM) theory would suggest that behaviors like dumpster diving are intended to assert difference and an alternative identity, rather than make more traditional social movement claims. -
Globalization, Tourism and the Commodification of Imagination: an Ethnography of Backpacking
GLOBALIZATION, TOURISM AND THE COMMODIFICATION OF IMAGINATION: AN ETHNOGRAPHY OF BACKPACKING by Adrian Nieoczym B.A., McMaster University, 1997 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS In the Department of Sociology and Anthropology O Adrian Nieoczym 2003 SIMON FRASER UNIVERSITY September 2003 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author PARTIAL COPYRIGHT LICENCE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission. Title of Thesis/Project/Extended Essay Globalization, Tourism and the Commodification of Imagination: An Ethnography of Backpacking Author: \ jv (dgdature) Adrian Nieoczym (name) 17 September 2003 (date) Approval Name: Adrian Nieoczym Degree: Master of Arts Title of Thesis: Globalization, Tourism and the Commodification of Imagination: An Ethnography of Backpacking Examining Committee: Chair: Dr. Stacy Pigg V Dr. Marilyn Gates Senior Supervisor Associate Professor of Anthropology Simon Fraser University - - - - Dr.