University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture 2019-09-02 Ageing, Temporality and Performance: Joan Rivers' Body of Work Mock, RA http://hdl.handle.net/10026.1/13178 10.1080/13528165.2019.1579022 Performance Research: a journal of the performing arts Taylor & Francis (Routledge) All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Roberta Mock (
[email protected]) School of Humanities and Performing Arts, University of Plymouth Article accepted on 28 December 2018 for Performance Research, Vol. 24 (2019): ‘On Ageing (& Beyond)' Ageing, Temporality and Performance: Joan Rivers’ Body of Work Best known for her caustic and aggressive wit, which was directed at both herself and other celebrities, as well as her extensive cosmetic surgery, Joan Rivers was a pioneer of stand-up comedy and one of its most visible woman practitioners. When she died in September 2014, of complications during a routine throat operation, the Anglosphere media reacted with an overwhelming expression of collective surprise. This is at least partly because, despite being 81 years old, Rivers maintained a relentless schedule of live performances and televised appearances up to almost the moment of her death. In January 2014 alone, for instance, she appeared live four times on the shopping network QVC, selling her own branded products; recorded three episodes of her internet talk show, In Bed With Joan; and performed seven full length, hour long, solo concert shows as a stand-up in casinos, theatres and supper clubs as far apart as Arizona and Michigan.