Ilustrovana Yu Rock Enciklopedija
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Historiography in the Republic of Macedonia After
ULF/161-182elis 23-11-04 16:12 ™ÂÏ›‰·161 VOLUME 4 (2003-4) HISTOREIN In 2001, when the Albanian extremist National Liberation Army (UCˇK) fought security troops of the Republic of Macedonia, a number of Mace- donian historians offered explanations for the Serving bloodshed. They denounced the claims of the Albanian rebels as well as the Albanian political the Nation: parties by referring to their alleged plans for a Greater Albania, although there is little evidence that this idea was popular among the Albanians Historiography of former Yugoslavia.1 Historians gave inter- views to newspapers and wrote editorials stating in the Republic that Albanian claims for more rights within the state were simply camouflaging their real goal of of Macedonia seceding from Macedonia. They pointed to a presumably long tradition of Albanian national- ism and extremism in the region, expressed, for (FYROM) example, by the annexation of western Macedo- nia by Albania during World War II. They also After Socialism* deplored the demographic Albanization of parts of Macedonia and described it as a deliberate strategy to push out ethnic Macedonians.2 By calling upon certain past events perceived as traumatic and mobilizing deep-rooted stereo- types and prejudices against the country’s largest minority, these historians sought to Ulf Brunnbauer manipulate public opinion and shape political responses to the security crisis. They linked the current security crisis to so-called historical tra- ditions and roots and saw Macedonian national identity jeopardized by Albanian extremists. Events were perceived and explained in such a way that they became part of a mythological narration of victimization. -
YU Rock Scene”
Professional paper Preparation of Multimedia Document “YU Rock Scene” UDC 004.55:378.147]:02(497.11) DOI 10.18485/infotheca.2016.16.1_2.6 Milena Obradovi´c ABSTRACT: This study presents the prepara- [email protected] tion process of the multimedia document entitled “YU ROCK SCENE” in which participants were Aleksandra Arsenijevi´c senior students of undergraduate studies of the De- partment of Library and Information Science at the [email protected] University of Belgrade, Faculty of Philology during ˇ the academic year 2014/2015, as a part of the sub- Mihailo Skori´c ject Multimedia Documents. This study gives an [email protected] overview of the historical development of rock and roll in the territory of the former Yugoslavia, rock University of Belgrade, scene in Yugoslav republics, as well as the influence Faculty of Philology of rock music on other arts and media. Special at- tention was given to the technical implementation of the project, including stages such as planning, processing, designing and creation of the multime- dia document itself. KEYWORDS: multimedia document, library science, information science, rock and roll, music, Yugoslavia PAPER SUBMITTED: 28 March 2016 PAPER ACCEPTED: 06 May 2016 1 Historical Development of Rock and Roll in the Territory of Former Yugoslavia Rock and roll in the territory of former Yugoslavia is rooted in the 1920s when new instruments, such as saxophone and guitar, began to emerge (Fajfi´cand Nenad, 2009, pp. 18–21). The emergence of these instruments influenced Yugoslav musicians to start playing jazz, in accordance with the world trends. Musicians who played the said new instruments and jazz rhythms before World War II were rare, while they were completely obsolete during World War II. -
Blue and Orange Illustrated Bird Newsletter
February 2020 DANCE CULTURE AND MUSIC IN BALKANS Newspaper Page 01 Music history Music is an art and a cultural activity consisting of combining sounds and silences over time. The main ingredients are rhythm (how to combine sounds in time), pitch (how to combine in frequencies), nuances and timbre. Ethymology: From Latin “musica”; Greek, derived from “Muse”, Greek mythology where the muse was a woman who inspired the poet, the artist. The Greek term is first of all a feminine adjective; it is the art of the Muses. Music is the art of combining sounds according to certain rules. Music is considered a major art Music has existed for a very long time since prehistoric times (songs, hand clapping, clashes of stones or wood), but the history of "known" music only really begins with the birth of music notation (beginning of solfège), in the Middle Ages in Europe (Occidental, western music). The set of types of music that use "western" solfeggio (scores, scales, chords... characteristics) is called (in the broadest sense) classical music Parallel to scholarly music have evolved in the West music that is strongly linked or associated with folklore, a national or religious culture, or even a geographical area. They also have a history with origins and evolution also described in the part of the ethnomusicology devoted to them. ACHS Newsletter Page 0P2age 02 Dance History A playful activity for a single person or several partners, consisting of a sequence of steps, body movements and rhythmic attitudes, most often to the sound of instrumental or vocal music. The dance is inspired by the art of the Muses. -
Macedonia and the Macedonians
MACEDONIA AND THE MACEDONIANS PAGE i STUDIES OF NATIONALITIES Wayne S. Vucinich, founding General Editor of series The Crimean Tatars Alan Fisher The Volga Tatars: A Profile in National Resilience Azade-Ays¸e Rorlich The Making of the Georgian Nation Ronald Grigor Suny (copublished with Indiana University Press) The Modern Uzbeks: From the Fourteenth Century to the Present; A Cultural History Edward A. Allworth Estonia and the Estonians, updated second edition Toivo U. Raun The Azerbaijani Turks: Power and Identity under Russian Rule Audrey L. Altstadt The Kazakhs, second edition Martha Brill Olcott The Latvians: A Short History Andrejs Plakans The Moldovans: Romania, Russia, and the Politics of Culture Charles King Slovakia: From Samo to Dzurinda Peter A. Toma and Dusˇan Kova´cˇ The Czechs and the Lands of the Bohemian Crown Hugh LeCaine Agnew Macedonia and the Macedonians: A History Andrew Rossos PAGE ii MACEDONIA AND THE MACEDONIANS AHistory Andrew Rossos HOOVER INSTITUTION PRESS Stanford University Stanford, California PAGE iii The Hoover Institution on War, Revolution and Peace, founded at Stanford University in 1919 by Herbert Hoover, who went on to become the thirty-first president of the United States, is an interdisciplinary research center for advanced study on domestic and international affairs. The views expressed in its publications are entirely those of the authors and do not necessarily reflect the views of the staff, officers, or Board of Overseers of the Hoover Institution. www.hoover.org Hoover Institution Press Publication No. 561 Copyright ᭧ 2008bytheBoardofTrusteesofthe Leland Stanford Junior University All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written permission of the publisher.