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Urban Regularisation of Belgrade, 1867: Trace Vs. ERASURE
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RAF - Repository of the Faculty of Architecture - University of Belgrade S A J _ 2009 _ 1 _ UDK BROJEVI: 711.432.168(497.11)”1867”; 71.071.1:929 Ј о с и м о в и ч Е. ID BROJ: 172311820 URBAN REGULARISATION OF BELGRADE, 1867: TRACE vs. ERASURE A B S T R A C T A gradual urban transformation of Belgrade from Oriental into Occidental city in the nineteenth century in a way prefigured its political change of status from an Ottoman Empire border town into a capital of a European nation state (i.e. the Principality of Serbia internationally recognised in 1878). This paper will explore this process, and will focus on the analysis of the plan of regularisation of Belgrade (1867), by Emilijan Josimović, the first Serbian urbanist. Josimović’s plan laid down proposals for a total reconstruction of the Ottoman urban structure, and consequent transformation of Belgrade into European planned city. Radical though it was, the Plan gave urbanistic rationale and formalisation to what already lasted as an informal process of re-urbanisation parallel to the liberation from the crumbling Turkish rule and the related political processes. Ljiljana Blagojević 27 University of Belgrade - Faculty of Architecture S A J _ 2009 _ 1 _ Belgrade’s position at the confluence of the river Sava into the Danube, is marked historically by the condition of constantly shifting borders of divided and conflicting empires. The river Sava marked a geographical and political borderline from the fourth century division of the Roman Empire into the Eastern and Western Empires, until the mid-twentieth century Third Reich’s remapping of Europe. -
The Case of the Army Headquarters in Belgrade, Serbia
JOURNAL OF ARCHITECTURE AND URBANISM ISSN 2029-7955 / eISSN 2029-7947 2015 Volume 39(1): 37–55 doi:10.3846/20297955.2015.1031448 Theme of the issue “Center and periphery: borderline cities and borderlines of cities” Žurnalo numerio tema „Simbolizmo tradicija architektūroje“ THE GHOSTS OF THE PAST, PRESENT AND FUTURE: THE CASE OF THE ARMY HEADQUARTERS IN BELGRADE, SERBIA Srđan MILOŠEVIĆ IMT Institute for Advanced Studies Lucca, Piazza San Ponziano 6, 55100 Lucca, Italy E-mails: [email protected], [email protected] Received 12 January 2015; accepted 09 March 2015 Abstract. When the construction of Dobrović’s Army Headquarters in Belgrade, Serbia was finally finished in 1965, at a location continuously designated for the Army, it was thought that it would serve its purpose in a secured future, the socialist one. And it was thought that it would house the leadership of the Army, which was seen as the rightful heir of the most glorious examples of military tradition from the Second World War. With his building Dobrović filled the void left by the WWII, but he also left a true mystery – how to interpret it. Long after the date of inception, in 1960, he offered two clues, the philosophical one – through the Bergson’s dynamic schemes and the void as the central dynamizing element of the composition and the symbolically appropriate one – through the story of the Sutjeska canyon. In this way he allowed everyone to find a reading suitable for them. But when the system changed, followed by a decrease in size of both the State and the Army, the question of the dual reading, which functioned so perfectly, suddenly became the cause of conflicts, conflicts of a more profound nature than ever before. -
Belgradeinsightissueno256.Pdf
Berislav Serbetic and Vojin Bakic. Monument to the Uprising of the People of Kordun and Banija. 1979–81. Petrova Gora, Croatia. Exterior view. view. Exterior Croatia. Gora, andBanija.1979–81.Petrova ofKordun theUprisingofPeople Bakic.Monumentto Berislav SerbeticandVojin NEW YORK’S MOMA SHINES A LIGHT LIGHT A SHINES MOMA YORK’S NEW +381 11 4030 306 114030 +381 Belgrade in Stone in Carved is History Serbia’s Page 6 ON SOCIALIST YUGOSLAV YUGOSLAV SOCIALIST ON A prestigious new exhibition forces a fresh afresh forces exhibition new A prestigious look at the underappreciated architecture architecture underappreciated the at look [email protected] Issue No. No. Issue ARCHITECTURE 256 of Tito’s Yugoslavia of Tito’s Friday, July 13 - Thursday, July 26, 2018 26, July 13-Thursday, July Friday, Continued on on Continued page 13 page in Serbia Monuments Must-See Five Page 10 Photo: Valentin Jeck, commissioned byTheMuseumofModernArt,2016 Jeck,commissioned Valentin Photo: BELGRADE INSIGHT IS PUBLISHED BY INSIGHTISPUBLISHED BELGRADE ORDER DELIVERY TO DELIVERY ORDER [email protected] YOUR DOOR YOUR +381 11 4030 303 114030 +381 Friday • June 13 • 2008 NEWS NEWS 1 9 7 7 1 ISSN 1820-8339 8 2 0 8 3 3 0 0 0 0 1 Issue No. 1 / Friday, June 13, 2008 EDITOR’S WORD Lure of Tadic Alliance Splits Socialists Political Predictability While younger Socialists support joining a new, pro-EU government, old By Mark R. Pullen Milosevic loyalists threaten revolt over the prospect. party over which way to turn. “The situation in the party seems extremely complicated, as we try to convince the few remaining lag- gards that we need to move out of Milosevic’s shadow,” one Socialist Party official complained. -
Yugoslav Architectural Exports to Czechoslovakia
Jelica Jovanović Reversing the Exchange: Yugoslav Architectural Exports to Czechoslovakia Yugoslavia, Czechoslovakia, Export, Technology, Construction /Abstract /Author The paper aims to map out the numerous projects in Czechoslova- Jelica Jovanović kia realized by Yugoslav construction companies from the 1960s PhD student at the University of Technology in Vienna to the 1980s and offers the preliminary insights into their modes [email protected] of operation. Due to insufficient archival records, the paper offers Jelica Jovanović (1983) is an architect and PhD student at the Uni- a preliminary insight into the matter. However, with the extensive versity of Technology in Vienna, working as an independent resear- coverage of these projects in the Czechoslovak professional cher. She graduated with a degree in Architecture from the Faculty periodicals, it was possible to trace down fifty projects, done by of Architecture, University of Belgrade. She is a founder and mem- companies from Serbia, Croatia and Macedonia. Interviews with ber of the NGO Grupa arhitekata, within which she has worked on the surviving protagonists and contemporaries of these collab- several projects: Summer Schools of Architecture in Bač and Roglje- orations provided detailed introspect into the mechanisms of vo (from 2010), (In)appropriate Monuments (ongoing from 2015), the processes, with local architects typically responsible for the Lifting the Curtain (2014-2016, exhibited in Venice Bienale in 2014). overall design, while Yugoslav companies provided the design -
Arhitektura I Vizuelne Umetno
Urednici Aleksandar Kadijević Aleksandra Ilijevski ARHITEKTURA I VIZUELNE UMETNOSTI U JUGOSLOVENSKOM KONTEKSTU: 1918–1941. УНИВЕРЗИТЕТ У БЕОГРАДУ ФИЛОЗОФСКИ ФАКУЛТЕТ ИНСТИТУТ ЗА ИСТОРИЈУ УМЕТНОСТИ Филозофски факултет, Универзитет у Београду │ 2021 Arhitektura i vizuelne umetnosti u jugoslovenskom kontekstu: 1918–1941. Beograd 2021. Urednici dr Aleksandar Kadijević, Univerzitet u Beogradu – Filozofski fakultet Aleksandra Ilijevski, Univerzitet u Beogradu – Filozofski fakultet Izdavač Univerzitet u Beogradu – Filozofski fakultet, Institut za istoriju umetnosti Čika Ljubina 18–20, Beograd 11000, Srbija www.f.bg.ac.rs Za izdavača Prof. dr Miomir Despotović, dekan Filozofskog fakulteta Recenzenti dr Zlatko Karač, Sveučilište u Zagrebu – Arhitektonski fakultet dr Lidija Merenik, Univerzitet u Beogradu – Filozofski fakultet dr Irina Subotić, Univerzitet u Novom Sadu – Akademija umetnosti dr Aleksandra Stupar, Univerzitet u Beogradu – Arhitektonski fakultet Lektor Irena Popović Dizajn korica Ivana Zoranović Grafički dizajn Irena Đaković Priprema za štampu Dosije studio, Beograd Štampa JP Službeni glasnik, Beograd Tiraž 200 ISBN 978-86-6427-161-5 Na koričnom listu: Paviljon Kraljevine Jugoslavije na međunarodnoj izložbi u Milanu 1931. godine, arhitekt Dragiša Brašovan. Zbirka fotografija iz Odeljenja za noviju istoriju i savremeni period Gradskog muzeja Vršac. Rukovodilac zbirke i Odeljenja: Dejan Čimburović, kustos-istoričar. Izdavanje ove monografije pomognuto je sredstvima Ministarstva prosvete, nauke i tehnološkog razvoja Republike Srbije. -
The Case of the Army Headquarters in Belgrade, Serbia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IMT Institutional Repository THE GHOSTS OF THE PAST, PRESENT AND FUTURE: THE CASE OF THE ARMY HEADQUARTERS IN BELGRADE, SERBIA Srđan MILOŠEVIĆ IMT Institute for Advanced Studies Lucca, Piazza San Ponziano 6,55100 Lucca, Italy E-mails:[email protected], [email protected] Received12 January 2015; accepted 09 March 2015 Abstract.When the construction of Dobrović’s Army Headquarters in Belgrade, Serbia was finally finished in 1965, at a location continuously designated for the Army, it was thought that it would serve its purpose in a secured future, the socialist one. And it was thought that it would house the leadership of the Army, which was seen as the rightful heir of the most glorious examples of military tradition from the Second World War. With his building Dobrović filled the void left by the WWII, but he also left a true mystery – how to interpret it. Long after the date of inception, in 1960, he offered two clues, the philosophical one – through the Bergson’s dynamic schemes and the void as the central dynamizing element of the composition and the symbolically appropriate one – through the story of the Sutjeska canyon. In this way he allowed everyone to find a reading suitable for them. But when the system changed, followed by a decrease in size of both the State and the Army, the question of the dual reading, which functioned so perfectly, suddenly became the cause of conflicts, conflicts of a more profound nature than ever before. -
Applied Art and Architectural Design in the Serbian Architecture
DEFINING A STYLE: APPLIED ART AND ARCHITECTURAL DESIGN IN THE SERBIAN ARCHITECTURE Milan I. PROSEN University of Arts in Belgrade, Faculty of Applied Arts, Belgrade Abstract: The aim of this paper is to present a complex relationship between applied arts and architectural design, made through the development of styles in the Serbian architecture of the second half of the 19th and the first half of the 20th century. It is based on previous conclusions and new perspectives arising from research of archival material and legacies of builders and applied artists, as well as present observations and conclusions. Observing the parallel development of architecture with the eco- nomic, political, social and cultural phenomena of the period, one can notice quali- tative and quantitative rise of the applied arts, which in their various forms are a re- flection of the time. The bond between applied arts and architecture had shown a sig- nificant role in shaping the styles of the Serbian architecture prevalently in Belgrade, largest Serbian city and the capital of The Principality of Serbia (1830–1882) and The Kingdom of Serbia (1882–1918) and The Kingdom of Yugoslavia (1918–1945), as well as The Federal People’s Republic of Yugoslavia (1945–1963), through developing sty- listic flows of Academicism, Secession, Art Deco, Modern and Socialistic realism, as well as many transient stylistic phenomena depending on local and foreign influenc- es. Although it was not widely open to constructive experiments, the architecture of Serbia embraced the spirit of contemporary aestheticism adapting it to the local taste, expressing it with various sophisticatedly designed stylistic elements of applied arts.