Vergennes High School
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Christof Migone Sound Voice Perform
SVP_section_noir 12/13/04 8:56 PM Page 1 SVP_section_noir 12/13/04 8:56 PM Page 2 Critical Ear series, Vol. 2 Critical Ear is a monograph series focusing on sound art. The series aims to highlight practitioners Errant Bodies Press and working with sound through multi-media methods. Errant Bodies has been publishing since Museet for Samtidskunst, Roskilde 1999, developing literature related to sound, site-specificity, and cultural theory by creating with Ground Fault Recordings conversations across disciplines and geographies. Past publications include: Series editors: “Surface Tension: Problematics of Site” edited by Ken Ehrlich and Brandon LaBelle with Brandon LaBelle and Achim Wollscheid Stephen Vitiello – comprehensive anthology and CD tracing the legacy of site-based practice in art, architecture, audio, and performance. ISBN 0-9655570-7-3 Copyright 2005 “Writing Aloud: The Sonics of Language” edited by Brandon LaBelle and Christof Migone – anthology and CD engaging the relationship of orality and audition through experimental art, Design by Elise Cropsal sound, and performance practice. Printed in Canada “Site of Sound: Of Architecture and the Ear” edited by Brandon LaBelle and Steve Roden – by Gauvin Press anthology and CD on the connections between sound and space, highlighting art projects and methods. Errant Bodies Los Angeles / Copenhagen “Site Specific Sound” by Brandon LaBelle – first volume in the Critical Ear series documenting www.errantbodies.org installations by the artist. Museet for Samtidskunst “Social Music” – documenting radio series commissioned by Kunstradio, Vienna, including Roskilde, Denmark works by Giuseppe Ielasi, Michel Henritzi, Brandon LaBelle, Minoru Sato, and Achim Wollscheid. www.mfsk.dk Ground Fault Recordings Los Angeles www.groundfault.net Errant Bodies publications are distributed by DAP, New York www.artbook.com SVP_section_noir 12/13/04 8:56 PM Page 3 Christof Migone – Sound Voice Perform With contributions by Brandon LaBelle, Martin Spinelli and Allen S. -
Gupea 2077 25514 1.Pdf
“LASCIATEMI MORIRE” o farò “LA FINTA PAZZA" !esis for the degree of Doctor of Philosophy in Performance in !eatre and Music Drama at the Academy of Music and Drama, Faculty of Fine, Applied, and Performing Arts, University of Gothenburg. ArtMonitor dissertation No. "# ArtMonitor is a publication series from the Board for Artistic Research (NKU), “LASCIATEMI MORIRE” Faculty of Fine, Applied, and Performing Arts, University of Gothenburg o farò A list of publications is added at the end of the book. ArtMonitor “LA FINTA PAZZA” University of Gothenburg Faculty O$ce of Fine, Applied and Performing Arts Storgatan %& PO Box '%' Embodying vocal NOTHINGNESS on stage SE-%(# &( Gothenburg in Italian and French 17th century operatic Sweden www.konst.gu.se LAMENTS and MAD SCENES Translation of data excerpts: Lynn Preston Odengård, Anna Helander, Amanda Petrie and Annika Beijbom in cooperation with the author BY Graphic production: Daniel Flodin Elisabeth Belgrano Cover & layout: Elisabeth Belgrano Cover illustration: Detail from La Reunion de La Famille or La reunion musicale by Antoine Le Nain, c.')%( A Music Research Drama Thesis Back photo: La Finta Pazza, "('(, Photo: Per Buhre in a Prologue and 3 acts Printed by: Intellecta Infolog AB, Kållered "('' PART I © Elisabeth Belgrano "('' LIBRETTO ISBN: *+,-*'-*+,%++-%-" PART II IL CANNOCCHIALE per “LASCIATEMI MORIRE” o farò “LA FINTA PAZZA” (A descriptive text following the contents of the Libretto) Academy of Music and Drama Faculty of Fine, Applied and Performing Arts University of Gothenburg, Sweden Abstract Contents !is music research drama thesis explores and presents a singer’s artistic research process from the -rst meeting with a musical score until the -rst steps of the performance on stage. -
The Theme of Sterility in the Poetry of Mallarme: Its Development and Evolution
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1968 The Theme of Sterility in the Poetry of Mallarme: Its Development and Evolution. Donald R. Vidrine Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Vidrine, Donald R., "The Theme of Sterility in the Poetry of Mallarme: Its Development and Evolution." (1968). LSU Historical Dissertations and Theses. 1421. https://digitalcommons.lsu.edu/gradschool_disstheses/1421 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received 68-10,763 VIDRINE, Donald R., 1932- THE THEME OF STERILITY IN THE POETRY OF MALLARME: ITS DEVELOPMENT AND EVOLUTION. [Portion of Text in French]. Louisiana State University and Agricultural and Mechanical College, Ph.D., 1968 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan THE THEME OP STERILITY IN THE POETRY OP MALLARM^: ITS DEVELOPMENT AND EVOLUTION A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Foreign Languages fcy Donald R. Vidrine B .S., L ouisiana S tate U niversity, 1954 M.A., Louisiana S tate U niversity, 1962 January, 1968 ACKNOWLEDGEMENT I wish to acknowledge my indebtedness to Dr. -
Women Composers Reel Listing
Women Composers Reel Listing À Beckett, G.A., Mrs., 1817?-1863. Abrams, Harriet, 1760-1825. My home must be where'er thou art : a song / the Crazy Jane : a favorite song / the words by M. words by Mark Lemon ; the music by Mrs. G.A. à Lewis set to music with an accompaniment for the Beckett. harp or piano forte by Miss Abrams. [London] : Office of the Music Book, [1850?]. London : L. Lavenu, [1810?]. [1810?] [1850?] Vocal music Vocal music 4 p.; WCC No. 0035; First line: Why fair maid in 6 p.; WCC No. 0115; First line: 'Tis more than vain ev'ry feature. to bid me seek. For voice and piano. Reel: 01 Reel: 01 Abrams, Harriet, 1760-1825. Abrams, Harriet, 1760-1825. Friend of my soul, when far away : a favorite song A smile and a tear : a favorite song / the words by : with an accompaniment for the piano forte or harp / M.P. Andrews set to music by Miss Abrams. composed by Miss Abrams. London : L. Lavenu, [1800?]. [1800?] London : Chappell & Co., [1815?]. [1815?] Vocal music Vocal music 3 p.; WCC No. 0041; First line: You own I'm 3 p.; WCC No. 0037; First line: Friend of my soul, complacent. For voice and piano, or harp.; Women when far away.; Women Composers Collection. Composers Collection. Reel: 01 Reel: 01 Abrams, Harriet, 1760-1825. Abrams, Harriet, 1760-1825. Nina cara : a Venetian melody : arranged as a duet All nature mourns : for two voices with an with new symphonies and introduction / composed accompaniment for the harp or piano forte / by Miss Abrams. -
Revue D'etudes Tibétaines Est Publiée Par L'umr 8155 Du CNRS, Paris, Dirigée Par Nicolas Fiévé
Revue d’Etudes Tibétaines numéro trente-trois — Octobre 2015 Revue d’Etudes Tibétaines numéro trente-trois — Octobre 2015 ISSN 1768-2959 Directeur : Jean-Luc Achard. Comité de rédaction : ✝Anne Chayet, Alice Travers, Jean-Luc Achard. Comité de lecture : Ester Bianchi (Università degli Studi di Perugia), ✝Anne Chayet (CNRS), Fabienne Jagou (EFEO), Rob Mayer (Oriental Institute, University of Oxford), Fernand Meyer (CNRS-EPHE), Françoise Pommaret (CNRS), Ramon Prats (Universitat Pompeu Fabra, Barcelona), Charles Ramble (EPHE, CNRS), Françoise Robin (INALCO), Brigitte Steinman (Université de Lille), Alice Travers (CNRS), Jean-Luc Achard (CNRS). Périodicité La périodicité de la Revue d’Etudes Tibétaines est généralement bi-annuelle, les mois de parution étant, sauf indication contraire, Octobre et Avril. Les contributions doivent parvenir au moins six (6) mois à l’avance. Les dates de proposition d’articles au comité de lecture sont Novembre pour une parution en Avril, et Mai pour une parution en Octobre. Participation La participation est ouverte aux membres statutaires des équipes CNRS, à leurs membres associés, aux doctorants et aux chercheurs non-affiliés. Les articles et autres contributions sont proposées aux membres du comité de lecture et sont soumis à l’approbation des membres du comité de rédaction. Les articles et autres contributions doivent être inédits ou leur ré- édition doit être justifiée et soumise à l’approbation des membres du comité de lecture. Les documents doivent parvenir sous la forme de fichiers Word, envoyés à l’adresse du directeur ([email protected]). Comptes-rendus Les livres proposés pour compte-rendu doivent être envoyés à la Revue d’Etudes Tibétaines, 22, avenue du Président Wilson, 75016 Paris.