Archived BBC Public Responses to Complaints 2020 BBC News, Royal
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Second Generation Memories S It Passes Into Middle Age and 1946 Proved Traumatic
VOLUME 16 NO.6 JUNE 2016 journal The Association of Jewish Refugees Second generation memories s it passes into middle age and 1946 proved traumatic. Thereafter, however, Kahlenberg and the Leopoldsberg, to enjoy beyond, every generation looks they took annual holidays in Austrian resorts the spectacular views across Vienna and its back on its own stock of memories, like Kitzbühel and Pörtschach am Wörthersee, surroundings. I learnt that in 1683 the King Asometimes embellished, sometimes of Poland, Jan Sobieski, had launched his diminished, sometimes transmuted and even attack on the Turkish forces besieging Vienna falsified by the passage of time. In this respect, from the Kahlenberg and that much of the the memories of the second generation, the Höhenstraße had been built in the 1930s to children of the Jewish refugees who fled from provide work for the unemployed during the the Nazis, have arguably taken on a special Great Depression; both these topics came quality. Born and brought up in their parents’ across to me as almost equally remote historical countries of refuge – in the case of most of our episodes from a distant past. What relevance readers, Britain – many of them retain links could they have to an English schoolboy? through family memories to aspects of their Only many years later did I realise that I parents’ past in their native lands. had been shown nothing at all relating to our But the Nazi years and the Holocaust personal family history, apart from the family created a gulf between the post-war British firm. Not until I saw my father’s documents present and the pre-war Continental past. -
Katy Searle Editor, BBC Westminster Media Masters – June 20, 2019 Listen to the Podcast Online, Visit
Katy Searle Editor, BBC Westminster Media Masters – June 20, 2019 Listen to the podcast online, visit www.mediamasters.fm Welcome to Media Masters, a series of one-to-one interviews with people at the top of the media game. Today I’m joined by Katy Searle, head of BBC Westminster. Starting as a researcher and producer, she’s been with the BBC for almost three decades, during which time she’s worked for the World Service, Radio 4 and all three of their flagship daily news bulletins. She has reported on both domestic and international news, including the Jakarta riots and the elections in the US and Israel. As an editor, she’s been responsible for the BBC’s rolling news service, as well as leading programmes including Today and monthly current affairs programme, The Editors. She is also currently political news editor for BBC Westminster. Katy, thank you for joining me. Thank you very much for having me. Katy, it’s been quite a frantic time with Brexit, Trump and the Conservative leadership election. I’m surprised you’ve managed to find time to do this. Yes. It’s been a pretty intense time and it’s pretty tiring, but it’s an incrediBle job to do, actually. And what you find, particularly in politics and talking to people that work both within the media and politics, but also, actually, politicians, is that it’s pretty addictive. And you get used to that kind of intensity and that work rate. And the change of the media landscape over the last five years, I’ve been doing this job for about five years now, has just speeded up. -
Challenging the Whiteness of Britishness: Co-Creating British Social History in the Blogosphere
Online Journal of Communication and Media Technologies Special Issue – September 2015 Challenging the Whiteness of Britishness: Co-Creating British Social History in the Blogosphere Deborah Gabriel, Bournemouth University, UK Abstract Blogs are a valuable medium for preserving cultural memory, reflecting the various dimensions of human life (O’Sullivan, 2005) and allowing ordinary individuals and marginalised groups the opportunity to contribute to the ‘dialogue of history’ (Cohen, 2005:10). The diverse perspectives to be found in the blogosphere can help deepen understanding of historical moments. Such examples include 9/11 (Cohen, 2005), the London bombings in 2005 (Allan, 2006) and Hurricane Katrina (Brock, 2009). Using critical race theory (CRT) as a theoretical framework and cultural democracy as the conceptual framework, this study examines the symbolic power of counter-storytelling through the blogosphere. The findings reveal that in relation to coverage of the UK ‘riots’ in 2011 and the Stephen Lawrence verdict in 2012, African Caribbean bloggers advanced alternative perspectives of the events and appropriated blogs as a medium for self-representation through their own constructions of Black identity. In so doing they performed a vital role as co- creators of British social history. 1 Online Journal of Communication and Media Technologies Special Issue – September 2015 Introduction Historical archives in Britain often exclude or fail to capture the presence and experiences of people of colour (which dates back to the 17th century with the first arrival of slaves from the west coast of Africa), resulting in a ‘whitenening of Britishness’ Bressey (2006:51). The term is defined as a process through which the exclusion of a person’s skin colour in historical records results in the assumption of a white identity (Bressey, 2006). -
Crossing the Line Between News and the Business of News: Exploring Journalists' Use of Twitter Jukes, Stephen
www.ssoar.info Crossing the line between news and the business of news: exploring journalists' use of Twitter Jukes, Stephen Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Jukes, S. (2019). Crossing the line between news and the business of news: exploring journalists' use of Twitter. Media and Communication, 7(1), 248-258. https://doi.org/10.17645/mac.v7i1.1772 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY Lizenz (Namensnennung) zur This document is made available under a CC BY Licence Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden (Attribution). For more Information see: Sie hier: https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0/deed.de Media and Communication (ISSN: 2183–2439) 2019, Volume 7, Issue 1, Pages 248–258 DOI: 10.17645/mac.v7i1.1772 Article Crossing the Line between News and the Business of News: Exploring Journalists’ Use of Twitter Stephen Jukes Faculty of Media and Communication, Bournemouth University, Poole, BH12 5BB, UK; E-Mail: [email protected] Submitted: 7 September 2018 | Accepted: 4 January 2018 | Published: 21 March 2019 Abstract Anglo-American journalism has typically drawn a firm dividing line between those who report the news and those who run the business of news. This boundary, often referred to in the West as a ‘Chinese Wall’, is designed to uphold the inde- pendence of journalists from commercial interests or the whims of news proprietors. But does this separation still exist in today’s age of social media and at a time when news revenues are under unprecedented pressure? This article focuses on Twitter, now a widely used tool in the newsroom, analysing the Twitter output of 10 UK political correspondents during the busy party conference season. -
Directions for Britain Outside the Eu Ralph Buckle • Tim Hewish • John C
BREXIT DIRECTIONS FOR BRITAIN OUTSIDE THE EU RALPH BUCKLE • TIM HEWISH • JOHN C. HULSMAN IAIN MANSFIELD • ROBERT OULDS BREXIT: Directions for Britain Outside the EU BREXIT: DIRECTIONS FOR BRITAIN OUTSIDE THE EU RALPH BUCKLE TIM HEWISH JOHN C. HULSMAN IAIN MANSFIELD ROBERT OULDS First published in Great Britain in 2015 by The Institute of Economic Affairs 2 Lord North Street Westminster London SW1P 3LB in association with London Publishing Partnership Ltd www.londonpublishingpartnership.co.uk The mission of the Institute of Economic Affairs is to improve understanding of the fundamental institutions of a free society by analysing and expounding the role of markets in solving economic and social problems. Copyright © The Institute of Economic Affairs 2015 The moral right of the author has been asserted. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photo- copying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. A CIP catalogue record for this book is available from the British Library. ISBN 978-0-255-36682-3 (interactive PDF) Many IEA publications are translated into languages other than English or are reprinted. Permission to translate or to reprint should be sought from the Director General at the address above. Typeset in Kepler by T&T Productions Ltd www.tandtproductions.com -
Edit Winter 2013/14
WINTER 2013|14 THE ALUMNI MAGAZINE + BILLET & GENERAL COUNCIL PAPERS LAUGHING MATTERS SKY HEAD OF COMEDY LUCY LUMSDEN ON THE FUNNY BUSINESS ROAD TO REFERENDUM HOW OUR EXPERTS ARE SHAPING THE DEBATE ALSO INSIDE AWARD-WINNING FILM'S STUNNING STORY | MEADOWS MEMORIES | ALUMNI WEEKEND PHOTOGRAPHS WINTER 2013|14 CONTENTS FOREWORD CONTENTS elcome to the Winter issue of Edit. The turn 12 26 W of 2014 heralds an exciting year for our staff, students and alumni, and indeed for Scotland. Our experts are part of history as they inform the debate on SAVE THE DATE the referendum (p10), while in a very different arena the 19 - 21 June 2014 University will play a major role in the Commonwealth Toronto, Canada Games in Glasgow (p5). In a nationwide public engagement project our researchers are exploring the 30 10 impact on Scotland of the First World War throughout the four years of its centenary (p17), and on p16 we look back at the heroism of an Edinburgh alumna during the conflict. If you are seeking light relief, you may have to thank Lucy Lumsden. She has commissioned some of 18 Britain's most successful television comedies of recent years, and in our interview (p8) she talks about the importance of making people laugh. We report on an exceptional string of successes, from Professor Peter Higgs's Nobel Prize (p5), to BAFTAs, including one for a documentary whose story is told by a remarkable 04 Update 18 What You Did Next Edinburgh graduate on pages 12-15. Find your friends in photos of our alumni weekend (p22) and, if you couldn't 08 The Interview 20 Edinburgh Experience Lucy Lumsden, make it, we hope to see you at the next one in 2015. -
Audience Attitudes to the Licence Fee and Public Service Broadcasting Provision Beyond the BBC
Audience attitudes to the licence fee and public service broadcasting provision beyond the BBC A report by Human Capital Based on data collected by Ipsos MORI and the Knowledge Agency December 2008 Audience attitudes to the licence fee and public service broadcasting beyond the BBC: A report by Human Capital, December 2008 Contents 1 Executive summary ..........................................................................................3 2 Introduction.....................................................................................................13 3 The licence fee research ................................................................................16 4 Future priorities and willingness to pay for PSB on commercially funded PSBs .......................................................................................................................36 2 Audience attitudes to the licence fee and public service broadcasting beyond the BBC: A report by Human Capital, December 2008 1 Executive summary 1.1 Introduction This report sets out the audience research commissioned by the BBC to inform its submission to Ofcom as part of Phase 2 of the Second Review into Public Service Broadcasting (PSB). Human Capital, an independent media consultancy, was commissioned to analyse and draw together all strands of research, including data collected by Ipsos MORI and the Knowledge Agency as part of the BBC’s Phase 2 response to this Review. Building on a large body of existing evidence around PSB, this research focused specifically on two -
Ofcom Bulletin for Complaints About BBC Online Material
Ofcom Bulletin for complaints about BBC online material Issue number: 14 Date: 21 October 2019 Introduction This Bulletin reports on complaints made to Ofcom about the BBC’s online material. It gives the outcome of Ofcom’s consideration on each complaint received and where relevant, provides Ofcom’s opinion on whether the BBC observed the relevant standards for its online material. Under the BBC’s Charter and Agreement, set by Government and Parliament, the BBC is responsible for the editorial standards of its online material. Ofcom has a responsibility to consider and give an opinion on whether the BBC has observed relevant editorial guidelines in its online material1. This came into effect with the Digital Economy Act on 27 April 2017. Online material means content on the BBC’s website and apps. This includes written text, images, video and sound content. It does not extend to social media, Bitesize, BBC material on third party websites and World Service content, among other things. Ofcom’s published arrangements and procedures for handling complaints about BBC online material can be found on the Ofcom website. These documents contain more information about the types of complaints we will consider and the process we will normally follow when handling complaints. Complaints about BBC online material must follow the ‘BBC First’ approach, where they are made to the BBC in the first instance. If a complainant is not satisfied with the BBC’s final response to a complaint about its online material, they may seek an independent opinion on it from Ofcom. Unlike our role regulating the standards of BBC broadcasting and on demand programme services (such as the BBC iPlayer), Ofcom has no enforcement powers for BBC online material. -
Written Evidence Submitted by the BBC
Written evidence submitted by the BBC The DCMS Sub-committee on Online Harms and Disinformation Covid-19 Inquiry April 2020 Executive summary 1. The BBC is the leading public service broadcaster in the UK, with a mission to inform, educate and entertain. Our first public purpose is to provide impartial news and information to help people understand and engage with the world around them, and we deliver this across national, local and global news services.1 2. The Editorial Guidelines are the standards that underpin all our journalism, at all times, including during the Covid-19 pandemic. They apply to all our content, wherever and however it is received. Producing and upholding these Editorial Guidelines is an obligation across the BBC and all output made in accordance with these Editorial Guidelines fulfills our public purposes and meets and goes beyond the requirements of our regulator, Ofcom. 3. Coverage of Covid-19 is dominating the UK news across all platforms. And with a plethora of cross platform content, people are most likely to turn to the BBC’s TV, radio and online services for the latest news on the pandemic (82%)2, significantly more than any other source. 4. BBC News has attracted record audiences across platforms with our nations and regions, UK wide and international coverage highlighting the importance of impartial and accurate news at this time. 5. The BBC remains the UK’s primary source for news. In a world of fake news and disinformation online, audiences said they turn to the BBC for a reliable take on events and this reputation for accuracy and trust sends audiences to the BBC during breaking news and to verify facts.3 During the Covid-19 pandemic 83% of people trust coverage on BBC TV4; and audiences from the UK and around the world have come to BBC News in their millions to stay informed and seek trusted advice on how they can protect themselves and those most at risk. -
David Starkey Published by Harper Press
Henry Virtuous Prince David Starkey Published by Harper Press Extract All text is copyright of the author This opening extract is exclusive to Lovereading. Please print off and read at your leisure. Henry 9/2/08 2:30 PM Page iv HarperPress An imprint of HarperCollinsPublishers 77–85 Fulham Palace Road Hammersmith, London W6 8JB www.harpercollins.co.uk Visit our authors’ blog: www.fifthestate.co.uk First published in Great Britain by HarperPress in 2008 Copyright © Jutland Ltd 2008 Family tree © HarperCollinsPublishers, designed by HL Studios, Oxfordshire 1 David Starkey asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library HB ISBN 978-0-00-724771-4 TPB ISBN 978-0-00-729263-9 Typeset in Bell MT by G&M Designs Limited, Raunds, Northamptonshire Printed and bound in Great Britain by Clays Ltd, St Ives plc FSC is a non-profit international organisation established to promote the responsible management of the world’s forests. Products carrying the FSC label are independently certified to assure consumers that they come from forests that are managed to meet the social, economic and ecological needs of present or future generations. Find out more about HarperCollins and the environment at www.harpercollins.co.uk/green All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publishers. Henry 9/2/08 2:30 PM Page 1 INTRODUCTION Henry and I go back a long way. -
Downloaded from Brill.Com10/03/2021 01:51:41PM Via Free Access 16 Berger
CHAPTER 1 Confronting the Other/Perceiving the Self National Historiographies and National Stereotypes in Twentieth-Century Europe Stefan Berger Abstract This contribution deals with the relationship between national historiographies and national stereotypes in twentieth-century Europe. It argues that this relationship was extraordinarily diverse and complex and produced a range of different scenarios. After briefly recalling the role and function of stereotypes and after providing the briefest of introductions to national history writing, it presents five brief case studies. They are, first, the contributions of British and German historians to national stereotyping during the First World War. Secondly, the contribution recalls the stereotyping that fol- lowed from the research of so-called Volksgeschichte in Germany during the interwar period. Thirdly, the need to nationalise territories in East-Central and Eastern Europe that had previously not belonged to the nation state gave rise to the formation of new national stereotypes after the end of the Second World War. Fourthly, the hyperna- tionalism of the first half of the twentieth century threw a range of national historical master narratives into a severe crisis after 1945 and created the need to reframe those narratives in the post-Second World War world. The final case study deals with a sim- ilar need to recast national historical master narratives after the end of the Cold War from the 1990s onwards. 1 Introduction Standing on Gianicolo Hill overlooking Rome one is confronted with the mon- ument to Giuseppe Garibaldi, unveiled in 1895. Garibaldi was, of course, one of the central heroes of the Risorgimento – an archetypal romantic figure fighting the cause of national unity and liberty not just in Italy but also in Latin America. -
Complaints to the BBC Stage 1 Complaints
Complaints to the BBC This fortnightly report for the BBC complaints service1 shows for the periods covered: the number of complaints about programmes and those which received more than 1002 at Stage 1 (Audience Services); findings of subsequent investigations made at Stage 2 (by the Executive Complaints Unit)3; the percentage of all complaints dealt with within the target periods for each stage. NB: Figures include, but are not limited to, editorial complaints, and are not comparable with complaint figures published by Ofcom about other broadcasters (which are calculated on a different basis). The number of complaints received is not an indication of how serious an issue is. Stage 1 complaints Between 22 June – 5 July 2020, BBC Audience Services (Stage 1) received a total of 5,447 complaints about programmes. 10,176 complaints in total were received at Stage 1. BBC programmes which received more than 100 complaints during this period: Programme Service Date of Main Issue(s) Number of Transmission Complaints Lunchtime Live BBC 23/06/20 Bias against Scotland 146 Radio by not showing the Scotland First Minister’s daily Coronavirus update in full/switching to Westminster. Countryfile BBC One 28/06/20 Report on members of 572 the BAME community living in the countryside felt to be inaccurate. Drivetime BBC 29/06/20 Bias against the 104 Radio police/offensive line Scotland of questioning. BBC News (6pm) Radio 4 02/07/20 Inaccurate description 628 (After of the ‘Reasoned UK’ invitations to website / bias against complain were Darren Grimes and/or posted online) David Starkey 1 Full details of the service are in the BBC Complaints Framework and Procedures document.