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Smashing Pumpkins Gish Mp3, Flac, Wma
Smashing Pumpkins Gish mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Gish Country: Mexico Released: 2011 Style: Alternative Rock MP3 version RAR size: 1418 mb FLAC version RAR size: 1777 mb WMA version RAR size: 1689 mb Rating: 4.9 Votes: 399 Other Formats: ASF TTA AAC MP4 AU AC3 RA Tracklist 1 I Am One 4:07 2 Siva 4:20 3 Rhinoceros 6:30 4 Bury Me 4:46 5 Crush 3:34 6 Suffer 5:08 7 Snail 5:09 8 Tristessa 3:32 9 Window Paine 5:49 10 Daydream 3:08 Credits Bass – D'arcy Co-producer [Reissue] – Dennis Wolfe Design [Reissue], Layout [Reissue] – Noel Waggener Drums – Jimmy Chamberlin Guitar – James Iha Guitar, Photography By [Postcard Photos ©] – Billy Corgan Management [Legal Saviour] – Jill Berliner Mastered By – Evren Goknar* Photography By [Cover Photos] – Robert Knapp Photography By [Inner Photos Courtesy Of] – Billy Corgan, Jimmy Chamberlin, Robert Knapp Producer [Original Album] – Billy Corgan, Butch Vig Producer [Reissue] – Billy Corgan, David K. Tedds, Kerry Brown, Michael Murphy Remastered By – Bob Ludwig Vocals – Billy Corgan Written-By – Billy Corgan Barcode and Other Identifiers Barcode: 5 099967 928828 Other versions Title Category Artist Label Category Country Year (Format) Smashing Gish (CD, Caroline CAROL 1705-2 CAROL 1705-2 US 1991 Pumpkins* Album) Records Gish (LP, Hut HUTLPX 2, 7243 Smashing HUTLPX 2, 7243 Album, RE, Recordings, UK 1994 8 39663 1 8 Pumpkins* 8 39663 1 8 RM) Virgin Caroline Gish (LP, CARLP 16, 211 Smashing Records, CARLP 16, 211 Album, RP, Europe Unknown 651 Pumpkins* Caroline 651 whi) Records -
The Resisters : a Novel / by Gish Jen
ALSO BY GISH JEN The Girl at the Baggage Claim: Explaining the East-West Culture Gap Tiger Writing: Art, Culture, and the Interdependent Self World and Town The Love Wife Who’s Irish? Mona in the Promised Land Typical American THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF Copyright © 2020 by Gish Jen All rights reserved. Published in the United States by Alfred A. Knopf, a division of Penguin Random House LLC, New York, and in Canada by Random House of Canada Limited, Toronto, Penguin Random House Companies. www.aaknopf.com Knopf, Borzoi Books, and the colophon are registered trademarks of Penguin Random House LLC. Library of Congress Cataloging-in-Publication Data Names: Jen, Gish, author. Title: The resisters : a novel / by Gish Jen. Description: First Edition. | New York : Alfred A. Knopf, 2020. Identifiers: LCCN 2019004308 (print) | LCCN 2019006477 (ebook) | ISBN 9781984898227 (ebook) | ISBN 9780525657217 Subjects: | GSAFD: Science fiction. | Fantasy fiction. Classification: LCC PS3560.E474 (ebook) | LCC PS3560.E474 R47 2020 (print) | DDC 813/.54—dc23 LC record available at https://lccn.loc.gov/ 2019004308 Ebook ISBN 9781984898227 Cover image based on a photograph by ballyscanlon/Getty Images Cover design by Kelly Blair v5.4 ep For all the Eleanors I know Let us have faith that right makes might. —ABRAHAM LINCOLN If you don’t know where you are going, you might wind up someplace else. —YOGI BERRA Contents Cover Also by Gish Jen Title Page Copyright Dedication Epigraph PART I A Girl with a Golden Arm PART II The Underground Baseball League PART III Among the Netted PART IV A Perfect Game Acknowledgments A Note About the Author As her parents, Eleanor and I should have known earlier. -
“When I Listen to Gish,” Billy Corgan Says Today
“When I listen to Gish,” Billy Corgan says today, “what I hear is a beautiful naïveté.” They say you never forget the first time, and even twenty years later, the 1991 debut album by Smashing Pumpkins –– guitarist and vocalist Corgan, drummer Jimmy Chamberlin, bassist D’arcy Wretzky and guitarist James Iha –– remains the unforgettable start of a musical conversation that continues to resonate with millions of fans all around the world. In retrospect, Gish can clearly be heard as a groundbreaking album in the history of what would soon become more much widely known as alternative rock. Gish was, after all, the promising debut of a band that would help alternative rock quickly become part of a new, grungier mainstream. But back in the beginning, Gish was simply the memorable opening salvo by a band from Chicago that really didn’t fit in anywhere in the rock world –– that is, until bands like Smashing Pumpkins helped change the rock world once and for all. To hear Corgan tell it now, Smashing Pumpkins came by their beautiful naïveté naturally. “We’d had very little exposure to the national stage,” he explains. “There’s no way that if we had been exposed to all of what was going on in New York and L.A. earlier, we would have made Gish. This is one of those weird albums that sounds like it came from some guy who crawls up out of the basement holding a record in his hands proudly –– a little like the first time we heard Dinosaur Jr. You think, ‘who the hell is this? And where did that come from?’ ” According to Corgan, the album originally came from Smashing Pumpkins’ early vow of poverty. -
Music Collection
collection! 2573 songs, 6:19:50:59 total time, 9.72 GB Artist Album # Songs Total Time The Arcade Fire 2001 Demos 10 51:06 Arcade Fire EP 7 32:52 Funeral 14 1:06:04 The Arcade Fire/David Bowie Live EP 3 14:28 Audioslave Audioslave 9 39:54 Out of Exile 16 1:10:20 The Beatles A Hard Day's Night 13 30:30 Abbey Road 17 47:22 Alternate Abbey Road 7 25:44 Beatles For Sale 14 34:13 Help 15 37:30 Let It Be 10 28:15 Magical Mystery Tour 10 32:51 Past Masters - Volume One 18 42:28 Past Masters - Volume Two 13 40:02 Please Please Me 13 30:23 Revolver 13 32:19 Rubber Soul 14 35:48 Sgt. Pepper's Lonely Hearts Club Band 13 39:50 The White Album CD1 17 46:21 The White Album CD2 14 54:17 With The Beatles 14 33:24 Yellow Submarine 13 40:07 Bob Dylan Blood On The Tracks 10 51:53 Bob Dylan 14 41:07 Highway 61 Revisited 8 45:24 Love And Theft 8 36:34 Nashville 1 2:17 Shot of Love 10 44:55 The Best of Bob Dylan 6 31:31 The Essential Bob Dylan 26 1:47:02 The Freewheeling Bob Dylan 13 50:07 The Rolling Thunder Revue CD1 11 51:02 The Rolling Thunder Revue CD2 11 51:12 Bob Dylan/Johnny Cash Nashville 20 59:45 Buffalo Springfield Retrospective: The Best of Buffalo Springfield 12 40:21 The Cardigans First Band on the Moon 11 39:06 Life 14 48:07 Super Extra Gravity 14 47:57 Clap Your Hands Say Yeah Clap Your Hands Say Yeah 12 38:41 Coldplay A Rush of Blood To The Head 12 58:47 Live 2003 14 1:17:35 Live at Glastonbury 2005 15 1:17:26 Parachutes 10 35:51 X&Y 14 1:05:53 Danny Elfman Big Fish OST 22 57:39 Dave Matthews Band Before These Crowed Streets 11 1:10:21 Busted -
Las Calabazas Machacantes
musica universalis LAS CALABAZAS MACHACANTES The Smashing Pumpkins es una famosa banda chicaguense de rock alternativo con infl uencias de heavy metal, rock gótico y progresivo, dream pop y electrónica. Muchos de sus temas tienen títulos astronómicos, aunque sus letras casi no tienen nada que ver. l primer álbum de «los es la red paneuropea nanciada Pumpkins» fue Gish por los programas marco FP6 y (1991). Sin embargo, an- FP7 de la UE para coordinar es- tes de comenzar su me- fuerzos de todos los observatorios teórica carrera comer- y centros europeos implicados en E cial, en la canción-rareza ‘Sun’ la construcción de instrumenta- de 1989, William Patrick Billy ción astronómica en el visible y el Corgan caminaba en el Sol y nun- infrarrojo cercano. ca sentía la luz. El segundo ál- bum de The Smashing Pumpkins, 3. ‘The Celestials’. En astrono- Siamese Dream (1993), ha sido mía, tenemos bóveda celeste, me- considerado por la revista Ro- «Océanie». Distintas imágenes del cánica celeste y Celestia, el soft- lling Stone como uno de los me- libreto del CD del álbum Oceania, ware educacional. En cosmología de The Smashing Pumpkins, y un jores de la historia. En él había par de obras de arte relacionadas; clásica, también había «orbes ce- temas titulados ‘Rocket’, ‘Space- entre ellos destacan la cara visible lestiales» (no confundir con los boy’ o ‘Luna’, pero sin absolu- de la Luna, una imagen antigua de «celestiales», las razas imaginarias tamente nada de astronomía en la corona solar durante un eclipse, de Marvel, Star Wars y Dungeons el módulo de comando/servicio sus letras. -
Cool Kids Never Have the Time: the Music of the Smashing Pumpkins and Youth of the 1990S
STARKIE, ZACHARY J., M.M. Cool Kids Never Have the Time: The Music of the Smashing Pumpkins and Youth of the 1990s. (2008) Directed by Dr. Guy Capuzzo. 105 pp. The purpose of this thesis is to examine the connection between youth of the 1990s and the music of the Smashing Pumpkins. The introduction is used to provide the reader with pertinent background information on youth, the 1990s, alternative music, and the Smashing Pumpkins. Following that, Chapters 1 and 2 feature analyses of two songs by the Smashing Pumpkins, “Here Is No Why” and “Tales of a Scorched Earth.” The analyses of both songs focus on text enhancement and musical contrasts in each song. At the end of Chapter 2, the qualities of each song are compared. Chapter 3 examines two styles of music that were influential on the band, progressive rock and heavy metal, and examines their place in “Here Is Now Why” and “Tales of a Scorched Earth.” Chapter 3 also examines how the differences between these two styles are evident in the Smashing Pumpkins’ music. Finally, Chapter 4 examines the band’s newest recording, Zeitgeist, and assesses its use of the musical aspects evident in “Here Is No Why” and “Tales of a Scorched Earth.” COOL KIDS NEVER HAVE THE TIME: THE MUSIC OF THE SMASHING PUMPKINS AND YOUTH OF THE 1990S by Zachary J. Starkie A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Music Greensboro 2008 Approved by _____________________________ Committee Chair © 2008 Zachary James Starkie APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of the Graduate School at The University of North Carolina at Greensboro. -
Speaking in Rhyme and Riddle: Hybridity in Billy Corgan's
SPEAKING IN RHYME AND RIDDLE: HYBRIDITY IN BILLY CORGAN’S MACHINA by ADAM MICHAEL WARE (Under the Direction of Carolyn Jones Medine) ABSTRACT The present study examines MACHINA , a hybrid multimedia narrative composed and performed by Billy Corgan and the Smashing Pumpkins. Through a disjunctive use of media to tell the story of a fractured, hybrid hero named GLASS, Corgan reveals himself to be an inheritor of William Blake’s attitudes toward creative media as evidenced in his experiments in illuminated engraving. GLASS, the focus of the chards of narrative and performance, represents one variant of Joseph Campbell’s hero as suited to the needs of Corgan’s disaffected audience. In the act of co-creating the narrative with Corgan, his audience helps to enter themselves into a liminal state and a sense of communitas as developed by anthropologist Victor Turner, again with variations made to suit the fractured, conflicted nature of Billy Corgan’s audience. More than a concept album, MACHINA reworks a number of existing notions about religious responses to narrative and performance. INDEX WORDS: Hybridity, Billy Corgan, William Blake, Hero Journey, Joseph Campbell, Victor Turner, communitas SPEAKING IN RHYME AND RIDDLE: HYBRIDITY IN BILLY CORGAN’S MACHINA by ADAM MICHAEL WARE Master of Arts, University of Georgia, 2007 Bachelor of Science, University of Georgia, 2004 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2007 © 2007 Adam Michael Ware All Rights Reserved SPEAKING IN RHYME AND RIDDLE: HYBRIDITY IN BILLY CORGAN’S MACHINA by ADAM MICHAEL WARE Major Professor: Carolyn Jones Medine Committee: William Power Nelson Hilton Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2007 DEDICATION I would like to dedicate this thesis to my grandfather, Andy Joe Ware, who inspired in me a love of ideas which can never be satisfied. -
Dark German Romanticism and the Postpunk Ethos of Joy Division, the Cure and Smashing Pumpkins
University of South Carolina Scholar Commons Theses and Dissertations Fall 2020 Dark German Romanticism and the Postpunk Ethos of Joy Division, The Cure and Smashing Pumpkins Logan Jansen Hunter Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the German Language and Literature Commons Recommended Citation Hunter, L. J.(2020). Dark German Romanticism and the Postpunk Ethos of Joy Division, The Cure and Smashing Pumpkins. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/6182 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. DARK GERMAN ROMANTICISM AND THE POSTPUNK ETHOS OF JOY DIVISION, THE CURE AND SMASHING PUMPKINS by Logan Jansen Hunter Bachelors in Arts University of South Carolina, 2017 Submitted in Partial Fulfillment of the Requirements For the Degree of Masters in German College of Arts and Sciences University of South Carolina 2020 Accepted by: Nicholas Vazsonyi, Director of Thesis Yvonne Ivory, Reader Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Logan Jansen Hunter, 2020 All Rights Reserved. ii DEDICATION To my Opa, who helped me to appreciate the complexities of music, understand the significance of history and inspire to learn the German language. Without him, this thesis would not have been possible. iii ACKNOWLEDGEMENTS I would like to express my gratitude to Dr. Nicholas Vazsonyi for his willingness to direct my thesis. I would also like to thank Will Whisenant, Ross and James Haynes, Max Gindorf, and C.J. -
Smashing Pumpkins: Monuments to an Elegy
MERCOLEDì 10 DICEMBRE 2014 Gli Smashing Pumpkins annunciano l'uscita di due album in un anno. Il primo Monuments To An Elegy uscito ieri 9 dicembre 2014, il secondo Day For Night nel 2015. Smashing Pumpkins: Monuments To An Elegy Entrambi i lavori, in accordo con Billy Corgan cantante e chitarrista della band, saranno pubblicati da BMG Rights Management (Italy) con Il secondo album Day For Night uscirà nel 2015. distribuzione Self. Anticipato dal lancio del primo singolo Being Beige, nelle radio da venerdì 24 ottobre, Monuments To An Elegy è stato registrato a Chicago LA REDAZIONE con Jeff Schroeder chitarrista degli Smashing Pumpkins che fa parte della band dal 2007. Ospite nel nuovo lavoro Tommy Lee (Mötley Crüe) che ha suonato la batteria in tutti i brani del disco. Monuments To An Elegy è stato prodotto da Howard Willing (che ha lavorato con i Pumpkins per Adore), Corgan e Schroeder. E 'stato mixato da David Bottrill e masterizzato da Howie Weinberg, che avevava [email protected] lavorato ai dischi più rappresentativi dei Pumpkins negli anni SPETTACOLINEWS.IT '90. Monuments To An Elegy è "un album all'interno di un album," parte del work in progress Teargarden By Kaleidyscope (con Day for Night, come ultima opera del progetto). "A differenza di me, Howard vive nel mondo reale, " spiega Billy Corgan "E così il suo ruolo nel disco era simile a quello di un poliziotto che dirige il traffico. Lui è riuscito a far emergere i punti dove il suono dei Pumpkins aveva bisogno di spingersi oltre, e per questo io gli sono riconoscente, perché non è mai stata un'idea della band quella di vivere nel passato nè tantomeno di diventare una macchina di sentimenti. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
A Place in Time I 'I the Story of Louisville's Neighborhoods '1 a Publication @The Courierjournal B 1989
A.Place in Time: City -.- Limerick Page 1 of 4 9I: / / A Place in Time i 'I The story of Louisville's neighborhoods '1 A publication @The CourierJournal B 1989 Limerick GENEROSITY WAS CORNERSTONE UPON WHICH IRISH AND BLACKS BUILT THEIR NEIGHBORHOOD By Pat O'Connor O The Courier-Journal imerick. Its very name brings up thoughts of the Irish -- shamrocks, leprechauns, the wearing of the green. But the Limerick neighborhood was home to a small, close-knit community years before the first Irishman put down roots in the area. Before the Civil War, much of the area was farm land. Starting in the 1830s, a small community of blacks lived in the area between Broadway and Kentucky Street. Many were slaves who labored on a large plantation at Seventh and Kentucky streets; others were free blacks who were household servants. In 1858, the Louisville & Nashville Railroad bought the Kentucky Locomotive Works at 10th and Kentucky streets for $80,000, and within a decade, the railroad had built repair shops and a planing mill. At about that time, many Irish workers began moving their families from Portland into Limerick, nearer their jobs. Typically, they lived in modest brick or wood-fiarne houses or shotgun cottages, which were later replaced by the three-story brick and stone structures that line the streets today. L & N also hired black laborers, who lived with their families in homes in alleys behind streets. But fi-om the mid- 19th century until about 1905, Limerick was known as the city's predominant Irish neighborhood. Some historic accounts credit Tom Reilly, an early resident, with giving the neighborhood its name, and others believe it was named for the county or city of Limerick, which is on Ireland's west coast. -
Tom Cochrane – Take It Home Colin James – Hearts on Fire NE-YO – Non-Fiction
Tom Cochrane – Take It Home Colin James – Hearts on Fire NE-YO – Non-Fiction New Releases From Classics And Jazz Inside!!! And more… UNI15-05 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final Tuesday, December 16, 2014 Dear Commercial Partner, Please be advised that, effective February 9th, 2015 Universal Music Canada will convert titles posted to http://www.umcreleasebooks.ca to JSP ($10.98 NEDP) pricing. All orders placed prior to February 9th, 2015 will attract the old price and all orders placed post February 9th, 2015 will attract the new JSP pricing. **Please note normal terms will not apply to this new price tier.** Please contact your local Universal Music Canada representative, should you have any questions. Cher Partenaire Commercial, Nous vous avisons qu’à compter du 9 février 2015, Universal Music Canada convertira les titres indiqués sur http://www.umcreleasebooks.ca au code de prix JSP ($10.98 NEPD). Toutes commandes envoyées avant le 9 février 2015 auront le vieux prix de vente alors que les commandes envoyées après le 9 février 2015 auront le nouveau prix de vente JSP. ** Veuillez prendre note que nos Termes Normaux ne s’appliqueront pas à ce nouveau code de prix. ** N’hésitez pas à contacter votre représentant de Universal Music Canada local si vous avez des questions. Regards/Sincèrement, Adam Abbasakoor Vice President, Commercial Affairs Universal Music Canada [email protected] UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: DIANA KRALL / WALLFLOWER (Standard CD) Cat. #: B002098902 Price Code: SP Order Due: Jan.