Foundation, Dedication and Consecration in Early Modern Europe Intersections Interdisciplinary Studies in Early Modern Culture
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Malta SHORT Pierre Sammut ARTICLEST he Influence of the - Knights of the Order THINK of St. John on Malta CULTURE Due to its geographical position at the cross- roads of the Mediterranean, Malta has wit- nessed many different influences. In Ancient times, it attracted the Phoenicians, Greeks, Carthaginian and the Romans, then other con- querors including the Arabs, Normans, Ara- gonese and the Crusaders, the French and the British. But one of the most fascinating pe- riods of Maltese history remains to this very day the period governed by the Knights Hos- pitaller, better known as the Order of St. John, who governed the islands from 1530 to the end of the 18th century, when the French un- der Commander Napoleon Bonaparte took over Malta. Prehistoric Temples and Majestic Palaces from different periods are unique landmarks. The Knights in particular left their marks on vario- us aspects of Maltese culture, in particular the language, buildings and literature. Their period is often referred to as Malta's Golden Age, as a result of the architectural and artistic embel- lishment and as a result of advances in the overall health, education and prosperity of the local population. Music, literature, theatre as well as visual arts all flourished in this period, which also saw the foundation and develop- ment of many of the Renaissance and Baro- que towns and villages, palaces and gardens, tomy and Surgery was established by Grand the most notable being the capital city, Valletta, Master Fra Nicolau Cotoner I d'Olesa at the one of several built and fortified by the Sacra Infermeria in Valletta, in 1676. -
The Order of St. John
THE OLD HOSPITALS The ()ld Hospitals The Order Of St. John ] OSEPH GALEA,* FREDERICK F. FENECH ** B ETWEEN 1048 and 1070 in Jerusalem, After the decline and fall of the Latin King the Order of St. John was founded for the dom the Knights repaired to Syria to establish direct purpose of helping pilgrims who had themselves first at Tyre and afterwards at the become lost, weary, or beset by other diffi Castle of Margat, the "Krak des Chevaliers." culties while en route to the Holy Land. Later they moved to Acre in modern Israel They opened both hostels and hospitals for where they remained until the continuing en this purpose, though hospitals formed the emy pressure drove them completely away main outlet of their activities; in fact, their from the mainland. organization was, and still is, referred to as Their next home was the Island of Rhodes "hospitaller." In 1113 they received a charter which they had conquered in 1310 and where as one of the Orders of Knighthood by Pope they remained for over 200 years. Their hos Paschal n. Within a few years these Knights pital there, best known as "The Infirmary," undertook the active responsibility for pro earned fame throughout Europe for its meth tecting those travelling to the Holy Land, ods of treatment as well as for the care and which gave the Order a military character attention bestowed on patients. In 1523, after also. Suleiman the Magnificent drove them from The individual Knights, volunteers from this Island stronghold, they wandered about many different European countries, were or Europe for some years in search of a new ganized within the Order according to their home, until Emperor Charles V granted to origins into groups known as "langaages" : the Order the Islands of Malta and the For 1. -
City-Fortress of Valletta in the Baroque Age
Baroque Routes - December 2013 1 FEATURES: Mattia Preti 4th centenary The city-fortress of Valletta in the Baroque age The beginnings of the Manoel Baroque festival The passport to eternal life Journal of Baroque Studies Issue 1 2013 2 Baroque Routes - December 2013 Contents Mattia Preti events, 4th centenary celebrations in 2013 4 The beginnings of the Manoel Baroque festival 6 The city-fortress of Valletta in the Baroque age 8 A new centre on fortifications 18 in Valletta The passport to eternal life 19 Summer school on Baroque military architecture 22 Journal of Baroque Studies / MA dissertations 2013 24 International Institute for Baroque Studies website The website of the International Institute for Baroque Studies can be accessed at www.um.edu.mt/iibs. It contains detailed information about the Institute’s aims and objectives, its members of staff, as well as an overview of its past and on-going projects, programmes and courses. The website also contains information on the seminars, study tours, research, and consultancies undertaken by the Institute as well as information on the publications, dissertations, and long essays produced by the students who attended IIBS courses. Visitors to the website can now also download issues of the Baroque Routes Newsletter in PDF format directly from the site. The new website also offers detailed information on the various postgraduate and undergraduate courses offered by the Institute and provides facilities for online applications. Baroque Routes - December 2013 3 Foreword Prof. Denis De Lucca The publication of this newsletter happens Bastion of the Christian World,has already been at a time of rapid growth of the International widely advertised, together with the ongoing Institute for Baroque Studies at the University MA in Baroque Studies and diploma in baroque of Malta at both teaching and research levels. -
Annual Report 2014
IT-TNAX-IL LEĠIŻLATURA P.L. 8699 Dokument imqiegħed fuq il-Mejda tal-Kamra tad-Deputati fis-Seduta Numru 501 tat-3 ta’ April 2017 mill-Ministru għall-Ġustizzja, Kultura u Gvern Lokali. ___________________________ Raymond Scicluna Skrivan tal-Kamra Annual Report 2016 Superintendence of Cultural Heritage 1. Data Management The National Inventory The Mission Statement of the Superintendence of Cultural Heritage is to fulfill the duties of the State to ensure the protection and accessibility of cultural heritage as defined in the Cultural Heritage Act 2002. Article 7 of the Cultural Heritage Act requires the Superintendence of Cultural Heritage to compile a National Inventory of cultural property in the Maltese Islands. In 2011 the Superintendence published a first installment of the inventory records in the Government Gazette. Data inputting online of the Cultural Heritage Inventory Management System (CHIMS) also proceeded in parallel. In 2016 the Superintendence was not in a position to publish any new inventory records on the Government Gazette or on CHIMS due to a lack of resources and other more pressing commitments. At present a total of 2,412 sites and monuments have been published by the Superintendence on the Government Gazette, while 4,087 records have been recorded on CHIMS, as shown on the following tables: Sites published in Government Gazette by Number of Theme records Historical, military and archaeological sites 25 Historical and archaeological sites 35 Knights Fortifications 389 Scheduled Property 125 Chapels and Niches 1,838 Total 2,412 Records uploaded on CHIMS by Total Theme Heritage Sites 2492 Archaeological Interventions 10 Artefacts 1568 Guardianship Deeds 15 Total 4,087 2 2. -
Annual Report 2016
ANNUAL REPORT 2016 During the year under review Heritage Malta sustained the upbeat momentum and to some extent surpassed the noteworthy achievements of 2015. Besides the inauguration of three major infrastructural projects, two of which co-funded by the EU, and a major exhibition to commemorate the 450th anniversary of the foundation of Valletta, Heritage Malta also managed to register a record in the number of visitors and in the generation of revenue for the fourth year in a row. The Agency’s output comprised also the biggest-ever number of cultural activities, and an impressive outreach programme including thematic sessions for school children and publications. ANNUAL REPORT FOR THE YEAR ENDING 31 DECEMBER 2016 CONTENTS Capital Works 5 EU Co-funded Projects 11 Exhibitions and Events 17 Collections and Research 21 Conservation 27 Education, Publications and Outreach 35 Other Corporate 43 Admissions on Payment 47 Appendix 1. Events 49 Appendix 2. Purchase of Modern and Contemporary Artworks 2016 75 Appendix 3. Acquisition of Natural History Specimens 2016 77 Appendix 4. Acquisition of Cultural Heritage Objects 2016 87 3 CAPITAL WORKS ANNUAL REPORT FOR THE YEAR ENDING 31 DECEMBER 2016 During the year under review works at the Malta Maritime Museum continued with the restoration of the lateral façade and apertures, the structural consolidation of the turrets, and the refurbishment of the St Angelo Hall and kitchen. Catering equipment was also bought to upgrade the kitchen operational capabilities. The office and library upgrades also continued, including a new board room and two sealed reserve collection areas. Further investment was also made in the functions spaces at Fort St Angelo in order to meet clients’ needs and expectations. -
The Influenoe of Upon Maltese Italian Mannerism
THE INFLUENOE OF ITALIAN MANNERISM UPON MALTESE AROHITEOTURE BY J. QUENTIN HUGHES, M.C., B.Arch., Ph.D.(Leeds), A.R.I.B.A.* For many years the style of architecture, which developed in the early years of the I5th century in Florence and was closely allied to movements in the other arts based upon a reinterpretation of classical philosophy and aesthetic theories, was belie vd to 'be onc consistent style right up to the emergence of eclecticism in the latter half of the 18th century, Fitting a theory of architectural development whose promoters believed applicable to all ages, the Renaissance was seen as a style which in its early years showed all the signs of the freshness of youth; by the 16th century in Rome it reached the peak of its maturity; and subsequently lapsed into a decadent old age. The writers believed that those who strove to design works of architecture in this last period had similar aims to the architects of the Early Renaissance, but, due to the overpowering effects of natural evolution, effects which the writers believed to influence all human progress, they were unable to achieve the sparkle of Quattrocento architecture, nor the studied perfection of the High Renaissance. A typical quotation from Fergusson(l) will illustrate this approach to art history. "Iuvara and Vanvitelli, men with as little feeling for Art as can well be imagined, but whose good fortune it was to live in an age when the art was at its lowest ebb - so low that their productions were nniversall~l admired by their contemporaries, and were consequently everywhere employed". -
The Complete Sacred Music of Nicolò Isouard (1773 – 1818) and Maltese Sacred Music for the Order of Malta in the Late Eighteenth Century
The Complete Sacred Music of Nicolò Isouard (1773 – 1818) and Maltese Sacred Music for The Order of Malta in the Late Eighteenth Century. By Richard Sydney Benedict Divall Doctor of Letters (Honoris Causa – Monash 1992) and Doctor of the University (Honoris Causa – Australian Catholic University 2004) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy MCD University of Divinity 2013 MCD University of Divinity To Whom it May Concern This is to certify that the thesis and music editions presented by me for the degree of Doctor of Philosophy comprises only my original work except where due acknowledgment is made in the text to all other material used. Signature: ____________________________________ Name in Full: ____________________________________ Date: ____________________________________ Abstract. Nicolò Isouard (1773-1818) is considered Malta’s national composer. After studies in France and Naples, he returned to his homeland, where from 1794 to 1798 he was an aspiring composer, and employee of the Order of Malta. In 1994 a collection of thirty-three autographs of hitherto unknown sacred music by Isouard appeared at the Bibliothèque Nationale, Paris, and I recognised the importance of these manuscripts. My intentions are to provide a précis on the Order, as the sovereign entity ruling Malta at the time, and the sacred music composed for them in their great Conventual Church in Valletta – now St John’s Co-Cathedral. The thesis will provide the background to Isouard’s early career and a complete edition and commentary of all of his sacred music, including additional works found during the research process, and a catalogue of his stage works. -
Laparellian Interventions to the Girifalco Fortress
1 LAPARELLIAN INTERVENTIONS TO THE GIRIFALCO FORTRESS Essa è d’una figura irregolarissima siccome ancora i di lei bastioni, perché si assoggettarono nel fabbricarla alle irregolarità del monte, ed hanno voluto da un altro canto profittare degl’antichi recinti. O. Warren, Raccolta di piante delle principali città e fortezze del Gran Ducato di Toscana, 1749 The original core of the Cortonese fortress, made up of a keep and the courtyard, rises for four floors in height on angular bastions, enlarged in the sixteenth century: Sant’Egidio, facing north-east towards the mountain bearing its name, ‘trunnion’1 lanceolate with two symmetrical concave flanks, relative to its main axis2; San Giusto, with a concave flank and a straight one; Santa Margherita, towards the church of the Holy Patron; Santa Maria Nuova with one perpendicular side, almost a half bastion. In addition, an external ravelin is open to the north-east, between the ramparts of Sant’Egidio and San Giusto. The site – hosting this figura irregolarissima by different builders - was surrounded by belted stonework3 in Etruscan times4, the most obvious trace of the antique Corito, which extended far beyond the present although not localizable. It is likely that there had existed an arce or propugnaculum, linked to the cult of the dead5 since pre- Roman times. The first documents that relate to the building of a strong and beautiful fortress6, date from the invasion of 1258, when destructio fit Cortone ab Arretinis et ars edificatur7. For some “instruments”8 in the Reformagioni di Firenze9, it is possible to hypothesise a pre-existing stronghold, the Gerfalco, ceded to Arezzo by the Bishop Ubertini as a reward for help in the conquest of the town. -
Capital for the Safety of European Christendom: the Building of Valletta
RiMe Rivista dell’Istituto di Storia dell’Europa Mediterranea ISSN 2035-794X A ‘new’ capital for the safety of European Christendom: the building of Valletta Carmelina Gugliuzzo Consiglio Nazionale delle Ricerche http://rime.to.cnr.it Direzione Luciano GALLINARI , Antonella EMINA (Direttore responsabile) Responsabili di redazione Grazia BIORCI , Maria Giuseppina MELONI , Patrizia SPINATO BRUSCHI , Isabella Maria ZOPPI Comitato di redazione Maria Eugenia CADEDDU , Clara CAMPLANI , Monica CINI , Alessandra CIOPPI , Yvonne FRACASSETTI , Luciana GATTI , Raoudha GUEMARA , Giovanni GHIGLIONE , Maurizio LUPO , Alberto MARTINENGO , Maria Grazia Rosaria MELE , Sebastiana NOCCO , Anna Maria OLIVA , Riccardo REGIS , Giovanni SERRELI , Luisa SPAGNOLI , Massimo VIGLIONE Comitato scientifico Luis ADÃO da FONSECA , Sergio BELARDINELLI , Michele BRONDINO , Lucio CARACCIOLO , Dino COFRANCESCO , Daniela COLI , Miguel Ángel DE BUNES IBARRA , Antonio DONNO , Giorgio ISRAEL , Ada LONNI , Massimo MIGLIO , Anna Paola MOSSETTO , Michela NACCI , Emilia PERASSI , Adeline RUCQUOI , Flocel SABATÉ CURULL , Gianni VATTIMO , Cristina VERA DE FLACHS , Sergio ZOPPI Comitato di lettura In accordo con i membri del Comitato scientifico, la Direzione di RiMe sottopone a referee , in forma anonima, tutti i contributi ricevuti per la pubblicazione Responsabile del sito Corrado LATTINI Istituto di Storia dell’Europa Mediterranea : Direttore dell’Istituto Luca CODIGNOLA BO RiMe – Rivista dell’Istituto di Storia dell’Europa Mediterranea (http://rime.to.cnr.it) c/o ISEM-CNR - Via S. Ottavio, 20 - 10124 TORINO (Italia) Telefono 011 670 3790 / 3713 - Fax 011 812 43 59 Segreteria: [email protected] Redazione: [email protected] (invio contributi) RiMe , n. 4, giugno 2010, 672 p. ISSN 2035-794X Indice Dossier Sardinia. A Mediterranean Crossroads . 12th Annual Mediterranean Studies Congress (Cagliari, 27-30 maggio 2009). -
Download Valletta Facts
WELCOME TO VALLETTA 2018 On the way to Europe celebrating the Maltese cultural nexus as European Capital of Culture, the occasions where we come together to enjoy our city, your city, through novel experiences as well as relive our traditions anew are growing. Plans and preparations for the programme for the year itself are well underway, while many events, activities and festivals are leading us there. The Valletta 2018 Foundation, which is the national organising body for the hosting of the title in Malta, is proud of your contribution to this project rooted in local realities, which are both European and Mediterranean, and that will have an international reach. The success of Valletta 2018 lies in the process of accessibility, inclusion and participation, bringing people together, while bridging borders and differences, with a firm and clear commitment to a delivery of excellence. It is for this reason that we are proud to be leading the Valletta 2018 Foundation into making Valletta 2018 happen, today, tomorrow, and for years to come. Jason Micallef Chairman As one would expect from a Knights of St John major project, Valletta is embellished by a good number of churches and palaces. Each with its particular attraction. From behind the austere facade, St John’s Co-Cathedral’s remarkable treasures and masterpieces overshadow the rest. The first building inside the new city, however, was the Our Lady of Victories church, (1573-78). 22 other churches were eventually built in Valletta, two catering for the Protestant minority. CHURCHES + PALACES The Grandmaster’s Palace, with its splendid Armoury, the tapestries and frescoes of centuries ago, is the biggest and most impressive of the palaces of Valletta. -
The Sacra Infermeria, the Knights' Hospital at Valletta
MALTESE HISTORY C. Some of the Order’s Projects in Malta Form 3 1 Unit C.1 - Valletta and the Three Cities H F E B D C A G Grand Harbour c. 1750. 1. Valletta in the 17th and 18th centuries To the original group of public buildings in Valletta the Order added in the 17th and 18th centuries, a theatre, a library, a custom house and a municipal palace for the Università of Valletta and the Three Cities. The Law Courts (Castellania) were rebuilt and the Church of St John was decorated by the paintings and sculpture of the Neapolitan artist Mattia Preti. During the 18th century new buildings in Valletta had a more worldly use. In 1732 the Manoel Theatre was built (the oldest standing theatre in Europe today), a library and warehouses along the Valletta Grand Harbour waterfront. Grand Master Pinto’s warehouses (known as Pinto Wharf) were built in the second half of the 18th century – today these have become the Valletta Waterfront sea- passenger terminal. The Grandmaster’s Palace and most of the auberges had their façade decorated on the th baroque style. Some of the richest houses (eg.Casa Rocca Piccola) were built in the 18 century. Strada San Giorgio and Strada Mercanti were the best streets of Valletta having most of the finest buildings with shops, stores or workrooms in the ground floor. Strada Forni and Strada San Paolo were mainly residential having fewer shops and fewer public buildings. In the 17th century more and more people went to live within the walls of the city. -
Annual Report 2017
ANNUAL REPORT 2017 TABLE OF CONTENTS 1. Capital Works 1.1 National Funds 3 1.2 National Monuments 8 1.3 EU Co-Funded Projects 9 2. Exhibitions and Events 14 3. Collections and Research 17 4. Conservation 4.1 Paintings, Polychrome Sculpture and Wood Sculpture 27 4.2 Stone, Ceramics, Metal and Glass 29 4.3 Textiles, Books and Paper 30 4.4 Diagnostic Sciences Laboratories 31 5. Education, Publications and Outreach 5.1 Thematic Events and Hands-on Sessions 32 5.2 Publications 37 6. Other Corporate 39 7. Visitor Statistics and Analysis 7.1 Admissions 42 7.2 Statistical Analysis 43 8. Appendix 1 – Calendar of Events 8.1 Exhibitions Hosted by HM 54 8.2 Exhibitions Organised by HM 54 8.3 Exhibitions in Collaboration with Others 55 8.4 Exhibitions in which HM Participated 56 8.5 Lectures Organised/Hosted by HM 57 8.6 Events Organised by HM 58 8.7 Events in HM Participated 64 8.8 Organised in Collaboration with Others 65 8.9 Events Hosted by HM 68 9. Appendix 2 – Purchase of Modern and Contemporary Artworks 71 10. Appendix 3 – Acquisition of Natural History Specimens 72 11. Appendix 4 – Acquisition of Cultural Heritage Objects 73 2 1. CAPITAL WORKS 1.1 NATIONAL FUNDS During the year under review design for improvements to the layout in the ticketing and shop area of the Ħaġar Qim and Mnajdra visitor centre was concluded and manufacture of furniture started. Such works will include the construction of a site office, new ticketing facilities and new larger shop within the existing building in order to maximize shop space and visitor flow.