Asolo Repertory Theatre Presents the American Character and the 2012
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July 8–Aug 2 BRUNS AMPHITHEATER, ORINDA 510.548.9666 Eapfull-Page Template.Indd1
BY PEDRO CALDERÓN DE LA BARCA TRANSLATED AND ADAPTED BY NILO CRUZ DIRECTED BY LORETTA GRECO July 8–Aug 2 BRUNS AMPHITHEATER, ORINDA 510.548.9666 www.calshakes.org “ City National helps keep my financial life in tune.” So much of my life is always shifting; a different city, a different piece of music, a different ensemble. I need people who I can count on to help keep my financial life on course so I can focus on creating and sharing the “adventures” of classical music. City National shares my passion and is instrumental in helping me bring classical music to audiences all over the world. They enjoy being a part of what I do and love. That is the essence of a successful relationship. City National is The way up® for me. Michael Tilson Thomas Conductor, Educator and Composer Hear Michael’s complete story at Findyourwayup.com/Tuned2SF. Find your way up.SM Call (866) 618-5244 to speak with a personal banker. 15 City National Bank 15 City National 0 ©2 City National Personal Banking CNB MEMBER FDIC EAP full-page template.indd 1 5/29/15 1:57 PM FROM THE ARTISTIC DIRECTOR Reading Nilo Cruz’s adaptation of Life Is a Dream by Pedro Calderón de la Barca, I feel like I am in a dream. Not a theatrical dream, but a real one— fevered, strangely logical, at times terrifying, and then swiftly and surprisingly funny. And like all dreams that are especially vivid, it’s exhilarating as it vibrates in the mind long after the script is put down. -
Memory Rings
2016 BAM Next Wave Festival #MemoryRings Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Memory Rings BAM Harvey Theater Nov 17—19 at 7:30pm; Nov 20 at 3pm Running time: approx. one hour & 20 minutes, no intermission Phantom Limb Company Conceived by Jessica Grindstaff and Erik Sanko Choreography by Ryan Heffington Direction and design by Jessica Grindstaff Original music and puppet design by Erik Sanko Costume design by Henrik Vibskov Lighting design by Brian H Scott Sound design by Darron L West Projection design by Keith Skretch Dramaturgy by Janice Paran Creative producer Mara Isaacs/Octopus Theatricals Season Sponsor: Major support for theater at BAM provided by: The Francena T. Harrison Foundation Trust Donald R. Mullen Jr. The SHS Foundation The Shubert Foundation, Inc. Additional support provided by The Jim Henson Foundation. Memory Rings CAST Toby Billowitz Rowan Magee Marissa Brown Aaron Mattocks Emeri Fetzer Daniel Selon Takemi Kitamura Carlton Cyrus Ward ADDITIONAL CREDITS Stage manager Randi Rivera Production manager Corps Liminis Design architect Gia Wolff Fragrance design Douglas Little Rehearsal director Aaron Mattocks Cello recording Jeffrey Ziegler Producing associate/Company manager Bryan Hunt Bramble costumes designed by Jessica Grindstaff Costumes fabricated by Henrik Vibskov Studio Bramble costumes fabricated by Daniel Selon and Kaitlyn Horpedahl, Sarah -
2016 Program Book
2016 INDUCTION CEREMONY Friends of the Chicago LGBT Hall of Fame Gary G. Chichester Mary F. Morten Co-Chairperson Co-Chairperson Israel Wright Executive Director In Partnership with the CITY OF CHICAGO • COMMISSION ON HUMAN RELATIONS Rahm Emanuel Mona Noriega Mayor Chairman and Commissioner COPIES OF THIS PUBLICATION ARE AVAILABLE UPON REQUEST Published by Friends of the Chicago LGBT Hall of Fame 3712 North Broadway, #637 Chicago, Illinois 60613-4235 773-281-5095 [email protected] ©2016 Friends of the Chicago LGBT Hall of Fame In Memoriam The Reverend Gregory R. Dell Katherine “Kit” Duffy Adrienne J. Goodman Marie J. Kuda Mary D. Powers 2 3 4 CHICAGO LGBT HALL OF FAME The Chicago LGBT Hall of Fame (formerly the Chicago Gay and Lesbian Hall of Fame) is both a historic event and an exhibit. Through the Hall of Fame, residents of Chicago and the world are made aware of the contributions of Chicago’s lesbian, gay, bisexual, and transgender (LGBT) communities and the communities’ efforts to eradicate bias and discrimination. With the support of the City of Chicago Commission on Human Relations, its Advisory Council on Gay and Lesbian Issues (later the Advisory Council on Lesbian, Gay, Bisexual and Transgender Issues) established the Chicago Gay and Lesbian Hall of Fame (changed to the Chicago LGBT Hall of Fame in 2015) in June 1991. The inaugural induction ceremony took place during Pride Week at City Hall, hosted by Mayor Richard M. Daley. This was the first event of its kind in the country. Today, after the advisory council’s abolition and in partnership with the City, the Hall of Fame is in the custody of Friends of the Chicago LGBT Hall of Fame, an Illinois not- for-profit corporation with a recognized charitable tax-deductible status under Internal Revenue Code section 501(c)(3). -
South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021. -
Officers 2011-2012 University of Miami
c/o The Jerry Herman Ring Theatre, 1312 Miller Drive, Coral Gables, FL 33124 •305-284-3355•[email protected] Officers 2011-2012 Dear Friends, President Calling all Theatre lovers. Come and see the Stars of Tomorrow, right here Camille O. King at our own Jerry Herman Ring Theatre at the University of Miami. Just this past spring a former student, Joshua Henry, was nominated for the esteemed Tony Vice Presidents Award for Best Actor in a Musical, The Scottsboro Boys. You may remember Events Josh when he played the lead in the musical at the Ring, The Music Man. How Evelyn Budde exciting it is for all of us to celebrate Josh’s success. Of course Josh is one of Books many UM Theatre Arts students who has gone on to achieve success in the Myrna Palley business of Theatre. Hospitality You too can be a part of this great community which financially helps young Carol Newport theatre students reach their potential for success. By joining the Friends of Membership Theatre, you will be providing scholarship monies, networking opportunities, Carole Waldman and friendships with the students that are invaluable. Corresponding Secretary Your membership which is tax-deductible to the full extent allowed by law, Peggy Vital includes many benefits such as: Recording Secretary Opening night seats to student shows at the Ring Jopie Estaver Opening night reception to meet the cast in the Courtyard Treasurer Pre-Season Fall Party Sheldon Palley Newsletters in the mail or via E-mail Theatre outings at local theatres at below box office prices Assistant Treasurer Patricia L. -
How to Select a Monologue
HOW TO SELECT A MONOLOGUE AMDA’s student population is diverse and, as an institution, AMDA subscribes to the philosophy that it is not necessary for performers to consider their own ethnicity, skin color, body shape, sexual preference, or gender in choosing material for our placement and scholarship auditions. Choose characters close to you in age (i.e. 1-2 years younger to 5 years older). It is very important to read the play from which your monologue is taken and to know the full name of the playwright. Be prepared to answer questions the adjudicator may have about the play, the scene, or the character. While monologue collections and internet sites may be useful, they cannot substitute for a full comprehension of the play and the character’s emotional arc within it. Be sure to look up—in the play, online or in a dictionary—any vocabulary, pronunciations or references in the monologue with which you are not familiar. AVOID SELECT • Material that you do not fully • Age-appropriate material, understand emotionally or choosing monologues with intellectually characters that you could portray • Overt sexual references today or five years from now • Excessive profanity • Pieces that contrast in style, • Portraying victims or period or tone (i.e. comedy perpetrators of violence, vs. drama, classical vs. addiction, or abuse contemporary or contrasting • Monologues from films characters) • Material from the internet that is • Material sourced from published not sourced from a published play plays • Monologues for which you feel a personal connection NOTE: Your personal favorites may not be the material that best serves you. -
View This Community, As Elizabeth Fox-Genovese Explains In
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2012 The Queen of the Household: Mothers, Other Mothers, and Female Genealogy on the Plantation in Postslavery Women's Fiction Correna Catlett Merricks Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Literature Commons Recommended Citation Merricks, Correna Catlett, "The Queen of the Household: Mothers, Other Mothers, and Female Genealogy on the Plantation in Postslavery Women's Fiction" (2012). Electronic Theses and Dissertations. 196. https://egrove.olemiss.edu/etd/196 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. “THE QUEEN OF THE HOUSEHOLD”: MOTHERS, “OTHER” MOTHERS, AND FEMALE GENEALOGY ON THE PLANTATION IN POSTSLAVERY WOMEN’S FICTION A Dissertation presented in partial fulfillment of requirements for the degree of Doctor of Philosophy in the Department of English at The University of Mississippi by CORRENA CATLETT MERRICKS August 2012 Copyright Correna Catlett Merricks 2012 ALL RIGHTS RESERVED ABSTRACT In many ways, the plantation defined the U.S. South because it was the primary site of production, and therefore income, for prominent southerners. In addition to being a site of production, the plantation created a complex series of connected relationships that was imagined by the plantocracy -
Winter/Spring Season
WINTER/SPRING SEASON Jan 23–24 eighth blackbird Hand Eye __________________________________________ Jan 28–30 Toshiki Okada/chelfitsch God Bless Baseball __________________________________________ Feb 4 and 6–7 Ingri Fiksdal, Ingvild Langgård & Signe Becker Cosmic Body __________________________________________ Feb 11–14 Faye Driscoll Thank You For Coming: Attendance __________________________________________ Feb 18–27 Tim Etchells/Forced Entertainment The Notebook, Speak Bitterness, and (In) Complete Works: Table Top Shakespeare __________________________________________ Mar 5–6 Joffrey Academy of Dance Winning Works __________________________________________ Mar 25–26 eighth blackbird featuring Will Oldham (Bonnie “Prince” Billy) Ghostlight __________________________________________ Mar 31–Apr 3 Blair Thomas & Co. Moby Dick __________________________________________ Apr 7–10 Teatrocinema Historia de Amor (Love Story) __________________________________________ Apr 12 and 14–16 Taylor Mac The History of Popular Music __________________________________________ Apr 28–May 1 Kyle Abraham/ Abraham.In.Motion When the Wolves Came In Museum of Contemporary Art Chicago Mar 31–Apr 3, 2016 Technical director Jim Moore Hurdy-gurdy coffin and Erik Newman Blair Thomas & Co. wind machine constructor Puppet builder and Tyler Culligan Moby Dick set constructor or The Brotherhood of the Monastic Costume constructor Uber Costume ____________________________________________ Order of Ancient Mariners Purges Additional puppet and set construction by Hannah -
LFA Library: New Materials (Dec 2016- Jan 2017) Overdrive Ebooks
LFA Library: New Materials (Dec 2016- Jan 2017) NOTE: The Trust of Mark H. Sokolsky (LFA ’68) gave LFA a generous gift specifically to acquire library materials related to American history. Items in BLUE were purchased from this donation. Overdrive eBooks (Blue= Non-Fiction “Mark H. Sokolsky Donation”; Red= Fiction; Black= Non-Fiction) Title Author 1493: Uncovering the New World Columbus Created Charles Mann Along the Streets of Bronzeville: Black Chicago's Literary Landscape Elizabeth Schlabach American Architecture: A History (Second Edition) Leland M. Roth and Amanda C. Roth Clark American Nations: A History of the Eleven Rival Regional Cultures of North America Colin Woodard (Winner, 2012 Maine Literary Award for Non-Fiction) American Slave Coast: A History of the Slave-Breeding Industry Ned Sublette and Constance Sublette The Apache Wars: The Hunt for Geronimo, the Apache Kid, and the Captive Boy Who Started the Longest Paul Andrew Hutton War in American History At the Hands of Persons Unknown: The Lynching of Black America Philip Dray (Finalist, 2003 Pulitzer Prize for History) Aztlán Arizona: Mexican American Educational Empowerment, 1968–1978 Darius V. Echeverria Barry Goldwater and the Remaking of the American Political Landscape Elizabeth Tandy Shermer The Battle for Christmas Stephan Nissenbaum (Finalist, 1997 Pulitzer Prize for History) Case Closed: Lee Harvey Oswald and the Assassination of JFK Gerald Posner (Finalist, 1994 Pulitzer Prize for History) The Cigarette Century: The Rise, Fall, and Deadly Persistence of the Product That Defined America Allan Brandt City of Scoundrels: The 12 Days of Disaster That Gave Birth to Modern Chicago Gary Krist Code Warriors: NSA's Codebreakers and the Secret Intelligence War Against the Soviet Union Stephen Budiansky Crime and Punishment In American History (Finalist, 1994 Pulitzer Prize for History) Lawrence Friedman The Crimes of Womanhood: Defining Femininity in a Court of Law A. -
Christine Bunuan Resume
Christine Bunuan AEA, SAG-AFTRA Stewart Talent * 400 Michigan Ave Suite 700, Chicago, IL 60611 * 312.943.3131 Height: 4’10” Hair: Black Eyes: Brown Voice: Mezzo-Soprano [email protected] * 773.793.8918 * www.christinebunuan.com Film and Television Chicago PD Kate Chen NBC Universal Mark Tinker Come on Over Cindy Enthusiastic Productions, LLC Stephen Feldmen Wingmen Miel Rising Star Productions Jack Newell National Tour Miss Saigon Broadway Revival Gigi (original cast) Laurence Connor The 25th Annual Putnam County Spelling Bee u/s Marcy & Rona James Lapine Theatre Smart People u/s Ginny Writers Theatre Hallie Gordon Honeymoon in Vegas Mahi Marriott Theatre Gary Griffin The Emperor’s New Clothes Deena Marriott Theatre Amanda Tanguay Wild Boar Tricia Silk Road Rising Helen Young My Way Residential* Sister Chang Irish Theatre of Chicago Kevin Theis The Hundred Dresses Maddie Chicago Children’s Theatre Sean Graney Christmas at Christine’s Herself Silk Road Rising J.R. Sullivan Julius Caesar Calphurnia/Metella Cimber Writers Theatre Michael Halberstam Chimerica Mary, Deng, Michelle TimeLine Theatre Company Nick Bowling Frederick* Baby Mouse Chicago Children’s Theatre Stuart Carden Avenue Q Christmas Eve Mercury Theater Chicago L. Walter Stearns A Year With Frog and Toad Mouse/Bird/Young Frog Chicago Children’s Theatre Henry Godinez Re-Spiced: A Silk Road Cabaret* Herself Silk Road Rising Steve Scott Jade Heart* Jade Chicago Dramatists Russ Tutterow The Mistress Cycle Ching Apple Tree & Auditorium Theater Kurt Johns Kafka on the Shore* -
Data Journalism in the Spanish Caribbean Digital Media”
ISSN 2340-5236 Anàlisi núm. extraordinari, 2020 47-66 Data Journalism in the Spanish Caribbean Digital Ramaris Albert Trinidad Media* Ramaris Albert Trinidad Universidad de Puerto Rico. Escuela de Comunicación [email protected] Submission date: June 2019 Accepted date: May 2020 Published in: October 2020 Recommended citation: ALBERT TRINIDAD, R. (2020). “Data Journalism in the Spanish Caribbean Digital Media”. Anàlisi: Quaderns de Comunicació i Cultura, núm. extraordinari 2020, 47-66. DOI: <https://doi.org/10.5565/rev/analisi.3236> Abstract 21st-century journalism is characterized by new trends that facilitate the production of digital and novel contents. Among them, most notable is data-driven journalism, which collects structured information and analyzes it in-depth to present it in more versatile formats through interactive visualizations and other multimedia tools. This specialty serves to tell stories based on vast amounts of information that, without the assistance of a computer and the application of statistical methods, would be challenging to report. This work is a pilot study about the degree of penetration of data journalism through a com- parative study of the journalistic media of the Spanish-speaking Caribbean. For this pur- pose, an exploratory pilot questionnaire investigated the processes and techniques used by journalists in the preparation of publications in digital media of Puerto Rico, Cuba, and the Dominican Republic, in order to determine whether they apply data journalism from the defining elements that Paul Bradshaw establishes in his inverted pyramid of data jour- nalism. The findings pointed out that journalists from these countries vary in the level of frequency of use of the five characteristic functions, of which the analysis of databases is the most used by all. -
Finding Aid to the Historymakers ® Video Oral History with Michel Du Cille
Finding Aid to The HistoryMakers ® Video Oral History with Michel du Cille Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: du Cille, Michel, 1956-2014 Title: The HistoryMakers® Video Oral History Interview with Michel du Cille, Dates: January 27, 2014 Bulk Dates: 2014 Physical 7 uncompressed MOV digital video files (3:13:47). Description: Abstract: Photojournalist Michel du Cille (1956 - 2014 ) was the director of photography at The Washington Post and a three-time Pulitzer Prize winner. duCille was interviewed by The HistoryMakers® on January 27, 2014, in Washington, District of Columbia. This collection is comprised of the original video footage of the interview. Identification: A2014_006 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Photojournalist Michel du Cille was born in 1956 in Kingston, Jamaica. His initial interest in photography is credited to his father, a pastor-minister, who worked as a newspaper reporter both in Jamaica and in the United States. Du Cille began his career in photojournalism while in high school working at The Gainesville (GA) Times. In 1985, he received his B.S. degree in journalism from Indiana University. Du Cille also received his M.S. degree in journalism from Ohio University in 1994. While studying at Indiana University, du Cille was a photographer and picture editor at the Indiana Daily Student. He then worked as an intern at The Louisville Courier Journal/Times in 1979 and at The Miami Herald in 1980. Du Cille joined The Miami Herald's photography staff in 1981.