Documentary Film/TV
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Videography and Photography: Critical Thinking, Ethics and Knowledge-Based Practice in Visual Media
Videography and photography: Critical thinking, ethics and knowledge-based practice in visual media Storytelling through videography and photography can form the basis for journalism that is both consequential and high impact. Powerful images can shape public opinion and indeed change the world, but with such power comes substantial ethical and intellectual responsibility. The training that prepares journalists to do this work, therefore, must meaningfully integrate deep analytical materials and demand rigorous critical thinking. Students must not only have proficient technical skills but also must know their subject matter deeply and understand the deeper implications of their journalistic choices in selecting materials. This course gives aspiring visual journalists the opportunity to hone critical-thinking skills and devise strategies for addressing multimedia reporting’s ethical concerns on a professional level. It instills values grounded in the best practices of traditional journalism while embracing the latest technologies, all through knowledge-based, hands-on instruction. Learning objectives This course introduces the principles of critical thinking and ethical awareness in nonfiction visual storytelling. Students who take this course will: Learn the duties and rights of journalists in the digital age. Better understand the impact of images and sound on meaning. Develop a professional process for handling multimedia reporting’s ethical challenges. Generate and translate ideas into ethically sound multimedia projects. Understand how to combine responsible journalism with entertaining and artistic storytelling. Think and act as multimedia journalists, producing accurate and balanced stories — even ones that take a point of view. Course design This syllabus is built around the concept of groups of students going through the complete process of producing a multimedia story and writing journal entries about ethical concerns that surface during its development and execution. -
My Scientology Movie
BBC FILMS & BBC WORLDWIDE Present A RED BOX FILMS PRODUCTION Directed by: John Dower Presented by: Louis Theroux Written by: John Dower & Louis Theroux Produced by: Simon Chinn MY SCIENTOLOGY MOVIE U.K. production R/T: 99 minutes Shot on Sony F55 and Canon CS00-PL (Panasonic HE120 and Flip Mino HD) TFF 2016- For further publicity information please contact: Emma Griffiths EMMA GRIFFITHS PR [email protected] www.eg-pr.com TIFF 2016: US Sales Contact: Josh Braun-Submarine [email protected] International Sales Contact: Mark Lane- HanWay Select- [email protected] SHORT SYNOPSIS Not your typical exposé. BBC doc-maker and journalist Louis Theroux teams up with director John Dower and double Academy Award winning producer Simon Chinn (Searching for Sugar, Man On Wire) to explore the self-mythologizing Church of Scientology. Following a long fascination with the religion and with much experience in dealing with eccentric, unpalatable and unexpected human behavior, the beguilingly unassuming Theroux won’t take no for an answer when his request to enter the Church’s headquarters is turned down. Inspired by the Church’s use of filming techniques, and aided by ex-members of the organization, Theroux uses actors to replay some incidents people claim they experienced as members in an attempt to better understand the way it operates. In a bizarre twist, it becomes clear that the Church is also making a film about Louis Theroux. Suffused with a good dose of humor and moments worthy of a Hollywood script, MY SCIENTOLOGY MOVIE is as outlandish as it is revealing. -
Muhammad Ali: an Unusual Leader in the Advancement of Black America
Muhammad Ali: An Unusual Leader in the Advancement of Black America The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Voulgaris, Panos J. 2016. Muhammad Ali: An Unusual Leader in the Advancement of Black America. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797384 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Muhammad Ali: An Unusual Leader in the Advancement of Black America Panos J. Voulgaris A Thesis in the Field of History for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 © November 2016, Panos John Voulgaris Abstract The rhetoric and life of Muhammad Ali greatly influenced the advancement of African Americans. How did the words of Ali impact the development of black America in the twentieth century? What role does Ali hold in history? Ali was a supremely talented artist in the boxing ring, but he was also acutely aware of his cultural significance. The essential question that must be answered is how Ali went from being one of the most reviled people in white America to an icon of humanitarianism for all people. He sought knowledge through personal experience and human interaction and was profoundly influenced by his own upbringing in the throes of Louisville’s Jim Crow segregation. -
The People's Champion O
ABSTRACT WILLIAMS, SHAWN L. B.A. UNIVERSITY OF PITTSBURGH, 1989 M.A. CLARK ATLANTA UNIVERSITY, 1991 “The People’s Champion”: Folk Heroism and the Oral Artistry of Muhammad Au. Advisor: Professor David F. Dorsey Dissertation dated July 2000 Long after a career that was as much marred by criticism as marked by accomplishment, Muhammad Au receives considerable public acclaim for his athletic accomplishments and his humanitarianism. However, no scholarly attention has been given to this man as a literary force who, through the power of his word, impacted the consciousness of this nation and world. This dissertation examines Ali as an artist operating within the context of African and African American oral literary traditions and will explore the impact of his oratory on the sociopolitical consciousness of this country. The analysis of the oral literature of 1 Muhammad Au, which consists of his lectures, interviews, and poetry, will involve an assessment of those aspects that make it a manifestation of the verbal culture of Africa and African America. Moreover, the study illustrates the degree to which the rhetoric and verse reflects both African American national consciousness (i.e., black nationalism) and African folkioric tradition. In his creation of himself Au utilizes traditional African and African American mythoforms like the trickster, the Badman, and the culture hero. In this respect, Muhammad Au is the only athlete to emerge as an Afrocentric cultural hero. This subject encompasses matter of literature, African American studies, speech communications, and popular culture. 2 “THE PEOPLE’S CHAMPION”: FOLK HEROISM AND THE ORAL ARTISTRY OF MUHAMMAD ALl A DISSERTATION SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARTS IN THE HUMANTITIES BY SHAWN LAMAR WILLIAMS DEPARTMENT OF ENGLISH ATLANTA, GEORGIA JULY 2000 © 2000 SHAWN L. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
Festival Program 2019 3 About the Festival
NINTH ANNUAL January 1-4, 2019 Waimea, Mauna Kea Resort + Fairmont Orchid, Hawai‘i January 5-9, 2019 Four Seasons Resort Hualālai Sponsors Contents + About Our Area INNER CIRCLE SPONSORS Contents 4 About the Festival 5 Letter from the Director 8 Host Venues and Map 10 Films 32 Waimea Schedule 36 Waimea Breakfast Talks 40 Four Seasons Schedule 42 Four Seasons Breakfast Talks 44 Guest Speakers and Presentations 74 Artists and Exhibits MEDIA AND LOCAL SPONSORS The Glow. Artwork by Christian Enns 90 Thank You to Our Contributors BIG ISLAND About Our Area TRAVELER The Island of Hawai‘i, known as The the world, inhabit these reefs, along Big Island to avoid confusion with the with Hawaiian Hawksbill turtles, state, was formed by five volcanoes to octopus, eel and smaller reef sharks. became one land mass. The still active Spinner dolphins come to rest in Kīlauea sits at the heart of Hawai‘i shallow bays during the day, before Volcanoes National Park, while Mauna returning to deeper water to hunt at Kea, Mauna Loa and Hualālai rise about night. Humpback whales can be seen the Kohala and Kona coastline, where along the coast during winter, when stark lava fields meet turquoise waters the ocean fills with the sound of their and multihued sand beaches. The beautiful song. gentle slopes of the Kohala Mountains, The town of Waimea, also known as now volcanically extinct, provide the Kamuela, sits in the saddle between backdrop to the town of Waimea and to the dry and green sides of the island, FOOD AND BEVERAGE SPONSORS northern Hawi and Kapa‘au. -
12 Family-Friendly Nature Documentaries
12 Family-Friendly Nature Documentaries “March of the Penguins,” “Monkey Kingdom” and more illuminate the wonders of our planet from the safety of your couch. By Scott Tobias, New York Times, April 1, 2020 https://www.nytimes.com/2020/04/01/arts/television/nature-documentaries-virus.html?smid=em- share Jane Goodall as seen in “Jane,” a documentary directed by Brett Morgen. Hugo van Lawick/National Geographic Creative Children under quarantine are enjoying an excess of “screen time,” if only to give their overtaxed parents a break. But there’s no reason they can’t learn a few things in the process. These nature documentaries have educational value for the whole family, while also offering a chance to experience the great outdoors from inside your living room.Being self-isolated makes one happy to have a project — plus, it would feel good to write something that might put a happy spin on this situation we are in, even if for just a few moments. ‘The Living Desert’ (1953) Disney’s True-Life Adventures series is a fascinating experiment in edu-tainment, an attempt to give nature footage the quality of a Disney animated film, with dramatic confrontations and silly little behavioral vignettes. There are more entertaining examples than “The Living Desert” — the 1957 gem “Perri,” about the plight of a female tree squirrel, is an ideal companion piece for “Bambi” — but it was the company’s first attempt at a feature-length documentary and established a formula that would be used decades down the line. Shot mostly in the Arizona desert, the film marvels over the animals that live in such an austere climate while also focusing on familiar scenarios, like two male tortoises tussling over a female or scorpions doing a mating dance to hoedown music. -
Muhammad Ali Free on Bail, Four Years Passed Before His Conviction Was Unanimously Overturned by the U
FREE MUHAMMAD ALI PDF Thomas Hauser | 544 pages | 15 Jun 1992 | SIMON & SCHUSTER | 9780671779719 | English | New York, United States Muhammad Ali - latest news, breaking stories and comment - The Independent By Chris White. June 20, am Updated June 22, am. The legendary boxer and activist stood up against racism throughout his life, but Muhammad Ali Jr. God loves everyone — he never singled anyone out. The guy resisted arrest, the officer was doing his job, but he used the wrong tactic. He agrees with President Trump that Antifa fomented violence during the Floyd protests and should be labeled a terrorist organization. Muhammad Ali should all get what they deserve. I agree with the peaceful protests, but the Antifa, they need to kill everyone in that thing. Muhammad Ali never wanted it peaceful. I would take them Muhammad Ali out. A father of two, Ali, 47, lives in Hallandale Beach, Florida, and has struggled to make ends meet in recent years working as Muhammad Ali landscape gardener and construction worker. Junior was the fourth-born to first wife Belinda Boyd, who converted to Islam and now goes by Khalilah Ali. Ali blames his stepmom for the estrangement. Despite strong tensions between the black community and the Chicago PD — especially after year-old Laquan McDonald was shot dead in by a cop later Muhammad Ali of murder — Ali says he was never singled out by cops Muhammad Ali his skin color, and defends them against charges of institutional racism. Ali was released both times. It starts racial things to happen; I hate that. Ali said he supports Trump and that his father — who went to jail for refusing to be drafted during the Vietnam War on the basis of his religious beliefs — would have too. -
Why Documentaries Matter Recognised As an Innovative Cultural Form
RISJ CHALLENGES CHALLENGES Documentaries have for many decades inhabited the schedules of public Why Documentaries Matter Why broadcasters. They have chronicled the lives and institutions of western democracies. In the past two decades, however, documentaries have become Why Documentaries Matter recognised as an innovative cultural form. Instead of being exclusively funded by television channels, documentaries receive money from a number of sources, including film funds, private investors and foundations. Rather than observing, documentaries are now thought capable of changing the world. Is this what they really do? How do we define a documentary? What does it mean to be the ‘author’ of a film? Nick Fraser has been editor of the BBC’s Storyville series since 1997; here he looks at the history of documentaries, showing how definitions of documentaries have changed – and how fragile is their funding. If we want good documentaries, he concludes, we have to find ways of encouraging their creators. “Nick Fraser writes about documentaries with unique authority. Not only has he made some good ’uns, he has commissioned more than practically anyone else on earth (for the BBC’s Storyville) and - as this book shows - he Nick Fraser has watched docs from their earliest days. His ideas on what the growth of the web and the decline of public service broadcasters mean for doc-makers are informed, imaginative and challenging.” Brian Lapping Chairman and Executive Producer, Brook Lapping “The rise of documentaries over the past two decades owes more to Nick Fraser than to any other single person. For so many of us who make non-fiction films, Nick’s peerless brand of tough love and mischievous curiosity have inspired us to aim higher as we try to promote greater understanding of the major events and issues of our time.” Eugene Jarecki Documentary film maker “This expert lament is beautifully written. -
Kate Hopkins
The Interview I couldn’t actually see where my hand was relative to the lion, but I had Tim in the back of the car saying, ‘You’re fine, you’re fine, he won’t bite it off…’ Kate Hopkins NIGEL JOPSON meets Sir David Attenborough’s favourite sound editor ate Hopkins has worked on some of I get a mute picture — there is usually no sound before it goes into a mix. Basically, what I do is the most prestigious natural history on it at all. What I do is to create layers of audio make a whole lot of decisions about what you TV ever: Blue Planet, Wolves at Our which articulate the picture — to make it sound are going to hear. KDoor, Planet Earth (for which she won as realistic as it possibly can — so the viewer a Primetime Emmy), Life in the Undergrowth, feels as if they are actually ‘there’. If the shot is In movie terms, then, your role is that of a Great Migrations, Life, Human Planet and of the Serengeti, one single piece of audio will sound designer: the nature documentaries Frozen Planet (for which she was awarded a not do it. You need layers: the sound of insects, you work on have very little production BAFTA in 2012). The top four most-watched TV the sound of wind, trees… if there’s a storm you sound recorded ‘on set’! programmes in the UK in 2017 were the four need rain. Rain is not just one sound, you can We do receive ‘wild’ tracks recorded on episodes of Blue Planet II, with around 13-14 hear large drops nearby, and a general more location. -
Filmmaking Program Northwest College Filmmaking Aric Nitzberg
Filmmaking Program Northwest College Filmmaking Aric Nitzberg, Chair FLMC 1391 – Special Topics: Documentary CRN 17884 – Spring 2017 Alief Campus Rm B300 Wednesdays 6:00 – 10:00 pm 3 units / 48 hours per semester / 16 weeks Lecture/Lab Instructor: Jenny Waldo Contact Information: [email protected] cell: 310-709-6937 Office location and hours: C322 (other side of atrium) Tuesdays 10:00 am – 12:30 pm Wednesdays 10:00 am – 12:30 pm Or by appointment Please feel free to contact me concerning any problems that you are experiencing in this course. You do not need to wait until you have received a poor grade before asking for my assistance. Your performance in my class is very important to me. I am available to hear your concerns and just to discuss course topics. Course Description Documentaries are narrative films. They tell a non-scripted story based on footage that is edited together. Paid work can often be found for documentary films because those projects are often funded by grants and supported by non-profit fiscal sponsorship. During this course, students will gain skills with which they can find employment in documentaries while also producing a short documentary project of their own. These skills also transfer easily to working in the corporate/commercial/industrial video industries and even the fictional filmmaking world. Prerequisites: None FLMC 1391 – page 2 Course Goal Have filmmaking majors creatively and critically think about story-telling through the documentary genre while experiencing hands-on the production process. Student Learning Outcomes The student will be able to: 1. -
Charles Dy Er
About Me I’ve crafted a wide variety of films, ranging from conservation pieces and behind-the-scenes content, to series pitch-promos and pre-edits for award- winning blue chip natural history. Quick but patient, I’m a perfectionist who loves finding innovative ways to distill complex topics into inspiring stories. Experience Editor CHARLES DYER Perfect Planet - BBC FILM EDITOR Silverback Films, 2018 - 2020 Sequence pre-edits, behind-the-scenes segments and web-content. David Attenborough: A Life on Our Planet - Netflix / WWF Silverback Films, 2019 Editing of fine-cut to picture-lock of main feature film. Our Planet - Netflix / WWF Silverback Films, 2016 - 2019 Sequence pre-edits, pitch-promos and online video content. Contact Penguins -Disneynature E-Mail: [email protected] Silverback Films, 2018 Website: www.charlesdyer.com Additional online video content. Dolphin Reef - Disneynature Additional Skills Silverback Films, 2018 Behind-the-scenes content for DVD release. Confident camera operator and sound recordist. The Hunt - BBC Silverback Films, 2013-2015 US I-Visa valid until May 2023 Sequence pre-edits and behind-the-scenes content for online release. Software Edit Assistant - Silverback Films Avid Media Composer August 2012 - August 2018 Adobe Premiere •Edit assistant for Avid Media Composer and Final Cut Pro based projects. Final Cut Pro •In-house editor for a number of projects, including several pitch promos, DaVinci Resolve three of which led to series being commissioned. Adobe Photoshop •Three months of field experience as DIT in Kenya, Zimbabwe, Botswana Apple Motion and the USA, assembling rushes in the field to assist directors. YoYotta •Installation and maintenance of edit suites, Avid Unity, ISIS & NEXIS servers.