composer Nerida Tyson-Chew music supervisor Chris Gough Mana Music music editor Katherine Dixon music preparation Paul Chew music scoring mixer Robin Gray MPSE music recorded at Allan Eaton Studio, Melbourne Creative Notes Music, Sydney contractor Ron Layton conductor Nerida Tyson-Chew concert-master Rudolf Osadnik musicians The Victorian Philharmonic Orchestra John Barrett Joe Chindamo John Clark Rajan Kamahl Peter Northcote Doug de Vries

'Breathe' (Minogue/Ball/Nauk) Mushroom Music/19 Music Limited Deconstruction Songs Limited/BMG Music Publishing Limited performed by Kylie Minogue, courtesy Mushroom Records Pty Ltd

'Now I Can Dance' (The Endorphin Mix) (Tyson/Arena) Standard Music/EMI Music Publishing, performed by Tina Arena remixed by Endorphin courtesy of Columbia Records, by arrangement Sony Music Entertainment (Australia) Limited

'Everyday Formula' (Yeomans) EMI Music Publishing Australia Pty Ltd performed by Regurgitator courtesy of Warner Music Australia

'Monochrome' (Balmont/Hensworth/Johnstone), Sony/ATV Music Publishing Australia performed by Ammonia, courtesy of Columbia Records by arrangement Sony Music Entertainment (Australia) Limited

'Now I Can Dance' (Radio Mix) (Tyson/Arena) Standard Music/EMI Music Publishing, performed by Tina Arena courtesy of Columbia Records, by arrangement Sony Music Entertainment (Australia) Limited

'Something Good Must Come' (Connolly/Kennedy/Ellis) MCA Music Australia/Control/Control, performed by Knievel courtesy of Citadel under licence from Festival Records 'This Must Be Love (Like it or Not)' 'Mad About You' (Roche/Doko) Control performed by Bachelor Girl, courtesy of Gotham Records under licence from BMG Australia Limited

'Between the Days' (Bainbridge/Bolnell) EMI Music Publishing Australia/Sapphire Music/Control performed by Merrill Bainbridge for Gotham Records/BMG Australia/Universal Records courtesy of BMG Australia Limited

Soundtrack available through BMG BMG Australia Limited - logo

Lyrics:

After Matt’s triumphant performance, and Claire’s doubts about his love, the pair end up on the Opera House balcony, outside the bar, looking over Circular Quay and the international shipping terminal.

Matt Grant (Russell Page): “…when I’m dancing, and… when I’m with you, it’s real, and I can never give that up.” Claire Andrews (Rebecca Yates): “What about your girlfriend?” Matt (smiling wistfully): “My ex-girlfriend is…going to make some lawyer very happy one day.” Claire (as he leans in closer for a kiss): “Really?” Matt: “Absolutely!”

They kiss tenderly, deeply, and the camera cranes up high to reveal them against the CBD skyline. The camera tilts off the CBD up into the sky as a song begins, Merrill Bainbridge performing Between the Days. It runs over the end roller:

I’d say I love you but my words are spent I lost them in the heat of argument And the consequence falls around me like rain I dream and see you floating overhead I let my passion fly furious red Out to meet you Again and again

And I, I, Feel your touch in the night With me, my lover lays between the days

So no matter what the day will bring I have the spaces in between To touch and taste, enjoy my dreams I know it’s true, or so it seems You paint the pictures in my dreams My lover lays between the days

And I, I, Feel your touch in the night With me, my lover lays between the days

I … I feel your touch in the night With me, my lover lays between the days

I built an empire Custom made for me In the moments between two and three That’s where you’ll be

Now I feel your touch in the night With me, my lover lays between the days

I, I feel your touch in the night With me, my lover lays between the days

I, I feel your touch in the night I, I feel your touch in the night With me, my lover lays between the days

I’d say I love you but my words are spent I lost them in the heat of argument And the consequence falls around me like rain

(Short instrumental as the song fades down over the final copyright notice title)

Composer Nerida Tyson-Chew:

Brief CV of Nerida Tyson-Chew as found at Australian Music Centre here:

Nerida Tyson-Chew is an award-winning and celebrated Australian film composer, orchestrator and conductor who has written scores for both television and film. Tyson-Chew gained her Bachelor of Music (honours) in composition from the University of Sydney, and she has also completed a Master's Degree (Harry Warren scholarship) in scoring for motion pictures and television at the University of Southern California, Los Angeles. Her first feature film score for Richard Franklin's Hotel Sorrento, released in 1995, earned her an Australian Film Institute nomination for Best Original Score and was awarded Best Music from the Film Critic's Circle of Australia. She also received the award for Best Original Score for a Feature Film from the Australian Guild of Screen Composers. Tyson-Chew's other film credits include Mr Accident, Under the Lighthouse Dancing, Fern Gully 2 - The Magical Rescue, Brilliant Lies, Visitors, Anacondas, Santa's Apprentice and the 2008 horror film Dying Breed, a score that incorporates layers of electronic music sound design, metamorphosed musical instruments and mutated percussion, combined with modern orchestral techniques. Her television work includes Two Twisted, which won her the 2007 APRA/AGSC Award for Best Music for a TV Series, Halifax F.P, Evil Never Dies and The Lost.

At time of writing, Tyson-Chew had her own website, here, which contains details of her many feature film and television credits. It had this short bio:

Award-winning Australian composer Nerida Tyson-Chew brings a distinct warmth and creative ingenuity to her work. Known for her collaborative approach and versatility across a range of musical disciplines, her portfolio spans feature films, television dramas, children's productions as well as numerous documentaries and wildlife films. Privileged to study under some of Hollywood's finest composers, Nerida’s work has been recognised with numerous awards and nominations over her more than 20 year career. Her Australian Screen Composer Awards include Feature Film Score of the Year, Best Music for a TV Series, Best Music for a Children’s Series and Best Music for a Telemovie and Mini-Series. Some of Nerida’s diverse credits are L'apprenti Père Noël (Santa’s Apprentice), Return to Nim’s Island, Anacondas - the Hunt for the Blood Orchid, TV series Rescue - Special Ops, Batman - the Animated Series, Tracey McBean, and documentary series Life@ and The National Geographic Channel Series Taboo. Her portfolio spreads across hundreds of hours of music and is in circulation in over 200 countries.

Samples from the score were available within the site, here.

(Below: Nerida Tyson-Chew)