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1 Bbc Television
BBC TELEVISION: SUMMARY OF HOLDINGS RELATING TO SIR FREDERICK ASHTON Compiled by Jill McLoughlin The BBC holds most items although some have been sent to the National Film Archives DATE TITLE DETAILS 1937 Demonstration Film: b/w 35mm film illustrating TV output in 1937. Includes 48’00” members of Vic Wells Ballet and Ballet Rambert in various excerpts including a solo danced by Margot Fonteyn (she and Dallas Bower thought it was choreographed by Ashton); Tarantella from ‘Façade’ (2’00”): ‘Passionate Pavane’ 24.6.46 Demonstration Film: Includes excerpt from ‘Façade’ with Margot Fonteyn, Robert Television is here Helpmann and Frederick Ashton (IN: -16’28”) again 68’13” 22.9.59 Set to Music Margot Fonteyn and Michael Somes in the Shadow Dance from 45’00” ‘Ondine’ Act I. 17.1.60 Monitor: 43: Ballet Item showing the work of Ballet Rambert with Marie Rambert Rambert interviewed by Huw Wheldon. Film extract from ‘Foyer de 21’17” Danse’ (1932) Alicia Markova (L’Etoile) Sir Frederick Ashton (Dancing Master) 26.2.62 This is Your Life: Eamonn Andrews talks to Marie Rambert about her life. Includes Marie Rambert a contribution from Sir Frederick Ashton. 30’00” 27.12.62 The Royal Ballet: With Nadia Nerina, David Blair, Stanley Holden, Leslie Edwards La Fille mal gardée and Alexander Grant, Franklin White and Laurence Ruffell. 98’18” 22.04.62 The Royal Ballet: Whole performance 1 Les Rendezvous 20’55” 15-19th BBC TV Film sequence for BBC TV Conference. Includes an extract Big April 1963 Conference: Band Percussion 27.12.62 in which Ashton does his “dog” dance Choreography for 2(2’14-4’43”) Television Extract ‘La Fille mal gardée’ tx 27.12.62. -
Table of Membership Figures For
RTS NATIONAL AWARDS For RTS Regional Award Winners see under the relevant section in the Archive. For a list of recent RTS National Award Winners and Nominations see under ACTIVITIES > Awards HALL OF FAME Thora Hird Lord Grade Alan Whicker Jack Rosenthal October 1995 Bruce Forsyth Carla Lane Sir Robin Day November 1996 60th anniv TV Michael Aspel Joan Bakewell Richard Briers OBE John Craven David Coleman OBE Sir Geoffrey Cox Peter Dimmock CVO OBE Sir Jeremy Isaacs Sydney Newman OC Angela Rippon Lewis Rudd OBE Naomi Sargant Delia Smith John Thaw CBE Bill Ward OBE Dr Eric White 1997 Beryl Vertue Esther Rantzen OBE Alan Bleasdale The Two Ronnies 1998 Sir David Attenborough, CH, CVO, CBE, FRS Cilla Black OBE Gay Byrne David Croft OBE Brian Farrell Gloria Hunniford Gerry Kelly Verity Lambert James Morris 1999 Sir Alistair Burnet Yvonne Littlewood MBE Denis Norden CBE June Whitfield CBE 2000 Harry Carpenter OBE William G Stewart Brian Tesler CBE Andrea Wonfor In the Regions 1998 Ireland Gay Byrne Brian Farrell Gloria Hunniford Gerry Kelly James Morris 1999 Wales Vincent Kane OBE Caryl Parry Jones Nicola Heywood Thomas Rolf Harris AM OBE Sir Harry Secombe CBE Howard Stringer 2 THE SOCIETY'S PREMIUM AWARDS The Cossor Premium 1946 Dr W. Sommer 'The Human Eye and the Electric Cell' 1948 W.I. Flach and N.H. Bentley 'A TV Receiver for the Home Constructor' 1949 P. Bax 'Scenery Design in Television' 1950 Emlyn Jones 'The Mullard BC.2. Receiver' 1951 W. Lloyd 1954 H.A. Fairhurst The Electronic Engineering Premium 1946 S.Rodda 'Space Charge and Electron Deflections in Beam Tetrode Theory' 1948 Dr D. -
Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
SHAKESPEARE ON FILM AND TELEVISION IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Zoran Sinobad January 2012 Introduction This is an annotated guide to moving image materials related to the life and works of William Shakespeare in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. While the guide encompasses a wide variety of items spanning the history of film, TV and video, it does not attempt to list every reference to Shakespeare or every quote from his plays and sonnets which have over the years appeared in hundreds (if not thousands) of motion pictures and TV shows. For titles with only a marginal connection to the Bard or one of his works, the decision what to include and what to leave out was often difficult, even when based on their inclusion or omission from other reference works on the subject (see below). For example, listing every film about ill-fated lovers separated by feuding families or other outside forces, a narrative which can arguably always be traced back to Romeo and Juliet, would be a massive undertaking on its own and as such is outside of the present guide's scope and purpose. Consequently, if looking for a cinematic spin-off, derivative, plot borrowing or a simple citation, and not finding it in the guide, users are advised to contact the Moving Image Reference staff for additional information. How to Use this Guide Entries are grouped by titles of plays and listed chronologically within the group by release/broadcast date. -
Light Music in the Practice of Australian Composers in the Postwar Period, C.1945-1980
Pragmatism and In-betweenery: Light music in the practice of Australian composers in the postwar period, c.1945-1980 James Philip Koehne Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Elder Conservatorium of Music Faculty of Arts University of Adelaide May 2015 i Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used in a submission in my name for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University’s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. _________________________________ James Koehne _________________________________ Date ii Abstract More than a style, light music was a significant category of musical production in the twentieth century, meeting a demand from various generators of production, prominently radio, recording, film, television and production music libraries. -
British Art Studies June 2018 British Art Studies Issue 8, Published 8 June 2018
British Art Studies June 2018 British Art Studies Issue 8, published 8 June 2018 Cover image: Unidentified photographer, possibly Elsie Knocker, “Selfand Jean- Batiste”, Mairi Chisholm with Jean Batiste, a Belgian Congolese soldier, undated. Digital image courtesy of National Library of Scotland. PDF generated on 21 July 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents “The Art Game”: Television, Monitor, and British Art at the turn of the 1960s, Michael Clegg “The Art Game”: Television, Monitor, and British Art at the turn of the 1960s Michael Clegg Abstract This article examines the coverage of the visual arts by Monitor, the pioneer arts magazine series broadcast by the BBC between 1958 and 1965. -
Leonard Bernstein Collection
Leonard Bernstein Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2005 Contact information: http://hdl.loc.gov/loc.music/ perform.contact Catalog Record: http://lccn.loc.gov/mm99096358 Finding Aid encoded by Library of Congress Music Division, 2005 Finding aid URL: http://hdl.loc.gov/loc.music/ eadmus.mu998001 Latest revision: 2012 January Collection Summary Title: Leonard Bernstein Collection Span Dates: circa 1900-1994 Bulk Dates: (bulk 1933-1990) Call No.: ML31.B49 Creator: Bernstein, Leonard, 1918-1990 Extent: around 400,000 items ; 1180 boxes ; 508 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Leonard Bernstein was an American composer, conductor, writer, lecturer, and pianist. The collection contains correspondence, photographs, writings, personal business papers, the archives from his corporate identity, Amberson Inc., scrapbooks, clippings and press materials, programs, datebooks and schedules, iconography, address books, and fan mail. In addition, it contains music manuscripts for many of his compositions, including The Age of Anxiety (Symphony no. 2); Candide; Chichester Psalms; Fancy Free; Jeremiah (Symphony no. 1); On the Waterfront; Prelude, Fugue and Riffs; Serenade after Plato's "Symposium"; Trouble in Tahiti; West Side Story; and Wonderful Town. Note: The processing of the Leonard Bernstein Collection and construction of the finding aid are currently to be considered works in progress. Written requests for access to the "un-processed" materials in the collection should be addressed to Head, Acquisitions and Processing Section, Music Division, Library of Congress, Washington DC 20540-4710. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. -
The Performing Arts on Film and Television Catalogue
THE PERFORMING ARTS ON FILM & TELEVISION CATALOGUE Film and video materials held by the archives and collections of BFI, Arts Council England, LUX, Central St Martins British Artists Film & Video Study Collection relating to theatre, dance, music, performance art, politics and poetry Balletomines, 1954 2011 Acknowledgements This catalogue was commissioned by MI:LL (Moving Image: Legacy and Learning), an Arts Council England initiative to support projects and develop strategies that promote engagement with the arts through the moving image. Researched, written, edited, designed and published by Helena Blaker James Bell Michael Brooke Elaine Burrows Bryony Dixon Christophe Dupin Jane Giles Amy Howerska Edward Lawrenson Deborah Salter Dan Smith Louise Watson With thanks to Karen Alexander, Nigel Algar, Nigel Arthur, Steve Bryant, Mike Caldwell, Ros Cranston, David Curtis, Will Fowler, Philippa Johns, Nathalie Morris, Patrick Russell, David Sin, Mike Sperlinger, Gary Thomas, Rebecca Vick, Ian White, Andrew Youdell and Juliane Zenke. All stills courtesy of BFI Stills, Posters & Designs A BFI Publication 2011 available to download from www.bfi.org.uk BFI 21 Stephen Street London W1T 1LN UK Telephone +44 (020) 7255 1444 www.bfi.org.uk 2 Contents Please click on a word/link to be taken automatically to that part of the Catalogue Acknowledgements................................................................................................................. 2 Contents ..................................................................................................................................