'A Paradigm of What a Regional Theatre Should Be
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The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
Job Description – Board of Trustees: Board Member
JOB DESCRIPTION – BOARD OF TRUSTEES: BOARD MEMBER If you require this information in an alternative format, please contact our Casting and Producing Assistant Kezia Buckland: [email protected] / 01635 570912 ABOUT THE WATERMILL THEATRE The Watermill Theatre is a regional powerhouse, consistently making an innovative contribution to the vibrant and diverse landscape of UK Theatre reaching far beyond the 200 seats of the theatre itself. One of the most beautiful theatres in the country, it can be found nestled on the banks of the River Lambourn, in the hamlet of Bagnor, just outside Newbury, Berkshire. The theatre sits at the heart of its community to whom it offers a wide programme of work, nurturing emerging artists, generating new pieces and offering a thriving Outreach programme. ‘a paradigm of what a regional theatre should be.’ Stephen Sondheim, 2020 Approach to The Watermill Theatre & Restaurant. Production photos from The Prince and the Pauper; A Midsummer Night’s Dream; Kiss Me, Kate BACKGROUND From our home in a converted watermill in rural West Berkshire, The Watermill Theatre has produced award-winning work that has been recognised throughout the UK and abroad. The very best artists and creative teams, both established and in the early stages of their careers, are our lifeblood, earning The Watermill a reputation as one of the very best producing theatres in the country. Our artistic ambition is shown in our choice of work, from new writing and musicals to Shakespeare and classic plays. We have become a leading figure in the work of actor- musicianship, our bold approach to this work has led to innovative reimagining’s of large scale musicals and classics as well as applying this approach to the development of new work. -
Education Pack
Education Pack 1 Contents Introduction ..................................................................................................................... 3 Section 1: Shakespeare and the Original Twelfth Night ..................................................... 4 William Shakespeare 1564 - 1616 ...................................................................................... 5 Elizabethan and Jacobean Theatre ..................................................................................... 6 Section 2: The Watermill’s Production of Twelfth Night .................................................. 10 A Brief Synopsis .............................................................................................................. 11 Character Map ................................................................................................................ 13 1920s and Twelfth Night.................................................................................................. 14 Meet the Cast ................................................................................................................. 16 Actor’s Blog .................................................................................................................... 20 Two Shows, One Set ........................................................................................................ 24 Rehearsal Diary ............................................................................................................... 26 Rehearsal Reports .......................................................................................................... -
Stephen Sondheim, 2020
JOB DESCRIPTION – EXECUTIVE DIRECTOR If you require this information in an alternative format, please contact our Casting and Producing Assistant Kezia Buckland: [email protected] / 01635 570912 ABOUT THE WATERMILL THEATRE The Watermill Theatre is a regional powerhouse, consistently making an innovative contribution to the vibrant and diverse landscape of UK Theatre reaching far beyond the 200 seats of the theatre itself. One of the most beautiful theatres in the country, it can be found nestled on the banks of the River Lambourn, in the hamlet of Bagnor, just outside Newbury, Berkshire. The theatre sits at the heart of its community to whom it offers a wide programme of work, nurturing emerging artists, generating new pieces and offering a thriving Outreach programme. ‘a paradigm of what a regional theatre should be.’ Stephen Sondheim, 2020 Approach to The Watermill Theatre & Restaurant. Production photos from The Prince and the Pauper; A Midsummer Night’s Dream; Kiss Me, Kate BACKGROUND From our home in a converted watermill in rural West Berkshire, The Watermill Theatre has produced award-winning work that has been recognised throughout the UK and abroad. The very best artists and creative teams, both established and in the early stages of their careers, are our lifeblood, earning The Watermill a reputation as one of the very best producing theatres in the country. Our artistic ambition is shown in our choice of work, from new writing and musicals to Shakespeare and classic plays. We have become a leading figure in the work of actor- musicianship, our bold approach to this work has led to innovative reimagining's of large scale musicals and classics as well as applying this approach to the development of new work. -
A Midsummer Night's Dream Education Pack
EDUCATION PACK 1 Contents Introduction Introduction ....................................................................................................................................................3 Section 1: An Introduction to Shakespeare ……………………......................................................................……4 William Shakespeare 1564 - 1616 ..................................................................................................................5 Elizabethan and Jacobean Theatre..................................................................................................................7 Section 2: The Watermill’s Production of A Midsummer Night’s Dream....................................................10 A Brief Synopsis ............................................................................................................................................11 Character Profiles…………………………………………………………………………………………………………………………………….13 Character Map...............................................................................................................................................15 Themes of The Watermill’s A Midsummer Night’s Dream………………………………………………………………………..16 Meet the Cast................................................................................................................................................18 The Design Process........................................................................................................................................21 Costume Designs……………………………………………………………………………………………………………………………………..23 -
The Wicker Husband Education Pack
EDUCATION PACK 1 1 Contents Introduction Introduction ......................................................................................................................................................................... 3 Section 1: The Watermill’s Production of The Wicker Husband ........................................................................ 4 A Brief Synopsis.................................................................................................................................................................. 5 Character Profiles…………………………………………………………………………………………………………………………....…8 Note from the Writer…………………………………………..………………………..…….……………………………..…………….10 Interview with the Director ………………………….……………………………………………………………………..………….. 13 Section 2: Behind the Scenes of The Watermill’s The Wicker Husband …………………………………..… ...... 15 Meet the Cast ................................................................................................................................................................... 16 An Interview with The Musical Director .................................................................................................................. .20 The Design Process ......................................................................................................................................................... 21 The Wicker Husband Costume Design ...................................................................................................................... 23 Be a Costume Designer……………………………………………………………………………………………………………………..25 -
Lamda.Ac.Uk Review of the Year 1 WELCOME
REVIEW OF THE YEAR 17-18 lamda.ac.uk Review of the Year 1 WELCOME Introduction from our Chairman and Principal. This year we have been focussing on: 2017-18 has been a year of rapid development and growth for LAMDA Our students and alumni continue to be prolific across film, theatre and television • Utilising our new fully-accessible building to its maximum potential and capacity. production, both nationally and internationally; our new building enables us to deliver • Progressing our journey to become an independent Higher Education Provider with degree gold standard facilities in a fully accessible environment; and our progress towards awarding powers. registration as a world-leading Higher Education Provider continues apace. • Creating additional learning opportunities for students through new collaborations with other arts LAMDA Examinations continues to flourish with 2017/18 yielding its highest number of entrants to organisations and corporate partners. date, enabling young people across the globe to become confident and creative communicators. • Widening access to ensure that any potential student has the opportunity to enrol with LAMDA. We hope you enjoy reading about our year. • Extending our global reach through the expansion of LAMDA Examinations. Rt. Hon. Shaun Woodward Joanna Read Chairman Principal lamda.ac.uk Review of the Year 2 OUR PURPOSE Our mission is to seek out, train and empower exceptional dramatic artists and technicians of every generation, so they can make the most extraordinary impact across the world through their work. Our examinations in drama and communications inspire people to become confident, authentic communicators and discover their own voice. Our vision is to be a diverse and engaged institution in every sense, shaping the future of the dramatic arts and creative industries, and fulfilling a vital role in the continuing artistic, cultural and economic success of the UK. -
MARKETING PACK 2016 Adapted and Co-Directed by David Stuttard
MARKETING PACK 2016 Adapted and co-directed by David Stuttard Co-directed and starring Tamsin Shasha Assistant Director – Justin Murray Cast – Dionysus – Tamsin Shasha Pentheus – Colin Kiyani Teiresias/Chorus – Janna Fox Cadmus – Patrick Knox Agave/Chorus – Danielle Bond Chorus – Lizzie Buckingham Sound Design – Matt Eaton Lighting Design – Edmund Sutton Cast TAMSIN SHASHA – DIONYSUS Tamsin trained at Oxford School of Drama, Ecole Philippe Gaulier and National Centre for Circus Arts. She co-founded aod in 1993 and for them has worked as producer, performer, director and movement coach. She is an experienced classical actress and aerialist and has collaborated on the majority of aod’s productions working with many leading theatre and dance practitioners including Marcello Magni (Complicité), Thea Barnes (Phoenix Dance) and currently with George Mann (Theatre Ad Infinitum) on Helen. She co-wrote and performed the solo aerial drama, Bacchic (national and international tour) working with award winning director, Jonathan Young with whom she co-wrote Helen. She has played many tragic and comic roles for the company including Medea, Antigone, Dionysus, Hekabe and Lysistrata and most recently directed a new version of the latter for its national Spring 2016 tour . Other theatre credits include Misterioso (Riverside Studios), The Extraordinary Cabaret of Dorian Gray (West End) and Hippolytus (Hope Theatre). PATRICK KNOX – CADMUS Patrick Knox has toured with AOD in Electra. Other theatre includes People’s Day (Pleasance Theatre), Someone to Blame (Kings Head), The Sutton Hoo Mob, A Dulditch Angel, The Edge Of The Land (Eastern Angles), The Canterbury Tales (Theatre Royal Nottingham), Macbeth (Orange Tree), The Winter’s Tale, The Alchemist, Richard III, The Comedy of Errors, A Midsummer Night’s Dream, Macbeth (Third Party Productions), Hamlet, Dr Faustus, The Marriage of Panurge (Medieval Players), The Merchant of Venice (Watermill Theatre). -
Stephen Sondheim, 2020
ABOUT THE WATERMILL THEATRE The Watermill Theatre is a regional powerhouse, consistently making an innovative contribution to the vibrant and diverse landscape of UK Theatre reaching far beyond the 200 seats of the theatre itself. One of the most beautiful theatres in the country, it can be found nestled on the banks of the River Lambourn, in the hamlet of Bagnor, just outside Newbury, Berkshire. The theatre sits at the heart of its community and produces a diverse artistic programme whilst nurturing emerging artists, generating new pieces and offering a thriving Education and Outreach programme. ‘a paradigm of what a regional theatre should be.’ Stephen Sondheim, 2020 Approach to The Watermill Theatre & Restaurant. Production photos from The Prince and the Pauper; A Midsummer Night’s Dream; Kiss Me, Kate BACKGROUND From our home in a converted watermill in rural West Berkshire, The Watermill Theatre has produced award-winning work that has been recognised throughout the UK and abroad. The very best artists and creative teams, both established and in the early stages of their careers, are our lifeblood, earning The Watermill a reputation as one of the very best producing theatres in the country. Our artistic ambition is shown in our choice of work, from new writing and musicals to Shakespeare and classic plays. We have become a leading figure in the work of actor- musicianship; our bold approach to this work has led to innovative reimagining's of large-scale musicals and classics as well as applying this approach to the development of new work. Recent tours and transfers have included Amélie The Musical (National Tour and The Other Palace), The Wipers Times (West End and Tour), A Midsummer Night’s Dream and Macbeth (National Tour and Wilton’s Music Hall), Crazy For You (National Tour), Trial By Laughter (National Tour), Burke and Hare and One Million Tiny Plays About Britain (Jermyn Street Theatre), Twelfth Night (Wilton’s Music Hall), Teddy (National Tour and The Vaults). -
The Watermill Theatre
JOB DESCRIPTION – EXECUTIVE DIRECTOR If you require this information in an alternative format, please contact our Casting and Producing Assistant Kezia Buckland: [email protected] / 01635 570912 ABOUT THE WATERMILL THEATRE The Watermill Theatre is a regional powerhouse, consistently making an innovative contribution to the vibrant and diverse landscape of UK Theatre reaching far beyond the 200 seats of the theatre itself. One of the most beautiful theatres in the country, it can be found nestled on the banks of the River Lambourn, in the hamlet of Bagnor, just outside Newbury, Berkshire. The theatre sits at the heart of its community to whom it offers a wide programme of work, nurturing emerging artists, generating new pieces and offering a thriving Outreach programme. ‘a paradigm of what a regional theatre should be.’ Stephen Sondheim, 2020 Approach to The Watermill Theatre & Restaurant. Production photos from The Prince and the Pauper; A Midsummer Night’s Dream; Kiss Me, Kate BACKGROUND From our home in a converted watermill in rural West Berkshire, The Watermill Theatre has produced award-winning work that has been recognised throughout the UK and abroad. The very best artists and creative teams, both established and in the early stages of their careers, are our lifeblood, earning The Watermill a reputation as one of the very best producing theatres in the country. Our artistic ambition is shown in our choice of work, from new writing and musicals to Shakespeare and classic plays. We have become a leading figure in the work of actor- musicianship, our bold approach to this work has led to innovative reimagining's of large scale musicals and classics as well as applying this approach to the development of new work. -
HOT MIKADO Education Pack
HOT MIKADO Education Pack Contents Introduction ................................................................................................................3 The Musical: a history ...............................................................................................4 Famous Musicals: A Selective Chronology ........................................................6 Hot Mikado: a history ...............................................................................................8 Kabuki ........................................................................................................................10 Interview with Diego Pitarch ................................................................................13 Interview with Sarah Travis ...................................................................................15 Credits ........................................................................................................................16 This Education Pack was designed & written by Beth Flintoff, with additional material by Matthew Dewsbury and Nick Hobbes . Photographs by Robert Day 2 Introduction This pack has been designed to complement your visit to see Hot Mikado at The Watermill Theatre and on tour. Most of the pack is aimed at drama students and anyone with an interest in the subjects raised by the play. While there are some images, the pack has been deliberately kept simple from a graphic point of view so that most pages can easily be photocopied for use in the classroom. Your feedback is most -
Education Pack
EDUCATION PACK 1 Contents Introduction………………………………………………………………………………………………………………………………………3 Section 1: Shakespeare and the Original Twelfth Night………………………….…………………………………..……4 William Shakespeare 1564 – 1616……………………………………………………………………………………………………..5 Elizabethan and Jacobean Theatre…………………………………………………………………………………………………….7 Section 2: The Watermill’s Production of Twelfth Night…………………………………………………………………10 A Brief Synopsis……………………………………………………………………………………………………………………………….11 Character Map…………………………………………………………………………………………………………………………………13 1920s and Twelfth Night …………………………………………………………………………………………………………………14 The Design Process………………………………………………………………………………………………………………………….16 Rehearsal Diary………………………………………………………………………………………………………………………….…….18 Rehearsal Reports …………………………………………………………………………………………………………………..………20 Section 3: Teaching and Rehearsal Exercises ………………………………………………………………………………….21 Developing a Character……………………………………………………………………………………………………………………22 Character Mapping …………………………………………………………………………………………………………………………24 Emotional Corridor …………………………………………………………………………………………………………………………25 Credits …………………………………………………………………………………………………………………………………………….26 This pack was written and designed by Kezia Buckland and Heidi Bird with contributions from Abigail Pickard- Price, Beth Flintoff and Poppy Jermaine. Rehearsal photos from original Watermill Theatre production by Philip Tull. Original Watermill Theatre Production photos by Scott Rylander. 2 Introduction This pack has been designed to support you watching our production of Twelfth Night. Your feedback