Mark of Athena Discussion Guide
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Mythlore Index Plus
MYTHLORE INDEX PLUS MYTHLORE ISSUES 1–137 with Tolkien Journal Mythcon Conference Proceedings Mythopoeic Press Publications Compiled by Janet Brennan Croft and Edith Crowe 2020. This work, exclusive of the illustrations, is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Tim Kirk’s illustrations are reproduced from early issues of Mythlore with his kind permission. Sarah Beach’s illustrations are reproduced from early issues of Mythlore with her kind permission. Copyright Sarah L. Beach 2007. MYTHLORE INDEX PLUS An Index to Selected Publications of The Mythopoeic Society MYTHLORE, ISSUES 1–137 TOLKIEN JOURNAL, ISSUES 1–18 MYTHOPOEIC PRESS PUBLICATIONS AND MYTHCON CONFERENCE PROCEEDINGS COMPILED BY JANET BRENNAN CROFT AND EDITH CROWE Mythlore, January 1969 through Fall/Winter 2020, Issues 1–137, Volume 1.1 through 39.1 Tolkien Journal, Spring 1965 through 1976, Issues 1–18, Volume 1.1 through 5.4 Chad Walsh Reviews C.S. Lewis, The Masques of Amen House, Sayers on Holmes, The Pedant and the Shuffly, Tolkien on Film, The Travelling Rug, Past Watchful Dragons, The Intersection of Fantasy and Native America, Perilous and Fair, and Baptism of Fire Narnia Conference; Mythcon I, II, III, XVI, XXIII, and XXIX Table of Contents INTRODUCTION Janet Brennan Croft .....................................................................................................................................1 -
Mount Olympus, Part I
MMountount Olympus,Olympus, PPartart I 2 Lesson Objectives Core Content Objectives Students will: Explain that the ancient Greeks worshipped many gods and goddesses Identify Mount Olympus as the place the ancient Greeks believed was the home of the gods Language Arts Objectives The following language arts objectives are addressed in this lesson. Objectives aligning with the Common Core State Standards are noted with the corresponding standard in parentheses. Refer to the Alignment Chart for additional standards addressed in all lessons in this domain. Students will: Recount the story of the Olympian gods and goddesses from “Mount Olympus, Part I,” using transition words like fi rst, next, then, and fi nally, and discuss with one or more peers (RL.2.2) Identify the three seas that surrounded ancient Greece using a map of ancient Greece as a guide (RI.2.7) With assistance, categorize and organize facts and information on the ancient Greek civilization (W.2.8) Summarize orally the information contained in “Mount Olympus, Part I” (SL.2.2) Prior to listening to “Mount Olympus, Part I,” identify orally what they know and have learned about the ancient Greek civilization Prior to listening to “Mount Olympus, Part I,” orally predict powers or skills that the gods and goddesses were believed to have and then compare the actual outcome to the prediction The Ancient Greek Civilization 2 | Mount Olympus, Part I 23 © 2013 Core Knowledge Foundation Core Vocabulary delightfully, adv. With great delight or pleasure Example: Jane delightfully helped her mother cook their favorite meal, homemade macaroni and cheese. Variation(s): none longingly, adv. -
Rick Riordan ( Is the Author of fi Ve RICK RIORDAN at Sam Houston State University
This guide was created by Dr. ABOUT THE AUTHOR Rose Brock, an assistant professor Rick Riordan (www.rickriordan.com) is the author of fi ve RICK RIORDAN at Sam Houston State University. New York Times #1 best-selling series with millions of copies sold Dr. Brock holds a PhD in library throughout the world: Percy Jackson and the Olympians, the science, specializing in children’s Kane Chronicles, the Heroes of Olympus, the Trials of Apollo, and young adult literature. and Magnus Chase and the Gods of Asgard. His collections of Greek myths, Percy Jackson’s Greek Gods and Percy Jackson’s Greek Many more guides can be found Heroes, were New York Times #1 best sellers as well. His novels Michael Frost Michael on the Disney • Hyperion website for adults include the hugely popular Tres Navarre series, winner at www.disneybooks.com. of the top three awards in the mystery genre. He lives in Boston, Massachusetts, with his wife and two sons. Books by Rick Riordan The Trials of Apollo BOOK ONE BOOK TWO BOOK THREE BOOK FOUR BOOK FIVE THE HIDDEN THE DARK THE BURNING THE TYRANT’S THE TOWER ORACLE PROPHECY MAZE TOMB OF NERO Hardcover Hardcover Hardcover Hardcover Hardcover 978-1-4847-3274-8 978-1-4847-4642-4 978-1-4847-4643-1 978-1-4847-4644-8 978-1-4847-4645-5 $19.99 $19.99 $19.99 $19.99 $19.99 Paperback Paperback Paperback Paperback Paperback 978-1-4847-4641-7 978-1-4847-8064-0 978-1-4847-8065-7 978-1-4847-8066-4 978-1-4847-8067-1 $9.99 $9.99 $9.99 $9.99 $9.99 Other Series Available This guide is aligned with the College and Career Readiness (CCR) anchor standards for Literature, Writing, Language, and Speaking and Listening. -
Atonement in Teenage Fantasy Books. by Anne Van Gend a Thesis Submitted to the Victoria University Of
Speaking of Mysteries: Atonement in Teenage Fantasy Books. by Anne van Gend A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2015 2 Abstract The question of how we can speak of a transcendent God and God’s relationship with creation has been pondered for millennia. Today particular difficulties arise when communicating Christian atonement theories to a generation for whom the world of the Bible is increasingly foreign, and in a time when theologians and philosophers are questioning both the violence of some atonement theories and the existence of “superior transcendence.” This study explores the presence of biblical motifs in the stories of atonement in young adult fantasy works. It suggests that the use of these motifs to make sense of atonement within fantasy worlds may assist readers to make sense of the same motifs when they are used to portray the Christian story of atonement. The investigation begins by discussing the place of imagination, reason and transcendence in religious language and argues for the centrality of metaphor and myth in religious expression. It suggests that young people today still seek intermediaries—“priests and prophets”—between themselves and the unknown, but they now find them in the fantasy authors who continue to use imaginative language to communicate transcendence. A central trope in contemporary fantasy fiction is that of a death that saves the world. Contrary to the expectations raised by René Girard’s work, these are not the violent deaths of a helpless scapegoat. -
If You Like Percy Jackson and Rick Riordan Juvenile Science Fiction
If You Like Percy Jackson and Rick Riordan Juvenile Science Fiction/Fantasy J F AND Frostborn (Thrones and Bones) Lou Anders Destined to take over his family farm in Norrøngard, Karn would rather play the board game, Thrones and Bones, until half-human, half frost giantess Thianna appears and they set out on an adventure, chased by a dragon, undead warriors, an evil uncle, and more. J F BEC The Star Thief Lindsey Becker Young parlor maid Honorine and her friend Francis find themselves in the middle of an epic feud between a crew of scientific sailors and the magical constellations come to life. J F SER The Storm Runner J.C. Cervantes To prevent the Mayan gods from battling each other and destroying the world, thirteen-year-old Zane must unravel an ancient prophecy, stop an evil god, and discover how the physical disability that makes him reliant on a cane also connects him to his father and his ancestry. J F CHO Aru Shah and the End of Time Roshani Chokshi Twelve-year-old Aru Shah has the tendency to stretch the truth to fit in at school. Three schoolmates don't believe her claim that the museum's Lamp of Bharata is cursed, and they dare Aru to prove it. But lighting the lamp has dire consequences. Her classmates and beloved mother are frozen in time, and it's up to Aru to save them. J F DAS The Serpent's Secret Sayantani DasGupta Up until her twelfth birthday, Kiranmala considered herself an ordinary sixth- grader in Parsippany, New Jersey, but then her parents disappear and a drooling rakkhosh demon shows up in her kitchen. -
Oracle of Apollo Near Oroviai (Northern Evia Island, Greece) Viewed in Its Geοlogical and Geomorphological Context, Βull
Mariolakos, E., Nicolopoulos, E., Bantekas, I., Palyvos, N., 2010, Oracles on faults: a probable location of a “lost” oracle of Apollo near Oroviai (Northern Evia Island, Greece) viewed in its geοlogical and geomorphological context, Βull. Geol. Soc. of Greece, XLIII (2), 829-844. Δελτίο της Ελληνικής Γεωλογικής Εταιρίας, 2010 Bulletin of the Geological Society of Greece, 2010 Πρακτικά 12ου Διεθνούς Συνεδρίου, Πάτρα, Μάιος 2010 Proceedings of the 12th International Congress, Patras, May, 2010 ORACLES ON FAULTS: A PROBABLE LOCATION OF A “LOST” ORACLE OF APOLLO NEAR OROVIAI (NORTHERN EUBOEA ISLAND, GREECE) VIEWED IN ITS GEOLOGICAL AND GEOMORPHOLOGICAL CONTEXT I. Mariolakos1, V. Nikolopoulos2, I. Bantekas1, N. Palyvos3 1 University of Athens, Faculty of Geology, Dynamic, Tectonic and Applied Geology Department, Panepistimioupolis Zografou, 157 84, Athens, Greece, [email protected], [email protected] 2 Ministry of Culture, 2nd Ephorate of Prehistoric and Classical Antiquities, L. Syggrou 98-100, 117 41 Athens, Greece, [email protected] 3 Harokopio university, Department of Geography, El. Venizelou 70 (part-time) / Freelance Geologist, Navarinou 21, 152 32 Halandri, Athens, Greece, [email protected] Abstract At a newly discovered archaeological site at Aghios Taxiarches in Northern Euboea, two vo- tive inscribed stelae were found in 2001 together with hellenistic pottery next to ancient wall ruins on a steep and high rocky slope. Based on the inscriptions and the geographical location of the site we propose the hypothesis that this is quite probably the spot where the oracle of “Apollo Seli- nountios” (mentioned by Strabo) would stand in antiquity. The wall ruins of the site are found on a very steep bedrock escarpment of an active fault zone, next to a hanging valley, a high waterfall and a cave. -
Ship-Of-The-Dead-Excerpt.Pdf
ONE Percy Jackson Does His Level Best to Kill Me “TRY IT AGAIN,” Percy told me. “This time with less dying.” Standing on the yardarm of the USS Constitution, looking down at Boston Harbor two hundred feet below, I wished I had the natural defenses of a turkey buzzard. Then I could projectile vomit on Percy Jackson and make him go away. The last time he’d made me try this jump, only an hour before, I’d broken every bone in my body. My friend Alex Fierro had rushed me back to the Hotel Valhalla just in time for me to die in my own bed. Unfortunately, I was an einherji, one of Odin’s immor- tal warriors. I couldn’t die permanently as long as I expired within the boundaries of Valhalla. Thirty minutes later, I woke up as good as new. Now here I was again, ready for more pain. Hooray! “Is this strictly necessary?” I asked. Percy leaned against the rigging, the wind rippling little waves through his black hair. He looked like a normal guy—orange T-shirt, jeans, bat- tered white leather Reeboks. If you saw him walking down the street, you wouldn’t think, Hey, look, a demigod son of Poseidon! Praise the Olympians! He didn’t have gills or webbed fingers, though his eyes were sea green—about the same shade I 4 RICK RIORDAN imagined my face was just then. The only strange thing about Jackson was the tattoo on the inside of his forearm—a trident as dark as seared wood, with a single line underneath and the letters SPQR. -
The Heroes of Olympus Series Guide
The Heroes of OlympusSERIES GUIDE 9.25 IN This guide is aligned with the College and Career Readiness Anchor Standards (CCR) for Reading in the areas of Literature, Writing, and Language. The broad CCR standards are the foundation for the grade level–specific Common Core State Standards. Each question and activity in this guide includes a reference for a specific grade-level strand, domain, and standard. Disney • HYPERION BOOKS C50% B The Lost Hero Discussion Questions The following questions may be utilized throughout the series study as reflective writing prompts. Alternatively, they can be used as targeted questions for class discussion and reflection. 1 As the novel opens, Riordan tells us that Jason “woke in the backseat of a school bus, not sure where he was, holding hands with a girl he didn’t know.” Predict what role Jason’s lack of understanding about who he is will play in the novel. 2 Piper strives to make herself blend in, though Jason describes her as a “seriously pretty.” What are some of the reasons she prefers to remain unnoticed? What do these answers tell us about her personality? 3 The author uses some unusual first lines to introduce the chapters. Which one is your favorite? For what reason? 4 Explain the significance of being “claimed” for demigods. What is it about this tradition that provides campers at Camp Half-Blood a sense of belonging? 5 Leo harbors a great deal of guilt about the death of his mother. Is he justified in doing so? Have you ever felt a responsibility for events that were beyond your control? How did you work past feeling you were to blame? 6 Describe Jason, Piper, and Leo. -
The Smith Family…
BRIGHAM YOUNG UNIVERSITY PROVO. UTAH Digitized by the Internet Archive in 2010 with funding from Brigham Young University http://www.archive.org/details/smithfamilybeingOOread ^5 .9* THE SMITH FAMILY BEING A POPULAR ACCOUNT OF MOST BRANCHES OF THE NAME—HOWEVER SPELT—FROM THE FOURTEENTH CENTURY DOWNWARDS, WITH NUMEROUS PEDIGREES NOW PUBLISHED FOR THE FIRST TIME COMPTON READE, M.A. MAGDALEN COLLEGE, OXFORD \ RECTOR OP KZNCHESTER AND VICAR Or BRIDGE 50LLARS. AUTHOR OP "A RECORD OP THE REDEt," " UH8RA CCELI, " CHARLES READS, D.C.L. I A MEMOIR," ETC ETC *w POPULAR EDITION LONDON ELLIOT STOCK 62 PATERNOSTER ROW, E.C. 1904 OLD 8. LEE LIBRARY 6KIGHAM YOUNG UNIVERSITY PROVO UTAH TO GEORGE W. MARSHALL, ESQ., LL.D. ROUGE CROIX PURSUIVANT-AT-ARM3, LORD OF THE MANOR AND PATRON OP SARNESFIELD, THE ABLEST AND MOST COURTEOUS OP LIVING GENEALOGISTS WITH THE CORDIAL ACKNOWLEDGMENTS OP THE COMPILER CONTENTS CHAPTER I. MEDLEVAL SMITHS 1 II. THE HERALDS' VISITATIONS 9 III. THE ELKINGTON LINE . 46 IV. THE WEST COUNTRY SMITHS—THE SMITH- MARRIOTTS, BARTS 53 V. THE CARRINGTONS AND CARINGTONS—EARL CARRINGTON — LORD PAUNCEFOTE — SMYTHES, BARTS. —BROMLEYS, BARTS., ETC 66 96 VI. ENGLISH PEDIGREES . vii. English pedigrees—continued 123 VIII. SCOTTISH PEDIGREES 176 IX IRISH PEDIGREES 182 X. CELEBRITIES OF THE NAME 200 265 INDEX (1) TO PEDIGREES .... INDEX (2) OF PRINCIPAL NAMES AND PLACES 268 PREFACE I lay claim to be the first to produce a popular work of genealogy. By "popular" I mean one that rises superior to the limits of class or caste, and presents the lineage of the fanner or trades- man side by side with that of the nobleman or squire. -
A Graphic Novels List
Myths: A Graphic Novels List Available from the Goshen Public Library Hale, Shannon, Diana: Princess of the Amazons. J GNOV FIC Hal Leopard, Kara, Pandora’s Legacy. J GNOV FIC Leo O’Connor George, Athena. J GNOV O’Co Hades. J GNOV FIC O’Co Hera. J GNOV FIC O’Co Zeus. J GNOV Fic O’Co Venditti, Robert. Percy Jackson & the Olympians Series. Available by using the Libby App Hale, Shannon, Diana: Princess of the Amazons. O’Connor, George. Olympians Series. O’Hearn Kate, The New Olympians Series. Riordan, Rick, The Last Olympian: The Graphic Novel. The Lost Hero: The Graphic Novel. The Son of Neptune: The Graphic Novel. Venditti, Rober, The Lightening Thief: The Graphic Novel. The Sea of Monsters: The Graphic Novel. The Titan’s Curse: The Graphic Novel. Myths: Books Series Available from the Goshen Public Library Lucy Coats - Beasts of Olympus Joan Holub - Goddess Girls - Heroes in Training Kate O’Hearn - Pegasus - Titans - Valkyrie Rick Riordan – The Heroes of Olympus - The Kane Chronicles - Magnus Chase and the Gods of Asgard - Percy Jackson & the Olympians - Percy Jackson y los dioses del Olimpo - The Trials of Apollo Available by using the Libby App Joan Holub - Goddess Girls Kate O’Hearn - Pegasus Rick Riordan – The Heroes of Olympus - The Kane Chronicles - Magnus Chase and the Gods of Asgard - Percy Jackson & the Olympians - The Trials of Apollo Available by using the Hoopla App Joan Holub - Goddess Girls Rick Riordan – The Heroes of Olympus - The Kane Chronicles - Magnus Chase and the Gods of Asgard - Percy Jackson & the Olympians - The Trials of Apollo Fairy Tales Selected Titles *Ella Enchanted by Gail Levine MG FIC Lev The Frog Princess by E. -
Migrating Musical Myths the Case of the Libyan Aulos
Greek and Roman Musical Studies 6 (2018) 1-13 brill.com/grms Migrating Musical Myths The Case of the Libyan Aulos Andrew D. Barker University of Birmingham, Birmingham, United Kingdom [email protected] Abstract Allusions to the ‘Libyan aulos’ or ‘Libyan lōtos’ are quite common in Euripides, but occur nowhere in earlier texts and only sporadically later. The identity of the instru- ment to which these unusual expressions refer is something of a mystery. I argue that it cannot be a special kind of instrument distinct from the familiar aulos, but that the designation reflects a mythological tradition, difficult but by no means impossible to trace in our sources, according to which the aulos and its music originated in North Africa rather than in Phrygia, where the more familiar legends locate it. Keywords aulos – lōtos – Euripides – Libya – Phrygia – Greek myths – M.L. West I’m acutely aware that being asked to deliver the first of these lectures in memory of Martin West is a considerable honour, and I’m duly grateful for the implication that I’m a fit person to do it.1 But at the same time the actual pre- sentation of it is a pretty daunting task. Not only am I addressing an audience consisting largely of highly accomplished classicists who can be expected to distinguish dross from gold; I am also standing squarely in the shadow of one of the most distinguished classical scholars the world has seen since the 1 This essay was presented (Oxford, 2 March 2017) as the inaugural Martin West Memorial Lecture. -
Remembering Music in Early Greece
REMEMBERING MUSIC IN EARLY GREECE JOHN C. FRANKLIN This paper contemplates various ways that the ancient Greeks preserved information about their musical past. Emphasis is given to the earlier periods and the transition from oral/aural tradition, when self-reflective professional poetry was the primary means of remembering music, to literacy, when festival inscriptions and written poetry could first capture information in at least roughly datable contexts. But the continuing interplay of the oral/aural and written modes during the Archaic and Classical periods also had an impact on the historical record, which from ca. 400 onwards is represented by historiographical fragments. The sources, methods, and motives of these early treatises are also examined, with special attention to Hellanicus of Lesbos and Glaucus of Rhegion. The essay concludes with a few brief comments on Peripatetic historiography and a selective catalogue of music-historiographical titles from the fifth and fourth centuries. INTRODUCTION Greek authors often refer to earlier music.1 Sometimes these details are of first importance for the modern historiography of ancient 1 Editions and translations of classical authors may be found by consulting the article for each in The Oxford Classical Dictionary3. Journal 1 2 JOHN C. FRANKLIN Greek music. Uniquely valuable, for instance, is Herodotus’ allusion to an Argive musical efflorescence in the late sixth century,2 nowhere else explicitly attested (3.131–2). In other cases we learn less about real musical history than an author’s own biases and predilections. Thus Plato describes Egypt as a never-never- land where no innovation was ever permitted in music; it is hard to know whether Plato fabricated this statement out of nothing to support his conservative and ideal society, or is drawing, towards the same end, upon a more widely held impression—obviously superficial—of a foreign, distant culture (Laws 656e–657f).