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The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Cash Box, N Y
iood Idea: Making Light Of Classical Music ^rial ) . at o Auto Tape Thefts Put At $40 Million 1 Irammy Nominees For 1969 BMI Anti-Trust Suit against ASCAP, February 14, 1970 BS, NBC Nets, ohn Rook To rake . WB's Ostin: 'No Major Changes'. An Ipsurge In Canadian Disk Sounds Despite isappointments . Rennie Tops DGG London rs SPROUT FROM GRASS ROOTS INT’L SECTION BEGINS ON PAGE 65 Columbia KStereoJI Rrst Hymn From GrarxJ Terr^e Leaving on a Jet Rane Something The Name of My Sorrow Miss America Man From Houston Love s Been Good to Me Sunday Mornin' Cornin’ Down Small Town Woman I II Never Fall in Love Again * Arizona i 'Arizona'.’ Mark Lindsay's single that has sold over 500,000 copies. Arizona’.’ Now the title song of his first solo album. Arizona. On Columbia Records s A .so nvniinbifi on 8-tmrk .stomo tnno rnrtritdoo 3 VOL XXXI - Number 29/February 14, 1970 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 /Cable Address: Cash Box, N Y, GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor ALLAN RINDE West Coast Editor JOHN KLEIN NORMAN STEINBERG ED KELLEHER EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Good Idea: Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER, New York HARVEY GELLER, Hollywood Light HARDING Making WOODY Art Director COIN MACHINE & VENDING ED ADLUM General Manager Of Classical Music BOB COHEN, Assistant CAMILLE COMPASIO, Chicago LISSA MORROW, Hollywood CIRCULATION THERESA TORTOSA, Mgr. HOLLYWOOD HARVEY GELLER 6430 Sunset Blvd., Hollywood, Calif. -
1970-04-04 Article About the Poppy Campus Tour Pages 1-33 and 35
APRIL 4, 1970 $1.00 SEVENTY-SIXTH YEAR The International Music -Record -Tape Newsweekly COIN MACHINE oar PAGES 39 TO 42 Tight Playlist Is '69 Is Seen as Pop Theater New Myth, Poll Charges Top Disk Sales Medium for Acts By CLAUDE HALL By MIKE GROSS NEW YORK-The record in- a Top 40 station of today has 57 Year in Britain NEW YORK - "Pop -Thea- which appeared in the tennis dustry has long claimed that sin- records on its playlist that it ter" is emerging as a new en- scene in Antonioni's film "Blow gles sales were severely hurt by plays. By RICHARD ROBSON tertainment concept for live Up," will be titles "U-Pop the advent of the tight playlist. WTRY in the tri -city area of presentations by rock musicians. Pantomime." The show in- But a Billboard survey of more Albany, Troy, and Schenectady, LONDON - Although fig- It's a format in which the mu- cludes mime, projections and than 100 key Top 40 radio sta- N.Y., publishes a playlist for dis- ures for December have yet to sic is complemented by a thea- original music written by mem- tions coast -to -coast has just re- tribution to the record stores in be published, it looks as though trical production which encom- bers of the Incredible String vealed that the tight playlist is the area of 30 records, plus three 1969 was a record sales year passes pantomime or plot or Band. The music will be re- a myth. One hundred and fifteen records that are picked to be for the British record industry. -
Celebrating African American History February 2019 – Week 2
Celebrating African American History February 2019 – Week 2 28 biographies for 28 days compiled by Reverend Carolyn Matthews Rose Marie McCoy (1922 – 2015) In the spirit of Sister Rosetta Tharpe, here is another name that is important in music history. In McCoy’s biography, in the chapter titled, “Where’s the Music From,” she says the following: “It’s a gift from God. It’s inspirational. I just write what happens. It’s like you talk and then it automatically rhymes itself.” Rose Marie McCoy was one of the most prolific and versatile songwriters in the history of American music. A true pioneer, she broke into the white male-dominated music business in the early 1950s, not only writing songs, but also producing records and forming her own publishing firm. “She knew how to hang in there with the big boys,” remembers singer Maxine Brown. “Everyone was scrapping to get there, but it was always men. Women didn’t have a place, so she made a place for herself.” Rose Marie McCoy was born April 19, 1922 in Oneida, Arkansas and lived in a tin-top shack on a 40-acre farm her parents were renting. Though she lived in the Mississippi Delta, often referred to as the birthplace of the blues, the blues was not heard in Oneida, for many there considered it “the devil’s music.” But plenty of blues was heard 18 miles away in Helena, Arkansas, and since Helena was where the closest high school for blacks was located, McCoy was sent there to live with her grandparents. -
CPY Document
Blue Rhythms ----- six LIVES --~- IN RHYTHM AND BLUES Chip Deffaa University of Ilinois Press Urbana and Cbicago copyright 1996 1 --- ----.----------------. RUTH BROWN ------ -_.__... --------- "Nobody knows you. " "We're going to do 'SI. Louis Blues.' There's no arrangement. I want everybody's input for what they think is best," Ruth Brown tells the musicians gathered around her in the studio. Guitarist Rodney Jones asks if he might switch to banjo for this number; she nods. She tells trumpeter Spanky Davis he is to start it out, specifying: "I want an in- tro that won't give away what I'm going to sing-not the melody." She directs the other musicians to hold off until she reaches a certain point in the lyrics. Davis experiments with possible introductions. In the control room, producer Ralph Jungheim says to engineer John Eargle: "Let's roll tape." They don't inform the musicians they're rolling. Davis settles on an intro, and Brown intones, ('I hate to see. II i watch the unfolding of this song in fascination, marveling at the expressiveness she can bring to a line like "if I'm feeling tomorrow like i feel today"-a line that takes on added meaning because I know that in recent days, due to the tlare-up of an injury, her legs have been giving her much pain. In fact, yesterday, the first day of the recording session, she had been in a wheelchair. Now she repeats the line, coming in just a bit later than you'd expect and thereby build- ing anticipation; she's calling out now, testifying with an unexpect- ed urgency: "If I'm fee/iiig tomorrow." This timeless blues is a perfect song for Brown. -
Show Marsh List (PDF)
The Heart of Rock and Soul 1 Marvin Gaye - I heard it through the grapevine Tamla 1968, written by Norman Whitfield & Barrett Strong 2 Chuck Berry - Johnny B. Goode Chess 1958, written by Chuck Berry 3 James Brown - Papa's got a brand new bag King 1965, written by James Brown 4 Four Tops - Reach out I'll be there Motown 1966, written by Brian Holland, Lamont Dozier & Eddie Holland 5 Righteous Brothers - You've lost that lovin' feelin' Philles 1964, written by Barry Mann, Cynthia Weill & Phil Spector 6 Rolling Stones - I can't get no satisfaction London 1965, written by Mick Jagger & Keith Richards 7 Bob Dylan - Like a rolling stone Columbia 1965, written by Bob Dylan 8 Aretha Franklin - Respect Atlantic 1967, written by Otis Redding 9 Little Richard - Tutti Frutti Specialty 1956, written by Dorothy LaBostrie, Richard Penniman & Joe Lubin 10 Martha and the Vandellas - Nowhere to run Gordy 1965, written by Brian Holland, Lamont Dozier & Eddie Holland 11 Kingsmen - Louie Louie Wand 1963, written by Richard Berry 12 Elvis Presley - Mystery train Sun 1955, written by Junior Parker 13 Big Joe Turner - Shake,rattle and roll Atlantic 1954, written by Charles Calhoun (= Jesse Stone) 14 Jerry Lee Lewis - Whole lotta shakin' goin' on Sun 1957, written by Dave Williams & Sunny David (= Roy Hall) 15 Otis Redding - (Sittin' on) The dock of the bay Volt 1968, written by Otis Redding & Steve Cropper 16 Sly and the family Stone - Everyday people Epic 1968, written by Sly Stone 17 Roy Orbison - Only the lonely Monument 1960, written by Roy Orbison & Joe Melson 18 Aretha Franklin - (You make me feel like) A natural woman Atlantic 1967, written by Gerry Goffin, Carole King & Jerry Wexler 19 Contours - Do you love me Gordy 1962, written by Berry Gordy jr. -
Sharing God's Love Lexington UMC Household of Faith
Lexington UMC Living God’s Word~ Household of Faith Sharing God’s Love Inside this issue: Advocate 14 An Invitation 3 Breakout 8 Calendar Children’s 9 Ministry Congregation 2 Letter February 15 Birthdays Feb. Calendar 4 of Events Groundhog 5 Day Lenten Study 3 LUMC 6 Preschool Member 15 News Mission 12 Lexington Red Cross 12 Blood Drive Shepherd’s 14 Center Snack Sack 13 Thank a Mail 5 John 3:16 Carrier Day Tithes & 15 Offerings Valentine’s 13 Day Youth Events 11 Congregational Letter Page 2 A PASTORAL LETTER TO LEXINGTON UMC “To all God’s people in Christ Jesus … grace and peace to you from God our Father and the Lord Jesus Christ ... I thank my God every time I remember you. In all my prayers for all of you, I always pray with joy because of your partnership in the gos- pel from the first day until now, being confident of this, that he who began a good work in you will carry it to completion until the day of Jesus Christ. It is right for me to feel this way about all of you, since I have you in my heart and … all of you share in God’s grace with me. God can testify how I long for all of you with the affection of Christ Jesus.” - Philippians 1:1-8 NIV Friends and family of Lexington UMC – I have been eagerly awaiting the opportunity to send you a State of the Church letter, and now that the U.S. government tax deadlines along with the United Methodist Church Apportionment deadlines have passed, I am finally able to pen some thoughts in writing to you. -
TV Is Becoming DTV Are You Ready?
program guide www.kwbu.org FebruaryJuly 2009 2005 TV is becoming DTV Are You Ready? Understand your world Brazos Valley Public Broadcasting Foundation • One Bear Place #97296 • Waco, Texas 76798-7296 VOLUME 12, ISSUE 8 KWBU’S MISSION KWBU STAFF Clare Paul, Interim General Manager KWBU shall serve as an essential lifelong resource providing quality public television Brodie Bashaw, KWBU-FM Station Manager and radio programs and services for the enrichment of the lives of Central Texans. Carla Hervey, Business Affairs Manager Glenda Moss, Business Manager WHAT’S INSIDE Joani Livingston, Production Supervisor KWBU-TV Highlights .............................................................................. 2 Jessica Denk, Senior Producer KWBU-TV Prime Time Schedule ................................................................ 5 Zack Morris, Chief Photographer KWBU-TV Daytime Schedule .................................................................... 9 Robert Shiekh, Senior Producer – Inside Baylor Sports KWBU-TV Overnight Schedule .................................................................10 Lawrence Gilligan, Producer - Inside Baylor Sports KWBU-DT Schedule ..............................................................................11 Tony Poole, Chief Engineer KWBU Create Schedule .........................................................................12 Lee Govatos, KWBU-TV Operations Manager KWBU Underwriters .............................................................................13 Roxie Collier, Coordinator of Education -
Chart Data Compiled from Billboard's Pop Singles Charts 1955-2011
Chart data compiled from Billboard ‘s Pop Singles Charts 1955-2 011 CONTENTS Author’s Note ...................................................................................................................................................5 Researching The Billboard Charts ...................................................................................................................7 User’s Guide ..................................................................................................................................................10 YEAR-BY-YEAR SECTION.................................................................................. ................................11 A yearly ranking, by highest position, of every title to peak on The Billboard Hot 100 and the Bubbling Under The Hot 100 charts from their debut in 1958 through 2011, and Billboard’s pop charts from 1955-1958 SONG TITLE SECTION.......................................................................................................................573 An alphabetical listing, by song title, of the yearly rankings MISCELLANY • Honor Roll Of Songwriters................................................................................................................. 714 • Tag-Along B-Sides ............................................................................................................................ 716 • Grammy Award Winners: Record Of The Year and Song Of The Year ........................................... 718 • Academy Award Winners: Best Song.............................................................................................. -
Artist: Elvis Presley Album
Artist: Elvis Presley Album: 50,000,000 Elvis Fans Can’t Be Wrong, Elvis’ Gold Records Volume 2 Producer: Steve Sholes Label: RCA Victor Recorded: Feb 23, 1957; Sept 6, 1957; Feb 1, 1958; June 10-11, 1958 Release Date: November 13, 1959 Of all the Elvis albums released by RCA, what makes his 1959 50,000,000 Elvis Fans Can’t Be Wrong release so noteworthy? This album of hit singles represents a pivotal point in Elvis’ Career and musiCal history. First, a portion of this album was reCorded at RCA Radio ReCorders in Hollywood, while other traCks were reCorded at the newly built RCA Studio B in Nashville. The reCording sessions for this album at Radio ReCorders are distinCt in terms of sound and history, featuring band members Scotty Moore (guitar) and Bill BlaCk (bass). The great SCotty Moore and Bill BlaCk were the only two members with Elvis at the start of his Sun Label musiCal Career in 1954 Memphis and continued throughout the RCA label transition until 1958. But the reCording sessions for this album at Nashville (and many future sessions) feature new band members. This was also the last album reCorded and released in the 1950s, emanating a distinCt sound of that era and fittingly Closed out the deCade. Within the Elvis catalog, there is a shift in sound from his 1950s albums vs. 1960s, coinCiding with the shift in tastes and Culture. The raw edge that Elvis’ voCals frequently exhibit on this album are no longer evident after his return from US Army serviCe in 1960. -
Long Playing Rose Marie Mccoy Is Still Churning out the Tunes at 92
Arts Events Long Playing Rose Marie McCoy is still churning out the tunes at 92 /(r GUY ARSENEAU SHE GREW UP inanagewhenracial discrimination was backed by the law. She was marginalized because of her gender and faced the challenges of crushing poverty on a daily basis. But Rose Marie McCoy endured, going on to become a prolific songwriter with a career that has spanned six decades. Her works - crossings genres from rhythm and blues to pop, rock, country and gospel- have become anthems for an eclectic group of singers. Johnny Mathis, Nat King Cole, Big Maybelle, Eartha Kitt, Aretha Franklin, Bette Midler, Patti Page and Sarah Vaughan all recorded her songs. Among her most notable works, "I Think It's Gonna Work Out Fine," by Ike and Tina Turner, was awarded a Gold Record and was nominated for a Gram my Award. A well-known resident of Teaneck since 1955, McCoy, now 92, lives in a comfortable, unassuming home she characterizes as "filled with reel-to-reel tapes, cassettes and old records. I've got boxes and boxes of songs - country, gospel and pop. I keep all the old tapes of music. Sometimes I wake up in the middle of the night with a new song in my head." Continuing to work well past the conventional age I Con tinue on Page 86 SEPTEMBER 2C 14 84 I nj.com inside-jersey Rose Marie Mc:Coy was no place to begin a music career, With more than 850 songs to her I Continuedfrom Page 84 McCoy traveled to New York City in name, reflecting America's history for retirement, McCoy collaborated 1942 at the age ofl9. -
Rare Cajun 78Rpm Nuggets Reviews Www
RARE CAJUN 78RPM NUGGETS ♦ REVIEWS ♦ WWW.BLUESANDRHYTHM.CO.UK NEW RELEASES 1956 is almost certainly incorrect. Unsurprisingly, the audience applauds lamely in all the wrong places. ‘Big Maybelle Sings’ was issued as Savoy LP 14005. It’s a run through of bluesy versions of pop songs, including songs by Mack Gordon and Harry Revell, Irving Berlin, and Sammy Cahn. ‘Baby, Won’t You Please Come Home’ by Clarence Williams and Charles Warfield is an enjoyable take on this classic, Maybelle’s own ‘Rock House’ is a fine blues number, but a lot of the songs are straight-ahead pop songs of the calibre of ‘Jim’, and ‘It’s A Sin To Tell A Lie’. Pop songs they may be, but Maybelle gives her all, always jaunty and swaggering, and the backing musicians include the cream of New York’s jazz players, including Kenny Burrell, Hank Jones, Gigi Gryce, and Sahib Shihab. ‘Blues, Candy And Big Maybelle’ (Savoy LP 140011) opens with ‘Pitiful’, a great bluesy number penned by Rose Marie McCoy and Charles Singleton, featuring super guitar from Mickey Baker. On board is the original ‘Candy’; a brace of classy Maybelle songs – ‘Rambling Blues’ which is a second cousin to ‘Key To The Highway’, and the two-parter ‘Blues Early, Early’. Also here is the original ‘Ring Dang Dilly’ and the Fred Mendelsohn and Buddy Lucas original ‘That’s A Pretty Good Love’ which features spoken interjections by an anonymous gentleman. The ‘Christmas 45’ is pretty dire, Maybelle does her best under the circumstances, but I had to reach for the skip button.