Identity & Adversity Playlist
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News Release
ORGANIZATION: Contact: Thousand Oaks Civic Arts Plaza Foundation Colleen Debler 2100 Thousand Oaks Blvd. [email protected] Thousand Oaks, CA 91362 805-449-2765 NEWS RELEASE FOR IMMEDIATE RELEASE Thousand Oaks Civic Arts Plaza Foundation Sept. 2, 2014 Bob Biery Rising Singer/Songwriter Mary Lambert President Performs at the Civic Arts Plaza Jerry Miller Vice President (Thousand Oaks, CA) – Mary Lambert, the featured vocalist and songwriter on Macklemore & Ryan Lewis’ award-winning song “Same Love”, makes her only southern California appearance at the Scherr John Bradley Forum on Friday, September 26, 2014 at 8:30 pm. Judith Linton Lambert has been a singer, songwriter, composer and spoken word artist in her native Seattle for the past six years. A competitor in Russell Simmons “Brave New Voices” (HBO) International Competition David Mead in 2008, Lambert is Seattle’s 2011 Grand Poetry Slam Champion and the 2012 Northwest Regional Slam winner. ◊ ◊ ◊ As one of the biggest music revelations of 2013, Lambert went from juggling several jobs to playing in front of thousands of people, touring the country, and performing live on national television on such hugely popular primetime and late night shows as The Ellen DeGeneres Show, VH1 and The Colbert Barry McComb Report. “Same Love” has sold over a million copies in the US alone, peaking at number 11 on The Executive Director Billboard Hot 100. Stacy Park Lambert has been lighting up the airwaves at Adult Top 40 stations nationwide with her single “She Associate Director Keeps Me Warm,” which has climbed into the Top 20. The track is featured on her debut EP, Welcome to the Age of My Body, which was released in December and has earned rave reviews. -
1 United States District Court Eastern District Of
UNITED STATES DISTRICT COURT EASTERN DISTRICT OF LOUISIANA PAUL BATISTE d/b/a ARTANG PUBLISHING, LLC CIVIL ACTION V. NO. 17-4435 RYAN LEWIS, ET AL. SECTION "F" ORDER AND REASONS Before the Court is the defendants’ motion to dismiss pursuant to Federal Rule of Civil Procedure 12(b)(6). For the following reasons, the motion is DENIED. Background A New Orleans jazz musician accuses an internationally famous hip-hop duo of copyright infringement of eleven original songs. This litigation followed. Paul Batiste is a member of The Batiste Brothers Band, a New Orleans jazz band founded in 1976. Batiste also owns Artang Publishing LLC. Beginning in 1997 through 2002, Batiste composed several original songs, entitled Hip Jazz, Kids, Starlite Pt. 1, World of Blues, Love Horizon, Tone Palette, My Bad, Salsa 4 Elise (Fur Elise), Drowning in my Blues, Sportsman’s Paradise, and Move That Body. Batiste has registered each song with the United States Copyright Office. Ryan Lewis and Ben Haggerty form the hip-hop duo known as “Macklemore and Ryan Lewis.” The duo has achieved international 1 stardom, and is best known for their singles “Thrift Shop” and “Can’t Hold Us,” which were both one of the most popular songs in the United States and Australia after their releases in 2012 and 2016.1 They also received several Grammy awards, including those for best new artist, best album, and best rap performance for their single, Thrift Shop. On May 1, 2017, Batiste2 sued Ryan Lewis and Ben Haggerty for infringing on his copyrights by using unauthorized samples and copying elements of the eleven original songs listed above in the composition of their songs Thrift Shop, Can’t Hold Us, Need to Know, Same Love, and Neon Cathedral. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Mary Lambert: Spreading the Love Call Singer-Songwriter Mary Lambert a Missionary for Self-Acceptance
Mary Lambert: Spreading the love Call singer-songwriter Mary Lambert a missionary for self-acceptance. When it comes to bipolar disorder, body-image and more, she won’t take shame for an answer. By Stephanie Stephens Mary Lambert doesn’t care if the world knows her secrets. She recites them, sings them, and lives them large with a candid, “this is really me” demeanor that endears her to legions of loyal fans. Along the way she sets a powerful example of how to steadfastly love yourself even when you’ve been programmed not to—because you’re not a size 4, because you have a mental illness, because people in your life treat you as if you’re worthless. Hearing her hit single “Secrets” for the first time often prompts a double-take: “Did she really sing that?” Yes, she did, just like this: I’ve got bi-polar disorder My sh*** not in order The bubbly and disarming multi-hyphenate (singer-songwriter, poet, and spoken-word artist) remembers telling her friends how she was going to start the song. Aghast, they asked her, “Are you sure you want to do that?” She shot back without hesitation, “Yes!” “Then I woke up the next morning with a ‘truth hangover,’” laughs Lambert, on break from a U.S. tour with the Irish band The Script and singer/songwriter Colton Avery. “Being vulnerable is essential to my music, the way I function and love, and how I connect with people,” the 26-year-old says. “Vulnerability is the key to empathy, but it is also a double-edged sword. -
Recommended Books
READING LIST Recommended Books 01 A Thousand Splendid Suns by Khaled Hosseini — A story of friendship between two women in Afghanistan and the tragedies, gender-based violence, and discrimination they face 02 Bad Feminist by Roxane Gay — Essays on modern feminism and what we need to do better 03 The Bell Jar by Sylvia Plath — Deals with society’s expectation for women and the search for fulfillment 04 Corazon by Yesika Salgado — Poetry about fatness, brownness, womanness, love 05 Frankenstein by Mary Shelley — Frankenstein itself isn’t a feminist book but MARY SHELLEY INVENTED SCIENCE FICTION WHEN SHE WAS ONLY 19 YEARS OLD! 06 Girl, Interrupted by Susanna Kaysen — “Mental illness through the feminist lens.” 07 The Handmaid’s Tale by Margaret Atwood — Essential to every feminist library 08 Housekeeping by Marilynne Robinson — Not actually about housekeeping, but: a “haunting, poetic story, drowned in water and light, about three generations of women” 09 Hunger by Roxane Gay — “A searingly honest memoir of food, weight, self-image, and learning how to feed your hunger while taking care of yourself.” 10 I Am Malala by Malala Yousafzai — Malala’s story of her fight for education for girls in Pakistan, the attempt at her assassination, and her recovery 11 The Immortal Life of Henrietta Lacks by Rebecca Skloot — Deals with ethics relating to race and class in medical research 12 The Joy Luck Club by Amy Tan — A novel about 4 Chinese immigrants and their American-born daughters; focuses on the deep mother-daughter connection and also the great -
THE TUFTS DAILY Est
Where You Mostly Sunny Read It First 20/15 THE TUFTS DAILY Est. 1980 VOLUME LXVII, NUMBER 6 TUEsday, JANUARY 28, 2014 TUFTSDAILY.COM Department of Computer Science struggles with course over-enrollment BY ANNABELLE ROBE R TS up front that we will prefer fresh- Daily Editorial Board man and sophomores over juniors and seniors,” Sheldon said. “Most Over the past five years, enroll- of the time juniors and seniors are ment in the Computer Science taking it as an elective, and we love Department has doubled. However, to have them, but it hurts them the number of faculty, graduate the least if they can’t take it from a TAs, lab space and funding in the graduation point of view.” Computer Science Department has Currently, the class is at capacity not increased proportionally. with 300 students, but an addition- The discrepancy between stu- al 30 want to enroll and Sheldon dent interest and resources is hopes they will be able to do so. particularly noticeable in classes For freshman Isha Patnaik, such as Lecturer Ming Chow’s reserving 75 spaces meant that Web Programming class, where she could take the class which is increased enrollment has left stu- required for her intended Cognitive dents sitting on the floor. and Brain Sciences major. “The maximum enrollment was “I know that if they didn’t then I 75,” Chow said. “It was closed in wouldn’t have been able to enroll,” two days of registration. If you are Patnaik said. an engineer you got in, but none of Overall, the biggest issue with ris- the liberal arts students got in.” ing enrollment is trying to provide COURTESY CHRIS LO On top of the regular waitlist the best educational experience for Friends recalled Class of 2012 alumna Lily Glidden’s passion for the outdoors. -
THESIS Submitted As Partial Fulfillment of Requirement for the Sarjana Sastra Degree of the English Department Faculty of Cultural Sciences Sebelas Maret University
perpustakaan.uns.ac.id digilib.uns.ac.id THE REPRESENTATION OF HOMOSEXUALITY IN AMERICAN MUSIC VIDEOS IN THE ERA OF LEGALIZATION OF SAME-SEX MARRIAGE RELEASED BETWEEN 2012-2014 THESIS Submitted as Partial Fulfillment of Requirement For the Sarjana Sastra Degree of the English Department Faculty of Cultural Sciences Sebelas Maret University By Isna Ardyani Fataya C1313008 ENGLISH DEPARTMENT FACULTY OF CULTURAL SCIENCES SEBELAS MARET UNIVERSITY 2016 commit to user iii perpustakaan.uns.ac.id digilib.uns.ac.id commit to user iv perpustakaan.uns.ac.id digilib.uns.ac.id commit to user v perpustakaan.uns.ac.id digilib.uns.ac.id PRONOUNCEMENT Name : Isna Ardyani Fataya Number : C1313008 I sincerely certify that this thesis entitled The Representation of Homosexuality in American Music Videos in the Post-Legalization of Same-Sex Marriage Released Between 2012-2014 is my original work. It is not a plagiarism nor written by others. Any materials and previous studies used as reference are written in direct quotation or in paraphrase and cited properly. I am fully responsible for the pronouncement. If it is proven to be wrong, I am willing to take any responsible actions given by the Faculty of Cultural Sciences, Sebelas Maret University. Surakarta, 18 July 2016 Isna Ardyani Fataya commit to user vi perpustakaan.uns.ac.id digilib.uns.ac.id MOTTOS “Successful people are not lucky people. They are fighters, believers and thinkers. Don’t wipe out all the battles they’ve passed through by saying they are lucky” -Budi Waluyo- “It always seems impossible until it’s done” -Nelson Mandela- “I will keep moving forward. -
Rock Music and Representation: the Roles of Rock Culture AMS 311S // Unique No
Page 1 Rock Music and Representation: The Roles of Rock Culture AMS 311s // Unique No. 31080 Spring 2020 BUR 436A: M/W/F 11:00 am – 12:00 pm Instructor: Kate Grover // [email protected] // pronouns: she, her, hers Office Hours: BUR 408 // Monday & Wednesday, 1 pm – 2:30 pm, or by appointment Course Description What is a guitar god? Who gets to be one, and why? What are the “roles” of rock music and culture? What is rock, anyway? This is not your average rock history course. Instead, this course positions 20th and 21st century American rock music and culture as a crucial site for ongoing struggles over identity, belonging, and power. We will explore how race, class, gender, sexuality, age, and ability have shaped how various groups of people engage with rock and what insights these engagements provide about “the American experience” over time. How do rock artists, critics, filmmakers, and fans represent themselves and others? What do these representational strategies reveal about inclusion and exclusion in rock culture, and in American society at large? While examining rock’s players, we will also consider the roles of different rock media and institutions such as MTV, the Rock and Roll Hall of Fame, and Rolling Stone magazine. As such, our course is divided into three units exploring different areas of representation within rock music and culture. Unit 1: Performing Rock, Performing Identity, provides an introduction to studying rock’s sounds, visuals, and texts by investigating various issues of identity within rock music and culture. Unit 2: Evaluating Rock: Writers, Critics, and Other Commentators focuses on the roles of rock critics and the stakes of writing about music. -
The Recording Academy®
® The Recording Academy 3030 Olympic Blvd. • Santa Monica, CA 90404 www.grammy.com JAY Z LEADS NOMINATIONS WITH NINE; KENDRICK LAMAR, MACKLEMORE & RYAN LEWIS, JUSTIN TIMBERLAKE, AND PHARRELL WILLIAMS EACH EARN SEVEN; DRAKE AND BOB LUDWIG EACH GARNER FIVE SARA BAREILLES, DAFT PUNK, KENDRICK LAMAR, MACKLEMORE & RYAN LEWIS, AND TAYLOR SWIFT VIE FOR ALBUM OF THE YEAR AT THE 56TH ANNUAL GRAMMY AWARDS® JAN. 26, 2014, LIVE ON CBS LOS ANGELES (Dec. 06, 2013) — Nominations for the 56th Annual GRAMMY Awards® were announced tonight by The Recording Academy® and reflected one of the most diverse years with the Album Of The Year category alone representing the rap, pop, country and dance/electronica genres, as determined by the voting members of The Academy. Once again, nominations in select categories for the annual GRAMMY Awards were announced on primetime television as part of "The GRAMMY® Nominations Concert Live!! — Countdown To Music's Biggest Night®," a one-hour CBS entertainment special broadcast live from Nokia Theatre L.A. LIVE. The 56th Annual GRAMMY Awards will be held on "GRAMMY Sunday," Jan. 26, 2014, at STAPLES Center in Los Angeles and once again will be broadcast live in high-definition TV and 5.1 surround sound on CBS from 8 – 11:30 p.m. (ET/PT). For updates and breaking news, please visit The Recording Academy's social networks on Twitter and Facebook. For a complete nominations list, please visit www.grammy.com. Jay Z tops the nominations with nine; Kendrick Lamar, Macklemore & Ryan Lewis, Justin Timberlake, and Pharrell Williams each garner seven nods; Drake and mastering engineer Bob Ludwig are up for five awards. -
Q3 Hit Pop Sub-Genre Influences
Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com Q3 Hit Pop Sub-Genre Influences Overview This report spotlights the individual sub-genres that helped shape the 23 top 10 songs that landed on the Billboard Pop Songs chart during Q3-2013. Typically, these sub-genres fall into one of the following categories: Dance Hip Hop/Rap Rock R&B/Soul Pop Fusion/Other “Other” refers to songs that didn’t fall into one of the primary sub-genre categories detailed above (e.g. Folk, Singer/Songwriter, Dubstep, etc…). In regard to Pop Fusion, this is where more than one primary sub-genre influences a song’s sound. Some recent examples include Country/Folk fusing with EDM (Wake Me Up), Country fusing with Straight-Up Pop and Hip Hop/Rap (Cruise) and Funk, Disco and R&B packaged in a retro manner (Treasure). Q3-2013 HIGHLIGHTS Sub Genre Performance All of the sub-genre categories yielded at least 1 #1 hit except for Dance and Rock. Songs that feature a fusion of sub-genres that define their sound (i.e. more than one) rebounded after a 2 quarter decline and once again accounted for the vast majority of 1 / 35 Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com songs. Hip Hop/Rap was the only category that showed a slight increase in number over the previous quarter in addition to Pop Fusion/Other songs. Dance, Rock and R&B/Soul all declined in number. There were 14 distinct sub-genres that mixed and matched with one another to help shape the sound of the 13 songs that landed in the Pop Fusion/Other category during Q3-2013. -
Whiskey Strings Tour
K k ROCKTOBER 2017 K g VOL. 29 #9 H WOWHALL.ORGk artist, and newly graduated with (Sara Bareilles, Tori Amos) and a Bachelors of Music Composition Benny Cassette (Kanye West) in from Cornish College of the Arts, 2014. Her smash single “Secrets” she had begun to establish herself launched to No. 1 on the Billboard MARY around the Seattle area performing Dance charts, and was certified slam poetry and fusing a talk- RIAA Gold in 2015. The New singing style into her intimate York Times called her debut album performances. She received a “refreshing and severely personal.” LAMBERT phone call from a friend who was All though the success, Mary working with Macklemore and had her inner struggles. Ryan Lewis on their debut album Lambert was raised in an The Heist. Macklemore and Lewis abusive home, attempted suicide IS A were struggling to write a chorus at 17, turned to drugs and alcohol for their new song, a marriage- before being diagnosed with equality anthem called “Same bipolar disorder, and survived Love”. Lambert had three hours multiple sexual assaults throughout BABE to write the hook, and the result her childhood. With that list of was the transcendent and beautiful horrors, you wouldn’t expect Mary chorus to Macklemore & Ryan to be disarmingly joyful, but she (AND SO ARE YOU) Lewis’ triple-platinum hit “Same charms effortlessly, and the effect Love”, which Lambert wrote from on her audience is bewitching. her vantage point of being both a She describes her performances Christian and a lesbian. as, “safe spaces where crying is Writing and singing the hook encouraged.” Mary Lambert says, led to two Grammy nominations “My entire prerogative is about for “Song Of The Year” and connection, about being present, By Maya Vagner Mal Blum. -
Daily Eastern News: January 31, 2014 Eastern Illinois University
Eastern Illinois University The Keep January 2014 1-31-2014 Daily Eastern News: January 31, 2014 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2014_jan Recommended Citation Eastern Illinois University, "Daily Eastern News: January 31, 2014" (2014). January. 14. http://thekeep.eiu.edu/den_2014_jan/14 This Article is brought to you for free and open access by the 2014 at The Keep. It has been accepted for inclusion in January by an authorized administrator of The Keep. For more information, please contact [email protected]. CLASH OF RIVALS AWAY FROM HOME Eastern will face Southern Illinois Jose Rosa, part of the ACE Fellowship, University-Edwardsville in a will be working with Eastern. crucial game. Page 3 Page 8 WWW.DAILYEASTERNNEWS.COM HE DT ailyEastErnnEws Friday, Jan. 31, 2014 “TELL THE TRUTH AND DON’T BE AFRAID” VOL. 98 | NO. 91 Strategic enrollment plan to be released for students, faculty By Jack Cruikshank Administration Editor | @DEN_News 25,000 Mary Herrington-Perry, the assistant vice pres- ident for academic affairs, said Eastern will an- nounce its strategic enrollment plan for future en- rollment “late next week.” “We looked at our strengths and weaknesses, opportunities and challenges, and then we started to decide, ‘What are the strategies that we can de- 20,000 velop that will allow us to address those particular issues?’” Herrington-Perry said. She said the plan will explain university goals and plans for increasing enrollment. “e solutions are very directly tied to the cur- rent data, not just on what we assumed to be the 15,000 case,” Herrington-Perry said.