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The Effect of Djs' Social Network on Music Popularity
The Effect of DJs’ Social Network on Music Popularity Hyeongseok Wi Kyung hoon Hyun Jongpil Lee Wonjae Lee Korea Advanced Institute Korea Advanced Institute Korea Advanced Institute Korea Advanced Institute of Science and Technology of Science and Technology of Science and Technology of Science and Technology trilldogg hellohoon richter wnjlee @kaist.ac.kr @kaist.ac.kr @kaist.ac.kr @kaist.ac.kr ABSTRACT mixture of artistic and social reasons. This interesting dy- namic of EDM culture has led us to ask two specific ques- This research focuses on two distinctive determinants of tions: What reasons are most important for DJs when se- DJ popularity in Electronic Dance Music (EDM) culture. lecting songs to play at a festival? How do social relation- While one's individual artistic tastes influence the con- ships or audio features influence the popularity of songs? struction of playlists for festivals, social relationships with By answering these two questions, we can better under- other DJs also have an effect on the promotion of a DJ’s stand the mechanisms of how DJs gain popularity and how works. To test this idea, an analysis of the effect of DJs’ their artistic tastes influence the construction of playlists social networks and the audio features of popular songs for festivals. was conducted. We collected and analyzed 713 DJs’ To answer the above, we conducted the following tasks: playlist data from 2013 to 2015, consisting of audio clips 1) DJ networks based on shared songs were collected; 2) of 3172 songs. The number of cases where a DJ played Audio data of the songs played by the DJs were collected; another DJ's song was 15759. -
Sensation White Booklet
07/05/14 Dressed in White Together We Unite Become apart of the global dance phenomemon and join us for a night filled with peace, love, and dance music. Prepare to have your senses amazed with an experience unlike anything else. ID&T along with Product (Red) presents Sensation at the Staples Center. Dressed in all white, thousands of partygoers will not only have fun, but will do good by having fun. A portion of Sensation’s ticket and merchandise sales will go to benefit Product (Red), to help combat HIV/AIDS throughout Africa. Dress in White for (Red). Dance for Life. Kaskade The Carl Cox Tiesto DJs Armin van Buuren Paul van Dyk Benny Benassi 01 01 02 02 Kaskade Carl Cox Already one of America’s biggest house A legend in his own right, Carl Cox DJs, Kaskade’s career isn’t letting continues to be one the world’s up anytime soon. His melodic and leading techno DJs with a career that soothing beats accompanied by light spands nearly three decades. From and airy vocals create his signature headlining several major dance events sound, and it’s no wonder that he has ranging from Mayday, Sensation, become one of the most well-liked Ultra, and Tomorrowworld, Carl and succesful DJs in the U.S. In 2012 continues to bring the best in techno. he had a succesful residency at the Marquee nigh club in Las Vegas, and in 2013 returned to the city for another succesful run at the XS nightclub. Genre: House Genre: Techno 03 04 Tiesto Armin van Buuren A trance legend who now dabbles in Ranked as the #1 DJ in the world five several genres of dance music, Tiesto times in DJ Mag, Armin continues to remains a revered figure in the global bring uplifting and melodic trance tunes dance scene. -
A “Media Events” Perspective on Music in Mediated Life Les Vidéos De Festivals De Musique : Une Approche « Cérémonielle » De La Musique En Contexte Médiatique
Volume ! La revue des musiques populaires 14 : 2 | 2018 Watching Music Music Festival Video: A “Media Events” Perspective on Music in Mediated Life Les vidéos de festivals de musique : une approche « cérémonielle » de la musique en contexte médiatique Fabian Holt Electronic version URL: http://journals.openedition.org/volume/5702 DOI: 10.4000/volume.5702 ISSN: 1950-568X Publisher Association Mélanie Seteun Printed version Date of publication: 26 April 2018 ISBN: 978-2-913169-44-9 ISSN: 1634-5495 Electronic reference Fabian Holt, “Music Festival Video: A “Media Events” Perspective on Music in Mediated Life”, Volume ! [Online], 14 : 2 | 2018, Online since 01 January 2021, connection on 11 February 2021. URL: http:// journals.openedition.org/volume/5702 ; DOI: https://doi.org/10.4000/volume.5702 This text was automatically generated on 11 February 2021. L'auteur & les Éd. Mélanie Seteun Music Festival Video: A “Media Events” Perspective on Music in Mediated Life 1 Music Festival Video: A “Media Events” Perspective on Music in Mediated Life Les vidéos de festivals de musique : une approche « cérémonielle » de la musique en contexte médiatique Fabian Holt 1 FOLLOWING DEVELOPMENT of popular forms of house and techno music from clubs into the much larger “dancefloor” of festivals in the 2000s, the EDM festival industry further exploited consumer desire for this mass culture ritual through the new media environment of online social media video. Along with the musical orientation towards medleys of house music with various hit song elements rather than African American groove aesthetics in minimal techno, for instance, the industry developed the visual design of festival worlds and their digital mediation in the form of promotional videos. -
Heiko Hoffmann Joins Beatport As Director of Artist & Label Relations
FOR IMMEDIATE RELEASE HEIKO HOFFMANN JOINS BEATPORT AS DIRECTOR OF ARTIST & LABEL RELATIONS BERLIN, DE - September 4, 2018 - Heiko Hoffmann has joined Beatport, a division of LiveStyle, Inc., as Director of Artist & Label Relations. In his new role, working from Beatport's Berlin office, Hoffmann will oversee the company's close relationship with thousands of independent labels and artists. Hoffmann comes to Beatport with two decades of experience in the electronic music industry. The editor-in-chief of Germany's renowned Groove Magazine for 17 years, Hoffmann is also a sought-after lecturer, curator and consultant. In addition to hosting shows on NTS Radio and German public radio station Fritz, Hoffmann teaches at New York University’s Clive Davis Institute of Recorded Music. He is a regular keynote speaker, moderator and panelist at conferences including ADE, Sonar, IMS and MIDEM. Beatport Chief Product Officer, Terry Weerasinghe commented, “The addition of Heiko to the team highlights Beatport’s ongoing commitment to independent dance music, maintaining our core value as a company for the industry, run by the industry.” Hoffmann’s appointment follows several significant milestones for Beatport in 2018. Q1 saw the company announce its new Beatport Creative Services division, with a team based out of Beatport’s Los Angeles and Berlin offices, and a strategic acquisition of Pulselocker. Beatport also strengthened its commitment to independent artists and labels with its new Hype Charts, launched in June. These developments come in Beatport's second year of growth and profitability under a new management team and as a division of LiveStyle. About Beatport Founded in 2004 as the principal source of music for DJs, Beatport, a division of LiveStyle, is today the worldwide home of electronic music for DJs, producers, and their fans. -
Beatport Announces Two Promotions on Leadership Team
FOR IMMEDIATE RELEASE BEATPORT ANNOUNCES TWO PROMOTIONS ON LEADERSHIP TEAM LOS ANGELES, CA - JANUARY 16, 2018 – Beatport, the world’s leading DJ music platform, announced two executive promotions that will help propel the company to new levels of success in 2018 and beyond. The internal promotions, of Jonathan Steffan and Terry Weerasinghe, were announced today by Robb McDaniels, who joined the company as CEO in October 2017. Steffan was promoted from SVP, Technology to Chief Information Officer. In his new role, he oversees Infrastructure Engineering, Data Services, Content Operations and IT from Beatport’s Denver office. With over 15 years technology and consulting experience, Steffan is well versed in digital media technologies and scalable platforms. Steffan joined Beatport in 2008 from the open source Fedora Project community and is one of the company's longest serving employees. Weerasinghe was promoted from SVP, Music, Marketing & Analytics to Chief Product Officer. In his new role, he oversees all Product Development, Marketing & Artist and Label Relations from Beatport’s Berlin office. Weerasinghe brings 17 years of music industry experience to the leadership team, which includes over five years as Head of Native Instruments' Traktor brand before joining Beatport in 2013. “Successful companies are born from intelligent, passionate people, and Jonathan and Terry exemplify these traits,” commented McDaniels. “If we are going to transform Beatport from a simple download store to a next generation ecommerce platform, we need leadership and vision from experienced executives like these two gentlemen.” Beatport, a subsidiary of LiveStyle, Inc., the largest electronic music event producer in the world, is planning on big improvements to its product offering by Q3 2018 and has been mobilizing to support this new direction. -
Beatport Announces Launch of New Podcast Series
FOR IMMEDIATE RELEASE BEATPORT ANNOUNCES LAUNCH OF NEW PODCAST SERIES ● Interview series uploaded each week with guests from across the house / techno and drum & bass / bass music genres ● New episodes available every Thursday on SoundCloud and YouTube, hosted by DJ/producers Tigerlight (house and techno) and High Class Filter (D&B and bass music) ● Episode One available now with Roska; upcoming guests include Jazzuelle, DJ Taye (Teklife), DJ Bone, Riva Starr and Spencer Parker BERLIN, DE - October 10, 2018 - Beatport, a division of LiveStyle, Inc., announced the launch of its new podcast series, showcasing some of the most creative names in dance music each week. The weekly interview series is set to cover house and techno in its many forms and the world of drum & bass and bass music. On each podcast, a leading artist from across the genre spectrum will join Beatport for an in-depth conversation, intercut with music that represents their sound. New episodes will be available every Thursday via Beatport’s SoundCloud and YouTube feeds. Beatport has enlisted two experienced tastemakers as podcast hosts: Tigerlight (house and techno) and High Class Filter (D&B and bass music). Producer, singer and DJ Tigerlight is a self-described “production geek” who composes music for film and TV alongside her dance releases. High Class Filter also juggles DJing and producing, while repping bass music via his Scuffed Recordings label and shows for South London’s Reprezent Radio. Episode One, available now via Beatport’s SoundCloud and YouTube feeds, features High Class Filter’s conversation with UK bass music trailblazer Roska, with DJ Taye of legendary footwork crew Teklife next in line. -
Deag Übernimmt Mehrheit an Der I-Motion Gmbh, Einem Der Größten Electronic-Music-Veranstalter Deutschlands
Corporate News DEAG ÜBERNIMMT MEHRHEIT AN DER I-MOTION GMBH, EINEM DER GRÖẞTEN ELECTRONIC-MUSIC-VERANSTALTER DEUTSCHLANDS . Joint Venture mit dem globalen Marktführer für Elektro Musik, der LiveStyle, Inc. in Los Angeles, eröffnet europaweite Wachstumsmöglichkeiten . Internationale Expansion für die übernommenen Marken wie Nature One, Mayday, und vielen anderen . Zusätzliches Potential für das Ticketing-Geschäft Berlin, 07. Juni 2019 - Die im Prime Standard notierte DEAG Deutsche Entertainment Aktiengesellschaft (DEAG), Berlin, ISIN: DE000A0Z23G6, Ticker: ERMK, gibt heute bekannt, dass sie sich mehrheitlich in Höhe von 50,1 % an der I-Motion GmbH, der deutschen operativen Gesellschaft der LiveStyle, Inc., USA, beteiligt. I-Motion ist seit über 25 Jahren erfolgreich als Veranstalter von Elektro-Musik-Events tätig. Mit langjährig etablierten und profitablen Formaten wie „Mayday“ (seit 1991), „Nature One“ (seit 1995), „Ruhr in Love“ (seit 2003) ist I-Motion im Markt erfolgreich. Alleine diese Events verzeichnen insgesamt mehr als 2,5 Millionen Besucher. 2018 hat I-Motion zudem „Nature One“, das größte Rave-Event Deutschlands und eines der größten europäischen Events der Elektro-Musik-Szene, veranstaltet. Im April wurde NATURE ONE bei der Verleihung des Deutschen Live Entertainment Awards (LEA) zum "Besten Festival 2018" gewählt. Darüber hinaus setzt das Unternehmen regelmäßig neue Veranstaltungskonzepte wie "Toxicator", "Syndicate" oder "Revolte" um. Mit ihren durchweg profitablen Formaten sowie neuen Events verkauft die I-Motion jährlich -
CORONA CAPTURES SOUND of the BEACH with NEW WEB SERIES and SUNSETS DJ CHAMPION Submitted By: Global Publicity Monday, 20 October 2014
CORONA CAPTURES SOUND OF THE BEACH WITH NEW WEB SERIES AND SUNSETS DJ CHAMPION Submitted by: Global Publicity Monday, 20 October 2014 WINNER DJ UPPFADE (https://www.youtube.com/watch?v=hInzUppK4_c&list=UUE7i_Y0eEekE2xYa9pUmuQw) SELECTED FROM MORE THAN 1,800 FOR CAPTURING THE SOUND OF THE BEACH Corona SunSets (https://www.youtube.com/corona), the sensational global beach festival experience, once again makes waves, this time by releasing a new web series: SunSets Sound of the Beach. Immersive webisodes (https://www.youtube.com/corona), now available to view online, capture the journey of six incredible music producers who have been selected amongst 1,800 hopefuls to bring the sound of the beach to life. From these six finalists, Corona has crowned the winner of the first ever SunSets Sound of the Beach competition: DJ Uppfade (https://www.youtube.com/watch?v=hInzUppK4_c&list=UUE7i_Y0eEekE2xYa9pUmuQw). This unprecedented worldwide competition seamlessly integrated thousands of fans, iconic beach locations and up-and-coming artists from around the globe, which was achieved in partnership with Beatport. Corona set out to co-create and shape a new music genre, one centered at the crossroads of Balearic beat and deep house, and celebrates the spirit of the beach. The SunSets Sound of the Beach webisodes (https://www.youtube.com/corona) offer viewers a front row seat as these rising DJs shape and capture the new sound. The SunSets vision represents the celebration of two passions deeply imbedded in the Corona brand, the beach and music. The series of beachfront music events kicked off in July, visiting some of the world’s most desirable beach destinations in the world, including the beaches of Ibiza, Spain, Acapulco and Playa del Carmen in Mexico, Toronto, Canada, and the UK. -
Beatport Announces Launch of Beatport Creative Services
FOR IMMEDIATE RELEASE BEATPORT ANNOUNCES LAUNCH OF BEATPORT CREATIVE SERVICES LOS ANGELES, CA - MARCH 21, 2018 - Beatport, the world's leading DJ music platform, announced the launch of Beatport Creative Services, one of several significant developments planned for the company in 2018. Leveraging Beatport's position as the preeminent destination for the global DJ and dance community, Beatport Creative Services (BCS) deepens the platform's relationship with artists and brands. BCS opens a unique opportunity for brands to connect with the largest audience and the most influential creators in dance music. The new division was announced today by Beatport CEO, Robb McDaniels, who joined the company in October 2017 with a proven track record in artist and management services. BCS will work with the Beatport ecosystem and brands to activate and accelerate dance music culture through a variety of programs. With the backing of its parent company LiveStyle, one of the largest festival owner/producers in the world, BCS will also strengthen Beatport's presence at leading electronic events throughout 2018. The BCS team will be based out of Beatport's Los Angeles and Berlin offices, with the team available to all Beatport artists and labels as a creative agency driving value outside Beatport's core online retail store. "Beatport's sole mission is to help the DJ community make more connections in more places, increasing awareness for the creative talent we have the privilege of working with on a daily basis," commented Robb McDaniels. "Beatport Creative Services is a logical way for us to leverage our global footprint to help artists, brands and customers engage in an authentic and meaningful way." Beatport will announce the first BCS programs and partners in Q2 2018, followed by big improvements to the Beatport Store in Q3. -
Bachelorarbeit
BACHELORARBEIT Herr Daryl Manuel Sutantyo Eventmanagement in der Mu- sikbranche Anforderungen an ein erfolgreiches Eventmanagement von Großveranstal- tungen in der Musikbranche 2018 Fakultät: Medien BACHELORARBEIT Eventmanagement in der Musikbranche Anforderungen an ein erfolgreiches Eventmanagement von Großveranstal- tungen in der Musikbranche Autor/in: Herr Daryl Manuel Sutantyo Studiengang: Business Management Seminargruppe: BM15wT3-B Erstprüfer: Prof. Dr. Eckhard Krah Zweitprüfer: Dipl. Patrizia Nootny Einreichung: Mannheim, 24.05.2018 Einreichung: 24.05.2018 Ort, Datum Faculty of Media BACHELOR THESIS Eventmanagement in the music industry Requirements for the successful management of large events in the music industry author: Mr. Daryl Manuel Sutantyo course of studies: Business Management seminar group: BM15wT3-B first examiner: Prof. Dr. Eckhard Krah second examiner: Dipl. Patrizia Nootny submission: Mannheim, 24th May, 2018 submission: Mittweida, 24.05.2018 Bibliografische Angaben Nachname, Vorname: Sutantyo, Daryl Manuel Thema der Bachelorarbeit: Eventmanagement in der Musikbranche Anforderungen an ein erfolgreiches Eventmanagement von Großveranstaltungen in der Musikbranche Topic of thesis: Eventmanagement in the music industry Requirements for the successful management of large events in the music industry 45 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2018 Abstract Die vorliegende Arbeit beschäftigt sich mit dem Thema, welche Anforderungen an ein erfolgreiches Eventmanagement -
Large Potential Exists for SFXE in EDM Space, Results to Follow
INITIAL REPORT Reverdy Johnson, [email protected] Large Potential Exists for SFXE in EDM Space, Results to Follow Companies: BUD, FB, GOOG, LYV, MSFT, SFXE, TWTR January 22, 2014 Research Question: Will consumer brands find SFX Entertainment’s collection of electronic dance music festivals compelling enough to become significant sponsorship partners? Silo Summaries Summary of Findings 1) Ad Agencies . Thirteen of 15 sources said electronic dance music (EDM) is Five of six sources said EDM festivals scene have room for becoming mainstream, has significant room for growth in the growth and will become an even more attractive United States and worldwide, and is an attractive method for sponsorship opportunity for global consumer brands. EDM consumer brands to reach all-important ever-elusive is quickly becoming mainstream and festivals are the new millennials. music genre, especially for the millennials that brands are so determined to reach. Social and streaming networks . Brand sponsorship opportunities hold vast potential, with have a significant reach for this audience, as pre- and Google Inc.’s (GOOG) Motorola and Anheuser-Busch InBev post-festival productions become destinations for viewers (BUD) recently inking deals. Samsung Electronics Co. Ltd. and and sponsorship dollars. Three sources said revenue for these festivals is increasing year to year. Two others said Microsoft Corp. (MSFT) are sponsorship targets and could global brands are traditionally conservative and deliberate bring significant revenue to the EDM space. in their decision-making process, especially when . Electronic cigarette, gaming, and non-alcoholic beverage considering an untested space which lacks proof of companies are expected newcomers to EDM in 2014, while concept and sophisticated metrics. -
SFX Entertainment, INC Form 8-K Current Report Filed 2016-01-21
SECURITIES AND EXCHANGE COMMISSION FORM 8-K Current report filing Filing Date: 2016-01-21 | Period of Report: 2016-01-14 SEC Accession No. 0001104659-16-090844 (HTML Version on secdatabase.com) FILER SFX Entertainment, INC Mailing Address Business Address 902 BROADWAY 902 BROADWAY CIK:1553588| IRS No.: 000000000 | State of Incorp.:DE | Fiscal Year End: 1231 15TH FLOOR 15TH FLOOR Type: 8-K | Act: 34 | File No.: 001-36119 | Film No.: 161354176 NEW YORK NY 10010 NEW YORK NY 10010 SIC: 7900 Amusement & recreation services 646-561-6400 Copyright © 2016 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 8-K CURRENT REPORT PURSUANT TO SECTION 13 OR 15(D) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of report (Date of earliest event reported): January 14, 2016 SFX Entertainment, Inc. (Exact name of registrant as specified in its charter) Delaware (State or other jurisdiction of incorporation) 001-36119 90-0860047 (Commission File Number) (IRS Employer Identification No.) 902 Broadway, 15th Floor New York, New York 10010 (Address of principal executive offices) (Zip Code) (646) 561-6400 (Registrants telephone number, including area code) (Former name or former address, if changed since last report) Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2.): o Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) o Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) o Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) o Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) Copyright © 2013 www.secdatabase.com.