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Gotye Album Download Gotye gotye album download Gotye. Wouter "Wally" De Backer (born 21 May 1980 in Bruges, Belgium), better known by the stage name Gotye, is an indie pop/experimental singer/songwriter and multi-instrumentalist based in Victoria, Australia. Backer was born in Belgium, but moved with his family to Melbourne, Australia when he was two. Originally a member of the indie band Downstares, Backer began performing under the name Gotye in 2001 when the band disbanded. Aside from his solo work, De Backer has been a member of the indie band The Basics since its formation in 2002. Backer was born in Belgium, but moved with his family to Melbourne, Australia when he was two. Originally a member of the indie band Downstares, Backer began performing under the name Gotye in 2001 when the band disbanded. Aside from his solo work, De Backer has been a member of the indie band The Basics since its formation in 2002. Gotye's second album Like Drawing Blood was featured by Triple J in May 2006 and was voted Number 1 in the listeners poll of the Best Album of 2006 . The album was also nominated for a J Award that year. Two tracks from that album, Learnalilgivinanlovin and Heart's A Mess, were ranked 94 and 8 respectively in Triple J's Hottest 100 for 2006. Like Drawing Blood has been certified Platinum. In September 2006, Gotye was nominated for an Australian Recording Industry Music Award (ARIA award) for best independent release for his album Like Drawing Blood, and won 'Most Outstanding New Independent Artist' at the inaugural Australian Independent Record (AIR) Chart Awards. In 2007, Gotye won the ARIA for best male artist. As a result of the publicity of the nomination, Like Drawing Blood re-entered the ARIA album chart and was named iTunes UK Album of the Year in 2008. In 2009, Heart's A Mess came in at #77 in Triple J Hottest 100 of all time, voted by the Australian public. Amidst the lead-up to Gotye's third album, Like Drawing Blood re-entered the ARIA charts in mid 2011, peaking at its highest ever position of 13. After the success of Like Drawing Blood, De Backer was able to establish a permanent home, still in Melbourne's South East. In 2010, De Backer set up a recording studio in a barn at his parents' farm and set about recording tracks for his third album. He released a new single, Eyes Wide Open, in mid-October 2010, online and on 10" vinyl. The single received generally positive reviews and reached number 25 in the Triple J Hottest 100 of 2010. It was also shortlisted for the 2011 APRA Music Awards in the Song of the Year category. In late March 2011, De Backer revealed the album's title to be Making Mirrors. This title was inspired by an artwork, painted by De Backer's father in the 1980s, discovered by De Backer amongst old bills and newspapers in his parents' barn, which was later edited in Photoshop to become the album artwork. "The mirror reflects on artwork and it is all very related to self-reflection and introspection on the album." On 19 May, it was announced that the album would be released on 19 August 2011, with the album launch the following day at the Sydney Opera House as part of the Graphic Festival which will feature animators and a 10-piece orchestra as part of Gotye's performance. De Backer also released a follow-up single to Eyes Wide Open titled Somebody That I Used to Know, which was released 6 July 2011, and debuted at #27 on the ARIA Top 50 Singles Chart. The single became something of a sensation, quickly moving up the ARIA singles chart despite comparatively low airplay to many other charting singles at the time. The track was further boosted by endorsements from well-known celebrities Ashton Kutcher and Lily Allen via Twitter, exposing Gotye's music to their millions of followers. The single has gone on to reach 6? Platinum (420,000 units sold) status. On 15 July 2011, it was announced that Gotye's single Somebody That I Used to Know had come third in the 2011 Vanda & Young Songwriting Competition. As part of the prize, Gotye won a spot to perform at Song Summit 2012 at Darling Harbour, 26?28 May 2012. On its first week of release, Making Mirrors came in at number one on the ARIA Australian album chart, making Gotye the first Australian act to simultaneously hold both the number one single and album since Silverchair, who achieved the same feat in 2007. On 11 October 2011, it was announced that Gotye had been nominated for seven ARIA Awards. Due to the release date restrictions of the eligibility period, Making Mirrors could not be nominated, and the seven nominations all related to the single Somebody That I Used to Know. Gotye was nominated for Highest Selling Single, Single of the Year, Best Pop Release, Best Male Artist and three awards in the ARIA Artisan category: Best Video (Natasha Pincus), Engineer of the Year (Francois Tetaz) and Producer of the Year (Wally De Backer). On the same day the nominations were revealed, the winners of the Artisan categories were announced, with Gotye and the album personnel winning all three. On 27 November 2011, Gotye took out three of the four remaining ARIA Award nominations. Single of the Year, Best Male Artist and Best Pop Release. "Somebody That I Used To Know" has become an international hit, reaching #1 in Australia, Belgium, United Kingdom, Poland, Austria, Ireland, Norway, The Netherlands, New Zealand and Germany, and also reached #1 on the alternative radio airplay charts in The United States and Canada (on the pop charts in those countries, the song has reached #5 and #11, respectively). Like Drawing Blood. Assembled from a mountain of bargain-bin samples, Belgian-Australian maverick Gotye's second solo album, Like Drawing Blood, is an impressively eclectic cut-and-paste affair that suggests "the next Sting/Peter Gabriel" labels are doing him a slight disservice. Produced by Franc Tetaz (Architecture in Helsinki), the follow-up to 2003's Boardface undeniably still tips its cap to the two juggernauts of '80s world-pop, particularly on the reverb-drenched dub of "Puzzle with a Piece Missing" and the melodic AOR of "Night Drive," the latter of which ends in a clattering Phil Collins-style drum solo. But Gotye's musical brain is far too hyperactive and intelligent to simply focus his efforts on one particular type of pastiche, and elsewhere, he makes convincing forays into foot-stomping Northern soul on "Learnalilgivinanlovin," claustrophobic trip-hop on the Harry Belafonte-sampling "Hearts a Mess," and lolloping electro-funk of "Thanks for Your Time" (perhaps the best song to be inspired by the frustrations of call centers), while also venturing onto the postwar dancefloor with the instrumental Gallic waltz of "Seven Hours with a Backseat Driver" and the strutting tango of "Coming Back." However, the running times of its 11 tracks are all over the place, with the atmospheric gothic indie pop of "The Only Thing I Know" failing to sustain its early momentum over seven meandering minutes, while at the other end of the scale, the intriguing orchestral melancholy of 38-second closer "Worn Out Blues" is over before it's even begun. A little more control in the editing suite might have helped, then, but Like Drawing Blood is still an engaging and diverse affair that should see Gotye begin to shake off the constant comparisons. Making Mirrors. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £13.49. Stepping out from behind the piano/drums of Melbourne indie pop three-piece the Basics for the third time, Belgian-Australian multi-instrumentalist Wally De Backer, aka Gotye's first solo record in five years, Making Mirrors, reveals a love of the '80s pop scene, which extends far beyond the usual influences of the current nu-synth brigade. The hugely experimental follow-up to 2006's Like Drawing Blood doesn't discriminate against other decades, as evident on the impossibly uplifting '60s retro soul of "I Feel Better," the '70s West Coast harmonies of the ethereal lullaby-like closer "Bronte," the '90s Beck-esque scuzzy garage rock of "Easy Way Out," and the 2000s hushed, claustrophobic dubstep of "Don't Worry, We'll Be Watching You." But seemingly unaffected by the constant comparisons with the likes of Sting and Peter Gabriel, it's the era of early new wave, dub, and worldbeat which defines its 12 tracks. Unexpected chart-topper "Somebody That I Used to Know," a collaboration with New Zealand vocalist Kimbra, is an oddball break-up song whose stuttering rhythms, reggae hooks, and hushed vocals sound like the Police as remixed by the XX, "Smoke and Mirrors" echoes the avant-garde pop of Gabriel's So, with its pounding tribal drums, orchestral flourishes, and new age melodies, while there are also nods to George Michael's "Faith" on the acoustic gospel-pop of "In Your Light"; the impassioned Aussie rock of Midnight Oil on the ecologically themed "Eyes Wide Open," and electro pioneer Thomas Dolby on the strange, vocodered vocals, spoken word samples, and skank guitars of the trippy "State of the Art." Familiar they may be, but some credit has to go to De Backer for managing to weave these eclectic retro sounds into a cohesive affair, which proves that along with recent efforts by Art vs.
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