DOCSLIB.ORG

Read Ebook {PDF EPUB} Snowline by Berkely Mather ISBN 13: 9780671819781

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Ebook {PDF EPUB} Snowline by Berkely Mather ISBN 13: 9780671819781 Read Ebook {PDF EPUB} Snowline by Berkely Mather ISBN 13: 9780671819781. If you know the book but cannot find it on AbeBooks, we can automatically search for it on your behalf as new inventory is added. If it is added to AbeBooks by one of our member booksellers, we will notify you! Other Popular Editions of the Same Title. Featured Edition. ISBN 10: 0600871797 ISBN 13: 9780600871798 Publisher: The Companion Book Club, 1974 Hardcover. Collins, 1973 Hardcover. Charle. 1973 Hardcover. Fontana, 1974 Softcover. Customers who bought this item also bought. Shop With Us. Sell With Us. About Us. Find Help. Other AbeBooks Companies. Follow AbeBooks. By using the Web site, you confirm that you have read, understood, and agreed to be bound by the Terms and Conditions. SNOWLINE by Berkely mather ISBN 13: 9780671819781. Try adding this search to your want list. Millions of books are added to our site everyday and when we find one that matches your search, we'll send you an e-mail. Best of all, it's free. Are you a frequent reader or book collector? Join the Bibliophile's Club and save 10% on every purchase, every day — up to $25 savings per order! Social Responsibility. Did you know that since 2004, Biblio has used its profits to build 16 public libraries in rural villages of South America? Berkely Mather. Berkely Mather (25 February 1909 – 7 March 1996) was a British author who published fifteen novels and a book of short stories. He also wrote for radio, television and the movies. Berkely Mather was in fact the pseudonym of John Evan Weston-Davies, whose family, shortly before World War I, emigrated to Australia, where he received his education. Finding himself in England without prospects at the height of the Great Depression, he enlisted in the Royal Horse Artillery, but failed to gain a commission. He therefore applied to join the Indian Army, in which he rose through the ranks, becoming a sergeant at the outbreak of World War II in 1939. He served in the Iraq campaign under Slim, and ended the war as an acting lieutenant-colonel. After India gained independence in 1947, he rejoined the British Army, serving in the Royal Artillery until he retired in 1959. Mather's first novel, The Achilles Affair (1959), was a minor best-seller, and his second, The Pass Beyond Kashmir (1960), which received glowing reviews from Ian Fleming and Erle Stanley Gardner, did even better. Ernest Hemingway owned copies of both these novels. Mather's espionage thrillers can be read separately, but are linked to each other by recurring characters, in particular the sardonic and resourceful British agent Idwal Rees, who appears in The Pass Beyond Kashmir, The Terminators and Snowline. The author's military experience and years spent abroad give his work richness and depth. His last three novels were an ambitious trilogy that followed the fortunes of the Stafford family in the Near and Far East from the middle of the nineteenth century to the middle of the twentieth. Two of Mather's early books stand somewhat apart from the rest in that they are spin-offs from his work in other media. Geth Straker (1962) started out as a radio serial, hence the tag on the front cover: "Further daring exploits from the log of radio's trouble hunting mariner". The book contains four stories. Genghis Khan (1965) is a novelisation of the 1965 film of the same name, for which he had written the original story. Mather's other motion picture credits include The Long Ships and Dr. No. James Bond film producers Albert R. Broccoli and Harry Saltzman purchased the film rights to The Pass Beyond Kashmir for Columbia Pictures in 1963. Sean Connery and Honor Blackman were to star. Production was to have begun in late 1964 in Britain and on location in the Far East. Snowline by Berkely Mather. Hooray! You've discovered a title that's missing from our library. Can you help donate a copy? If you own this book, you can mail it to our address below. You can also purchase this book from a vendor and ship it to our address: Better World Books Amazon More Bookshop.org. When you buy books using these links the Internet Archive may earn a small commission. Benefits of donating. When you donate a physical book to the Internet Archive, your book will enjoy: Beautiful high-fidelity digitization Long-term archival preservation Free controlled digital library access by the print-disabled and public † Open Library is a project of the Internet Archive, a 501(c)(3) non-profit. Berkely Mather. Hardcover. Condition: GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included. More buying choices from other sellers on AbeBooks. Hour of the Dog. Berkely Mather. Published by St. Martin's Press, 1982. Used - Hardcover Condition: VERY GOOD. Hardcover. Condition: VERY GOOD. Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s). More buying choices from other sellers on AbeBooks. Genghis Khan. Mather, Berkely. Published by Dell, NY, 1965. Used - Softcover Condition: Very Good. Mass Market Paperback. Condition: Very Good. McCarthy (cover art) (illustrator). First Printing. "The Mighty Saga Of The Barbarian Outcast Who Became Conqueror of The World". Most of our used books are in good to very good condition, with some minor reading wear. If you would like information on this particular book, please ask a question. The Midnight Gun. Mather, Berkely. Published by St Martins Pr. Used - Hardcover Condition: As New. Condition: As New. Very Good dust jacket. The White Dacoit. Mather, Berkely. Published by Scribner, 1974. Used - Hardcover Condition: Good. Condition: Good. Good dust jacket. Stamped on endpage. More buying choices from other sellers on AbeBooks. Genghis Khan. Mather, Berkely. Published by Dell, 1965. Used - Softcover Condition: Good. Softcover. Condition: Good. Size: Mass Market Paperback. Light creasing and wear, some soiling to the covers, pages toned; a good solid vintage paperback. Movie note on the cover. Quantity Available: 1. Shipped Weight: Standard Weight. Category: Vintage Paperbacks; Inventory No: 181024. Genghis Khan. Mather, Berkely. Published by Dell-2866-50c, New York, 1965. Used - Softcover Condition: Good. Mass Market Paperback. Condition: Good. Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, may not include cdrom or access codes. Customer service is our top priority!. The Achilles Affair (Bantam J2480) Berkely Mather. Published by Bantam Books. Used Condition: Good. Condition: Good. Owner's name on inside. The Gold of Malabar. MATHER, Berkely. Published by Charles Scribner's Sons, 1967. Used - Hardcover Condition: Good. Condition: Good. First edition copy. Good dust jacket. In protective mylar cover. The Gold of Malabar. MATHER, Berkely. Published by Charles Scribner's Sons, 1967. Used - Hardcover Condition: Good. Condition: Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. More buying choices from other sellers on AbeBooks. The Achilles Affair. Berkely Mather. Published by Bantam Books, Inc., New York, NY, 1962. Used - Softcover Condition: Good. Soft cover. Condition: Good. No Jacket. Paperback Edition. G/none, used pb, 153pp. VINTAGE PAPERBACK Color illustrated, stiff paper wraps with white and tomato red colored text on upper and white text on creased spine; rubbed; slight edge wear; shelf wear to tail of spine. Interior pages clean, unmarked; age-toned. Binding is started. Genghis Khan. Mather, Berkely. Published by Dell, 1965. Used - Softcover Condition: Very Good. Mass Market Paperback. Condition: Very Good. First Edition. Genghis Khan. Mather, Berkely. Published by Dell, 1965. Used - Softcover Condition: Very Good Plus. Paperback. Condition: Very Good Plus. A very good plus paperback ( sticker on front cover). GENGHIS KHAN. Mather, Berkely. Published by Dell, NY, 1965. Used - Softcover Condition: Very Good. Mass Market Paperback. Condition: Very Good. 1st printing, June 1965; #2866. Cover art by F. McCarthy. Movie tie-in. Minor stress and creasing; tanning. The Gold of Malabar. Mather, Berkely. Published by CHARLES SCRIBNER'S SONS. Used - Hardcover Condition: Good. Condition: Good. First edition copy. Good dust jacket. Owner's name on inside. A Spy for A Spy. Mather, Berkely. Published by n/a, 1969. Used - Softcover Condition: Good. Mass Market Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ThriftBooks: Read More, Spend Less. BREAK. BERKELY MATHER. Published by SCRIBNER BOOK CO. Used - Hardcover Condition: GOOD Chipped Cover. Hardcover. Condition: GOOD Chipped Cover. Pagoda Tree. Mather, Berkely. Published by Ulverscroft Large Print Books, 1982. Used - Hardcover Condition: Good. Condition: Good. Large Prnt. Shows some signs of wear, and may have some markings on the inside. Genghis Khan. Mather, Berkely. Published by Dell, NY, 1965. Used - Softcover Condition: NF. Paperback. Condition: NF. 1st Edition. Dell #2866, 1965. Stated first Dell printing, paperback original. Near fine condition. Some rubs to the front wrapper's lower edge. Movie ti e-in with cover art by F. McCarthy. THE GOLD OF MALABAR. Mather, Berkely. Published by Readers Book Club, Australia, 1968. Used - Hardcover Condition: Very Good. Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. First Thus. HB, brown cloth boards in pictorial DJ, 224pp. Unclipped DJ has moderate rubbing, creasing to edges , now protected. Book has minor rubbing to covers, inside has tanning to page edges, else square & tight.
Load more

Recommended publications
  • Cine E Ideología: La Representación Del Mal En Las Películas De James Bond (1962-2015)
    Trabajo Fin de Grado Cine e ideología: la representación del mal en las películas de James Bond (1962-2015) Film and ideology: the representation of evil in James Bond movies (1962-2015) Autora Berta Comas Casas Directora Mª Isabel Ubieto Artur FACULTAD DE FILOSOFÍA Y LETRAS 2016 Resumen El trabajo parte de la hipótesis de que las películas de acción y entretenimiento de las grandes industrias audiovisuales se basan en la actualidad e identifican a los personajes villanos con la idea de la maldad inherente a ese momento histórico preciso según el imaginario colectivo. Para ello se lleva a cabo una aproximación a la representación fílmica del mal y sus características, y en concreto las de los villanos de la saga del espía James Bond, cuyas 24 entregas han sido analizadas desde el punto de vista documental. Entre las conclusiones se describirán los elementos que caracterizan el mal en esta saga, que se identifica con la visión histórica del momento, lo que permite confirmar que el cine reproduce la ideología de la maldad y esta saga es un ejemplo de ello. Palabras clave Cine e ideología, James Bond, Agente 007, Villanos Absctract The project starts from the hypothesis that action films and audiovisual entertainment major industries rely on today and identify the villains characters with the idea of inherent evil in this historical moment according to the social imaginary. That is the reason why it is carried out an approach to the filmic representation of evil and its characteristics, in particular those of the villains of the saga of James Bond spy, whose 24 films have been analyzed from documentary point of view.
    [Show full text]
  • Introduction
    Notes Introduction 1 . Kristina Jaspers, ‘Zur Entstehungsgeschichte und Funktion des Storyboards’, in Katharina Henkel, Kristina Jaspers, and Peter Mänz (eds), Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg (Bielefeld: Kerber, 2012), p. 15. We are indebted to Julia Knaus for all translations from the original German of this book. 2 . Jean-Claude Carrière, The Secret Language of Film , trans. Jeremy Leggatt (London: Faber, 1995), p. 150. 3 . Nathalie Morris, ‘Unpublished Scripts in BFI Special Collections: A Few Highlights’, Journal of Screenwriting 1.1 (2010), pp. 197–198. 4 . Fionnuala Halligan, Movie Storyboards: The Art of Visualizing Screenplays (San Francisco: Chronicle, 2013), p. 9. 5 . Alan David Vertrees, Selznick’s Vision: Gone with the Wind and Hollywood Filmmaking (Austin: University of Texas Press, 1997), pp. 67, 117. 6 . See Steven Price, A History of the Screenplay (Basingstoke: Palgrave, 2013). 7 . Katharina Henkel and Rainer Rother, ‘Vorwort’, in Katharina Henkel, Kristina Jaspers, and Peter Mänz (eds), Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg (Bielefeld: Kerber, 2012), p. 8. 8 . Vincent LoBrutto, The Filmmaker’s Guide to Production Design (New York: Allworth, 2002), p. 62. 9 . Halligan, p. 8. 10 . John Hart, The Art of the Storyboard: Storyboarding for Film, TV, and Animation (Boston: Focal Press, 1999), p. 5. 11 . Steven Maras, Screenwriting: History, Theory and Practice (London: Wallflower, 2009), p. 120. 12 . Maras, p. 123. 13 . Kathryn Millard, ‘The Screenplay as Prototype’, in Jill Nelmes (ed.), Analysing the Screenplay (London: Routledge, 2011), p. 156. Millard develops related arguments in ‘After the Typewriter: The Screenplay in a Digital Era’, Journal of Screenwriting 1.1 (2010), pp.
    [Show full text]
  • Ts, Xl-James Bond Archives
    All About James Bond! First XL-Edition Golden Edition Copies 001–500* *No. 007 not for sale; to be auctioned for charity Limited to 500 num- “We wanted to create a book that Features include: would be an appropriate tribute to this bered copies, signed incredible 50-year milestone. A book – Celebrating the 50th anniversary of the most by Daniel Craig that would show the familiar, but also things never seen before, treasures successful and longest-running film franchise in uncovered, moments long since cinema history! forgotten. A book that would look not – Made with unrestricted access to the Bond archives, just at the world of Bond films, but the world behind the films, at everything this XL tome recounts the entire history of James Bond it took to make this 50-year journey in words and pictures happen.” – Among the 1100 images are many previously unseen — Michael G. Wilson and Barbara Broccoli, EON Productions stills, on-set photos, memos, documents, storyboards, posters, and designs, plus unused concepts, and With an archival, museum- alternative designs quality pigment print THE JAMES BOND ARCHIVES – Behind-the-scenes stories from the people who were signed by legendary Bond LIMITED FIRST EDITION there: producers, directors, actors, screenwriters, set designer Sir Ken Adam Edited by Paul Duncan production designers, special effects technicians, Hardcover + film strip of Dr. No stuntmen, and other crew members 41.1 x 30 cm (16.2 x 11.8 in.), 600 pages – Chapters written by Ellen Cheshire, Danny Graydon, Howard Hughes, Colin Odell & Michelle Le Blanc, Editions: Jamie Russell, and Paul Duncan English: ISBN 978–3–8365–2105-5 – Includes every Bond film ever made, from Dr.
    [Show full text]
  • The Elements of Eloquence
    Praise for Mark Forsyth’s previous books: The Etymologicon ‘This year’s must-have stocking filler – the angel on the top of the tree, the satsuma in the sock, the threepenny bit in the plum pudding, the essential addition to the library in the smallest room is Mark Forsyth’s The Etymologicon’ Ian Sansom, Guardian ‘I’m hooked on Forsyth’s book … Crikey, but this is addictive’ Matthew Parris, The Times ‘Kudos should go to Mark Forsyth, author of The Etymologicon … Clearly a man who knows his onions, Mr Forsyth must have worked 19 to the dozen, spotting red herrings and unravelling inkhorn terms, to bestow this boon … a work of the first water, to coin a phrase.’ Daily Telegraph ‘The Etymologicon contains fascinating facts’ Daily Mail ‘I really love books about words, and this is a particularly good one … Forsyth takes words and draws us into their, and our, murky history.’ William Leith, Evening Standard ‘One of the books of the year. It is too enjoyable for words.’ Henry Coningsby, Waterstones Watford ‘This witty book liberates etymology from the dusty pages of the dictionary and brings it alive’ Good Book Guide The Horologicon ‘A magical new book … Forsyth unveils a selection of obsolete, but oh-so-wonderful words’ Daily Mail ‘The Horologicon lists many of the fabulous, obsolete gems of our language’ Carol Midgley, The Times ‘If you love obscure words, then Mark Forsyth’s The Horologicon will be for you’ Daily Express ‘This is surely the quirkiest, funniest English word book’ Good Book Guide ‘Whether you are out on the pickaroon or ogo-pogoing
    [Show full text]
  • Playboy Magazine Collection an Inventory
    1 Playboy Magazine Collection An Inventory Creator: Hefner, Hugh (1926-2017) Title: Playboy Magazine Collection Dates: 1955-2018, bulk 1955-1979. Abstract: This collection consists of issues of Playboy and OUI magazines ranging from December 1955-June 2018. Playboy is unique among other erotic magazines of its time for its role as a purveyor of culture through political commentary, literature, and interviews with prominent activists, politicians, authors, and artists. The bulk of the collection dates from the 1960s-1970s and includes articles and interviews related to political debates such as the Cold War, Communism, Vietnam, the Civil Rights Movement, second-wave feminism, LGBTQ rights, and the depiction and consumption of the body. Researchers studying American Culture in the 1960s/70s, Gender & Sexuality, History of Advertising, and History of Photography will find this material of particular interest. Extent: 18 boxes, 7.5 linear feet Language: English Repository: Drew University Library, Madison NJ Biographical and History Note: Hugh Hefner, (April 9, 1926 – September 27, 2017), the founder and editor-in-chief of Playboy magazine, was known as a free speech activist, philanthropist, and proponent of sexual freedom. He founded Playboy magazine in 1953 with $1,000 seed money provided by his mother, Grace Hefner, a devout Methodist. The magazine quickly became known for its subversive visual, literary, and political content. Playboy is unique among other erotic magazines of the same time period for its role as a purveyor of culture through political commentary, literature, and interviews with prominent activists, politicians, authors, and artists. As a lifestyle magazine, Playboy curated and commodified the image of the modern bachelor of leisure.
    [Show full text]
  • Playboy Magazine Collection an Inventory
    1 Playboy Magazine Collection An Inventory Creator: Hefner, Hugh (1926-2017) Title: Playboy Magazine Collection Dates: 1955-2018, bulk 1955-1979. Abstract: This collection consists of issues of Playboy and OUI magazines ranging from December 1955-June 2018. Playboy is unique among other erotic magazines of its time for its role as a purveyor of culture through political commentary, literature, and interviews with prominent activists, politicians, authors, and artists. The bulk of the collection dates from the 1960s-1970s and includes articles and interviews related to political debates such as the Cold War, Communism, Vietnam, the Civil Rights Movement, second-wave feminism, LGBTQ rights, and the depiction and consumption of the body. Researchers studying American Culture in the 1960s/70s, Gender & Sexuality, History of Advertising, and History of Photography will find this material of particular interest. Extent: 16 boxes, 6.6 linear feet Language: English Repository: Drew University Library, Madison NJ Biographical and History Note: Hugh Hefner, (April 9, 1926 – September 27, 2017), the founder and editor-in-chief of Playboy magazine, was known as a free speech activist, philanthropist, and proponent of sexual freedom. He founded Playboy magazine in 1953 with $1,000 seed money provided by his mother, Grace Hefner, a devout Methodist. The magazine quickly became known for its subversive visual, literary, and political content. Playboy is unique among other erotic magazines of the same time period for its role as a purveyor of culture through political commentary, literature, and interviews with prominent activists, politicians, authors, and artists. As a lifestyle magazine, Playboy curated and commodified the image of the modern bachelor of leisure.
    [Show full text]
  • The 50 Greatest Heroes and the 50 Greatest Villains of All Time 400 Nominated Characters
    The 50 greatest heroes and the 50 greatest villains of all time 400 Nominated Characters 1 BUDDY ACKERMAN in SWIMMING WITH SHARKS (Trimark, 1994) ACTOR Kevin Spacey DIRECTOR George Huang PRODUCERS Steve Alexander, Joanne Moore SCREENWRITERGeorge Huang COSTUMES Kirsten Everberg MAKE-UP Sarah Gaye Deal HAIR Sarah Gaye Deal 2 SHEIK AHMED in THE SHEIK (Paramount, 1921) ACTOR Rudolph Valentino DIRECTOR George Melford PRODUCER Jesse L. Lasky SCREENWRITERMonte M. Katterjohn ALSO appears in: THE SON OF THE SHEIK (United Artists, 1926) 3 THE ALIEN in ALIEN (20th Century Fox, 1979) ACTOR Bolaji Badejo DIRECTOR Ridley Scott PRODUCERS Gordon Carroll, David Giler, Walter Hill SCREENWRITERDan O’Bannon ALIEN DESIGN H. R. Giger 4 JAMES ALLEN in I AM A FUGITIVE FROM A CHAIN GANG (Warner Bros., 1932) ACTOR Paul Muni DIRECTOR Mervyn LeRoy PRODUCER Hal B. Wallis SCREENWRITERS Howard J. Green, Brown Holmes AFI is a trademark of the American Film Institute. Copyright 2005 American Film Institute. All Rights Reserved. 5 CRYSTAL ALLEN in THE WOMEN (MGM, 1939) ACTOR Joan Crawford DIRECTOR George Cukor PRODUCER Hunt Stromberg SCREENWRITERS Anita Loos, Jane Murfin COSTUMES Adrian MAKE-UP Sydney Guilaroff 6 GREGORY ANTON in GASLIGHT (MGM, 1944) ACTOR Charles Boyer DIRECTOR George Cukor PRODUCER Arthur Hornblow, Jr. SCREENWRITERS John Van Druten, Walter Reisch, John L. Balderston COSTUMES Irene MAKE-UP Jack Dawn 7 BRUNO ANTONY in STRANGERS ON A TRAIN (Warner Bros., 1951) ACTOR Robert Walker DIRECTOR Alfred Hitchcock PRODUCER Alfred Hitchcock SCREENWRITERRaymond Chandler, Czenzi Ormonde COSTUMES Leah Rhodes MAKE-UP Gordon Bau 8 DAVID ARMSTRONG in WINGS (Paramount, 1927) ACTOR Richard Arlen DIRECTOR William A.
    [Show full text]
  • Guillaume Evin
    GUILLAUME EVIN LA LÉGENDE EN 25 FILMS LA BIBLE SUR LES AVENTURES CINÉMATOGRAPHIQUES DE JAMES BOND POUR ACCOMPAGNER À L’heure de sA SORTIE LE 25E OPUS DE LA SAGA LE LIVRE Le 8 avril prochain sortira sur les écrans le prochain « James Bond », intitulé Mourir peut attendre (No Time To Die). Pour marquer cet événement – le 25e film de la série –, voici James Bond, L’encyclopédie 007 pour tout savoir sur l’une des plus célèbres sagas cinématographiques. Au programme : - Les 25 films détaillés (production, casting, tournage…) et analysés par le spécialiste français de l’agent 007 - Les secrets de tournage du dernier épisode de la série, Mourir peut attendre - Une iconographie exceptionnelle – plus de 600 documents visuels (photos de promotion, affiches…) dont des photos inédites issues de la collection privée de Guy Hamilton (réalisateur de quatre James Bond dont Goldfinger) - Des annexes : Hommage à Roger Moore, Survivre à James Bond, La relève après l’ère Craig. Saviez-vous que Sean Connery a failli finir dans l’estomac d’un squale ? Que Burt Reynolds fut envisagé pour le rôle de 007 avant que Roger Moore n’entre en scène ? Que l’auteur de Charlie et la chocolaterie, Roald Dahl, participera au scénario d’On ne vit que deux fois ? Qu’il faudra plus de six ans après l’ère Dalton pour relancer la série ? Que Skyfall fut le film le plus rentable de la saga ? Voitures, méchants, James Bond girls, armes, gadgets… Retrouvez tous les éléments de la légende 007 dans James Bond, la légende en 25 films – véritable bible pour passionnés du plus célèbre des agents secrets.
    [Show full text]
  • Diplomarbeit
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT „Frauenfiguren in Actionfilmen: Die Stereotypisierung der Heldinnen“ Eingereicht von Ioana-Lucia Demczuk Zur Erlangung des akademischen Grades der Magistra der Philosophie (Mag. Phil.) Wien, August 2009 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Diplomstudium Theater-, Film- und Medienwissenschaft Betreuerin / Betreuer: Univ.-Prof. Dr. Hilde Haider Dank Diese Arbeit konnte nicht ohne die großzügige Hilfe zahlreicher Personen fertiggestellt werden. An dieser Stelle möchte ich mich bei diesen herzlichst Bedanken. Mein Dank gilt besonders meiner Mutter Daniela Iulia Gazetovici, die nicht müde wurde ihre freien Wochenenden damit zu verbringen sich gemeinsam mit mir unzählige Actionfilme der letzten drei Jahrzehnte anzusehen. Vielen Dank für deine liebevolle Unterstützung. Auch meinem Vater, Dumitru Marian Gazetovici, möchte ich für die unzähligen Anrufe danken, durch welche er mich über die aktuell im Fernsehen gezeigten Actionfilme auf dem Laufenden hielt. Das zivilisierte Aussehen dieser Arbeit verdanke ich vor allem der Hilfe Michaela Wallners und Isabella Gasselichs. Ein herzliches Dankeschön geht an dieser Stelle auch an Simon Konttas, der sich auf die undankbare Aufgabe des Korrekturlesens stürzte. Besonderen Dank schulde ich meiner Betreuerin Professor Dr. Hilde Haider-Pregler, ohne deren freundliche Unterstützung die Fertigstellung dieser Arbeit nicht möglich gewesen wäre. Vielen Dank für die unzähligen Ratschläge, die geduldige Beantwortung aller meiner Fragen (so wichtig oder unwichtig sie sein mochten) und die investierten Stunden bei unseren Treffen. I would also like to thank Victor Demczuk for his support. Without his help and advice I wouldn’t have been able to complete my research on the female subgroups.
    [Show full text]
  • James Bond 007 Le Parcours D’Un Héros Pierre Ranger, Luc Chaput, Élie Castiel, Mathieu Perreault Et Ismaël Houdassine
    Document généré le 24 sept. 2021 21:38 Séquences La revue de cinéma James Bond 007 Le parcours d’un héros Pierre Ranger, Luc Chaput, Élie Castiel, Mathieu Perreault et Ismaël Houdassine James Bond 007 Numéro 246, novembre 2006, janvier 2007 URI : https://id.erudit.org/iderudit/47621ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Ranger, P., Chaput, L., Castiel, É., Perreault, M. & Houdassine, I. (2006). Compte rendu de [James Bond 007 : le parcours d’un héros]. Séquences, (246), 31–37. Tous droits réservés © La revue Séquences Inc., 2006 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ DOSSIER I PANORAMIQUE JAMES BOND 007 Le parcours \ d'un héros Son nom est Bond. James Bond. Certains l'aiment sans ambages, d'autres le détestent profondément. Quoi qu 'en disent les puristes et ses détracteurs, l'agent secret 007 a marqué le cinéma et divertit les spectateurs depuis plus de 40 ans. Mais d'où vient Bond ? Qui est-il ? Qui en est l'auteur ? Quels acteurs ont incarné le personnage ? Comment celui-ci a-t-il évolué au fil des ans ? Pourquoi les films ont-ils obtenu un si grand succès ? Tant de questions et bien d'autres suscitent la curiosité et soulignent l'importance du personnage.
    [Show full text]
  • And Cold War Cinema
    A Second Evil Empire The James Bond Series, “Red China”, and Cold War Cinema SEBASTIAN GEHRIG 1 On 17 September 1964, the James Bond flm Goldfinger premiered at the Odeon Theatre, Leicester Square, London and as soon hailed b! man! critics as the ar" chet!pical Bond ad#enture $see %hapman &''7, 49() The flm re#ol#es around the #illain *uric +oldfn,er, superbl! pla!ed b! +ert -röbe, ho attempts to det" onate an atomic de#ice in the /S ,old depositor! of -ort 1no2) 3imsel0 a mil" lionaire and obsessed ith ,old, +oldfn,er hopes to increase the #alue of his o n ,old reser#es ten0old b! renderin, the /S reser#es unusable. Shortl! before the assault on -ort 1nox, +oldfn,er re#eals his plan to Bond, certain that the lat" ter ill die in the raid) Bond con0ronts +oldfn,er ith the 0act that it is im" possible to transport all of the ,old deposited at -ort 1no2 to another place be" 0ore the /S militar! sends rein0orcements to 0oil the scheme. +oldfn,er then discloses to Bond that the 4red"%hinese5 ha#e supplied him ith an atomic de#ice to carr! out his plan, and that he does not intend to remo#e the ,old bul" lion at all $1964, scene startin, at 16&76&'() As in the frst and f8h James Bond flms, Der. No $196&( and You Oily Livg Twicg $1967(, the 9eople:s ;epublic of %hina 1 ;esearch 0or this article as supported b! the %luster o0 <2cellence 4*sia and <urope in a Global %ontext5 at the /ni#ersit! o0 3eidelber,) Sebastian Gehrig is Senior /ec)urer in 1odern Europe2n His)or3 2) )he -ni5ersi)3 o6 Roehampton7 /ondon% Volume 2 · Issue 1 · Spring 2019 ISSN 2514-21 ! "#I$ 10%24! &'bs%45 Dis)ribu)ed under ++ B, 2%0 -.
    [Show full text]
  • Normal (0:40 – 0:47)
    Intro (0:00 – 0:36) Heightened beginning (0:36 – 0:39) Normal (0:40 – 0:47) Traditional ups & downs (0:47 – 0:57) Heightened ups & downs (0:57 – 1:00) Traditional ups & downs with orchestra (1:01 – 1:11) Heightened ups & downs with orchestra (1:12 – 1:15) Sweeping ups & downs with orchestra (1:16 – 1:22) Heightened normal with orchestra (1:22 – 1:28) Signature low sweep (1:28 – 1:29) Heightened normal with orchestra (1:29 – 1:32) Signature high sweep (1:32 – 1:35) Signature low sweep (1:35 – 1:36) Heightened normal with orchestra (1:36 – 1:39) Signature high sweep (1:39 – 1:41) Signature low sweep (1:41- 1:43) Heightened normal with orchestra (1:44 – 1:46) Signature high sweep (1:46 – 1:49) Louder upscale with orchestra (1:49 – 1:56) Signature low sweep upscale (1:56 – 2:00) Normal with orchestra (2:00 – 2:07) Traditional ups and downs with orchestra (2:07 – 2:17) Heightened ups & downs with orchestra (2:17 – 2:21) Traditional ups and downs with orchestra (2:21 – 2:31) Heightened ups & downs with orchestra (2:31 – 2:35) Higher heightened ups & downs with orchestra ending (2:35 – 2:41) Conclusion (2:42 – 2:47) Text Used in Dr.No Title Sequence (grouped): Ian Fleming's Dr. No 007 starring Sean Connery 007 Ursula Andress Joseph Wiseman Jack Lord Bernard Lee Anthony Dawson John Kitzmiller Zena Marshall Eunice Gayson Michel Mok Lois Maxwell Peter Burton Yvonne Shima Louis Blaazer Reginald Carter WM. Foster-Davis Margaret Le Wars Director of Photography Ted Moore BSC Production Designer Ken Adam Production Manager L.C Rudkin Editor Peter Hunt
    [Show full text]