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Methodist University’s Journal of Undergraduate Research and Creativity [email protected] 5400 Ramsey Street Fayetteville, NC 28311 Volume Six 2019–2020 A teri not reated y the individal athors nd rtists is sect to coyriht © 19 Methodist University Cover ie Untitled II © 19 y Mary e rer Cover esin y Jason andy nd senii etrov The Monarch Review oe is vie onine t wethodistedonrh-review-6 The Monarch Review is sponsored y Staff Kaitin othr Bayor is Lead Student Editor Managing Editor Mari hoi senii etrov Assistant to Managing Editor, Wiia vis Fall 2019 Edison ri Fernndo hive Assistant to Managing Editor, oaneo ohe Spring 2019 Christoher Mier Fondin ditor Mirand de rie Editorial oard r aeron odorth Bayor is Associate Professor of English Chair of Editorial Board Director, Center for Research & Creativity Managing Editor, Monrh eview Proessor oin reene r hristoher ronin Professor of English & Writing Professor of Political Science Director, Writing Center r ott oertson Assistant Professor of Biology Faculty eviewers nd Art urors (All ffiitions re ith Methodist University ness otherwise noted) r osih aer en enderson Finance & Economics Music, Nebraska Wesleyan University r oio Ballantyne r eore endris History Social Work r e asnet Trey inds Economics & Marketing Social Work r ennier rooe erry ott enins Education Graphic Design r Mihe oonnese Tori ordn ord English Graphic Design r hristoher ronin Sarin onaba Political Science Digital Forensics & Cybersecurity Bi ney r eter Mrry Social Work History r aeron odorth onn ehm English Accounting & Business r san rhm-Loow r ott oertson Music Biology r ar Fagan Sarh ee Social Work Justice Studies ilvn oti Wendy onnet Art Legal Studies Roin reene Kar einrenner English Digital Forensics & Cybersecurity Student eviewers Mohnnd shlad Be astoder niela sterder riella oins Eiy edsoe Edard ein Anda evins Matthe ith nter avis Vrshi hobare Thos en Ieshi M est Erin ohnson Chndr itted Table of Contents 1 Letter from the Lead Student Editor 3 Letter from the Managing Editor 5 Necessary Violence in Frederick Douglass’s Narrative Maria Choi 11 Features of the Slave Narrative Genre in Harriet Jacobs’s Incidents in the Life of a Slave Girl Kseniia Petrova 18 Artists’ Statements 19 Portrait of Mederius Sierra Romero 20 Bull of Courage Sierra Romero 21 Desolation Sierra Romero 22 Shadows Sierra Romero 23 Night at the Masquerade Karen Britton 24 Senses Karen Britton 25 Analysis of North Carolina Colonial Records: Perquimans Precinct Court Cristina Gillard 29 The Renaissance Recorder: Resembling the Human Voice Alexis Cohan 39 Artists’ Statements 40 Untitled II Mary Sue Parker 41 Untitled Cubism I Mary Sue Parker 42 Warrior Blues Heather Miller 43 Image Bearer Heather Miller 45 The Audit Approval of Facebook’s Privacy Practices: Millions of Users’ Privacy Unprotected Jenna Landis 50 Understanding Volunteer Motivations: Recruiting and Retaining Youth and Young Adults Ieshia M. West 60 Artists’ Statements 61 Limitless Jason Aguilar 62 Crepuscular Rays at Mount Mitchell Jason Aguilar 63 Clouds During Hurricane Florence Jason Aguilar 64 Ambitions Cameron Dubin 65 Why Are Some Nations More Supportive of the Rights of Their Citizens? Daniella Amsterdammer 80 Causes of Population Growth: A Quantitative Study Mohnnad Alshalalda 97 Reciprocal Ekphrasis: Images and Poems, Poems and Images 98 Moon and Sun DeeOnna Denton 99 “Champagne Lips” Akejah McLaughlin 100 That Blue Kylen Dooley 101 “That Blue” Charles Canady 102 Colors Mary Sue Parker 103 “Carried by Color” Charles Canady 104 Beach Evening Primrose Cabaret Jordan Saunders 105 “Beach Evening Primrose Cabaret: Sang the Flower to the Bee” Chris Miller 106 Paper Void Kristen Oliva 107 “Paper Heart” Pamela Rondo 108 While Drinking Coffee Tom Gore 109 “While Drinking Coffee” Pamela Rondo 110 My Other Half Mary Sue Parker 111 “The Cold” DeeOnna Denton 112 Decalcomania Karen Britton 113 “Doppelganger” DeeOnna Denton 114 About the Contributors 118 Submissions Guidlines etter rom the Lead tudent Editor . ear eader This sith voe of the Monarch Review ie those tht ae efore it shoases the excellent creative and academic achievements of Methodist University’s undergraduate stdents This isse onsists o eiht research ers nd forteen orks o rt indin for the irst tie in the Monarch Review to stres n ddition the orn hs the riviee o resentin the reative hrvest of stdent oets nd inters ho oorated in MU’s first-ever “Reciprocal Ekphrasis: Images and Poems, Poems and Images,” an ehiit resenty on view in the Union-Zukosi Loy and no eoriied in these pages dy hoever hve to nnone tht ith the iation of this voe the orn is ein ssended indefinitey the manin editor hose etter foos this one wi i yo in With itte oonity in thee voe traves through tie nd rod sectru o ideas nd reative orms i yo visit to Aerian heroes ho in the years leadin to the ivi ar escaed ro slavery nd puiied its ora nd hysia horrors? s Mari hoi shows s rederi oss reconied tht the vioene of the slavehoder st too often e nswered y vioene senii etrov otines the tyia features of the American “slave narrative” as she examines the story of Harriet Jacobs, who od rotet her hidren ony y oferin her sexua vor to hite n nd who later hid or seven on years in n tti rret ony three eet hih i yo trave to the cooni era ith ristin ilard to earn ht erimans onty ort records revea aot ho coonil orth aroinins ived? o cod tae orney to Renissane Europe with Alexis Cohan’s essay on how recorder musicins nd instructors strove to mae the instrent sond ie the hn voie o an then retrn to the odern era with enn Landis ho exaines st entry scand aot yer insecrity s supposedly independent privacy auditor failed to uncover Facebook’s shockingly lax rivcy rotetions Ieshi M est offers ise onse on ys to enorae vonteeris aon yoth nd yon dts nie msterder inires into the hracteristis o ntions tht sort the ivi ierties nd hn rihts of their itiens nd Mohnnd Ashad oos for the demorhi actors tht y slo or seed otion rowth Intersersed on the essays yo an so rest yor eyes on visua rt y or nderrdates or ortraits or sti ies to stracts to sceni hotorahs and to stres These onderf reations re the or o ason ir ren ritton Caeron in eather Mier Mry e rer nd ierra oero lso reaty extending the journal’s exploration of student creativity, we include eight pairings of painting and poem from the “Reciprocal Ekphrasis” collaboration. The artists include eenna enton yen ooey o ore risten iva nd ordn unders s we as to hose or as ready seected or the orn—Karen ritton nd Mary e rer The oets re hres andy eenna enton kejah McLaughin hris Mier nd ela ondo h yer ny stdents suit their ork, facty eers sonsor their ork, stdent nd acty reviewers thoughty rovide their insihts nd the eers of the Monarch Review stf send hors roessin this feedk. orn stf eers ssess the papers theseves nd recoend revisions to ene the stdent thors to eet or 1 publishing standards. The art work goes through a less involved but similar process. And both artists and authors are given substantial feedback on the work they’ve accomplished. I offer my sincere gratitude to all those who aided in the submission and review process and to my team who spent many hours, on a volunteer basis, to create such a magnificent journal. Most of all, I would like to thank Baylor Hicks, managing editor, for working patiently and fervently with me and many others to create this sixth volume of the Monarch Review. The Monarch Review is close to my heart: It is an enterprise that has not only enabled students to share their amazing efforts in an impressive publication, but also given many of us an uneualed opportunity to hone our critical faculties and communication skills, and to join together in a complex task. I hope you enjoy this volume and the many treasures it has to offer. est regards, Kaitlin Coltharp Lead tudent Editor 2 Letter from the anaging ditor Dear eader, As aitlin has told you the Monarch Review is folding up its tent as we send this volume off for publication in print and online. We’re holding on to the hope that the ournal will be revived at some future date perhaps as soon as net fall but a path to that happy outcome is not apparent yet Still, if you’re feeling optimistic, and especially if you are a graduating senior please feel free to submit your research papers or creative work any medium but literary if the ournal is reinstated in the not too distant future we will include your work in our submission review and revision process or submission reuirements see httpswwwmethodistedumonarch-reviewsubmission .) The sith volume marks seven years of work by numerous undergraduate students—contributing authors contributing artists staff members and reviewers—and the many faculty members who have supported this effort by encouraging and sponsoring students to submit their work and thoughtfully reviewing and evaluating student submissions These friends of the ournal are literally too numerous to name but a handful of individuals deserve an individual shout-out Miranda ade riel was our founding student editor as a freshman she knew she wanted to establish a high-quality student ournal at ethodist and had the resolve and ability to bring her dream to fruition r elly alter arney stepped up to advocate for Miranda and the ournal and gave invaluable advice through our first year of operation the then director of the enter for esearch and reativity r lay ritton brought the ournal into his plans for the RC rof Robin reene director of the riting enter made available a professional writing consultant yours truly to coordinate and oversee the standards of uality and last but hardly least former rovost elmas risp approved the concept and the allocation of resources More recently the new RC director r Cameron odworth has been a firm supporter and a pleasure to work with The many people who have contributed to the Monarch Review have collectively enriched the undergraduate eperience at immeasurably nd we have produced some eceptional work that shows off Methodist niversity and its undergraduates to good advantage However, the Writing Center’s resources have shrunk in recent years, and the WC can no longer afford to release a substantial portion of my time to the journal.