MARY PRITCHARD Assistant Picture Editor (310) 963-6635

Total Page:16

File Type:pdf, Size:1020Kb

MARY PRITCHARD Assistant Picture Editor (310) 963-6635 MARY PRITCHARD Assistant Picture Editor marympritchard@yahoo.com (310) 963-6635 12 MONKEYS SYFY [Episodic] Producers: Livia Hanich, Claudia Alves Editors: Bert Kish, Dan Downer, Andrew Thompson LOST YOUR MIND HBO [Music Video – Kendall Lake] Producer: Michael Hill Director: Simon Jayes Editor: Louise Innes Cosmos: National Geographic Channel / Fox Network [TV Series] A SpaceTime Odyssey Producers: Livia Hanich, Jason Clark Directors: Brannon Braga, Ann Druyan, Bill Pope Editors: John Duffy, Eric Lea, Michael O’Halloran THE KINGS OF SUMMER CBS Television Distribution [Feature] Producers: David S. Grant, Peter Molnar, Ryan Adams Notes: TV/Airline Version THE MECHANIC CBS Television Distribution [Feature] Producers: David S. Grant, Peter Molnar, Ryan Adams Notes: TV/Airline Version LAST EXORCISIM PART II CBS Television Distribution [Feature] Producers: David S. Grant, Peter Molnar, Ryan Adams Notes: TV/Airline Version SEVEN PSYCHOPATHS CBS Television Distribution [Feature] Producers: David S. Grant, Peter Molnar, Ryan Adams Notes: TV/Airline Version THE WORDS CBS Television Distribution [Feature] Producers: David S. Grant, Peter Molnar, Ryan Adams Notes: TV/Airline Version SALMON FISHING CBS Television Distribution [Feature] IN THE YEMEN Producers: David S. Grant, Ryan Adams, Peter Molnar Notes: TV/Airline Version BATTLESTAR GALACTICA NBC Universal Studios [Pilot] Blood & Chrome Producers: David Eick, Paul Leonard Director: Jonas Pate Editor: Eric Lea THE BACK-UP PLAN CBS Television Distribution [Feature] Producers: Ryan Adams, David S. Grant, Peter Molnar Notes: TV/Airline Version EXTRAORDINARY CBS Television Distribution [Feature] MEASURES Producers: Ryan Adams, David S. Grant, Peter Molnar Notes: TV/Airline Version FASTER CBS Television Distribution [Feature] Producers: Ryan Adams, David S. Grant, Peter Molnar Notes: TV/Airline Version HAWAII FIVE-0 CBS Television Distribution [Episodic] Producers: Ryan Adams, David S. Grant, Peter Molnar Notes: Original Series - Syndication Cut Downs VIRTUALITY NBC Universal Studios [TV Movie] Producers: Ronald D. Moore Director: Peter Berg VFX Editor: Eric Lea REAPER ABC Studios [Episodic] Producers: John Blair, Scottee Angel Editors: Jim Towne, Joe Hobeck, Chris Cooke CSI-NY CBS Paramount Network [Episodic] Producers: Geoffrey Hemwall, David Yoneshige Editors: Bill Zabala, Barry Leirer, John Keris FRIDAY NIGHT LIGHTS NBC Universal Studios [Pilot] Producers: Peter Berg, Jeff Henry Director: Peter Berg Editor: Conrad M. Gonzalez THE SOPRANOS HBO [Episodic] Producers: Martin Bruestle, Gianna Smart Editor: Tammis Chandler FOR ONE NIGHT VZS Productions/Lifetime Channel [Cable Movie] Producers: Robert Sertner Director: Ernest Dickerson Editor: Stephen Lovejoy SEE ARNOLD RUN A&E Television Networks [Cable Movie] Producer: Roee Sharon-Peled Director: JB Rogers Editors: Paul Dixon, Stephen Lovejoy Page 1 MARY PRITCHARD Assistant Picture Editor marympritchard@yahoo.com (310) 963-6635 THE DISTRICT CBS Productions [Episodic] Producers: Geoffrey Hemwall, Pam Veasey/Alicia Hirsch, John Wirth Editor: Barry Leirer A WALK IN THE PARK ABC Family/von Zernick/Sertner Films [Cable Movie] Producers: Ted Babcock, Robert M. Sertner Director: Steven Schachter Editor: Paul Dixon FOR ALL TIME CBS/Rosemont Productions Ltd. [Cable Movie] Producer: David Rosemont Director: Steven Schachter Editor: Paul Dixon THE THIRD WHEEL AR Productions [Feature Film] Producers: Ben Affleck, Lewis G. Friedman Director: Jordon Brady Editor: Sam Citron SECRET LIVES OF GIRLS Her Way LLC [Feature Film] Producer: Dan Prada Director: Holly Goldberg Sloan Editor: Shawna Callahan I’M LOSING YOU Lions Gate Films [Feature Film] Producer: Theresa Kelly Director: Bruce Wagner Editor: Janice Hampton, Shawna Callahan SOUTH BY SOUTHWEST CBS TV/Corymore Productions, Inc. [Cable Movie] Producers: Mark Burley, David Shaw Director: Anthony Shaw Editor: Stan Cole BABY GENIUSES Sony Pictures Entertainment [Feature Film] Producers: David Saunders, Steven Paul Director: Bob Clark Editor: Stan Cole MRS. SANTA CLAUS CBS/Hallmark Entertainment [Cable Movie] Producers: Boyce Harman, Mark Burley Director: Terry Hughes Editor: Stan Cole SECRETS FROM Lavin Entertainment/Family Prod. Inc. [Cable Movie] THE ROSE GARDEN Producer: Linda Lavin, Alicia Hirsch Director: Bob Clark Editor: Stan Cole THE HEIDI CHRONICLES TNT/Writer’s Cinema [Cable Movie] Producer: Michael Brandman Director: Paul Bogart Editor: Stan Cole ABOVE SUSPICION HBO/Rysher Entertainment [Cable Movie] Producer: Bill Hart Director: Steven Schachter Editor: Martin Hunter IT RUNS IN THE FAMILY MGM [Feature Film] Producers: Bruce Markoe, Rene Dupont Director: Bob Clark Editor: Stan Cole RIO DIABLO ABC TV/Kenny Rogers Productions [Cable Movie] Producer: Ken Kragen Director: Rod Hardy Editor: James Mitchell THE HEART OF JUSTICE TNT/Amblin Entertainment [Cable Movie] Producer: Steven Spielberg, Michael Brandman Director: Bruno Barreto Editor: Bruce Canon HABITATION OF DRAGONS TNT/Amblin Entertainment [Cable Movie] Producer: Michael Brandman Director: Michael Lindsay-Hogg Editor: Claudia Finkle MOTORAMA Planet Productions [Feature Film] Producer: Donald P. Borchers Director: Barry Shils Editor: Peter H. Verity EATING International Rainbow Pictures [Feature Film] Producer: Judith Wolinsky Director: Henry Jaglom Editor: Henry Jaglom JAKARTA Troma Entertainment [Feature Film] Producer: Susan Kaufman Director: Charles Kaufman Editor: Michael Spence Page 2 .
Recommended publications
  • K E N F a R M
    KEN FAR MER (Partial Resume- Actor/Director) Ht: 6ft., Wt: 200 Eyes: Blue, Hair: Grey SELECTED FEATURE FILMS DIRECTOR ROCKABILLY BABY Writer/Director KEN FARMER FRIDAY NIGHT LIGHTS PETER BERG RED RIDGE Co-STAR DAMIAN SKINNER THE NEWTON BOYS RICK LINKLATER ROCKET MAN STUART GILLARD LAST OF THE WARRIORS (STAR, - Above Title) LLOYD SIMANDLE MANIAC WARRIORS (STAR) LLOYD SIMANDLE SILVERADO LAWRENCE KASDAN UNCOMMON VALOR TED KOTCHEFF SPLIT IMAGE TED KOTCHEFF EMPIRE OF ASH (STAR - Above Title) MICHAEL MAZO POWER PLAY AL FRAKES SELECT MOVIES OF THE WEEK AND EPISODIC TELEVISION (Star, Co-Star, Guest Star) “THE GOOD GUYS” FOX SANFORD BOOKSTAVER "TOO LEGIT TO QUIT" VH1 ARTIE MANDELBERG "THE PRESIDENT'S MAN" CBS MICHAEL PREECE "WALKER, TEXAS RANGER" CBS MICHAEL PREECE "LOGAN'S WAR" CBS MICHAEL PREECE "WALKER, TEXAS RANGER" CBS TONY MORDENTE "AUSTIN STORIES" MTV (STAR) GEORGE VERSHOOR "WALKER, TEXAS RANGER" CBS ALEX SINGER "WALKER, TEXAS RANGER" CBS TONY MORDENTE "WALKER, TEXAS RANGER" CBS MICHAEL PREECE "WALKER, TEXAS RANGER" CBS TONY MORDENTE "ANOTHER PAIR OF ACES" CBS (STAR) BILL BIXBY "AMERICA'S MOST WANTED" FOX (STAR) TOM SHELLY "HIGH MOUNTAIN RANGERS" CBS GEORGE FENNEDY "DALLAS" CBS LEONARD KATZMAN "GENERAL HOSPITAL" ABC (RECURRING) MARLENA LAIRD "DALLAS" CBS LEONARD KATZMAN "BENJI" CBS (STAR) JOE CAMP "DALLAS, WHO SHOT J.R.?" CBS LEONARD KATZMAN "BENJI" CBS (STAR) JOE CAMP "JAKE'S WAY" CBS RICHARD COLLA "BACKLOT" NICK (STAR) GARY PAUL "DALLAS" CBS MICHAEL PREECE "DALLAS" CBS LEONARD KATZMAN "SUPERIOR COURT" (2) NBC (STAR) HANK GRIMER SPECIAL ABILITIES EXPERT HORSEMAN: ALL SPORTS: COLLEGE ALL-AMERICAN, FOOTBALL: EXCELLENT SWIMMER: DIVING: SCUBA: WRESTLING: HAND-TO-HAND COMBAT: USMC: FAMILIAR WITH ALL TYPES OF FIREARMS: CAN FURNISH OWN FILM TRAINED HORSE: BACHELOR'S DEGREE - SPEECH & DRAMA : GOLF: AUTHOR OF "ACTING IS STORYTELLING ©" : ACTING COACH: STORYTELLING CONSULTANT: PRODUCER: DIRECTOR Web Site - www.kenfarmer-author.net THEATRICAL AND COMMERCIAL DVD & AUDIO TAPES AVAILABLE LINDA McALISTER TALENT - 972-938-2433.
    [Show full text]
  • Town of Mount Pleasant, South Carolina
    (CORRECTED MINUTES: Pages 18 and 19 should have read that the Mount Pleasant Waterworks Impact Fee amount is $4,990 not $49.90) TOWN OF MOUNT PLEASANT, SOUTH CAROLINA WATER SUPPLY COMMITTEE Monday, October 2, 2017 Municipal Complex, Committee Meeting Room, 3rd Floor 100 Ann Edwards Lane Mount Pleasant, SC 29464 Revised Minutes Members Present: Mark Smith, Chair, Joe Bustos and Gary Santos Staff: Eric DeMoura, Town Administrator Also Present: Dionna Ebeling, Community Engagement & Communications Director; Terry Hughes, Meter Solutions Supervisor; Susan Mellichamp, Vice Chair, MPW Commission 1. Approval of Minutes from the July 31, 2017 meeting Mr. Santos moved for approval; seconded by Mr. Bustos. All present voted in favor. 2. Public Comments [None] 3. Mount Pleasant Waterworks a. Update on the Advanced Metering Infrastructure Project Dionna Ebeling, MPW’s Community Engagement & Communications Director, stated that they came before Council previously regarding the AMI (Advanced Metering Infrastructure) project. She said that MPW currently has an AMR system, which requires that metering vehicles ride through the Town and collect readings. She stated on the AMR, there have been misreads and repeat visits. Water Supply Committee October 2, 2017 Page 2 of 21 She stated that with new infrastructure, MPW recently launched the AMI project, which officially kicked off in July. She stated that she would also like to introduce Mr. Terry Hughes, who is new to MPW and is the Meter Solutions Supervisor and has vast experience with AMI and with Senses and is a great asset to the team. Water Supply Committee October 2, 2017 Page 3 of 21 She stated that the next illustration is how the new meters look and the biggest change is now you will see a small antenna out of the top of the cover, which is what MPW relies on to feed information back.
    [Show full text]
  • The Construction of Muslim Terrorism in the Kingdom Movie (2007) Directed by Peter Berg: a Reception Theory Magister of Language
    THE CONSTRUCTION OF MUSLIM TERRORISM IN THE KINGDOM MOVIE (2007) DIRECTED BY PETER BERG: A RECEPTION THEORY PUBLICATION ARTICLE Submitted as a Partial Fulfillment of the Requirements for Getting Master Degree of Education in Magister of Language Study by: Agung Budi Santoso S200130035 MAGISTER OF LANGUAGE STUDY MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2015 i ii iii 1 THE CONSTRUCTION OF MUSLIM TERRORISM IN THE KINGDOM MOVIE (2007) DIRECTED BY PETER BERG: A RECEPTION THEORY Agung Budi Santoso Magister of Language Study Muhammadiyah University of Surakarta Abstract This study belongs to the literary study. This study analyzes the construction of Muslim terrorism based on reader response reflected in The Kingdom Movie (2007). There are two objectives of the study, the first is to describe the dominant issues by the reviewers in applying reader response theory to Peter Berg‟s The Kingdom movie, and the second is to explain the reason why the dominant issue are perceived differently by reviewers. This study is a qualitative study and using two data sources; they are primary and secondary data. The primary data source is the reviews of The Kingdom movie (2007) by Peter Berg from IMDb (Internet Movie Database). The secondary data of this study are taken from other sources such as literary book, previous studies, articles, journals, and also website related to reader response theory. This study aimed to reveal how the cultural reader response reflected to The Kingdom movie. The dominant issue which is respond by the reviewers is the terrorism dealing with the culture reader response. Keywords: Culture Reader Response, Richard Beach, The Kingdom Abstrak Penelitian ini termasuk dalam penelitian sastra.
    [Show full text]
  • Popular Cultural Islamophobia
    CHAPTER 4 POPULAR CULTURAL ISLAMOPHOBIA Muslim representations in Films, News Media, and Television Programs INTRODUCTION Thus far in the book, we have examined Islamophobia from a theoretical perspective, as well as how it manifests in political discourse, and policies and legislation in the context of the War on Terror. Negatively evaluated beliefs and perceptions of Muslims in the post-9/11 context have also been strongly influenced and informed by representations in popular cultural mediums such as film, news media, and television programs. The impact of media in the construction of race has been discussed in great detail by Stuart Hall (1996), as he states, “the media construct for us a definition of what race is, what meaning the imagery of race carries, and what the ‘problem of race’ is understood to be” (p. 161). Indeed, after 9/11 depictions of Muslim terrorists flooded TV and cinema screens reinforcing narratives in the news media about ‘dangerous Muslim men’ and ‘imperilled Muslim women’. This chapter examines Muslim representations in popular cultural mediums after 9/11. The reason I have devoted an entire chapter on analyzing Muslim representations in popular cultural mediums is because a number of people I interviewed for this book directly and unambiguously discussed how they felt the ‘media’ negatively portrayed Muslims and that these depictions have facilitated the growth of stereotypes of Muslims in Canadian society and secondary schools. This chapter examines the types of media that participants discussed in the interview process to demonstrate how these media have circulated the tropes of ‘dangerous Muslim men’, ‘imperilled Muslim women’, and Muslim cultures as being monolithic.
    [Show full text]
  • Melina Root Costume Designer
    MELINA ROOT COSTUME DESIGNER TELEVISION DIRECTOR STUDIO/NETWORK NO TOMORROW (Pilot) Brad Silberling CBS Television/The CW CRAZY EX-GIRLFRIEND (Pilot, Season 1) Marc Webb CBS Television/The CW STATE OF AFFAIRS (Pilot) Joe Carnahan Universal Television GUYS WITH KIDS (Pilot & Series) Scott Ellis (Pilot) Universal Television/NBC BROTHERS AND SISTERS Various Touchstone/ABC (Season 2: Episodes 13-16 & Seasons 3-5) Warner Bros./Adult Swim HITCHED (Pilot) Rob Greenberg Warner Bros./CBS th MISS GUIDED (Series/Season 1) Todd Holland (Pilot) 20 Century Fox/ABC PLAYING CHICKEN (Pilot) John Pasquin Warner Bros./FOX 20 GOOD YEARS (Pilot & Series) Terry Hughes Warner Bros./NBC NEIGHBORS (Pilot) Jeff Melman Touchstone/ABC INSEPARABLE (Pilot) Pam Fryman NBC Universal/CBS THAT 80’S SHOW (Pilot & Series) Terry Hughes Carsey-Werner/FOX THAT 70’S SHOW (Pilot & Series) David Trainer Carsey-Werner/FOX Emmy Award: Outstanding Costumes for a Series, 1999 Emmy Nominations: Outstanding Costumes for a Series, 2002-2004 Costume Designers Guild Awards Nominations, 2000-2001, 2003, 2005 RD 3 ROCK FROM THE SUN (Pilot/Series) James Burrows (Pilot), Terry Hughes Carsey-Werner/NBC 1997 Emmy Award Outstanding Costumes for a Series, “Nightmare on Dick Street” 1998 Emmy Nomination: Outstanding Costumes for a Series, “36, 24, 36 Dick” 2000 Costume Designers Guild Awards Nomination NORMAL, OHIO (Pilot & Season 1: Episodes 1-6) Philip Charles MacKenzie Carsey-Werner/NBC TOWNIES (Pilot) Pam Fryman Carsey-Werner/ABC THE MARTIN SHORT SHOW (Series/Special) John Blanchard NBC SATURDAY NIGHT LIVE (Seasons 16-19) Various NBC LATE NIGHT WITH CONAN O'BRIEN Various NBC (Wardrobe Redesign for Hosts) FEATURES DIRECTOR STUDIO BROTHERS SOLOMON Bob Odenkirk Revolution Studios WAYNE'S WORLD II Stephen Surjik Paramount Pictures MURTHA SKOURAS AGENCY 1025 COLORADO AVENUE, SANTA MONICA, CA 90401 PHONE 310.395.4600 | FAX 310.395.4622 WWW.MURTHASKOURAS.COM .
    [Show full text]
  • KATHRINE GORDON Hair Stylist IATSE 798 and 706
    KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 inquiries@miltonagency.com www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell
    [Show full text]
  • 'Perfect Fit': Industrial Strategies, Textual Negotiations and Celebrity
    ‘Perfect Fit’: Industrial Strategies, Textual Negotiations and Celebrity Culture in Fashion Television Helen Warner Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film and Television Studies Submitted July 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. Helen Warner P a g e | 2 ABSTRACT According to the head of the American Costume Designers‟ Guild, Deborah Nadoolman Landis, fashion is emphatically „not costume‟. However, if this is the case, how do we approach costume in a television show like Sex and the City (1998-2004), which we know (via press articles and various other extra-textual materials) to be comprised of designer clothes? Once onscreen, are the clothes in Sex and the City to be interpreted as „costume‟, rather than „fashion‟? To be sure, it is important to tease out precise definitions of key terms, but to position fashion as the antithesis of costume is reductive. Landis‟ claim is based on the assumption that the purpose of costume is to tell a story. She thereby neglects to acknowledge that the audience may read certain costumes as fashion - which exists in a framework of discourses that can be located beyond the text. This is particularly relevant with regard to contemporary US television which, according to press reports, has witnessed an emergence of „fashion programming‟ - fictional programming with a narrative focus on fashion.
    [Show full text]
  • Catalogue of Photographs of Performers at the Embassy Theatre
    Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies.
    [Show full text]
  • Macee Mcallister & Family-Bred TW Lane Ta Fame Earn NHSFR
    July 23, 2019 Volume 13: Issue 30 In This Issue: • FAB Classic Tour, pg 11 • 5 State Breeders, pg 16 • Equi-Stat Futurity Standings, pg 27 • Elite Youth Extravaganza & Summer Sizzle, pg 29 • Pro Rodeos, World Standings & Rookie Standings, pg 33 Published Weekly, online at www.BarrelRacingReport.com - Since 2007 Macee McAllister & Family-Bred TW Lane Ta Fame Earn NHSFR Championship By Tanya Randall Macee McAllister of St. George, Utah, made the most of her Dash For Cash first trip to the National High School Finals Rodeo, held July 14- First Down Dash SI 114 20 in Rock Springs, Wyoming, with a barrel racing championship SI 105 First Prize Rose aboard her family’s homebred mare, TW Lane Ta Fame (“Lainey”). Dash Ta Fame SI 99 “It’s just so crazy,” said in the incoming high school senior. “I SI 113 still can’t believe it! It’s honestly shocking! You always go in hoping, Tiny’s Gay Sudden Fame SI 106 but it’s cool when you actually do it.” SI 98 McAllister and Lainey placed third in each round with runs of Bar Dearie 17.474 and 17.364, respectively. SI 90 “I was up Monday morning for my first run,” she explained. “I TW Lane Ta Fame don’t get very nervous. I wasn’t nervous for that run. I just wanted si 83, 2005 Sorrel Mare to go out and make a good run. She actually stumbled a little on the Leinster House second barrel. She pulled the reins out of my hand but I was able to Lanes Leinster TB grab them really quick and keep her going.
    [Show full text]
  • Weller Credits 2019
    Production Design and Art Direction United Scenic Artists, Local 829 IATSE 505 Court Street 7P, Brooklyn NY 11231 NYC 212 9797761 Los Angeles 310 3981982 david@wellerdesign.com IMDB: http://www.imdb.com/name/nm0919860/ LINKEDIN: www.linkedin.com/in/wellerdesign www.wellerdesign.com Production Design and Art Direction for film, television and theater. Extensive experience in single and multi camera art direction for features and network/cable television. Skillful, meticulous budgeting combined with quick and accurate drafting. Expertise in assembling and managing crews. Multiple Emmy Awards. Series NEW AMSTERDAM – Network Series - NBC UNIVERSAL 2019 Art Director ARMISTEAD MAUPIN’S TALES OF THE CITY – Mini Series- NETFLIX 2019 Assistant Art Director FIRST WIVE’S CLUB – PARAMOUNT NETWORK 2018 Art Director JESSICA JONES SEASON 3 - MARVEL PRODUCTIONS - NETFLIX 2018 Assistant Art Director JULIE’S GREENROOM – JIM HENSON PRODUCTIONS - NETFLIX –2016 Art Director QUANTICO – ABC - 2016 Assistant Art Director Feature Film LOST GIRLS – NETFLIX 2018 Art Director THE COMMUTER – LIONSGATE -2017 Assistant Art Director BRAWL IN CEL BLOCK 99 - RLJE FILMS - 2017 Art Department THE PERFECT GENTLEMAN – SHORT - 2010 Production Design BAD LIEUTENANT –ARIES FILMS -1992 Set Designer THE RAPTURE - FINE LINE FEATURES - 1991 Set Designer THE BLOODHOUNDS OF BROADWAY – COLUMBIA PICTURES - 1989 Assistant Art Director Live Events THE NEW LEVANT - KENNEDY CENTER 2018 GLAMOUR WOMEN OF THE YEAR- CONDE NAST Carnegie Hall 2016, 2017 ALICIA KEYS FOR VEUVE CLIQUOT – Liberty
    [Show full text]
  • HU Da Nang Base
    Dollir N it P n M Hitt W«ik ttiSd ?»»• M. INS 14,169 «r (k» Aodlt "«AMUI i# OiroHlitlM MaHehm&tmr^A City of Village Charm \ * y G L LXXXIV, NO. M l (TWBNTT.FOUR PA6Bft->TW0 SECTIONS) ' MANCHESTER, CONN., .THURSDAY, JULY 1, i m Baldwin To Head Conclave HARTFORD (AP) — Grov. John N. Dempsey called on delegates to the third constitutional con­ vention in Connecticut his­ tory today to do their ut­ most toward “ the swift and satisfactory dis­ charge" of the precise duties facing them. "Our ConnecUcut oonatltution does not, according to judicial opinion, give every citizen his right to an equal vote,” Demp­ sey told the opening session that met in an atmosphere of tradi­ tion and bipartisan accord. (Herald Photo by O(lara) "The very first objective of this convention, then, must be Judge House (right) Receives Oath from Chief Justice Kiug to correct those porUons of our consUtutton which have in­ fringed upon these rights of the people. ^ "L e t us apply our maximum Judge House Takes Oath efforts to the swift and satis­ factory discharge of the precise duties facing us.” The opening session of the convenUon, the first since 1602, Gov. Dempsey Addresses Constitiftional .Cbnventioii Odlq^ates Of State Supreme Court was held in the Old State House where the existing constituUon was written at a convention in B;r SOI. R. COHEN < Chief Justice ^ in g said, "1^ Justice House was appointed 1818. Morse Urges Peace Talks In a brief ceremony, wit­ consider,j-_ it... a- high'’ honor and a I Supreme Court of Er- Dempsey said the convention Jet Breaks nessed by about 60 state privilege to' Install the oath of roM wAiile eeevlng as chief wiU give "new expression to our office to my friend, Charles' Judge of the State Superior Connecticut tradition disnitaries, relatives and House or.
    [Show full text]
  • HBO: Brand Management and Subscriber Aggregation: 1972-2007
    1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
    [Show full text]