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The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
I Still Believe
I still believe I still believe was first recorded by Bunny DeBarge in 1986. A year later, Chrysalis artist Brenda K. Starr also recorded a version of the song, who just happened to be employing a back-up singer 0351 5” CD-Single from Austria named Mariah Carey at the time. In 1998, Mariah recorded her own SAMPCS 6452 promo in slimline jewelcase version for her compilation album #1’s. I still believe was released as a single on February 9, 1999 in the USA and on March 1, 1999 Tracklisting: in Europe. On February 23, a remix single, called I still believe/Pure 1. I still believe (Album Version) imagination, was released. On the back cover is a little message for the dj’s: “I want to thank everyone at radio for your continued support. I appreciate ya! Love, Mariah.” On January 5, 2001, Kathi Pinto, a songwriter from California, filed a copyright infringement lawsuit in United States District Court for the Central District of California over the single. Kathi alleges in the suit that she co-wrote a song entitled I still believe in 1981, which was sold to music publisher Galen Senogles at Simple Song Music that same year. As the song switched hands among various publish- 0986 5” CD-Single from Austria SAMPCS 666781-8 ers and record execs over the years through Pinto’s desire for a re- promo without sleeve cording contract, it eventually ended up in the hands of Tom Sturges at Chrysalis Records around 1985. Sturges allegedly helped pen a Tracklisting: tune called I still believe with Antonina Armato and Beppe Canarelli. -
DVR-A03 Product Brochure
DVD-R/RW,CD-R/RWDVD-R/RW writer Writer DVR-A03 *1 The World’s First! One drive... One complete recording solution Writes: DVD-R*2, DVD-RW, CD-R, CD-RW Reads: DVD-ROM, DVD-Video, DVD-R, DVD-RW, CD-ROM, CD-R, CD-RW, CD-TEXT, Photo CD, Audio CD *1As of March 2001 *2DVD-R For General media DVR-A03 Appearance DVR-A03 Specifications Write Support DVD-R (4.7 GB For General disc only*), DVD-RW, CD-R, CD-RW* Front Panel 1 2 Read Support DVD-ROM single layer/dual layer, DVD-R (all types), DVD-RW, CD-ROM Mode1, CD-ROM XA Mode2 (form 1, form 2), CD-TEXT, Photo CD (single and multiple session), CD-DA (Audio CD), CD-Extra, CD-R, CD-RW (Supports AM2) Write Speed DVD-R 2X-CLV (2.76 MB/s), 1X-CLV (1.38 MB/s) DVD-RW 1X-CLV (1.38MB/s) CD-R 8X-CLV (1.41 MB/s), 4X-CLV (0.70 MB/s) CD-RW 4X-CLV (0.70MB/s) Read Speed DVD-ROM (Single) Max. 4X-CAV (5.52 MB/s) DVD-ROM (Dual) 2X-CLV (2.76MB/s) DVD-R, DVD-RW 2X-CLV (2.76 MB/s) 3 4 5 6 7 8 CD-ROM Max. 24X-CAV (4.23MB/s) CD-R,CD-RW Max. 16X-CAV (2.82MB/s) CD-Audio Max. 10X-CAV (1.76MB/s) Rear Panel 9 Video-CD 4X-CLV (0.70MB/s) Access Time DVD 200 Msec (Randam Average) CD 180 Msec *When DVD-ROM Single Layer Disc and CD-ROM Mode1 Disc are used Interface ATAPI (ATA/ATAPI-5 & SFFC INF8090 Ver.5) Data Buffer 512 kBytes (Read) 2Mbytes (Write) Mounting Orientation Horizontal only Power Requirement +5V +12V 1.2A 0.9A Power Consumption Maximum 23.8W 10 11 12 13 Regulatory Approval UL,CSA,TÜV, CB Report, FIMKO, SEMKO, FCC Class B, FDA, CE Marking, C-Tick, CISPR-22B, Korean EMC, Taiwan EMC Front Panel: 1.Disc Loading Tray 5.Ventilation Holes Dimensions (W x H x D) 148 x 42.3 x 207.5 mm 5-13/16" x 1-11/16" x 8-2/16" 2.Forced Eject Hole 6.Disc Indicator Net Weight 1.1 kg 2 lbs. -
RIAA'') Is Pleased to Provide
Before the UNITED STATES COPYRIGHT OFFICE Washington, D.C. In the Matter of: Docket No. 2014-03 Music Licensing Study: Notice and Request for Public Comment COMMENTS OF THE RECORDING INDUSTRY ASSOCIATION OF AMERICA, INC. The Recording Industry Association of America, Inc. ("RIAA'') is pleased to provide these Comments in response to the Copyright Office's Notice oflnquiry ("NOI") in the above- captioned proceeding. See Music Licensing Study: Notice and Request for Public Comment, 79 Fed. Reg. 14,739 (Mar. 17, 2014). RIAA is the trade association that represents the music companies that create, manufacture and/or distribute approximately 85% of all legitimate recorded music produced and sold in the United States. The issues raised in the NOi are critically important to RIAA's members. The musical works they license to include in their releases are an essential part of those releases, and they are major licensees of musical works. They are also copyright owners or distributors of audio-only and audiovisual sound recording releases accounting for the vast majority of music usage. Sound recordings and the musical works incorporated therein are subject to disparate licensing systems, including three completely separate systems just for musical works (i.e., for mechanical, performance and synchronization rights). Unfortunately, while the systems for sound recordings are working reasonably well in many respects, there is an emerging consensus that the systems for licensing musical works are not. Accordingly, the question is not whether change would be desirable, but whether it will be possible to achieve consensus concerning what changes should be made to improve musical work licensing. -
Paul Mccartney, 1980-1999
Paul McCartney from Wings through the 90's McCartney II Columbia FC‐36511 May 21, 1980 About ten years after recording McCartney by himself, Paul got several songs together and recorded them‐‐again alone‐‐on somewhat of a lark. Then Paul embarked on his ill‐fated 1980 tour of Japan (which resulted in his being jailed for drug possession). After returning to the safety of his own home, he was urged to release the album, and he did. The album contrasts well with McCartney, for this second production contains numerous instruments and electronic tricks that were not present on the 1970 release. Side One is particularly interesting. The solo version of "Coming Up" is followed by the fun track, "Temporary Secretary" (released as a single in England). The almost‐lament, "On the Way," is then succeeded by "Waterfalls," Paul's second (US) single from the album. "Bogey Music," from Side Two, is also a standout. John Lennon heard a song from McCartney II and thought that Paul sounded sad. When the album was released in the US, a bonus one‐sided single ‐‐ the hit version of "Coming Up"‐‐was included with the LP. This hit was enough to propel the album to the #3 position on the charts, during a time when disco was now on the wane. "Waterfalls" Columbia 1‐11335 Jul. 22, 1980 The lovely ballad about protectiveness was one of the standouts from McCartney II. After "Coming Up," it received the most airplay and the most positive response from Paul's friends. As a single, though, the song fared poorly, only reaching #83...one of Paul's worst showings to date. -
DVR-221LBK Internal DVD/CD Writer Serial ATA Interface
DVR-221LBK Internal DVD/CD Writer Serial ATA Interface DVD-R/-RW, DVD+R/+RW, DVD-R/+R DL & CD-R/RW PRODUCT OVERVIEW The DVR-221LBK high speed DVD burner from Pioneer enables computer users to watch DVD movies, create personal DVD movies, make digital photo slideshows, burn music CDs and back up data files onto recordable DVD and CD discs with ease (software not included). The DVR- 221LBK also works with dual layer discs, increasing the capacity of a disc from 4.7 to 8.5 GB for even more storage space. Writing Speeds: 24x for DVD-R/+R and 12x for DVD-R/+R (DL) Dual/Double Layer: Nearly double the capacity of a single layer recordable DVD-R (8.5 GB vs 4.7 GB) LabelFlash: Allows users to create custom labels by utilizing the drive’s laser to burn images onto blank CD or DVD Labelflash™ media RoHS Directive & WEEE Directive Compliant Pioneer DVR-221LBK Internal DVD/CD Writer Specifications Writes up to 24x on DVD-R/+R, up to 12x on DVD-R/+R (DL) & DVD-RAM, up to 6x on DVD-RW, and up to 8x on DVD+RW media Writes up to 40x on CD-R media and up to 24x on CD-RW media Reads DVD-ROM, DVD-VIDEO (single & dual layer), DVD-R (single & double layer), DVD-RW, DVD+R (single & double layer), DVD+RW & DVD-RAM Reads CD-ROM (Mode 1& 2), CD-ROM XA Mode 2, CD-DA (CD Audio), Video CD, Photo CD (single/multi-session), CD EXTRA, CD-Text, CD-R, CD-RW Supports 8cm discs with drive in horizontal orientation Installs vertically or horizontally Serial ATA interface 1.5 MB buffer memory Written discs plays on both DVD-Video players & DVD-ROM drives (check manufacturer’s website for compatibility with older models) Works with Microsoft® Windows® operating systems including: 8, 7, Vista®, and XP Weighs 1.43 lbs (650g) Physical Dimensions: 5.83” (W) x 6.74” (D) x 1.67” (H) (148mm) (171.2mm) (42.3mm) Please visit us at: www.pioneerelectronics.com/drives . -
Ljnited States Department of the Interior JU N
lJnited States Department of the Interior BUREAU OF INDIAN AFFAIRS WASHINGTON, D.C. 20245 JU N - 8 1984 IN REPLY REFER TO: Tribal Government Services-FA MEMORANDUM To: Assist~mt Secretary - Indian Affairs From:AcUng De~luty Assistant Secretary - Indian Affairs (Operations) Subject: Reeommendation and summary of evidence for proposed finding against Feceral acknowledgment of the Principal Creek Indian Nation East of the Mississippi of Alabama pursuant to 25 CFR 83. RECOMMENDA nON We recommend that the Principal Creek Indian Nation East of the Mississippi (PCN) not be acknowledged as an Indian tribe entitled to a government-to-government relationship with the United Stlltes. We further recommend that a letter be forwarded to the petitioner advising them of the proposed finding, and that a notice of the proposed finding that they do not exist as an Indian· tribe within the meaning of Federal law be published in the Federal Register. GENERAL CONCLUSIONS The Principal Creek Indian Nation East of the Mississippi is an organization of Creek descendants formed in 1969 at Florala, Alabama. The membership does not now and has not historically formed a community distinct from surrounding populations. It is not a formalization 0: a previously existing community and has no historical link other than descendancy of its members with the historical Creek Nation. It has only been identified as an Indian enti ty since its formation in 1969 and no identi"fications were found of predecessor communities. Membership has varied significantly during the organization's existence, and is eurrently much narrower than when it was originally formed. Significant political authority or' other political processes have not operated within the group since its formation and no antecedent leaders or community within which political processes might have operated were found to have existed. -
UNIVERSITY of CALIFORNIA RIVERSIDE Pretty Girl Inside Now
UNIVERSITY OF CALIFORNIA RIVERSIDE Pretty Girl Inside Now Thesis submitted in partial satisfaction of the requirements for the degree of Master of Fine Arts in Creative Writing and Writing for the Performing Arts by Aleksandr Conrad Peterson June 2014 T hesis Committee: Professor Michael Jayme, Chairperson Professor Susan Straight Professor Charmaine Craig Copyright by Aleksandr Conrad Peterson 2014 The Thesis of Aleksandr Conrad Peterson is approved: Committee Chairperson University of California, Riverside Acknowledgments I first thank my committee members for their dedicated reading and critiquing of this novel. Your comments have cause many small heartaches along the way, but saved me from large ones in the future. I especially appreciate Michael's relentless support and encouragement, specifically his admonition to keep working and “remember [him] after Labor Day.” I thank my longsuffering wife for the grace she's extended during these two years of late nights juxtaposed with early mornings. This book has consumed me, at times, but I love you more. I t is perhaps odd to thank something so abstract as a deity. Yet, God has provided my imagination with the places, characters, and truths that became this book, which is far from abstract. And so I do thank Him. iv For Brittany v CHAPTER I Alice has been cleaning sneakers for several months now at the Fresh Kicks kiosk in the mall. If she were to leave her counter, take the escalator to the upper level, walk past the custom imprints shop and the Looking Fine men's store and the massage booth run by the Cambodian man whose soliciting voice is so loud she can hear it on the lower level, and if she were brave enough to look left then, across from Sally's Saltwater Taffy, she would see the Millennium Diamond store where her ex-husband bought her engagement ring in a time that seemed both more dispiriting and more purposeful than her life now. -
Music Sales in the Age of File Sharing
Music Sales in the Age of File Sharing Eric S. Boorstin Submitted to Princeton University Department of Economics In Partial Fulfillment of the Requirements for the A.B. Degree April 7 For my parents, who make everything possible Table of Contents Acknowledgements 1 Abstract 2 I. Background ____________________________________________________ 3 A. Introduction __________________________________________________ 3 B. Technological Background ____________________________________ 4 C. Music Industry Background ___________________________________ 9 II. Preliminary Analysis ________________________________________ 15 A. Have Music Sales Been Hurt? ________________________________ 15 B. What Factors Affect Music Sales?_____________________________ 19 C. What is the Predicted Effect of File Sharing?___________________ 37 III. Academic Research _________________________________________ 40 IV. Model________________________________________________________ 46 A. Overview ___________________________________________________ 46 B. Data Sources ________________________________________________ 47 C. Variables____________________________________________________ 50 D. Specification ________________________________________________ 54 V. Results_______________________________________________________ 57 A. Primary Results______________________________________________ 57 B. Caveats _____________________________________________________ 59 C. Secondary Results ___________________________________________ 60 VI. Conclusion __________________________________________________ -
March 25 April 1
MARCH 25 ISSUE APRIL 1 Orders Due February 26 7 Orders Due March 4 axis.wmg.com 3/25/16 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Birdy Beautiful Lies ATL CD 825646482061 554263 13.99 2/26/16 Graham, Lukas Lukas Graham WB CD 093624921806 553552 13.99 2/26/16 Hardy, Françoise Et si je m'en vais avant toi (Vinyl) PRH A 190295993511 59935 21.98 2/26/16 Hardy, Françoise La question (Vinyl) PRH A 190295993481 406415 21.98 2/26/16 John Hurt, Kenneth Branagh, Diana Rigg, Joseph Fiennes, Imelda When Love Speaks (Shakespears's Staunton, Alan Rickman, PRX CD 724355732125 557321 12.98 2/26/16 Sonnets) Barbara Bonney, Bryan Ferry, Annie Lennox, Rufus Wainright, etc. Last Update: 04/04/14 For the latest up to date info on this release visit axis.wmg.com. ARTIST: Birdy TITLE: Beautiful Lies Label: TLA/Trill Entertainment, LLC Config & Selection #: CD 554263 Street Date: 03/25/16 Order Due Date: 02/26/16 UPC: 825646482061 Box Count: 30 Unit Per Set: 1 SRP: $13.99 Alphabetize Under: B TRACKS Compact Disc 1 01 Growing Pains 08 Lifted 02 Shadow 09 Take My Heart 03 Keeping Your Head Up 10 Hear You Calling 04 Deep End 11 Words 05 Wild Horses 12 Save Yourself 06 Lost It All 13 Unbroken 07 Silhouette 14 Beautiful Lies ALBUM FACTS Genre: Pop ARTIST & INFO Hometown: Lymington, Hampshire, UK Since emerging onto the scene just two years ago, 17-year old Birdy (born Jasmine van den Bogaerde) has catapulted herself into a realm of pop stardom across the world and picked up many accolades along the way. -
Chapter 11. Conclusion: Ohlone/Costanoan Cultural Affinities
Chapter 11. Conclusion: Ohlone/Costanoan Cultural Affinities The Ohlone/Costanoan peoples of the San Francisco Bay and Monterey Bay areas were different from one another in language and culture in the ancient past, at the time of Spanish contact, in their Mission Period histories, and in their twentieth-century community reformations. Thus the ethnographic local tribes of the San Francisco Peninsula, who have only one known descendant family today, have more ties of historic continuity to todays Ohlone/Costanoans from other parts of the San Francisco Bay Area than they do with today’s Ohlone/Costanoans of the Monterey Bay Area. In the 1770s the San Francisco Peninsula was divided among separate local tribes—Aramai, Chiguan, Cotegen, Lamchin, Oljon, Puichon, Ssalson, Urebure, and Yelamu—all of whom are presumed to have spoken the Ramaytush dialect of the San Francisco Bay Costanoan language. By 1820 their elders were gone and their young people, by then Spanish-speaking Doloreños of Mission Dolores, were raising children with spouses that were often from distant groups, Bay Miwoks, Coast Miwoks, and Patwins. Over the next 100 years even the children of the old Doloreños disappeared from the public stage. Only one descendent family of San Francisco Peninsula Ohlone/ Costanoans can now be identified. The family descends from Francisca Xaviera of the Aramai local tribe (of modern Pacifica) and her husband Jose Ramos (from Tulanzingo, Mexico), who married at Mission Dolores in 1783. Their children and grandchildren considered themselves to gente de razón, and were so considered within the hierarchal world of early Hispanic California. Their modern descendents , who carry the surnames Cordero, Robles, and Soto, among others, have not participated as Indians in the modern cultural or political arenas. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Crush Garbage 1990 (French) Leloup (Can't Stop) Giving You Up Kylie Minogue 1994 Jason Aldean (Ghost) Riders In The Sky The Outlaws 1999 Prince (I Called Her) Tennessee Tim Dugger 1999 Prince And Revolution (I Just Want It) To Be Over Keyshia Cole 1999 Wilkinsons (If You're Not In It For Shania Twain 2 Become 1 The Spice Girls Love) I'm Outta Here 2 Faced Louise (It's Been You) Right Down Gerry Rafferty 2 Hearts Kylie Minogue The Line 2 On (Explicit) Tinashe And Schoolboy Q (Sitting On The) Dock Of Otis Redding 20 Good Reasons Thirsty Merc The Bay 20 Years And Two Lee Ann Womack (You're Love Has Lifted Rita Coolidge Husbands Ago Me) Higher 2000 Man Kiss 07 Nov Beyonce 21 Guns Green Day 1 2 3 4 Plain White T's 21 Questions 50 Cent And Nate Dogg 1 2 3 O Leary Des O' Connor 21st Century Breakdown Green Day 1 2 Step Ciara And Missy Elliott 21st Century Girl Willow Smith 1 2 Step Remix Force Md's 21st Century Girls 21st Century Girls 1 Thing Amerie 22 Lily Allen 1, 2 Step Ciara 22 Taylor Swift 1, 2, 3, 4 Feist 22 (Twenty Two) Taylor Swift 10 Days Late Third Eye Blind 22 Steps Damien Leith 10 Million People Example 23 Mike Will Made-It, Miley 10 Seconds Jazmine Sullivan Cyrus, Wiz Khalifa And 100 Years Five For Fighting Juicy J 100 Years From Now Huey Lewis And The News 24 Jem 100% Cowboy Jason Meadows 24 Hour Party People Happy Mondays 1000 Stars Natalie Bassingthwaighte 24 Hours At A Time The Marshall Tucker Band 10000 Nights Alphabeat 24 Hours From Tulsa Gene Pitney 1-2-3 Gloria Estefan 24 Hours From You Next Of Kin 1-2-3 Len Berry 2-4-6-8 Motorway Tom Robinson Band 1234 Sumptin' New Coolio 24-7 Kevon Edmonds 15 Minutes Rodney Atkins 25 Miles Edwin Starr 15 Minutes Of Shame Kristy Lee Cook 25 Minutes To Go Johnny Cash 16th Avenue Lacy J Dalton 25 Or 6 To 4 Chicago 18 And Life Skid Row 29 Nights Danni Leigh 18 Days Saving Abel 3 Britney Spears 18 Til I Die Bryan Adams 3 A.M.